Henry James COMPLETE CLASSICS RODERICK UNABRIDGED HUDSON Read by Adam Sims

Total Page:16

File Type:pdf, Size:1020Kb

Henry James COMPLETE CLASSICS RODERICK UNABRIDGED HUDSON Read by Adam Sims Henry James COMPLETE CLASSICS RODERICK UNABRIDGED HUDSON Read by Adam Sims Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin’s garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy’s great masters, while Rowland lives vicariously through Roderick, patiently hoping that the artist’s fiancée, Mary Garland, might one day share his feelings. Adam Sims trained at LAMDA. His recordings for radio include Total running time: 13:50:39 The World According to Humphrey and The Salamander Letter View our full range of titles at n-ab.com for the BBC. His screen and theatre credits include Band of Brothers (HBO), Lost in Space, The Madness of George III (West Yorkshire Playhouse), Alice in Wonderland (Royal Shakespeare Company), A Midsummer Night’s Dream (Regent’s Park) and Snake in Fridge (Manchester Royal Exchange), for which he won the award for Best Actor at the Manchester Evening News Theatre Awards. For Naxos AudioBooks, he has read Mowat’s Never Cry Wolf, and James’s Washington Square and The Aspern Papers, among other titles. 1 Roderick Hudson 9:17 21 When the two ladies withdrew… 9:57 2 ‘The only thing is,’ he said… 11:22 22 Chapter 4 12:59 3 When he was about fifteen… 10:31 23 There is an ancient terrace at Geneva… 8:44 4 In the evening, as he was smoking his cigar… 6:48 24 Rowland then remembered that one of the Baden… 9:23 5 Rowland, who was but a moderate talker… 9:08 25 Rowland offered several criticisms of detail… 10:15 6 This graceful young scoffer reappeared a couple… 14:15 26 Mrs Light, who through her long, gold-cased glass… 8:50 7 Chapter 2 9:13 27 ‘I have known the mamma for twenty years,’… 8:14 8 Before the two young men separated… 8:10 28 ‘And what does Christina say?’ 8:16 9 Having it much at heart to convince Mrs Hudson… 8:41 29 Chapter 5 10:23 10 But before Rowland could respond… 8:44 30 His extraordinary success in modeling the bust… 9:55 11 This theory was apparently very grateful to… 9:26 31 Rowland bowed in silence. Roderick declared… 11:03 12 He walked homeward, thinking of many things. 6:38 32 One morning, going into Roderick’s studio… 12:55 13 Roderick laughed uproariously… 8:26 33 Madame Grandoni had foretold the truth… 9:01 14 They had reached a point where the wood-path… 9:44 34 The Cavaliere turned a little paler than usual… 8:20 15 Chapter 3 11:36 35 She was silent a moment, looking at him. 8:46 16 They had gone almost immediately to Paris… 10:01 36 Chapter 6 9:18 17 They saw no more of the young girl… 8:29 37 Roderick pressed his hand to his forehead… 10:53 18 Certainly, among the young men of genius… 9:31 38 One morning, as the two young men were lounging… 14:04 19 Rowland’s second guest was also an artist… 10:17 39 The Cavaliere returned with zealous speed… 9:19 20 It seemed to Rowland a sort of foreshadowing… 13:48 40 The Cavaliere looked imperturbably grave. 7:48 1 41 ‘I don’t know whether you believe in presentiments,’… 11:16 64 ‘I heard it, too,’ said Rowland with brevity. 9:45 42 Chapter 7 8:26 65 Giacosa rose at her summons and advanced... 7:50 43 Roderick was sitting with his knees drawn up… 9:41 66 Rowland was puzzled, baffled, charmed, inspired… 11:13 44 Since his return from Frascati… 9:52 67 Chapter 11 10:50 45 Some days afterward it happened that Rowland… 9:38 68 This lady’s farther comments upon the event… 9:27 46 Rowland smiled. ‘What is your particular quarrel...’ 8:54 69 Mary Garland, on hearing this declaration… 10:29 47 Christina said nothing more… 8:44 70 The next day, while he was at home… 6:44 48 Chapter 8 11:46 71 Rowland had received a few days before a letter… 7:07 49 Shortly after sending his letter... 7:50 72 The Villa Pandolfini stood directly upon a small… 8:54 50 Roderick, for all answer, tossed the sheet back… 8:40 73 But Mary Garland had helped him before… 11:01 51 She looked at him a moment, hesitating... 9:06 74 The party at Villa Pandolfini used to sit in the garden… 11:55 52 One morning, in the midst of all this… 11:02 75 Chapter 12 8:52 53 Chapter 9 8:34 76 During their passage of the Saint Gothard… 9:32 54 Miss Garland looked at him, smiling intently… 7:17 77 Rowland, in Florence, as we know… 12:12 55 Rowland returned the next day… 12:57 78 He was careful not to tell her that he intended… 8:22 56 Roderick almost immediately demanded that his… 9:07 79 One morning, shortly after this… 7:25 57 Rowland tried at times to make her talk about herself... 12:55 80 Rowland looked at her mistrustfully, without answering. 8:36 58 Chapter 10 8:51 81 Chapter 13 8:31 59 Roderick’s bust of his mother… 14:00 82 Instantly it brought Rowland to terms. 7:41 60 This enlightened woman came the next day... 9:47 83 Roderick’s words seemed at first to Rowland like… 11:24 61 ‘Tell me about these people,’ she said to him. 10:11 84 Rowland passed the remainder of the day… 12:46 62 The opportunity presenting itself the next day… 9:45 85 He wandered about for several hours... 9:34 63 This time, unmistakably, the Cavaliere smiled… 9:22 Recorded at SNK Studios, London Produced by John Foley Edited and mastered by Ross Burman Executive Producer: Anthony Anderson ℗ 2019 Naxos AudioBooks. Artwork © 2019 Naxos AudioBooks Booklet and cover design: Hannah Whale, Fruition – Creative Concepts, using the image Portrait of the sculptor Giovanni Mayer by Umberto Veruda (1868–1904), courtesy of akg-images ALL RIGHTS RESERVED. UNAUTHORISED PUBLIC PERFORMANCE, BROADCASTING AND COPYING OF THIS RECORDING PROHIBITED Total running time: 13:50:39 Catalogue no.: NA0404 ISBN: 978-1-78198-252-5 Other works on Naxos AudioBooks Henry James Henry James Henry James The Aspern Papers The Bostonians The Golden Bowl Read by Adam Sims Read by Adam Sims Read by Juliet Stevenson Henry James Henry James Henry James The Portrait of a Lady The Turn of the Screw Washington Square Read by Juliet Stevenson Read by Penelope Rawlins, with Ben Elliot Read by Adam Sims 2.
Recommended publications
  • Roderick Hudson Ebook, Epub
    RODERICK HUDSON PDF, EPUB, EBOOK Henry James | 400 pages | 01 Jul 1986 | Penguin Books Ltd | 9780140432640 | English | London, United Kingdom Roderick Hudson PDF Book Striker, the Yankee attorney, serves as a comic villain in Roderick Hudson's New England life, a provincial, puritanical antithesis Enabling JavaScript in your browser will allow you to experience all the features of our site. The final few chapters are somehow both completely superfluous page after page of 'the alps sto Very indirect plot spoilers here. Rowland Mallett believes Roderick has real genius -- this based solely on Roderick's bronze statuette that Rowland sees in his cousin Cecilia's garden. Why not perfect? View all 26 comments. The Portable Graham Greene. I haven't quite decided on a serious project for the rest of the year. Sinclair Lewis. The argument then touches briefly on The Marble Faun before turning to Roderick Hudson and its wary deployments of allegory Readers also enjoyed. Rowland admits that he is in love with Miss Garland. Finally, Roderick dies in a storm while on his way to Interlaken; Rowland and Sam find his dead body the next day. How then to reconcile the extravagance of 'Orlando Furioso' with HJ's much more down-to-earth story? Take a look at the figures of mothers. And with these words from the mouth of the elderly Italian cavalier, I have James to thank for helping me to understand the Hawthorne: "Ah, dear sir, Rome is Rome still: a place where strange things happen! Stay in Touch Sign up. Is it Orlando or Rinaldo who loves the modest maiden, we ask ourselves.
    [Show full text]
  • A Novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," Etc
    LIU Post, Special Collections Brookville, NY 11548 Henry James Book Collection Holdings List The Ambassadors ; a novel, by Henry James. Author of "The Awkward Age," "Daisy Miller," "An International Episode," etc. New York and London: Harper & Brothers Publishers, 1903. First American edition. Light blue boards with dark blue diagonal-fine-ribbed stiff fabric-paper dust jacket, lettered and ruled in gilt. - A58b The American, by Henry James, Jr. Boston: James R. Osgood and Company, late Ticknor and Fields, and Fields, Osgood & Company, 1877. First edition, third variant binding - in dark green cloth. Facing title page, advertisement of "Mr. James' Writings." - A4a The American, by Henry James, Jr. London: Ward, Lock & Co. [1877]. 1st English edition [unauthorized]. Publisher's advertisements before half- title page and on its verso. Advertisements on verso of title page. 15 pp of advertisements after the text and on back cover. Pictorial front cover missing. - A4b The American, by Henry James, Jr. London: Macmillan and Co., 1879. 2nd English edition (authorized). 1250 copies published. Dark blue cloth with decorative embossed bands in gilt and black across from cover. Variant green end- papers. On verso of title page: "Charles Dickens and Evans, Crystal Palace Press." Advertisements after text, 2 pp. -A4c The American Scene, by Henry James. London: Chapman and Hall, 1907. 1st edition. 1, 500 copies published. Second binding of red cross-grain cloth. " This is a remainder binding for 700 copies reported by the publisher as disposed of in 1913." Advertisements after text, 6 pp. - A63a The American Scene, by Henry James. New York and London: Harper &Brothers Publishers, 1907.
    [Show full text]
  • Henry James and Queer Modernity Eric Haralson Index More Information
    Cambridge University Press 0521813948 - Henry James and Queer Modernity Eric Haralson Index More information Index Abraham, Julie, 162–163 anatomy, of queerness/homosexuality in Ackerley, J. R., 41, 159 literature see physical description, of Acocella, Joan, 232 queerness/homosexuality in literature Adams, James Eli, 71 Anders, John P., 150 “adventure,” in The Ambassadors, 113–116 Anderson, Margaret, 189, 201 aestheticism, 29–30 Anderson, Sherwood in The Ambassadors, 119–120 comments on Hemingway, 174, 181, 201 in “The Author of ‘Beltraffio,’ ” 64–66 critics’ effect on, 181 in OneofOurs, 156 meaning/use of term “queer” by, 5, 11–13 in The Professor’s House, 169 portrayedin The Torrents of Spring, 177–178, in The Tragic Muse, 54 182 Alcott, Bronson, 87 reading of James, 176 Ambassadors, The (James), 102–133 as Van Wyck Brooks’s mediator to James, “adventure” in, 113–116 197–199 aestheticism in, 119–120 on voice quality of homosexuality, 41 artistic creativity in, 104 writings of: Dark Laughter, 177; “Hands,” 39, autoeroticism in, 131 198; “The Man Who Became a Woman,” balcony scenes, 130–131, 230 193; Memoirs, 11, 13; Winesburg, Ohio, 5, camp dialogue, 106, 125–126 11–13 comparison with The Sun Also Rises, 190 appearance, of queerness/homosexuality in heterosexuality in, 104–106, 111, 118, 125–126 literature see physical description, of idleness in, 120, 128 queerness/homosexuality in literature impliedqueerness in, 116–119, 122–125, 130 A rebours (Huysmans), 183 andJames biography, 115, 123–124, 127 artistic creativity Lambinet scene, 3–4 in The Ambassadors, 104 marriage in, 104, 111, 118, 120–122, 125–126 in The Europeans, 48–49 masculinity in, 108–113, 126–127, 129–130, in Roderick Hudson, 31 133 in The Tragic Muse, 54 meaning/use of term “queer” in, 103 see also aestheticism national-cultural identity in, 119–120 Auden, W.
    [Show full text]
  • THE ASPERN PAPERS by Henry James
    THE ASPERN PAPERS By Henry James I I had taken Mrs. Prest into my confidence; in truth without her I should have made but little advance, for the fruitful idea in the whole business dropped from her friendly lips. It was she who invented the short cut, who severed the Gordian knot. It is not supposed to be the nature of women to rise as a general thing to the largest and most liberal view—I mean of a practical scheme; but it has struck me that they sometimes throw off a bold conception—such as a man would not have risen to— with singular serenity. "Simply ask them to take you in on the footing of a lodger"—I don't think that unaided I should have risen to that. I was beating about the bush, trying to be ingenious, wondering by what combination of arts I might become an acquaintance, when she offered this happy suggestion that the way to become an acquaintance was first to become an inmate. Her actual knowledge of the Misses Bordereau was scarcely larger than mine, and indeed I had brought with me from England some definite facts which were new to her. Their name had been mixed up ages before with one of the greatest names of the century, and they lived now in Venice in obscurity, on very small means, unvisited, unapproachable, in a dilapidated old palace on an out-of-the- way canal: this was the substance of my friend's impression of them. She herself had been established in Venice for fifteen years and had done a great deal of good there; but the circle of her benevolence did not include the two shy, mysterious and, as it was somehow supposed, scarcely respectable Americans (they were believed to have lost in their long exile all national quality, besides having had, as their name implied, some French strain in their origin), who asked no favors and desired no attention.
    [Show full text]
  • Universe Micrcxilnris International 300 N
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pagc(s)". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed cither blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with smalt overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
    [Show full text]
  • M.F-Ii, Thesis
    M .f-ii, Thesis THE AWAKENING PROCESS OR THE ACHIEVEMENT OF MATURITY IN FOUR NOVELS OF HENRY JAMES UNIVERSIDADE: FEDERAL DE SANTA CATARINA PÓS-GRADUACSO EM INGLêS E LITERATURA CORRESPONDENTE: THE AUAKENIN6 PROCESS OR THE ACHIEVEMENT OF MATURITY IN FOUR NOVELS OF HENRY JAMES por IDA LUCIA MAROCHIO CYPRIANÜ Dissertação submetida à Universidade Federal de Santa Catarina para a obtenção do grau de Mestre em Letras» I-1 or i anópol i s Agosto de í'?9í Esta dissertação foi julgada adequada e aprovada em sua forma final para a obtenção do título de MESTRE EM LETRAS Opção Inglês e Literatura Correspondente. Dr$ Bernadete Pasold Coor d en ad or (a) Drü Bernadete Pasold Or i ent adora BANCA EXAMINADORA: ó X M d J L i Dr§ Bernadete Pasold Pres i dente __ Dr^J S i gr i!;d Rersaux Drâ Maria Llisa Cevasco Florianópolis, í? de agosto de Í99Í. Aos meus pais e -F am t ï i ares . AGRADECIMENTOS & Profä ßernadete Pasold da Universidade l-ederal de Saunt a Cat ar i na» À Prof£ Maria Elisa Cevasco da Universidade de Sio aiuiJ.P o. a Profä Sigrid Renaux da Universidade Federal do Paraná. 'A Faculdade de Filosofia Ciências e Letras “Madre Gertrudes de Säo José" de Cachoeiro de Itapeinirim, EIS. Ao João Inácio Müller do Núcleo de Informática do Centre» de Comunicação e Expressão da UF5C« Aos professores do Cur so de Pós-Graduação em Letras, da UFSC. ABSTRACT The tragedy of innocence plays an important role in the works of Henry James- Four of his novels (Roderick Hudson, The Portrait of a Lady, The Ambassadors and The Golden Bowl) have been selected t o p r e s e n t the w a y J a1« e s Id r o a c h e s t h e t r a g e d y u n d e r c o n s i d e r a t i o n i n three periods of his literary career.
    [Show full text]
  • RODERICK HUDSON by Henry James
    RODERICK HUDSON by Henry James CHAPTER I. Rowland Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the young man disliked her; on the contrary, he regarded her with a tender admiration, and he had not forgotten how, when his cousin had brought her home on her marriage, he had seemed to feel the upward sweep of the empty bough from which the golden fruit had been plucked, and had then and there accepted the prospect of bachelorhood. The truth was, that, as it will be part of the entertainment of this narrative to exhibit, Rowland Mallet had an uncomfortably sensitive conscience, and that, in spite of the seeming paradox, his visits to Cecilia were rare because she and her misfortunes were often uppermost in it. Her misfortunes were three in number: first, she had lost her husband; second, she had lost her money (or the greater part of it); and third, she lived at Northampton, Massachusetts. Mallet's compassion was really wasted, because Cecilia was a very clever woman, and a most skillful counter-plotter to adversity. She had made herself a charming home, her economies were not obtrusive, and there was always a cheerful flutter in the folds of her crape.
    [Show full text]
  • Henry James's the Aspern Papers
    Henry James's The Aspern Papers "'Who should I be afraid of if I'm not afraid of you?'" (James, 65) - Juliana Bordereau This page was created by Aly Brown, Benny Ramos, Danny Snicker, and Jon Buchholz with the intention of aiding in scholarly research. To accomplish this, we have listed a plot synopsis as well as our understanding of the novella's motifs and overlying themes. In addition, near the bottom of our page, we have included various scholarly articles and cultural adaptations of Henry James' most beloved novella. Lastly, unless otherwise noted, all citations in MLA format come directly from the 1986 reprint from Penguin Classics. James, Henry. The Turn of the Screw and The Aspern Papers. Penguin, 1986. Print. James' Inspiration By Amelia Curran (1775-1849) [Public domain], via Wikimedia Commons Henry James' “The Aspern Papers” was inspired by a true story he overhead while in Italy. Captain Edward Augustus Silsbee was a retired mariner and devotee of the poet Percy Shelley. Shelley was close with Lord Byron, and wrote several of his greatest works while in Byron's company. The Shelleys were introduced to Byron through his mistress, Claire Clairmont, the stepsister of Mary Shelley. Clairmont long outlived Percy Shelley, becoming more reclusive by the year and shutting herself in with her middle-aged niece Pauline. Silsbee believed that Clairmont possessed rare documents that would shed light on Shelley and Byron's relationship. Silsbee traveled to her home in Florence, Italy, renting rooms with hopes “that the old lady in view of her age and failing condition would die while he was there, so that he might then put his hand upon the documents” (Berendt).
    [Show full text]
  • Principles of Thematic and Technical Unity in Volume 12 of the Novels and Tales of Henry James (The New Yark Edition)
    THE NOVELS AND TALES OF HENRY JAMES VOLUME 12 PRINCIPLES OF THEMA TIC AND TECHNICAL UNITY IN VOLUME 12 OF THE NOVELS AND TALES OF HENRY JAMES (THE NEW YORK EDITION) By THOMAS G. CORBETT. B. A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the degree Master of Arts MCMaster University June 1975 MASTER OF ARTS (1975) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Principles of Thematic and Technical Unity in Volume 12 of The Novels and Tales of Henry James (the New Yark Edition) AUTHOR: Thomas George Corbett, B. A. (Oxford University) SUPERVISOR: Professor James D. Brasch NUMBER OF PAGES: iv, 177 ii I'.'.. ACKNOWLEDGMENTS I would like to thank Professor Richard Morton and Professor Maqbool Aziz for examining this thesis and for their helpful comments and suggestions. My particular thanks, however,· must be reserved for my supervisor, Professor James D. Brasch, not least for the patience with which he endured the long period during which this work was in progress. I am especially grateful for what James would have called, the many nutritive suggestions made by Professor Brasch which found their way into this study. iii TABLE OF CONTENTS ACKNOWLEDGEMENTS iii: INTRODUCTION 1 l. HERO AND HISTORIAN: THE ASP ERN PAPERS 1. James on First-Person Narration 7 2. Inconsistency in the Anonymous Editor's Narrative 21 3. The Editor and the Romantic Quest 46 II. THE HEROINE'S OWN TALE: THE TURN OF THE SCREW 1. The Critical Controversy and James' Own Contribution 72 2. The Governess as Unreliable Narrator 83 3.
    [Show full text]
  • Louis Leslie Thesis Without Copyright Images
    ‘Writing Consciously for a Small Audience’: An Exploration of the Relationship between American Magazine Culture and Henry James’ Italian Fiction 1870-1875 ! ! ! ! ! ! ! Louis Laurence Leslie ! UCL ! ! PhD P2 ! ! I, Louis Laurence Leslie, conSirm that the work presented in this thesis is my own. Where information has been deriVed from other sources, I can conSirm that this has !been indicated in the thesis. P3 ! Thesis Abstract ! This thesis explores Henry James’ engagement in his relatiVely neglected early Siction about Italy with material from contemporary magazine culture. By bridging the gap between critics who focus on James’ relationship with Italian culture, and those who examine James’ relationship with his publishers and audience, it aims to explore how he uses interest in Italy manifested in literary magazines to deVelop his writing and build his reputation. The Sirst part of the thesis explores how James writes about Italian culture in his Sirst tales in ways with which his audience would be familiar, in order to cultiVate his readership. The Sirst three chapters deal with ‘TraVelling Companions’ (1870), ‘At Isella’ (1871), and ‘The Madonna of the Future’ (1873) respectiVely. Looking at how magazines represent contemporary debates about the Italian artists and works of art that James depicts, I study the way James draws on this context to !emphasise the relationship between culture and character in his Siction. The second half examines his Siction after 1873 in the light of James’ sense of his emerging literary reputation. Aware of his growing fame, James began to write tales incorporating material from his own serialised traVel writing, thus reinforcing his reputation as a writer about Italy.
    [Show full text]
  • Winslow Homer's Seascapes
    Maine History Volume 34 Number 2 Poland Spring Hotel Article 2 9-1-1994 Winslow Homer’s Seascapes: Transcendental Subjects, Popular Resorts, Critical Reactions Priscilla Paton Florida Atlantic University Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the American Art and Architecture Commons, Fine Arts Commons, Painting Commons, and the United States History Commons Recommended Citation Paton, Priscilla. "Winslow Homer’s Seascapes: Transcendental Subjects, Popular Resorts, Critical Reactions." Maine History 34, 2 (1994): 78-95. https://digitalcommons.library.umaine.edu/ mainehistoryjournal/vol34/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. PRISCILLA PATON WINSLOW HOMER S SEASCAPES: TRANSCENDENTAL SUBJECTS, POPULAR RESORTS, CRITICAL REACTIONS Winsloiu Homer, acknoivledged as a quintessen­ tial Yankee and one of America 's foremost nineteenth- centiuy artists, seems asformidable, stern, and ambigu­ ous as the rocky shores that fascinated him. Homer's reception by critics highlights the impossibility of sepa­ rating artistic achievement from the tastes andfashions of the society in which the artist worked. The Anystify- ingly blank" faces that critics abhorred in Homer's early farm figures became the distinctively attractive features of his later seascapes. Winslow Homer, who lived from 1836 to 1910, has long been acknowledged as a quintessential Yankee and one of the foremost American artists of the nineteenth century. Born in Boston and raised in Cambridge, at nineteen he became an apprentice in the printmaking firm of John H.
    [Show full text]
  • Azu Etd Mr 2013 0191 Sip1 M.Pdf
    Western Sensibilities in Roman Chaos: The Italian Characters of James, Forster, and Lawrence Item Type text; Electronic Thesis Authors Rosen, Hannah Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 20:32:50 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/297749 1 Abstract The American and British have actively traveled to Italy since the late 17th century. The Grand Tours popularized by the British Upper Class in the 18th Century were fictionalized by many authors and led to a fascination with Italian culture. The novels that emerged about this country by authors such as E.M. Forster, Henry James and D.H. Lawrence focused on characters that were often hesitant to explore Italian culture. Three particular archetypes stand out in their writing: the corrupted foreigner, the female foreigner and the rare culturally engaged foreigner. This study explores each of these archetypes and their specific influence on this canon of literature. These works are still relevant to modern society and the continued difficulty of understanding people unlike ourselves. 3 Introduction “[Man] is constantly in the position of interacting with strangers so he must take the next step and begin to transcend his culture. This cannot be done in an armchair.”1 – Beyond Culture, Edward Hall A foreigner arriving in a new land is an idea as ancient as the Old Testament itself.
    [Show full text]