Efm Buzz the Lowdown
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KAY WONG Website Huangjiaying.Com KAY WONG [email protected] 1(778) 316-6012 I N T E R a C T I O N D E S I G N E R
KAY WONG website huangjiaying.com KAY WONG [email protected] 1(778) 316-6012 I N T E R A C T I O N D E S I G N E R a designer who passionately looks for ways to communicate through great stories and wonders. education experience Emily Carr University of Art + Design Vancouver, BC POPARD Provincial Outreach Program forAutism and Related Disorders Bachelor of Design, Interaction Design 2008-2013 as Interaction Designer, co-directed and designed an educational mobile app for children with autism skills (2012~) Calligraphy Exhibition of Chen Fenwu Photoshop Wireframes + Flowcharts National Art Museum of China: Beijing, China Illustrator Web / App Interface Design InDesign Print Layout Design Assisted the curatorial team for setup, reception, and book signing. (Fall 2012) Lightroom 3D Prototyping After Effects some experience with HTML Rhinoceros Maraya Project public artwork designed to engage pedestrians along the seawall walkways in Vancouver, and Dubai. Microsoft Office assist production team directed by project lead artists. Participated in digital information update and media examine. language interest (Fall 2011- Spring 2012) English (fluent) Music Center A Vancouver International Contemporary Asian Center Mandarin (Native) Ceramic Cantonese (Native) Photography Maintained the gallery library, and data input for an online Hiking library. Participated in gallery set up for upcoming events. (Fall 2011- Spring 2012) School Projects UNWIND- Tablet application UNWIND an educational tablet application that encourage proactive emotion controling skills and self-regulation skill through taking different type of breaks. Ebook Design sel et poivre let it rain Data Visualization Kiosk Design Web & Product Design Boardgame Design Modula Type Design Ceramic Projects Face Sakura ARC Dragon Projects with illustrator & with photoshop Queen Untitled Cubes Mirror Mirror Bee HI! Teresa! Untitled miyavi Do Not Resuscitate Twins 1 Twins 2 Untitled Doll website huangjiaying.com [email protected] 1(778) 316-6012. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015
SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan -
Picador April 2015
PICADOR APRIL 2015 A MAJOR PUBLISHING EVENT On the Run Fugitive Life in an American City Alice Goffman A riveting, groundbreaking account of how the war on crime has torn apart innercity communities by a rising star in sociology Forty years in, the tough on crime turn in American politics has spurred a prison boom that disproportionately affects black communities. It has also torn at the lives of those on the outside. As arrest quotas and high tech surveillance SOCIAL SCIENCE / SOCIOLOGY / URBAN criminalize entire blocks, a climate of fear pervades daily life. Alice Goffman Picador | 4/7/2015 spent six years in one Philadelphia neighborhood, documenting the routine stops, 9781250065667 | $16.00 / $18.50 Can. searches, and beatings that young men navigate as they come of age. We see Trade Paperback | 304 pages | Carton Qty: 5.5 in W | 8.3 in H | 1 lb Wt how families endure raids and interrogations and how "clean" residents struggle to go to school and work as cops chase their neighbors. While recognizing the drug Other Available Formats: trade’s damage, On the Run reveals a justice system gone awry. This exemplary Ebook ISBN: 9781250065674 work highlights the failures of the War on Crime, and presents a compassionate MARKETING chronicle of the families caught in the midst of it. • NEXT SELECTION • National Print and Online Coverage • For readers of Michelle Alexander, Cornel West, and Sudhir Venkatesh • National Public Radio Campaign • National Author Tour • Explosive topic under national debate • Advance Reading Copies • Extensive university -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
Da Japão-Mania À Onda Coreana No Brasil1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 40º Congresso Brasileiro de Ciências da Comunicação – Curitiba - PR – 04 a 09/09/2017 Entre japonesidades e coreanidades pop: da Japão-Mania à Onda Coreana no Brasil1 Krystal Urbano2 Universidade Federal Fluminense, Niterói, RJ Resumo Este artigo tem como objetivo fazer um resgate da memória recente da presença pop midiática dos países do Extremo Oriente no Brasil, a partir do transito dos produtos da Japão - Mania e da Onda Coreana em nosso país. Para isso apresentamos um breve histórico da presença pop midiática japonesa e sul-coreana em nosso país, relacionando- as primeiramente ao contexto das antigas e novas mídias à sua ambiência e consolidação posterior nos espaços urbanos e virtuais. Mais do que discorrer sobre a presença pop midiática do Japão e da Coréia do Sul na paisagem das mídias e nos espaços urbanos em nosso país, ensejamos atualizar o olhar em torno das práticas e negociações que estão em constante mutação e deram forma a um circuito fortemente produtivo que veio se formando nos três últimos decênios em torno das imagens, sonoridades e musicalidades do pop oriental no Brasil. Palavras-chave: Pop; Cultura midiática; Japão; Coréia do Sul; Brasil. Introdução Nunca se sabe ao certo quando e como se começa uma viagem. Algumas vezes, as mudanças são visíveis, mas também existem as viagens íntimas, que acontecem sem que ninguém saia do lugar. A presença da cultura japonesa e sul-coreana no Brasil passou por essas duas fases. Pode ser descrita a partir -
28Th GALWAY FILM FLEADH 5-10 JULY 2016
#filmfleadh 28th GALWAY FILM FLEADH 5-10 JULY 2016 TOWN HALL THEATRE, COURTHOUSE SQUARE, GALWAY www.galwayfilmfleadh.com · booking 091 569777 The Arts Council proudly supports film festivals to put audiences in the frame. 28th Galway Film Fleadh 5 – 10 July 2016 We would like to thank the following organisations for their support: Principal Funder Major Sponsors In Association with Supported by booking 091 569777 1 5 – 10 July 2016 Galway Film Fleadh From Sundance to the Galway Film Fleadh… Celebrating Irish Film all over the world A Date for Mad Mary Mom and Me Lost in France Crash and Burn The Young Offenders Bobby Sands: 66 Days Tiger Raid The Land of the Enlightened Moon Dogs www.irishfilmboard.ie 2 www.galwayfilmfleadh.com 28th Galway Film Fleadh 5 – 10 July 2016 Introduction Contents It’s that time of year again, and we are excited to once more showcase Galway as the beating heart of cinema in Ireland. or one week in the summer the entire Irish film industry descends on our Sponsors 1 “Cannes on the Corrib”, alongside filmmakers, talent, financiers and more Introduction 3 Ffrom every corner of the world. They share ideas, collaborate and watch Booking & Merchandise Info 5 films in the uniquely welcoming, intimate and informal atmosphere that only Galway Film Fleadh Map 5 a Galway festival experience could provide. More important, however, are our Day by Day Schedule 6 audiences which come from Galway, all over Ireland, and from almost every Panel Discussions 9 point of the globe, to see the best in new Irish and world cinema. -
Guitar World Miyavi Feature
Subscribe Search News Features Lessons Reviews More TRENDING Huge new Fender 2021 releases Joe Satriani comic Cory Wong's talk show Gretsch Chris Cornell tribute Guitar World is supported by its audience. When you purchase through links on our site, we may earn an aliate commission. Learn more Home > Features MIYAVI: "I love Strats - they are sexier and like an all-around good guy, whereas a Tele is a bad guy, a rebel" By Bruce Fagerstrom June 22, 2020 The adored Japanese guitarist on his incredible string-slapping technique and how he uses a trio of amps to cover both the high- and low- end live MIYAVI performs in Lyon, France, last year (Image credit: Mikey Newell) “It’s all about one hit - the rst hit is everything,” says Japanese singer and guitarist Takamasa Ishihara, better known by his stage name, MIYAVI, when describing his eye- and ear-catching technique of slapping the strings. “Like for a sumo ghter, the rst hit is really important for them. That amount of energy and passion - it’s a kind of an explosion of art. For karate or sumo the rst contact is really crucial, so to me, I just want to make my own tone with the rst contact and have people recognize that’s MIYAVI’s tone right away.” With 13 albums to his name and roots in Japan’s 1990s Visual Kei scene, MIYAVI has certainly carved out a niche in the entertainment world, somehow nding time in between global tours and recording hip-hop-tinged LPs like 2019’s No Sleep Till Tokyo for an acting career with roles in such high-prole lms as Unbroken, Kong: Skull Island and Malecent: Mistress of Evil. -
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN ....................................................................................................