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Download Book \ Rurouni Kenshin: V. 10 # 5HB0XPJPHEM9
A9XS6AAGYUEB \ Book # Rurouni Kenshin: v. 10 Rurouni Kenshin: v. 10 Filesize: 7.83 MB Reviews Completely among the finest ebook We have at any time read through. it was actually writtern really properly and helpful. You are going to like just how the writer compose this publication. (Mr. Deangelo Considine) DISCLAIMER | DMCA TRMZY0UNH8QK ^ Kindle Rurouni Kenshin: v. 10 RUROUNI KENSHIN: V. 10 To get Rurouni Kenshin: v. 10 eBook, make sure you access the hyperlink below and download the document or gain access to other information which are have conjunction with RUROUNI KENSHIN: V. 10 ebook. Viz Media, Subs. of Shogakukan Inc. Paperback. Book Condition: new. BRAND NEW, Rurouni Kenshin: v. 10, Nobuhiro Watsuki, Packed with action, romance and historical intrigue, "Rurouni Kenshin" is one of the most beloved and popular manga series worldwide. Set against the backdrop of the Meiji Restoration, it tells the saga of Himura Kenshin, once an assassin of ferocious power, now a humble "rurouni," a wandering swordsman fighting to protect the honor of those in need. A hundred and fiy years ago in Kyoto, amid the flames of revolution, there arose a warrior, an assassin of such ferocious power he was given the title "Hitokiri" Manslayer. With his bloodstained blade, Hitokiri Battosai helped close the turbulent Bakumatsu period and end the reign of the shoguns, slashing open the way toward the progressive Meiji Era. Then he vanished, and with the flow of years became legend. In the 11th year of Meiji, in the middle of Tokyo, the tale begins. Himura Kenshin, a humble "rurouni," or wandering swordsman, comes to the aid of Kamiya Kaoru, a young woman struggling to defend her father's school of swordsmanship against attacks by the infamous Hitokiri Battosai. -
Readercon 30 Pocket Guide
Readercon 30 Cover artVess courtesyCover of Charles Pocket program guide READERCON 30 July 11–14, 2019 Quincy, Massachusetts Guests of Honor Guest of Honor Guest of Honor Memorial Guest of Honor Tananarive Due Stephen Graham Edward Bryant Jones And celebrating the 2018 Cordwainer Smith Award winner: Frank M. Robinson VOLUNTEER AT CON AND EARN EXCLUSIVE READERCON STUFF! Readercon is entirely volunteer-run. Our vol- unteers help with Registration and Informa- tion, keep an eye on the programming, staff the Con Suite, and do about a million more things both before and during the con. If interested, go to Information — the person there will gladly assist you. You can volunteer at con, or join our staff to help with next year! Tote bag is for illustration only; current volunteer rewards may differ. ii PROGRAM GUIDE Unless otherwise noted, all items fill a 60-minute program slot, except for readings, which fill a 30-minute slot. All items begin 5 minutes after and end 5 minutes before the times given. Participants and attendees are urged to arrive as promptly as possible. Bold panelists are leaders/ moderators. Please note that the final schedule may have changed since this guide was printed. Please check the program grid or the online listing for the most up-to-date information. See readercon.org/program We will be providing communication access real-time translation (CART) support for some Saturday afternoon and evening program items, including the Guest of Honor interviews. These are marked in the guide with CART after the title. Salon 3 and Salon 4 are the only rooms with microphones. -
THE 2016 DELL MAGAZINES AWARD This Year’S Trip to the International Conference on the Fantastic in the Arts Was Spent in a Whirl of Activity
EDITORIAL Sheila Williams THE 2016 DELL MAGAZINES AWARD This year’s trip to the International Conference on the Fantastic in the Arts was spent in a whirl of activity. In addition to academic papers, author readings, banquets, and the awards ceremony, it was a celebration of major life events. Thursday night saw a surprise birthday party for well-known SF and fantasy critic Gary K. Wolfe and a compelling memorial for storied editor David G. Hartwell. Sunday morning brought us the beautiful wedding of Rebecca McNulty and Bernie Goodman. Rebecca met Bernie when she was a finalist for our annual Dell Magazines Award for Undergraduate Ex- cellence in Science Fiction and Fantasy Writing several years ago. Other past finalists were also in attendance at the conference. In addition to Re- becca, it was a joy to watch E. Lily Yu, Lara Donnelly, Rich Larson, and Seth Dickin- son welcome a brand new crop of young writers. The winner of this year’s award was Rani Banjarian, a senior at Vanderbilt University. Rani studied at an international school in Beirut, Lebanon, before coming to the U.S. to attend college. Fluent in Arabic and English, he’s also toying with adding French to his toolbox. Rani is graduating with a duel major in physics and writing. His award winning short story, “Lullabies in Arabic” incorporates his fascination with memoir writing along with a newfound interest in science fiction. My co-judge Rick Wilber and I were once again pleased that the International Association for the Fantastic in the Arts and Dell Magazines cosponsored Rani’s expense-paid trip to the conference in Orlando, Florida, and the five hundred dollar prize. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I Entered College
Listening to Movies: Film Music and the American Composer Charles Elliston Long Middle School INTRODUCTION I entered college a naïve 18-year-old musician. I had played guitar for roughly four years and was determined to be the next great Texas blues guitarist. However, I was now in college and taking the standard freshman music literature class. Up to this point the most I knew about music other than rock or blues was that Beethoven was deaf, Mozart composed as a child, and Chopin wrote a really cool piano sonata in B-flat minor. So, we’re sitting in class learning about Berlioz, and all of the sudden it occurred to me: are there any composers still working today? So I risked looking silly and raised my hand to ask my professor if there were composers that were still working today. His response was, “Of course!” In discussing modern composers, the one medium that continuously came up in my literature class was that of film music. It occurred to me then that I knew a lot of modern orchestral music, even though I didn’t really know it. From the time when I was a little kid, I knew the name of John Williams. Some of my earliest memories involved seeing such movies as E.T., Raiders of the Lost Ark, and The Empire Strikes Back. My father was a musician, so I always noted the music credit in the opening credits. All of those films had the same composer, John Williams. Of course, I was only eight years old at the time, so in my mind I thought that John Williams wrote all the music for the movies. -
Sigma 04.04 Copy.Indd
Parsec April 2004 Meeting Date and Time: April 10th 2004, 2 PM (Although members tend to gather early.) Topic: Dan Bloch on “The History of Tall Build ings from the Pyramids to 2010.” Location: East Liberty Branch of Carnegie Library The Newsletter of PARSEC • April 2004 • Issue 217 (Directions on page 11.) SIGMA Tentative Meeting Schedule May 2004 Date: May 8th, 2004 Topic: TBA Location: East Liberty Branch of Carnegie Library June 2004 Date: June 12th, 2004 Topic: TBA Location: East Liberty Branch of Carnegie Library Cover Art by Diana Harlan Stein In This Issue: Kosak on Planetes PARSEC Pittsburgh Areaʼs Premiere Science-Fiction Organization Tjernlund on P.O. Box 3681, Pittsburgh, PA 15230-3681 Cassini/Huygens President - Kevin Geiselman Vice President - Kevin Hayes Irvine on Eragon Treasurer - Greg Armstrong Secretary - Bill Covert Commentator - Ann Cecil Website: trfn.clpgh.org/parsec Meetings - Second Saturday of every month. Dues: $10 full member, $2 Supporting member Sigma is edited by David Brody Send article submissions to: [email protected] View From the Outside The President’s Column - Kevin Geiselman Announcements Last month, I attended the Tekkoshocon anime con- vention. It was much like the previous year with plenty of DVDʼs and manga in the dealerʼs room, computer • PARSECʼs Mary Soon Lee will have the games, video rooms (“Full Metal Panic? Fumoffu” was story, “Shenʼs Daughter” in the Fantasy absolutely hysterical), panels, artists and cosplayers. I Best of 2003 collection, edited by David was there for a few hours before I realized something Hartwell and Kathryn Kramer was missing. It was me. Last year I went in my Klingon gear and fit right in. -
Janny Wurts ______Supporting Membership(S) at US$35 Each = US$______
Address Correction Requested Address CorrectionRequested Convention 2004 2004 Convention World Fantasy Tempe, AZ 85285-6665Tempe, USA C/O LepreconInc. P.O. Box26665 The 30th Annual World Fantasy Convention October 28-31, 2004 Tempe Mission Palms Hotel Tempe, Arizona USA Progress Report #2 P 12 P 1 Leprecon Inc. presents World Fantasy Con 2004 Registration Form NAME(S) _____________________________________________________________ The 30th Annual ADDRESS ____________________________________________________________ World Fantasy Convention CITY _________________________________________________________________ October 28-31, 2004 STATE/PROVINCE _____________________________________________________ Tempe Mission Palms Hotel ZIP/POSTAL CODE _____________________________________________________ Tempe, Arizona USA COUNTRY ____________________________________________________________ EMAIL _______________________________________________________________ Author Guest of Honour PHONE _______________________________________________________________ Gwyneth Jones FAX __________________________________________________________________ Artist Guest of Honor PROFESSION (Writer, Artist, Editor, Fan, etc.) ______________________________________________________________________ Janny Wurts _______ Supporting Membership(s) at US$35 each = US$_________ Editor Guest of Honor _______ Attending Membership(s) at US$_______ each = US$_________ Ellen Datlow _______ Banquet Tickets at US$53 each = US$ _________ Total US$___________ Publisher Guest of Honor _______ Check: -
The 2018 Dell Magazine Award Winners
EDITORIAL Sheila Williams THE 2018 DELL MAGAZINES AWARD Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing co-judge, Rick Wilber, and I were once again delighted that the Internation - al Association for the Fantastic in the Arts and Dell Magazines cosponsor the award. The winner gets a plaque and a check for five hundred dollars. The 2018 award and finalists’ certificates were distributed at the Thirty-Ninth International Con ference on the Fantastic in the Arts in March. It went to Arthur Davis, a junior at Swarthmore College in Pennsylvania. Art, who has studied with the writer Gre gory Frost, is orig - inally from Texas. Traditionally, our award winner participates in an author reading. Arthur read his story alongside Stephanie Feldman and Eileen Gunn. During the comment period, an older man raised his hand. He told us he wasn’t actually with the confer ence. He’d sort of wandered in from the John Deere Convention that was going on concurrently at the hotel. He said he was a veteran and that if he hadn’t been there to hear Arthur read he would never have believed that someone so young could write so convincingly and so compassionately about PTSD. High praise indeed! Art’s award-winning tale, “Happy? Sad?” should be available on our website next year. In the meantime, please check out last year’s winner, “Noor” by Taimur Ahmad, at www.asimovs.com . The award is decided by a blind read, which means the results always include a few surprises. A big one this year was that our first runner-up, Claire Spaulding, was also last year’s first runner-up. -
1 WHAT's in a SUBTITLE ANYWAY? by Katherine Ellis a Thesis
WHAT’S IN A SUBTITLE ANYWAY? By Katherine Ellis A thesis Presented to the Independent Studies Program of the University of Waterloo in fulfillment of the thesis requirements for the degree Bachelor of Independent Studies (BIS) Waterloo, Canada 2016 1 剣は凶器。剣術は殺人術。それが真実。薫どのの言ってる事は．．．一度も自分 の手血はがした事もないこと言う甘えだれ事でござる。けれでも、拙者は真実よ りも薫どのの言うざれごとのほうが好きでござるよ。願あくはこれからのよはそ の戯れ言の真実もらいたいでござるな。 Ken wa kyouki. Kenjutsu wa satsujinjutsu. Sore wa jijitsu. Kaoru-dono no itte koto wa… ichidomo jishin no te chi wa gashita gotomonaikoto iu amae darekoto de gozaru. Keredomo, sessha wa jujitsu yorimo Kaoru-dono no iu zaregoto no houga suki de gozaru yo. Nega aku wa korekara no yo wa sono zaregoto no jujitsu moraitai de gozaru na. Swords are weapons. Swordsmanship is the art of killing. That is the truth. Kaoru-dono ‘s words… are what only those innocents who have never stained their hands with blood can say. However, I prefer Kaoru- dono’s words more than the truth, I do. I wish… that in the world to come, her foolish words shall become the truth. - Rurouni Kenshin, Rurouni Kenshin episode 1 3 Table of Contents Abstract……………………………………………………………………………………………………………….5 Body Introduction………………………………………………………………….……………………………………..6 Adaptation of Media……………………………………………….…………………………………………..12 Kenshin Characters and Japanese Archetypes……………………………………………………...22 Scripts Japanese………………………………………………………………………………………………….29 English……………………………………………………………………………………………………35 Scene Analysis……………………………………………………………………………………………………40 Linguistic Factors and Translation………………………………………………………………………53 -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
An Examination of Jerry Goldsmith's
THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.