Milwaukee Symphony on the Air

Total Page:16

File Type:pdf, Size:1020Kb

Milwaukee Symphony on the Air A U G U S T 2 0 1 1 Listeneraugust 2011 Milwaukee Symphony On The Air WBLU-FM 88.9 - GRAND RAPIDS WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE A Service of Blue Lake Fine Arts Camp 231.894.5656 - www.bluelake.org/radio PB 1 Blue Lake Public RadioB LProgram U E L A K E ScheduleP U B L I C R A D I O A U G U S T 2 0 1 1 Monday Through Friday Saturday Sunday 6:00 “Listener” Volume XXIX, No.8 Morning Edition 7:00 7:00 “Listener” is published monthly by Blue Jazz a la Carte Pipedreams Lake Public Radio, Route Two, Twin 8:00 with Lazaro Vega 8:00 Lake, MI 49457. (231)894-5656. Choral Traditions Morning Classical Music with Bonnie Bierma with Bonnie Bierma WBLV, FM-90.3, and 10:00 Marian McPartland’s 9:30 WBLU, FM-88.9, are owned and Milwaukee Symphony Piano Jazz operated by Blue Lake Fine Arts Camp Sunday on Blue Lake and broadcast from the Rosenberg- 12:00 NPR News at Noon 11:00 with Foley Schuler Clark Broadcast Center on Blue Lake’s The Milwaukee Symphony returns to the 12:06 Weekend Classical Music Exploring Music with Steve Albert Muskegon County Campus. WBLV Blue Lake Public Radio schedule with 13 and WBLU are public, non-commercial 1:00 1:00 stations. Tuesday evening concerts beginning on Afternoon Classical Music 1:00 The Great Orchestras August 2nd with Beethoven’s great Choral with Foley Schuler Opera Blue Lake Fine Arts Camp admits students of any race, color, Symphony No. 9. Also on the schedule national or ethnic origin and does not is an entire evening of Rachmaninoff on 5:00 5:00 5:00 All Things Considered All Things Considered All Things Considered discriminate in the administration of its programs. August 16th, Grieg’s Peer Gynt Suite 6:00 6:00 6:30 on the 23rd, and Mahler’s Symphony Evening Classical Music A Prairie Home Companion BLUE LAKE FINE ARTS CAMP with Gordon Christensen with Garrison Keillor of a Thousand on the 30th. Later, it’s Sunday Night Jazz BOARD OF TRUSTEES Dr. Robert Crisp, Detroit Beethoven’s Piano Concerto No. 5 8:00 8:00 A Michigan Saturday Night Tom Farrell, Lansing with Garrick Ohlsson, Walton’s Violin The Great Orchestras Don Flickinger, Big Rapids 9:00 Folk Sampler Tim Jansma, Fremont Concerto with Gil Shaham, and Mahler’s Bill McFarlin, Manhattan, KS 10:00 10:00 Dr. Dale Nesbary, Muskegon Resurrection Symphony No. 2. Woodsongs Jazz from Blue Lake Dr. James Niblock, E. Lansing with Lazaro Vega William Porter, Waukegan, IL 11:00Singout Radio Magazine 11:00 Classical Overnight James Rose, Montague Be sure to tune in each Tuesday evening Chip Sawyer, Whithall at 8:00. Fritz Stansell, Twin Lake Gretchen Stansell, Twin Lake Heidi Stansell, Twin Lake Carol Tice, Ann Arbor EMERITUS Great Music Audrey S. Sullivan, Vienna, VA HONORARY Dr. Harry Begian, Hubbard Lake, MI Edith I. Blodgett, Grand Rapids Richard Dewey, Sun City, AZ On Your Radio Dan Gerber, Jr., Fremont Dieter Klische, Germany Dan Kovats, Grandville Helen Milliken, Traverse City Every Day Malcolm Russ, Alexandria, VA BLUE LAKE PUBLIC RADIO STAFF Dave Myers, General Manager Steve Albert, Program Director Bonnie Bierma, Music Director Gordon Christensen, Ops. Director Blue Lake Public Radio Kimberly DeJonge, Office Manager Don Hoogeboom, Chief Engineer FM 88.9 & FM 90.3 Foley Schuler, Announcer Lazaro Vega, Jazz Director classical . jazz . npr A Service of Blue Lake Fine Arts Camp 2 3 B L U E L A K E P U B L I C R A D I O A U G U S T 2 0 1 1 Grubinger, percussion; WAGNER: Prelude 1.Monday 4.Thursday 7.Sunday to Lohengrin; DORMAN: Frozen in 12:06pm Exploring Music 12:06pm Exploring Music 7:00am Pipedreams Time; TCHAIKOVSKY: Symphony No.6, “Nadia Boulanger” - “Every town in the “Nadia Boulanger” “High Fives” - Composite performances of Pathetique United States had a five-and-dime and a 8:00pm Chicago Symphony the most famous of all organ symphonies 10:00pm Jazz From Blue Lake Boulanger student,” Virgil Thompson once Myung-Whun Chung, conductor; Vadim (by Charles-Marie Widor), and its somber Peter Erskine, drums said, and he wasn’t far off. Nadia Boulanger Repin, violin; BRAHMS: Symphony No.1, companion-challenger (by Louis Vierne). taught and influenced an entire generation Op.68; BRAHMS: Violin Concerto, Op.77; 1:00pm San Fransisco Symphony 9.Tuesday of musicians, from Aaron Copland and RAVEL: Daphnis and Chloe Suite No.2 Semyon Bychkov, conductor; Nuccia Focile, Ástor Piazzolla to Philip Glass and Quincy 12:06pm Exploring Music 10:00pm Jazz from Blue Lake soprano; Frank Lopardo, tenor; Mikhail Jones, and this week we’ll hear some of her “Britten” Ronnie Cuber, baritone saxophone Petrenko, bass; San Francisco Symphony compositions and performances alongside Chorus; RACHMANINOFF: The Bells, 8:00pm Milwaukee Symphony Orchestra those of her prolific students. Op.35; RACHMANINOFF: Symphony No.2, Edo de Wart, conductor; Joseph 8:00pm SymphonyCast 5.Friday Op.27 Kalichstein, piano; BEETHOVEN: 12:06pm Exploring Music Concerto No.2 in B-flat Major for Piano and BBC Symphony Orchestra, Jiri Belohlavek, 3:00pm SymphonyCast conductor; Jean-Guihen Queyras, cello; “Nadia Boulanger” Orchestra, Op.19; MAHLER: Symphony BBC Symphony Orchestra, Jiri Belohlavek, No. 7 in E-minor DVORÁK: Cello Concerto in b-minor; 8:00pm New York Philharmonic conductor; Jean-Guihen Queyras, cello; SMETANA: Má vlast (complete) Alan Gilbert, conductor; Nathan Gunn, DVORÁK: Cello Concerto in b-minor; 10:00pm Jazz from Blue Lake 10:00pm Jazz from Blue Lake baritone; COPLAND: Old American songs SMETANA: Má vlast (complete) Lee Morgan, trumpet Set 2; LOEWE: If Ever I Would Leave You Bob Parlocha hosts 6:00pm Riverwalk Jazz from Camelot; MAHLER: Symphony No.1, “Swing That Music: Memories of Louis 10.Wednesday Titan 2.Tuesday Armstrong” - Celebrate Louis Armstrong’s 12:06pm Exploring Music 10:00pm Jazz from Blue Lake 12:06pm Exploring Music birthday with The Jim Cullum Jazz Band “Britten” Harry Goldson, clarinet/saxophones “Nadia Boulanger” and Broadway stage star Vernel Bagneris, 8:00pm Live! at the Concertgebouw as they bring to life the personal writings The Hague Philharmonic, Edo de Waart, 8:00pm Milwaukee Symphony Orchestra and music of the man that taught the world (new season) Edo de Waart, 6. Saturday conductor; Joyce Yang, piano; KEURIS: to swing. conductor Pamela Armstrong, soprano; 10:00am Marian McPartland’s Piano Jazz Capriccio; MOZART: Piano Concerto Meredith Arwady, contralto; Vinson Cole, In his storied career, pianist and composer 9:00pm JAZZ On The Side No.24; R.STRAUSS: Ein Heldenleben tenor; OrenGradus, base; Milwaukee Ray Bryant has worked with Miles Davis, “Don Byas and Wardell Gray” - These 10:00pm Jazz from Blue Lake Symphony Chorus, Lee Erickson, director; Coleman Hawkins, Sonny Rollins, and innovative saxophonists, Byas in New Albert Ayler, tenor/soprano saxophones ADAMS: Tromba Lontana; COPLAND: Aretha Franklin. He also has a long list of York and Gray in Los Angeles, were Suite from Appalachian Spring (1845 recording credits as a leader. On this 1982 revolutionizing swing era tenor playing into 11.Thursday orchedstration); BEETHOVEN: Symphony session, Bryant performs “Take the ‘A’ a style called bebop, when one died at age 12:06pm Exploring Music No. 9 in D minor, Op.125, Choral Train, and duets with McPartland on “Like 34 and one moved to Europe for 26 years. Someone in Love” and “Billie’s Bounce.” “Britten” 10:00pm Jazz from Blue Lake 10:00pm Night Lights 8:00pm Chicago Symphony Louis Armstrong, trumpet/voice 1:00pm LA Opera On Air “Thelonious Monk: From Man to Myth” ROSSINI: Il Turco in Italia – James Conlon, - Part 1 of a two-part Thelonious Monk Esa-Pekka Salonen, conductor; conductor; with Simone Alberghini, Nino program takes a look at the pianist and BEETHOVEN: Leonore Overture No.2; 3.Wednesday Machaidze, Thomas Allen and Paolo composer’s early life and career, including WAGNER: Prelude to Die Meistersinger 12:06pm Exploring Music Gavanelli an interview with Monk biographer Robin von Nürnberg; DONATONI: Esa (In cauda “Nadia Boulanger” D.G. Kelley. V); BRUCKNER: Symphony No.7 6:00pm A Prairie Home Companion 7:30 Live From Blue Lake Garrison Keillor with a show TBD 10:00pm Jazz from Blue Lake The Blue Lake Festival Orchestra Philly Joe Jones, drums 8:00 Live From Blue Lake 8.Monday peforming in Blodgett Recital Hall, A performance of Brahms’ A German 12:06pm Exploring Music conducted by Jean-Jacques Werner Requiem, with Blue Lake’s Festival “Britten” - This week we’ll peer into the life 12.Friday 10:00pm Jazz from Blue Lake Orchestra and Chorus, International Choir, and music of Benjamin Britten. 12:06pm Exploring Music Hank Mobley, tenor saxophone Alumni Choir, and soloists, all under the 8:00pm SymphonyCast “Britten” direction of Christoph von Kuczewski-Poray City of Birmingham Symphony Orchestra, Andris Nelsons, conductor; Martin 4 5 B L U E L A K E P U B L I C R A D I O A U G U S T 2 0 1 1 8:00pm New York Philharmonic 3:00pm SymphonyCast Symphony No.4; SAINT-SAENS: Piano No.2 in a-minor; MAHLER: Blumine; Jeffrey Kahane, conductor and piano; ALL City of Birmingham Symphony Orchestra, Concerto No.5 in F; LISZT: Dante R.STRAUSS: Ein Heldenleben MOZART: Piano Concerto No.6; Piano Andris Nelsons, conductor; Martin Symphony 10:00pm Jazz from Blue Lake Concerto No.25; Piano Concerto No.24 Grubinger, percussion; WAGNER: Prelude 10:00pm Jazz from Blue Lake Sonny Clark, piano 10:00pm Jazz from Blue Lake to Lohengrin; DORMAN: Frozen in Nick Brignola, baritone saxophone Bob Parlocha hosts Time; TCHAIKOVSKY: Symphony No.6, Pathetique 20.Saturday 16.Tuesday 10:00am Marian McPartland’s Piano Jazz 6:00pm Riverwalk Jazz 13.Saturday 12:06pm Exploring Music Jazz violinist Regina Carter is one of “Skylark: The Music of Hoagy Carmichael” 10:00am Marian McPartland’s Piano “Vienna, Part l” today’s most original and daring musicians.
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • Sir John Eliot Gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:Q L’Istesso Tempo— Con Moto Elgar in the South (Alassio), Op
    Program OnE HundrEd TwEnTIETH SEASOn Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 20, 2011, at 8:00 Saturday, January 22, 2011, at 8:00 Sir John Eliot gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:q L’istesso tempo— Con moto Elgar In the South (Alassio), Op. 50 IntErmISSIon Bartók Concerto for Orchestra Introduzione: Andante non troppo—Allegro vivace Giuoco delle coppie: Allegro scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Presto Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PHILLIP HuSCHEr Igor Stravinsky Born June 18, 1882, Oranienbaum, Russia. Died April 6, 1971, New York City. Symphony in three movements o composer has given us more Stravinsky is again playing word Nperspectives on a “symphony” games. (And, perhaps, as has than Stravinsky. He wrote a sym- been suggested, he used the term phony at the very beginning of his partly to placate his publisher, who career (it’s his op. 1), but Stravinsky reminded him, after the score was quickly became famous as the finished, that he had been com- composer of three ballet scores missioned to write a symphony.) (Petrushka, The Firebird, and The Rite Then, at last, a true symphony: in of Spring), and he spent the next few 1938, Mrs. Robert Woods Bliss, years composing for the theater and together with Mrs.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Imposing Non-Legal Duties: Family, Religion, Patriotism and the Roots of Contemporary Conservatism
    IMPOSING NON-LEGAL DUTIES: FAMILY, RELIGION, PATRIOTISM AND THE ROOTS OF CONTEMPORARY CONSERVATISM Mark McGarvie, J.D., Ph.D. The College of William and Mary School of Law P.O. Box 8795 Williamsburg United States [email protected] 757-221-1737 Abstract This paper recognizes the legal separation of public and private spheres as characteristic of Americans’ ideas of democracy secured in their constitution. It asserts that political and social presssures emanating from right-wing or conservative movements are diminishing the distinction between public and private spheres in popular opinion. These movements recognize and encourage the existence of non-legal duties arising from family, patriotism, and religion. In asserting a broad-based social recognition of these duties, modern-day conservatives limit the scope of the private sphere and threaten the political autonomy upon which democratic self- government depends. --------------------------------------------------------------------------------------------------------------------- A huge conceptual gap exists between telling someone what he must do because the law mandates it and telling him what he should do because cultural values expect it. Yet, this distinction is less significant in the lives of most people than it is in academic or legal discourse. I argue here, with only a whisper of hyperbole, that the cultural diminution of this distinction threatens the basis of democracy by undermining individual autonomy and the protection of it in rights as the focus of law. Western law requires duties to be established by legislation or entered into by contract — nobody is compelled to accept another’s worldview or moral sense as determinative of his behavior. Moreover, the cultural imposition of non-legal duties frequently substitutes emotion for rational thought as grounds for imposing obligations.
    [Show full text]
  • T H E N at I O N a L C at H O L I C W E E K Ly Sept. 23, 2013 $3.50
    THE NATIONAL CATHOLIC WEEKLY SEPT. 23, 2013 $3.50 September 23, 2013 America 1 OF MANY THINGS P J U ew chapters in America’s long when he died suddenly in the summer history are a source of greater of 1967. 106 West 56th Street New York, NY 10019-3803 Fpride for us than our decades- Contemporary critiques of the Ph: 212-581-4640; Fax: 212-399-3596 long association with John Courtney Murray project suggest that his answer Subscriptions: 1-800-627-9533 Murray, S.J.; and nothing in the present was not necessarily wrong, but that www.americamagazine.org issue should be interpreted to the the compatibility question itself is twitter.com/americamag contrary. Father Murray was a friend, unanswerable, at least on the level at E C Matt Malone, S.J. associate editor and contributor to this which Murray pursued it. An answer at review for more than 20 years. In almost that macro level requires so many levels EXECUTIVE EDITORS Robert C. Collins, S.J., Maurice Timothy Reidy two dozen articles he explored the of abstraction that the result is often relationship between Catholicism and an unwieldy historical, philosophical or MANAGING EDITOR Kerry Weber American democracy, seeking to show theological superstructure that cannot LITERARY EDITOR Raymond A. Schroth, S.J. not “whether Catholicism is compatible support itself. SENIOR EDITOR & CHIEF CORRESPONDENT Kevin Clarke with American democracy,” a question It is almost certain, moreover, that Murray considered “invalid as that the answer to the compatibility EDITOR AT LARGE James Martin, S.J. well as impertinent,” but to show “that question, even in its most general form, POETRY EDITOR Joseph Hoover, S.J.
    [Show full text]
  • Monday, June 30Th at 7:30 P.M. Blue Lake Fine Arts Camp Free Admission
    JUNE 2008 Listener BLUE LAKE PUBLIC RADIO PROGRAM GUIDE Monday, June 30th at 7:30 p.m. TheBlue Grand Lake Rapids Fine ArtsSymphony’s Camp DavidFree LockingtonAdmission WBLV-FM 90.3 - MUSKEGON & THE LAKESHORE WBLU-FM 88.9 - GRAND RAPIDS A Service of Blue Lake Fine Arts Camp 231-894-5656 http://www.bluelake.org J U N E 2 0 0 8 H i g h l i g h t s “Listener” Volume XXVI, No.6 “Listener” is published monthly by Blue Lake Public Radio, Route Two, Twin Lake, MI 49457. (231)894-5656. Summer at Blue Lake WBLV, FM-90.3, and WBLU, FM-88.9, are owned and Summer is here and with it a terrific live from operated by Blue Lake Fine Arts Camp Blue Lake and broadcast from the Rosenberg- season of performances at Blue Lake Fine Clark Broadcast Center on Blue Lake’s Arts Camp. Highlighting this summer’s Muskegon County Campus. WBLV and WBLU are public, non-commercial concerts is a presentation of Beethoven’s stations. Symphony No. 9, the Choral Symphony, Blue Lake Fine Arts Camp with the Blue Lake Festival Orchestra, admits students of any race, color, Festival Choir, Domkantorei St. Martin from national or ethnic origin and does not discriminate in the administration of its Mainz, Germany, and soloists, conducted programs. by Professor Mathias Breitschaft. The U.S. BLUE LAKE FINE ARTS CAMP Army Field Band and Soldier’s Chorus BOARD OF TRUSTEES will present a free concert on June 30th, and Jefferson Baum, Grand Haven A series of five live jazz performances John Cooper, E.
    [Show full text]
  • Airwaves (1985-08 And
    / AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker.
    [Show full text]
  • College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark D
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Summer 2017 College orchestra director programming decisions regarding classical twentieth-century music Mark D. Taylor James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Arts and Humanities Commons Recommended Citation Taylor, Mark D., "College orchestra director programming decisions regarding classical twentieth-century music" (2017). Dissertations. 132. https://commons.lib.jmu.edu/diss201019/132 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. College Orchestra Director Programming Decisions Regarding Classical Twentieth-Century Music Mark David Taylor A Doctor of Musical Arts Document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements For the degree of Doctor of Musical Arts School of Music August 2017 FACULTY COMMITTEE Committee Chair: Dr. Eric Guinivan Committee Members/ Readers: Dr. Mary Jean Speare Mr. Foster Beyers Acknowledgments Dr. Robert McCashin, former Director of Orchestras and Professor of Orchestral Conducting at James Madison University (JMU) as well as a co-founder of College Orchestra Directors Association (CODA), served as an important sounding-board as the study emerged. Dr. McCashin was particularly helpful in pointing out the challenges of undertaking such a study. I would have been delighted to have Dr. McCashin serve as the chair of my doctoral committee, but he retired from JMU before my study was completed.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • IRS on Behalf of Nonbelief Relief Preferential Treatment Treatment of Churches Vis-À-Vis Other Tax-Exempt Nonprofits
    Graduate / ‘older’ Why do we The bible student essay portray atheists as taught me that contest winners broken believers? God is a jerk PAGE 12-17 PAGE 5 PAGE 6 Vol. 35 No. 9 Published by the Freedom From Religion Foundation, Inc. November 2018 FFRF sues IRS on behalf of Nonbelief Relief Preferential treatment treatment of churches vis-à-vis other tax-exempt nonprofits. Nonbelief given to churches over Relief’s tax exemption was revoked annual financial report on Aug. 20 for failure to file the Form 990 return for three consecutive years. FFRF is taking the Internal Revenue Nonbelief Relief “has and will suffer Associated Press Service to court over yet another reli- harm, detriment and disadvantage as President Trump shows off the “religious freedom” executive order he signed on gion-related tax privilege. a result of the revocation of its tax- May 4, 2017, in the Rose Garden, surrounded by members of the faith community The national state/church watch- exempt status, including tax liabilities and Vice President Pence. dog filed a federal lawsuit Oct. 10 in and loss of charitable donations D.C. district court to challenge the which are no longer tax-deductible by preferential exemption of churches donors.” New Treasury report vindicates and related organiza- Nonbelief Relief is tions from reporting asking the court to re- FFRF’s stance on politicking ban annual information instate its tax-exempt returns required of status, and to enjoin FFRF welcomes a new report high- openly flout the law and are not held all other tax-exempt the IRS from continu- lighting deficiencies in the IRS’ en- accountable.” groups.
    [Show full text]
  • EXPLORING MUSIC with Bill Mcglaughlin Broadcast Schedule – Spring 2020
    EXPLORING MUSIC with Bill McGlaughlin Broadcast Schedule – Spring 2020 PROGRAM #: EXP 20-27 RELEASE: Week of April 6, 2020 Wagner's Ring Cycle For most operas, a five-hour survey would more than cover every measure, every note – but not this one, Wagner’s crowning achievement. Bill helps us understand and enjoy this long and fanciful journey, with richly textured music that continues to grow in complexity as the operas proceed. Wagner spent a quarter of a century writing the libretto and composing the music that follows the dramatic struggles of gods, heroes, and mythical creatures. We will listen to orchestral preludes, arias, and more from The Rhinegold, The Valkyrie, Siegfried, and Twilight of the Gods. PROGRAM #: EXP 20-28 RELEASE: Week of April 13, 2020 Mendelssohn, Schumann & Brahms String Quartets This week we focus on one of the most delightful and storied chapters of the string quartet's history, centering around the works of three romantic composers—Mendelssohn, Schumann, and Brahms. After 50 years of fantastic string quartets from Haydn, Mozart, Beethoven, and Schubert, the well seemed to be drying up—young composers just weren’t writing string quartets. Operas and piano pieces, yes, but not string quartets, and then to save the day steps in Mendelssohn, Schumann, and Brahms! Bill starts the week off with the double quartet (octet) from 16-year-old Felix Mendelssohn. Felix’s sister, Fanny Mendelssohn, said she felt that she was lightly carried up in the air with this string octet. PROGRAM #: EXP 20- 29 RELEASE: Week of April 20, 2020 Music from the Magic Box — An Excess of Pleasure What happens when your favorite classical music radio host tackles spring cleaning? We reap the benefits of his discoveries! Bill was digging deep into the back of his hall closet when he spied a mysterio us box.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]