Dr. Iroda A. Dadadjanova Massiv Beltepa 28/111, Tashkent 100068, , Phone: (99871) 2184562 (home); +998974454544 (cell); Email: [email protected]

WORK EXPERIENCE:

2007 - Prsnt. Editor-In-Chief 'Jannat Makon" - Cultural andArtJoumal in Uzbek, Tashkent, Uzbekistan

2006 2007 Scholar Institttt Francair D 'Etttdes sttr L'Asie Centrale, Tashkent, Uzbekirtan

2006 - 2007 Scientific Researcher iWmiann Steegmannl:'ozmdation; }

2006 - 2007 Researcher Contemporary mttJical art in the world and within the cooperation ofCentral Asian people, dezJelopmefzt project, Dttshanbe,

2005 - 2006 Editor 'Jannat i\1akon" - Cttltttral and ArtJottmal in Uzbek, Tashkent, Uzbekistan

2004 - 2005 Secretary of Scientific Researches Tashkent Institttte ofArt Sciences, AztsAcademy ofthe Repttblic ofUzbekistan, Tashkent

2001-2006 Chief Producer/Editor Oriat-DoflO Uzbek Radio Station, Tashkent region, Uzbekistan

2000 - 2004 Associate Tashkent Imtitute ofArt Sciences, AftsAcademy qfUzbekistan

2000 - 2004 Chairwoman Yottng Scholan Association ttnder Tashkent Institttte ofArts, ArtsAcademy ofUzbekistat1;

1997 - Prsnt. Senior Lecturer Tashkent National Univmiry, Uzbekistan;

1996 1997 Head Assistant Tashkent Institute ofArt Sciences, ArtsAcademy ofUzbekistan, Depmtment ofMttsicHistory

EDUCATION

2005-2009 Tashkent Institute ofArt Sciences, Art Academy of Uzbekistan, post-doctoral research: Major: Gender a.rpects ofUzbek tJtZfsic

2002 PhD defense, Thesis: The mttsical doctrim ofQutb al-Din al-Shira::::!'

1997 2000 Tashkent Institute ofArt Sciences, Art Academy ofUzbekistan, PhD stttdies V1.spirantura)

1991 1996 B.A. and M.A. from Tashkent State Conservatory, Mqior: / oriental mttsic Thesis: Abd-al-Haqq ad-DehlmJi'.r tractate Tahqiq-as-sama' 2

AWARDS

1990 Young State Competition, Bukhara, Uzbekistan, Category: Chang 1990 All Soviet Festival, Bishkek, , Category: Chang 1991 Regional competition ofyoung musicians, Dushanbe, Tajikistan, category Chang 2009 "Oltin Qalam" (Golden Pen), National Award for journalism and art;

LANGUAGE SKILLS

Uzbek (native), Russian (fluent), Turkish (good), English (good), Arabic (fair), Farsi (fair);

CONFERENCES

1997 The art ofcentral Asia: peculiarities ofits historical development, international conference, Tashkent; Paper: The [Ystem oftwelve maqoms ofKamoliddin Binory. 1999 International conference at the international music festival Sharq Taronalari (Oriental Melodies), Samarqand, Paper: Zahra - the queen ofthe instrumentalists. 2000 : Past - Present - ft/ture, international conference (ESCAS VII), Vienna; Paper: Qutb ai-Din alShirazi on musical instruments. 2001 Intercultural comparison ofmaqam and similar systems, international conference of the study group on maqam at the ICTM (International Council for Traditional Music) under the UNESCO, Samarqand, Paper: Qutb ai-Din al-Shiraz's (()ncept of maqam and its analYtical meaning in musi(()logy. Conflux ofthe Ivorldviews ofthe East and the West in PO-ft, presence andfuture, international conference OSIjSoros Foundation, Tashkent; Paper: Musical [Ymbols in the cosmogony worldview qfthe East. 2002 Central Asia: Past - Present - Future, international conference (ESCAS VIII), Bordeaux; Paper: Pop music as a model ofnational identification in post-soviet Uzbekistan (read in absence). 2003 Shashmaqam the renaissance ofthe classical traditions in the (()ntext ofcotttatt between the cultures ofCentral Asia, international conference and festival, Isfara (Tajikistan); Paper: Genderproblems in the traditional music ofCentralAsia. Indigenous musical instruments, international conference at the international music festival Sharq Taronalati, Samarqand, Paper: The Uzbek art ofsingingfrom agender perspective. International symposium of the artistic intelligentsia of Central Asia, Issyk-Kul (Kyrgyzstan); Paper: Problems off-M radio stations in Uzbekistan. Uzbek 011: past andpresent, republican conference of young scholars, Tashkent; Paper: Gender issues in traditional music. 2004 Contemporary Estrada in Uzbekistan, conference at the Uzbeknavo Estrada Association, Tashkent; Paper: Uzbek pop music and sholv business. International conference, trade fair and festival in Popcomm, Berlin, due to invitation of the Germany Foreign Service and the Goethe institute. Uzbek art: globalization andparticulatiry, Tashkent, Paper: Contemporary Uzbek Estrada: musical inflation in the show business sector. 2005 Cultural tolerance and .rpedftdry ofthe tradition in the 011 of Uzbekistan, republican conference, Tashkent; Paper: Gender in Uzbek music culture: a contested or un-(()ntested model? 2008 IOV UNESCO, First World Youth Congress, Bountiful, Utah

PUBLICATIONS 3

1. "Musiqa madaniyatimiz ko'zgusi" (Music - the mirror of culture) O'zbekiston Adabiyoti va San'ati, March 29, 1996;

2. "Mumtoz musiqamiz bilimdoni" (A scholar of our ). O'zbekiston Adabiyoti va San'ati, May 9, 1996;

3. "Abdulhaqq ad-Dehlaviyning "Tahqiqu-s-samo" risolasi (Abdulhaqq ad-Dehlavi's tractate "Tahqiqu-s-samo") Markaziy Osiyo san'ati: tarixij taraqqiyotning o'ziga xosligi (The art of Central Asia: The peculiarity of its historical development) Tashkent: 115-117, 1997;

4. "Kamoliddin Binoiyning o'n ikki maqom tizimi" (Kamoliddin Binoiy's system of the twelfe maqams). In: San'atshunos (The art scientist). Tashkent: 9-16, 1998;

5. "Qutbiddin ash-Sheroziy musiqiy ta'limotining ayrim xususiyatlari" (Some peculiarities of the musical doctrine of Qutb aI-Din al-Shirazi). In: San'atshunoslik masalalari (Problems of art science) Tashkent: S. 139 -144,1998;

6. "Uchinchi osmon" sozandasi (The of the "third heaven") O'zbekistonda ijtimoij fanlar (Social Sciences in Uzbekistan). Tashkent, Nr. 6., 1999;

7. Qutbiddin ash-Sheroziyning musiqiy-estetik qarashlarida Ibn Sino ta'limotining ahamiyati (Qutb aI-Din al-Shirazi's aesthetic of music from the perspective of Ibn Sina's teaching). In: Ibn Sino xalqaro o'qishlari ilmiy-amaliy anjuman tezislari (Theses of the international study meeting On Ibn Sino). Tashkent & Bukhara, pages: 40-41,2000;

8. San'at va nafosat ma'budasi (The goddess of art and grace). Moziydan sado (Sound from the past) Tashkent, 2001 Nr. 2, S. 44-48;

9. Sharq va g'arb: badiiy tafakkur chorrahalarida (East and West: at the crossroads ofcreative thought). In: Nafosat (Grace), Tashkent: 130-140 (with A. Erkinov), 2001;

10. Qutbiddin ash-Sheroziyning musiqiy ta'limoti (The musical doctrine of Qutb aI-Din al Shirazi). Autoreferat of the dissertation, 2002;

11. MY3bIKaAbHbIe MOTIlBbI B KoC\wrOHIlQecKor'1 KapTIlHe MIlpa Ha BocToKe (Musical motives in the cosmogony worldview of the East) In: MaTepIlaAbI Me)KIWHapOAHoH HaycrHO TeOpeTIIQecKor'1 KOHepepeHIIIlIl "B3aIlMoBAIllIHIle BOCTOQHOH H 3anaAHoH KapTIIH MIlpa B rrpoIIIAoM II B HacTolIrrreM" (Materials of the international conference Conflux of the worldviews of the East and the West in past, presence and future) Tashkent http://eastwest.freenet.uz, 2002;

12. TeaTP HaQIlHaeTClI CBeIIIaAKIl (Theatre starts with the coathanger) AAeKcaHAp ~K;l]VlaeB: rropTpeT Ha epoHe BpeMeHIl (Alexander Djumaev: Portrait on the background of time) (Edited by: o. Matyakubov, 1. Dadadjanova under the direction of E. Rtveladze) Tashkent: 45-50. 2003;

13. f'eHAepHbIe acneKTbI 1paAIlIIIloHHOH MY3bIKIl (Gender aspects of traditional music). In: O'zbekiston san'ati: tarix va zamonaviylik, Tashkent: 65-67,2003;

14. Zamonaviy o'zbek estradasi: shou-biznes kesimidagi musiqiy inflaziya (Contemporary Uzbek Estrada: musical inflation in the show business sector). In: O'zbekiston san'ati: globallashuv va milliy o'ziga xoslik (Uzbek art: globalization and particularity) Tashkent: 47-49, 2004; 15. THIIIIlHa oOAaAaeT AIlHaMIlKoH (HAIl 3acIeM HaM HJ.tKHO H3;TtJ:aTb 3anaAHoe IlCKyCCTBO) 4

(Quietness has its own dynamic (or why we have to study Western art). TaMbIp YIChyCCTBO, KyAbrypa, epIIAOCOepII5! (Tamyr art, culture, philosophy). Almaty: (Nr. 11),2004;

16. Milliy estrada va shou biznes: zo'r bo'lgani uchun mashhur emas, mashhur bo'lgani uchun zo'r (National Estrada and show business: not famous, because great, but great, because famous) O'zbekiston Adabiyoti va San'ati, 16. July, NQ28 (3754),2004;

17. Qutb aI-Din al-Shirazi about Musical instruments. in: Central Asia on Display. Proceedings of the VII Conference of the European Society for Central Asian Studies. Eds.: Gabriele Rasuli Paleczek, Julia Katsching. Veinna. pp.157-164. 2005;

RESEARCHES IN PRINT

Qutbiddin ash-Sheroziyning maqom konsepsiyasi va uning qiyosiy musiqashunoslikdagi ahamiyat (Qutb aI-Din al-Shirazis concept ofmaqam and its analytical meaning in musicology). In: Maqomning madaniyatlararo mohiyati va uyg'unligi fenomeni (The essence and adaptation phenomena ofmaqam traditions).

An'anaviy musiqa ijrochiligida gender muammolari (Gender problems in traditional music practice). In: O'zbekiston madaniyati va san'atida badiiy jarayonlar va badiiy tanqidchilik muammolari mavzudagi Respublika ilmiy-amaliy konferentsiyasi materiallari (Materials of the republican conference on topic: Problems of creative processes and creative criticism in Uzbek tradition and art).

reHAepHbIe AIIAeMMbI B'rpaAIIIJ;I1:0HHOM My3bIKe UeH1paAbHoM A3IIII (Gender problems in the traditional music of Central Asia). In: MaTepIIai\bI Men