Ricks, Omar Dissertation FINAL REVISION
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ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100 -
We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation
9/30/2015 We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation KEVIN COKLEY NOVEMBER 20, 2014 America's once-favorite TV dad needs to take his own advice. (AP Photo/Matt Rourke) Entertainer and former classmate Bill Cosby speaks during a public memorial service for Philadelphia Inquirer co-owner Lewis Katz Wednesday, June 4, 2014, at Temple University in Philadelphia. hile the natural inclination is to separate Bill Cosby’s television character W from his real life persona, the show we remember so fondly was not called The Huxtable Show. It was The Cosby Show. We did not really welcome Heathcliff into our homes. We welcomed Bill. http://prospect.org/article/weletbillcosbyourhomessoheowesusexplanation 1/4 9/30/2015 We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation It is Cosby, the accused serial rapist of 15 women from whom we await an explanation. He has the time: His planned NBC project was just pulled in the face of these resurfaced allegations. He won’t be cashing any residual checks from shows streamed on Netflix because like any contagion, everything Cosby is associated with is now contaminated. This reckoning particularly stings because of Cosby’s decades-long campaign of respectability politics within the black community. This reckoning particularly stings because of Cosby’s decades-long campaign of respectability politics within the black community. For years he has offered a socially conservative critique of certain elements of black culture, where he has emphasized individual responsibility and a pull-yourself-up-by-your-bootstraps mentality. -
The Dialectic of Freedom 1St Edition Pdf Free Download
THE DIALECTIC OF FREEDOM 1ST EDITION PDF, EPUB, EBOOK Maxine Greene | 9780807728970 | | | | | The Dialectic of Freedom 1st edition PDF Book She examines the ways in which the disenfranchised have historically understood and acted on their freedom—or lack of it—in dealing with perceived and real obstacles to expression and empowerment. It offers readers a critical opportunity to reflect on our continuing ideological struggles by examining popular books that have made a difference in educational discourse. Professors: Request an Exam Copy. Major works. Max Horkheimer Theodor W. The latter democratically makes everyone equally into listeners, in order to expose them in authoritarian fashion to the same programs put out by different stations. American Paradox American Quest. Instead the conscious decision of the managing directors executes as results which are more obligatory than the blindest price-mechanisms the old law of value and hence the destiny of capitalism. Forgot your password? There have been two English translations: the first by John Cumming New York: Herder and Herder , ; and a more recent translation, based on the definitive text from Horkheimer's collected works, by Edmund Jephcott Stanford: Stanford University Press, Learn how to enable JavaScript on your browser. Peter Lang. The truth that they are nothing but business is used as an ideology to legitimize the trash they intentionally produce. Archetypal literary criticism New historicism Technocriticism. The author concludes with suggestions for approaches to teaching and learning that can provoke both educators and students to take initiatives, to transcend limits, and to pursue freedom—not in solitude, but in reciprocity with others, not in privacy, but in a public space. -
Generic Affinities, Posthumanisms and Science-Fictional Imaginings
GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance. -
Postcolonialism
10 Postcolonialism The final hour of colonialism has struck, and millions of inhabitants of Africa, Asia, and Latin America rise to meet a new life and demand their unrestricted right to self-determination. Che Guevara, speech to the United Nations, December 11, 1964 he 1960s saw a revolutionary change in literary theory. Until this dec- Tade, New Criticism dominated literary theory and criticism, with its insistence that “the” one correct interpretation of a text could be discovered if critical readers follow the prescribed methodology asserted by the New Critics. Positing an autonomous text, New Critics paid little attention to a text’s historical context or to the feelings, beliefs, and ideas of a text’s read- ers. For New Critics, a text’s meaning is inextricably bound to ambiguity, irony, and paradox found within the structure of the text itself. By analyzing the text alone, New Critics believe that an astute critic can identify a text’s central paradox and explain how the text ultimately resolves that paradox while also supporting the text’s overarching theme. Into this seemingly self-assured system of hermeneutics marches philos- opher and literary critic Jacques Derrida along with similar-thinking scholar- critics in the late 1960s. Unlike the New Critics, Derrida, the chief spokesperson for deconstruction, disputes a text’s objective existence. Denying that a text is an autotelic artifact, he challenges the accepted definitions and assump- tions of both the reading and the writing processes. In addition, he insists on questioning what parts not only the text but also the reader and the author play in the interpretive process. -
INFORMATION to USERS the Most Advanced Technology Has Been
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there sp’e missing pagSb, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6 " X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing theUMI World's Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8822869 The criticism of American literature: The powers and limits of an institutional practice Kayes, Jamie R. Barlowe, Ph.D. The Ohio State University, 1988 Copyright ©1988 by Kayes, Jamie R. Barlowe. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In ail cases this material has been filmed in the best possible way from the available copy. -
The Body and Technology: Discourses Shaping Consumer
ASSOCIATION FOR CONSUMER RESEARCH Labovitz School of Business & Economics, University of Minnesota Duluth, 11 E. Superior Street, Suite 210, Duluth, MN 55802 The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services Margo Buchanan-Oliver, The University of Auckland, New Zealand Angela Cruz , The University of Auckland, New Zealand Frontiers of thought in other disciplines, popular culture, and marketing communications are continually ‘re-visioning’ technology and influencing how consumers think about and experience technology-based products and services. Providing a glimpse into these frontiers, this paper re-introduces the body into theorisations of consumer-technology interaction and reviews interdisciplinary discourses shaping views of the body and technology. The key theoretical discourses of body-machine liminality, control and freedom, embodied interaction, and identity are discussed. These discourses expand conceptualisations of technology beyond a limiting focus on functional benefits, offering new frames and foundations for investigating consumer experience and marketing communications of technology-based offerings. [to cite]: Margo Buchanan-Oliver and Angela Cruz (2009) ,"The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services", in NA - Advances in Consumer Research Volume 36, eds. Ann L. McGill and Sharon Shavitt, Duluth, MN : Association for Consumer Research, Pages: 367-371. -
The Relationship Between Architecture and the Environment While Applying Jacque Derrida's Idea of Binary Opposition
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2005 The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition Macy Man-Sai Leung Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Leung, Macy Man-Sai, "The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition" (2005). Retrospective Theses and Dissertations. 19156. https://lib.dr.iastate.edu/rtd/19156 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition by Macy Man-Sai Leung A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE Major: Architecture Program of Study Committee: Marwan Ghandour, Major Professor Tom Leslie Lee Poague Iowa State University Ames, Iowa 2005 11 Graduate College Iowa State University This is to certify that the master's thesis of Macy Man-Sai Leung has met the thesis requirements of Iowa State University Signatures have been redacted for privacy Ill TABLE OF CONTENTS CHAPTER 1. INTRODUCTION 1 CHAPTER 2. DERRIDA'S DECONSTRUCTION AND ITS APPLICATION IN ARCHITECTURE 6 General Overview of Deconstruction Theory 7 Deconstruction in Architecture 10 CHAPTER 3. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) APR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 24 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 19, 22 JUSTIN BIEBER B200 3; CC 8; DLP 11; RBL 25; J. COLE B200 68; PCA 14; RBA 37 LUIS FIGUEROA TSS 21 STEPHEN HOUGH CL 11 LYDIA LAIRD CA 29; CST 33 21 SAVAGE B200 103; RBH 49 A40 13, 26; AC 9, 16, 20; CST 23, 26, 35, 36, KEYSHIA COLE ARB 14 FINNEAS A40 36; AK 18; RO 20 WHITNEY HOUSTON B200 197; RBL 22 LAKE STREET DIVE RKA 46 24KGOLDN B200 65; A40 4; AC 25; -
Sexual Difference, Animal Difference: Derrida and Difference
H Y P A 1032 Dispatch: 18.2.09 Journal: HYPA CE: Nikhil Journal Name Manuscript No. B Author Received: No. of pages: 23 Op: Sumesh 1 Sexual Difference, Animal Difference: 2 3 Derrida and Difference ‘‘Worthy of its 4 5 Name’’ 6 7 8 KELLY OLIVER 9 10 11 12 13 14 15 I challenge the age-old binary opposition between human and animal, not as philos- 16 ophers sometimes do by claiming that humans are also animals, or that animals are 17 capable of suffering or intelligence, but rather by questioning the very category of ‘‘the 18 animal’’ itself. This category groups a nearly infinite variety of living beings into one 19 concept measured in terms of humans—animals are those creatures that are not 20 human. In addition, I argue that the binary opposition between human and animal is 21 intimately linked to the binary opposition between man and woman. Furthermore, I 22 suggest that thinking through animal differences or differences among various living 23 creatures opens up the possibility of thinking beyond the dualist notion of sexual 24 difference and enables thinking toward a multiplicity of sexual differences. 25 26 27 28 Reading the history of philosophy, feminists have pointed out that ‘‘female,’’ 29 ‘‘woman,’’ and ‘‘femininity’’ often fall on the side of the animal in the human– 30 animal divide, as the frequent generic use of the word ‘‘man’’ suggests. From 31 Plato through Hegel, Freud and beyond, women have been associated with 32 Nature and instincts to procreate, which place them in the vicinity of the an- 33 imal realm. -
Towson University Office of Graduate Studies
TOWSON UNIVERSITY OFFICE OF GRADUATE STUDIES BILL COSBY AND THE AFRICAN AMERICAN MEDIA: AN EXPLORATION OF THE CONVERSATION OF RAPE AND SEXUAL ASSAULT IN THE AFRICAN AMERICAN COMMUNITY by Ajibola Bakare A thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Masters of Science Department of Women and Gender Studies Towson University Towson, Maryland 21252 (May, 2017) Acknowledgements I am so grateful to my thesis advisor, Dr. Jameta Barlow, Assistant Professor in Women and Health in the Women and Gender Studies department at Towson University. I appreciate her patience and assistance through this process, from helping develop my topic to continuously reviewing my concepts and chapters. I would also like to acknowledge Dr. Jennifer Langdon, Associate Professor at the department of Sociology, Anthropology, and Criminal Justice, Dr. Cindy Gissendanner, Professor and Director of LGBT Minor Program, and Dr. Jennifer Potter, Associate Professor at the department of Mass Communications and Communication studies for challenging my ideas and strengthening this thesis as members of the committee. I would like to dedicate this thesis and its significance of having earned my masters to my family, who did not understand my ramblings more than half the time, but supported and listened to me regardless. I would also like to acknowledge my youngest brother, Abiola Bakare, for being such a support system in every way possible. Finally, to Mahnoor Ahmed, one of my mentors and former supervisor at the Center for Student Diversity at Towson University, I am grateful for the support and her efforts in bringing my thesis to life during my time as a graduate assistant at the university.