Ricks, Omar Dissertation FINAL REVISION

Total Page:16

File Type:pdf, Size:1020Kb

Ricks, Omar Dissertation FINAL REVISION On Jubilee: The Performance of Black Leadership in the Afterlife of Slavery by Omar Benton Ricks A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Brandi Wilkins Catanese, Chair Professor Abigail De Kosnik Professor Darieck Scott Professor Frank B. Wilderson, III Spring 2014 1 Abstract On Jubilee: The Performance of Black Leadership in the Afterlife of Slavery by Omar Benton Ricks Doctor of Philosophy in Performance Studies and the Designated Emphasis in New Media University of California, Berkeley Professor Brandi Wilkins Catanese, Chair Using film, television, archival materials, and new media art, this dissertation asks how politically enforced constraints on Black being—especially the origination of racial blackness in slavery and the ongoing availability of Black bodies to gratuitous and structural violence—work through subsequent Black performances of leadership. The philosophical breadth of the concept of "new media" and of the constituent elements of slavery as elaborated by Orlando Patterson invites close study of the ways that human beings can serve as new media. The impulse to create an all-new form of being known as the “Black” allowed a new human labor technology for western Europeans to mediate their libidinal desire and political demands. This dissertation engages the ways this technological paradigm extends into the present. i Acknowledgements I would like to thank my committee members, Brandi Wilkins Catanese (my generous and devoted dissertation chair), Abigail De Kosnik, Darieck Scott, and Frank B. Wilderson III, as well as Catherine Cole. You were always there to advise and support and you really got me through this challenging period called the last 5 years. Thank you also to Vernon Burton, Robert Cohen, Cliff Faulkner, Sandra Y. Govan, Daniel N. Hoffman, Dorothea Martin, Dianne Rothenberg, Ken Washington, and Frank B. Wilderson III, who helped me get here and believed in my abilities to formulate an academic project. Special thanks to Hortense J. Spillers, for introducing me to The Feminist Wire, and to Dean MacCannell and Fred Moten, for commenting on my work. Beyond thanks to Gregory Caldwell, my one-of-a-kind honorary committee member. You advised me to keep on living and to go always forward, never back. Conversations with Leslie Allums, Tarecq Amer, Sampada Aranke, James Battle, Clifford Benton, Deanna Blackwell, Rizvana Bradley, Nicholas Brady, Naomi Bragin, Ambrielle Caldwell, Jennifer Caldwell, Lamar Caldwell, Monica Casper, Cecilio Cooper, Tiffany Cox, Michael D’Arcy, Jerome Dent, Patrice Douglass, Ugo Edu, Zakiyyah Jackson, Paige Johnson, Corey Jones, Darol Kay, Kate Kokontis, Clarence Lang, Amanda Lashaw, Tamura Lomax, Minkah Makalani, Danae Martinez, Victoria Massie, Lisa McLeod, Kimberly McNair, Darnell Moore, John Murillo III, James Nelligan, Tamara K. Nopper, Yumi Pak, Linda Quiquivix, Raphaelle Rabanes, Ivan Ramos, Heather Rastovac, Takeo Rivera, Jared Sexton, Karin Shankar, Jewels Smith, Kevin Spencer, Selamawit Terrefe, Obiamaka Ude, John Wason, Jaye Austin Williams, Josh Williams, Connie Wun, and Hentyle Yapp, sitting at tables with me, breaking bread with me, and exchanging ideas made me a stronger intellectual. My family has seen me through a perilous journey to press the gifts they gave me to the limit, but especially my siblings, Vance, Nia, and Derrin, and my stepmother, Patricia Jones Ricks. You are all the beautiful minds and hearts I could have asked to be cultivated around. You have challenged and embraced me. Thank you, finally, to my mother, Carole Elizabeth Benton Ricks and my father, Alvin Antonio Ricks. I am sure you always knew I would find my way into the master’s house and steal one of his most precious tools. But I would trade back all of it, and more, for just one more day with each of you. ii Introduction If the best of the American Negroes receive by outer pressure a leader whom they had not recognized before, manifestly there is here a certain palpable gain. Yet there is also irreparable loss,—a loss of that peculiarly valuable education which a group receives when by search and criticism it finds and commissions its own leaders… Nearly all the former ones had become leaders by the silent suffrage of their fellows, had sought to lead their own people alone, and were usually, save Douglass, little known outside their race. But Booker T. Washington arose as essentially the leader not of one race but of two…. —W.E.B. Du Bois, The Souls of Black Folk, “Of Mr. Booker T. Washington and Others” (Du Bois) 49) The slave was the ultimate human tool, as imprintable and as disposable as the master wished. And this is true, at least in theory, of all slaves, no matter how elevated. Paul Rycaut’s classic description of the Janissaries as men whom their master, the sultan, ‘can raise without Envy and destroy without Danger’ holds true for all slaves in all times. —Orlando Patterson, Slavery and Social Death: A Comparative Study (Patterson) 7) We declare our right on this earth to be a man, to be a human being, to be respected as a human being, to be given the rights of a human being, in this society, on this earth, in this day, which we intend to bring into existence by any means necessary. --Malcolm X (X and Breitman) 116) If we are not looking in the same direction, we won’t see it coming. And if we don’t love each other, we won’t care. Of Tied Hands Toward the beginning of the brief dance with “post-racialism” in U.S. political culture, a Black man was called on to make a speech about U.S. national unity. “There's not a black America and white America and Latino America and Asian America,” intoned then-U.S. senate candidate Barack Obama at the 2004 Democratic National Convention (Obama). “There's the United States of America.” Long before Barack Obama stepped to the podium to tell the “Black America” that formed him as a political subject that we don’t exist (at least when he’s speaking in front of white people), Black people had a critical interest in Black leadership as a unique mode of performance in itself, distinct from the performance of other forms of leadership. And so, Black people in the United States were broadly supportive of the speech because they were able to read it, with the above-quoted Du Boisian double consciousness, as “leader[ship] not of one race but of two.” Obama’s iii attempt to iterate a post-racial United States was simultaneously the performance of two modes of leadership: Black leadership and “post-racial” (that is, white) leadership. In the years since, the fate Barack Obama has endured has made it clear for those who didn’t know that he made this speech under a certain disavowal, if not, indeed, under a kind of desperation or even duress. As articulated among white people, “post- racial” America is and always was a fantasy to be post-Black—to be rid of Black people— one that many non-Black people in the United States still hold onto and that Barack Obama is still expected to labor under and advocate, even if he, like most Black people in the United States, cannot personally attest that it is possible without the type of acceleration of its orchestrated genocide that the United States does not presently appear to be ready to perform against its Black population. Nonetheless, white people who voted for him are now beginning to express a readiness for his administration to end so that they can stop having to see how racist they are. The post-racialism that once propelled him into office in part so that white people would see themselves as not racist now cannot stand him as a leader. On the other hand, of course, the Black desperation for a truly post-racial United States that never came to fruition was an articulation of something that is not merely a hope of many Black people but actually central to the structure of Black subjectivity, sociality, and political ethics: the drive toward the actualization of a non-racist social order. The fact that “Black America” is very much real, and the line being used to distinguish it from all the other Americas in the United States has rarely been brighter, is no longer up for dispute, if it even was in 2004, because the group, or better yet, the position that has consciously or unconsciously articulated this drive to abolish the racist social order remains. Even as Black people in the United States desperately want to make the world a less destructive place for us, and realize how powerless, ineffective, and even unwilling the Obama administration is to address the problem of racism in anything like a permanent way, our support for Barack Obama as president has wavered very little, likely because he is of “Black America” and Black people in the United States identify with what he has been put through. Defining leadership in relation to Black folks is difficult precisely because of this problematic of audience. Who is Black leadership for? It is caught up in a web of affective considerations, even as social scientists attempt to circumscribe it with rigorous definitions. We—and when I say “we,” I mean Black people— know it when we see it, and it’s there until it isn’t. In general, Black people must be the ones performing it. But simply being Black and occupying a position of leadership is not enough.
Recommended publications
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 20 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 18, 19 BENNY BENASSI DA 16 THE CLARK SISTERS GS 14 EST GEE HS 4; H100 34; ODS 14; RBH 17; RS H.E.R. B200 166; RBL 23; ARB 12, 14; H100 50; -L- 13; STM 13 HA 23; RBH 22; RBS 6, 18 THE 1975 RO 40 GEORGE BENSON CJ 3, 4 CLEAN BANDIT DES 16 LABRINTH STX 20 FAITH EVANS ARB 28 HIKARU UTADA DLP 17 21 SAVAGE B200 63; RBA 36; H100 86; RBH DIERKS BENTLEY CS 21, 24; H100
    [Show full text]
  • We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation
    9/30/2015 We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation KEVIN COKLEY NOVEMBER 20, 2014 America's once-favorite TV dad needs to take his own advice. (AP Photo/Matt Rourke) Entertainer and former classmate Bill Cosby speaks during a public memorial service for Philadelphia Inquirer co-owner Lewis Katz Wednesday, June 4, 2014, at Temple University in Philadelphia. hile the natural inclination is to separate Bill Cosby’s television character W from his real life persona, the show we remember so fondly was not called The Huxtable Show. It was The Cosby Show. We did not really welcome Heathcliff into our homes. We welcomed Bill. http://prospect.org/article/we­let­bill­cosby­our­homes­so­he­owes­us­explanation 1/4 9/30/2015 We Let Bill Cosby Into Our Homes, So He Owes Us an Explanation It is Cosby, the accused serial rapist of 15 women from whom we await an explanation. He has the time: His planned NBC project was just pulled in the face of these resurfaced allegations. He won’t be cashing any residual checks from shows streamed on Netflix because like any contagion, everything Cosby is associated with is now contaminated. This reckoning particularly stings because of Cosby’s decades-long campaign of respectability politics within the black community. This reckoning particularly stings because of Cosby’s decades-long campaign of respectability politics within the black community. For years he has offered a socially conservative critique of certain elements of black culture, where he has emphasized individual responsibility and a pull-yourself-up-by-your-bootstraps mentality.
    [Show full text]
  • The Dialectic of Freedom 1St Edition Pdf Free Download
    THE DIALECTIC OF FREEDOM 1ST EDITION PDF, EPUB, EBOOK Maxine Greene | 9780807728970 | | | | | The Dialectic of Freedom 1st edition PDF Book She examines the ways in which the disenfranchised have historically understood and acted on their freedom—or lack of it—in dealing with perceived and real obstacles to expression and empowerment. It offers readers a critical opportunity to reflect on our continuing ideological struggles by examining popular books that have made a difference in educational discourse. Professors: Request an Exam Copy. Major works. Max Horkheimer Theodor W. The latter democratically makes everyone equally into listeners, in order to expose them in authoritarian fashion to the same programs put out by different stations. American Paradox American Quest. Instead the conscious decision of the managing directors executes as results which are more obligatory than the blindest price-mechanisms the old law of value and hence the destiny of capitalism. Forgot your password? There have been two English translations: the first by John Cumming New York: Herder and Herder , ; and a more recent translation, based on the definitive text from Horkheimer's collected works, by Edmund Jephcott Stanford: Stanford University Press, Learn how to enable JavaScript on your browser. Peter Lang. The truth that they are nothing but business is used as an ideology to legitimize the trash they intentionally produce. Archetypal literary criticism New historicism Technocriticism. The author concludes with suggestions for approaches to teaching and learning that can provoke both educators and students to take initiatives, to transcend limits, and to pursue freedom—not in solitude, but in reciprocity with others, not in privacy, but in a public space.
    [Show full text]
  • Generic Affinities, Posthumanisms and Science-Fictional Imaginings
    GENERIC AFFINITIES, POSTHUMANISMS, SCIENCE-FICTIONAL IMAGININGS SPECULATIVE MATTER: GENERIC AFFINITIES, POSTHUMANISMS AND SCIENCE-FICTIONAL IMAGININGS By LAURA M. WIEBE, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy McMaster University © Copyright by Laura Wiebe, October 2012 McMaster University DOCTOR OF PHILOSOPHY (2012) Hamilton, Ontario (English and Cultural Studies) TITLE: Speculative Matter: Generic Affinities, Posthumanisms and Science-Fictional Imaginings AUTHOR: Laura Wiebe, B.A. (University of Waterloo), M.A. (Brock University) SUPERVISOR: Professor Anne Savage NUMBER OF PAGES: vi, 277 ii ABSTRACT Amidst the technoscientific ubiquity of the contemporary West (or global North), science fiction has come to seem the most current of genres, the narrative form best equipped to comment on and work through the social, political and ethical quandaries of rapid technoscientific development and the ways in which this development challenges conventional understandings of human identity and rationality. By this framing, the continuing popularity of stories about paranormal phenomena and supernatural entities – on mainstream television, or in print genres such as urban fantasy and paranormal romance – may seem to be a regressive reaction against the authority of and experience of living in technoscientific modernity. Nevertheless, the boundaries of science fiction, as with any genre, are relational rather than fixed, and critical engagements with Western/Northern technoscientific knowledge and practice and modern human identity and being may be found not just in science fiction “proper,” or in the scholarly field of science and technology studies, but also in the related genres of fantasy and paranormal romance.
    [Show full text]
  • Postcolonialism
    10 Postcolonialism The final hour of colonialism has struck, and millions of inhabitants of Africa, Asia, and Latin America rise to meet a new life and demand their unrestricted right to self-determination. Che Guevara, speech to the United Nations, December 11, 1964 he 1960s saw a revolutionary change in literary theory. Until this dec- Tade, New Criticism dominated literary theory and criticism, with its insistence that “the” one correct interpretation of a text could be discovered if critical readers follow the prescribed methodology asserted by the New Critics. Positing an autonomous text, New Critics paid little attention to a text’s historical context or to the feelings, beliefs, and ideas of a text’s read- ers. For New Critics, a text’s meaning is inextricably bound to ambiguity, irony, and paradox found within the structure of the text itself. By analyzing the text alone, New Critics believe that an astute critic can identify a text’s central paradox and explain how the text ultimately resolves that paradox while also supporting the text’s overarching theme. Into this seemingly self-assured system of hermeneutics marches philos- opher and literary critic Jacques Derrida along with similar-thinking scholar- critics in the late 1960s. Unlike the New Critics, Derrida, the chief spokesperson for deconstruction, disputes a text’s objective existence. Denying that a text is an autotelic artifact, he challenges the accepted definitions and assump- tions of both the reading and the writing processes. In addition, he insists on questioning what parts not only the text but also the reader and the author play in the interpretive process.
    [Show full text]
  • INFORMATION to USERS the Most Advanced Technology Has Been
    INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there sp’e missing pagSb, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6 " X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing theUMI World's Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 8822869 The criticism of American literature: The powers and limits of an institutional practice Kayes, Jamie R. Barlowe, Ph.D. The Ohio State University, 1988 Copyright ©1988 by Kayes, Jamie R. Barlowe. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 PLEASE NOTE: In ail cases this material has been filmed in the best possible way from the available copy.
    [Show full text]
  • The Body and Technology: Discourses Shaping Consumer
    ASSOCIATION FOR CONSUMER RESEARCH Labovitz School of Business & Economics, University of Minnesota Duluth, 11 E. Superior Street, Suite 210, Duluth, MN 55802 The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services Margo Buchanan-Oliver, The University of Auckland, New Zealand Angela Cruz , The University of Auckland, New Zealand Frontiers of thought in other disciplines, popular culture, and marketing communications are continually ‘re-visioning’ technology and influencing how consumers think about and experience technology-based products and services. Providing a glimpse into these frontiers, this paper re-introduces the body into theorisations of consumer-technology interaction and reviews interdisciplinary discourses shaping views of the body and technology. The key theoretical discourses of body-machine liminality, control and freedom, embodied interaction, and identity are discussed. These discourses expand conceptualisations of technology beyond a limiting focus on functional benefits, offering new frames and foundations for investigating consumer experience and marketing communications of technology-based offerings. [to cite]: Margo Buchanan-Oliver and Angela Cruz (2009) ,"The Body and Technology: Discourses Shaping Consumer Experience and Marketing Communications of Technological Products and Services", in NA - Advances in Consumer Research Volume 36, eds. Ann L. McGill and Sharon Shavitt, Duluth, MN : Association for Consumer Research, Pages: 367-371.
    [Show full text]
  • The Relationship Between Architecture and the Environment While Applying Jacque Derrida's Idea of Binary Opposition
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2005 The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition Macy Man-Sai Leung Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Leung, Macy Man-Sai, "The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition" (2005). Retrospective Theses and Dissertations. 19156. https://lib.dr.iastate.edu/rtd/19156 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The relationship between architecture and the environment while applying Jacque Derrida's idea of binary opposition by Macy Man-Sai Leung A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARCHITECTURE Major: Architecture Program of Study Committee: Marwan Ghandour, Major Professor Tom Leslie Lee Poague Iowa State University Ames, Iowa 2005 11 Graduate College Iowa State University This is to certify that the master's thesis of Macy Man-Sai Leung has met the thesis requirements of Iowa State University Signatures have been redacted for privacy Ill TABLE OF CONTENTS CHAPTER 1. INTRODUCTION 1 CHAPTER 2. DERRIDA'S DECONSTRUCTION AND ITS APPLICATION IN ARCHITECTURE 6 General Overview of Deconstruction Theory 7 Deconstruction in Architecture 10 CHAPTER 3.
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) APR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 24 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 19, 22 JUSTIN BIEBER B200 3; CC 8; DLP 11; RBL 25; J. COLE B200 68; PCA 14; RBA 37 LUIS FIGUEROA TSS 21 STEPHEN HOUGH CL 11 LYDIA LAIRD CA 29; CST 33 21 SAVAGE B200 103; RBH 49 A40 13, 26; AC 9, 16, 20; CST 23, 26, 35, 36, KEYSHIA COLE ARB 14 FINNEAS A40 36; AK 18; RO 20 WHITNEY HOUSTON B200 197; RBL 22 LAKE STREET DIVE RKA 46 24KGOLDN B200 65; A40 4; AC 25;
    [Show full text]
  • Sexual Difference, Animal Difference: Derrida and Difference
    H Y P A 1032 Dispatch: 18.2.09 Journal: HYPA CE: Nikhil Journal Name Manuscript No. B Author Received: No. of pages: 23 Op: Sumesh 1 Sexual Difference, Animal Difference: 2 3 Derrida and Difference ‘‘Worthy of its 4 5 Name’’ 6 7 8 KELLY OLIVER 9 10 11 12 13 14 15 I challenge the age-old binary opposition between human and animal, not as philos- 16 ophers sometimes do by claiming that humans are also animals, or that animals are 17 capable of suffering or intelligence, but rather by questioning the very category of ‘‘the 18 animal’’ itself. This category groups a nearly infinite variety of living beings into one 19 concept measured in terms of humans—animals are those creatures that are not 20 human. In addition, I argue that the binary opposition between human and animal is 21 intimately linked to the binary opposition between man and woman. Furthermore, I 22 suggest that thinking through animal differences or differences among various living 23 creatures opens up the possibility of thinking beyond the dualist notion of sexual 24 difference and enables thinking toward a multiplicity of sexual differences. 25 26 27 28 Reading the history of philosophy, feminists have pointed out that ‘‘female,’’ 29 ‘‘woman,’’ and ‘‘femininity’’ often fall on the side of the animal in the human– 30 animal divide, as the frequent generic use of the word ‘‘man’’ suggests. From 31 Plato through Hegel, Freud and beyond, women have been associated with 32 Nature and instincts to procreate, which place them in the vicinity of the an- 33 imal realm.
    [Show full text]
  • Towson University Office of Graduate Studies
    TOWSON UNIVERSITY OFFICE OF GRADUATE STUDIES BILL COSBY AND THE AFRICAN AMERICAN MEDIA: AN EXPLORATION OF THE CONVERSATION OF RAPE AND SEXUAL ASSAULT IN THE AFRICAN AMERICAN COMMUNITY by Ajibola Bakare A thesis Presented to the faculty of Towson University in partial fulfillment of the requirements for the degree Masters of Science Department of Women and Gender Studies Towson University Towson, Maryland 21252 (May, 2017) Acknowledgements I am so grateful to my thesis advisor, Dr. Jameta Barlow, Assistant Professor in Women and Health in the Women and Gender Studies department at Towson University. I appreciate her patience and assistance through this process, from helping develop my topic to continuously reviewing my concepts and chapters. I would also like to acknowledge Dr. Jennifer Langdon, Associate Professor at the department of Sociology, Anthropology, and Criminal Justice, Dr. Cindy Gissendanner, Professor and Director of LGBT Minor Program, and Dr. Jennifer Potter, Associate Professor at the department of Mass Communications and Communication studies for challenging my ideas and strengthening this thesis as members of the committee. I would like to dedicate this thesis and its significance of having earned my masters to my family, who did not understand my ramblings more than half the time, but supported and listened to me regardless. I would also like to acknowledge my youngest brother, Abiola Bakare, for being such a support system in every way possible. Finally, to Mahnoor Ahmed, one of my mentors and former supervisor at the Center for Student Diversity at Towson University, I am grateful for the support and her efforts in bringing my thesis to life during my time as a graduate assistant at the university.
    [Show full text]