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2015 Spring Commencement 3 Best Wishes from the President
CROWN 422 ALMA MATER Washington, my Washington, the Crimson and the Gray! CROWN 790 ‘Tis the song of memory that we sing today. When the sad hours come to you and sorrows ’round you play, Just sing the songs of Washington, the Crimson and the Gray! Just sing the songs of Washington, the Crimson and the Gray! SPRING COMMENCEMENT SATURDAY, MAY NINTH Celebrating ONE HUNDRED NINETEENTH ANNUAL SPRING COMMENCEMENT SATURDAY, MAY 9, 2015 BEASLEY COLISEUM WASHINGTON STATE UNIVERSITY PULLMAN, WASHINGTON Commencement Mission Statement Commencement at Washington State University represents the culmination of a student’s academic achievement. It is a time for celebration and reflection for students, families, faculty, and staff. It brings together the campus community to share the joy of the accomplished goals of our students. The commencement ceremony at Washington State University serves a dual purpose: to mark a point of achievement, thus completing a chapter in the lives of students and those who support them, and to encourage continued pursuit of learning, personal fulfillment, and engagement with their local and worldwide communities. P hot o: WS U campus , Thompso n Hall and Brya n Cloc k Tow er in foregr ound Contents 148526 4/15 TABLE OF CONTENTS Best Wishes from the President 4 President’s Ceremonial Stole and Chain of Offce 5 Best Wishes from the Faculty Senate and Administrative Professional Advisory Council Chairs 6 Greetings from the GPSA, ASWSU, and ASWSU Global Presidents 7 Order of Exercises 8:00 a m Ceremony 8 College of Arts and -
Rereading Paul on Circumcision, Torah, and the Gentiles Asha K
A Seal of Faith: Rereading Paul on Circumcision, Torah, and the Gentiles Asha K. Moorthy Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Asha K. Moorthy All rights reserved ABSTRACT A Seal of Faith: Rereading Paul on Circumcision, Torah, and the Gentiles Asha K. Moorthy It is generally held that the Apostle Paul dismissed the rite of circumcision for Gentiles. This dissertation, however, offers a different perspective. Through examination of relevant sources regarding the role of circumcision in conversion along with consideration of Philo of Alexandria’s depiction of Abraham as an exemplar of and for the proselyte, this project will suggest that Paul, in Rom 4:11‐ 12, uses the example of Abraham in order to explain the value of circumcision for Jews as well as for Gentiles. It will be argued, moreover, that Paul’s objections to circumcision, as found in Romans as well as in Galatians, Philippians, and 1 Corinthians, were not to the rite per se but rather to the notion that circumcision was necessary for entering the Abrahamic covenant, “becoming a Jew,” justification, salvation, spiritual transformation, protection or identity in Christ. A case will be made, moreover, that in Paul’s day there were two competing forms of circumcision and that Paul was opposed to the more radical procedure. Finally, divergences in Paul’s handling of the topic of circumcision in different letters will be explained through attention to particular audience concerns. TABLE OF CONTENTS Chapter 1: Introduction 1 1. -
Distribution Agreement in Presenting This
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: _____________________________ ______________ Tianyi Yao Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao Master of Arts Film and Media Studies _________________________________________ Matthew Bernstein Advisor _________________________________________ Tanine Allison Committee Member _________________________________________ Timothy Holland Committee Member _________________________________________ Michele Schreiber Committee Member Accepted: _________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date Crime and History Intersect: Films of Murder in Contemporary Chinese Wenyi Cinema By Tianyi Yao B.A., Trinity College, 2015 Advisor: Matthew Bernstein, M.F.A., Ph.D. An abstract of -
Slovenské Divadlo V Prostredí Spoločnosti – Od 80
Revue dramatických umení Vydáva Ústav divadelnej a filmovej vedy Slovenskej akadémie vied 3 Ročník 59 – 2011 – Číslo 3 OBSAH ŠTÚDIE Martin Palúch: České a slovenské prieniky v dokumentárnom filme po roku 1993 ................................................................................ 195 Dagmar Podmaková: Slovenské divadlo v prostredí spoločnosti – od 80. rokov 20. storočia po dnešok ................................................... 208 Miloš Mistrík: Miloš Karásek – človek manifestov ................................ 218 Miroslav Ballay: Modality autorských recepčných vplyvov ................ 235 Anna Hlaváčová: Vplyv zahraničných impulzov na zmenu divadelnej paradigmy .......................................................................... 245 Michaela Mojžišová: Zahraniční režiséri v Opere Slovenského národného divadla ............................................................................... 256 Nadežda Lindovská: Feministická výzva slovenskej dráme. Jana Juráňová: Misky strieborné, nádoby výborné ............................... 272 ROZHĽADY Ladislav Čavojský: Premena opery na hudobné divadlo ..................... 288 Oleg Dlouhý: O netransformovanej divadelnej kultúre ........................ 295 Slovenské divadlo KRITIKA Ladislav Čavojský: Matrika Slovenského národného divadla (BLAHOVÁ-MARTIŠOVÁ, Elena (zost.). Súpis repertoáru Slovenského národného divadla 1920 – 2010, 2010; Súpis repertoáru Slovenského národného divadla 1920 – 2010. Registre a prehľady, 2011) ..................................................................... -
Úrovne Podmienok Pre Zdravie a Zdravotné Potreby Vo Vylúčených
Záverečná správa zo vstupného Úrovne podmienok merania hodnotenia a systematického stanovenia potrieb pre zdravie a zdravotné cieľových lokalít Národného projektu potreby vo vylúčených Zdravé komunity 2A rómskych osídleniach na Slovensku Andrej Belák Organizácia Zdravé regióny je štátnou príspevkovou organizáciou Ministerstva zdravotníctva SR, ktorej poslaním je realizácia a rozvoj dočasných vyrovnávacích opatrení v oblasti zdravia. Jednou z nosných činností v tomto smere je realizácia Národného projektu Zdravé komunity. Tento projekt sa realizuje vďaka podpore z Európskeho sociálneho fondu v rámci Operačného programu Ľudské zdroje. Úrovne podmienok pre zdravie a zdravotné potreby vo vylúčených rómskych osídleniach na Slovensku Záverečná správa zo vstupného merania hodnotenia a systematického stanovenia potrieb cieľových lokalít Národného projektu Zdravé komunity 2A Obsah správy © Andrej Belák & Univerzita P. J. Šafárika v Košiciach, 2020 Dizajn a grafická úprava © Matúš Hnát, 2020 Maľba na obálke © Michaela Moravčíková, 2020 Andrej Belák Obsah Prehľad základných pojmov a použitých 007 ČASŤ III Metodika vstupného merania úrovne 167 skratiek Postupy podmienok pre zdravie Zhrnutie 009 Metodika stanovenia zdravotných potrieb 183 Summary 019 Literatúra 185 ČASŤ I Úvod 031 ČASŤ IV Zhrnutie výsledkov 191 Súhrn výsledkov Zhrnutie výsledkov vstupného merania Obyvateľstvo vylúčených rómskych 039 a odporúčania Odporúčania 193 úrovní podmienok pre osídlení zdravie Realizačný tím 197 A) Správanie súvisiace so zdravím 051 Poďakovanie 199 B) Psychická -
Cultural Policy in Czechoslovakia
Cultural policy in Czechoslovakia, Miroslav Marek with the co-operation of Milan HromAdka and Josef Chroust Unesco Published in 1970 by the United Nations Educational, Scientific and Cultural Organization Place de Fontenoy, 75 Paris-70 Printed by Imprimerie Blanchard, 92 Le Plessis-Robinson 0 Unesco 1970 Printed in France SHC.69/XIXS/A ..,_ “, ._-“. _^_I --..--,,-. ^-I_ - .“. ..-..._ Studies and documents on .I:ural policies 3 In this series 1. Cultural policy: a preliminary study 2. Cultural policy in the United States by Charles C. Mark 3. Cultural rights as human rights 4. Cultural policy in Japan by Nobuya Shikaumi 5. Some aspects of French cultural policy by the Studies and Research Department of the French Ministry of Culture 6. Cultural policy in Tunisia by Rafik Said 7. Cultural policy in Great Britain by Michael Green and Michael Wilding, in consultation with Richard Hoggart 8. Cultural policy in the Union of Soviet Socialist Republics by A. A. Zvorykin with the assistance of N. I. Golubtsova and E. I. Rabinovich 9. Cultural policy in Czechoslovakia by Miroslav Marek, Milan Hromadka and Josef Chroust Preface The publication of this series has been undertaken as part the programme adopted by the General Conference of Unesco at its fifteenth session for the study of cultural policies. In this context, ‘cultural policy’ is taken to mean a body of operational principles, administrative and budgetary practices and procedures which provide a basis for cultural action by the State. Obviously, there cannot be one cultural policy suited to all countries; each Member State determines its own cultural policy according to the cultural values, aims and choices it sets for itself. -
Missional Apologetics Draft
Liberty University Rawlings School of Divinity Missional Apologetics: An Examination of Essential Elements in the Apologetic Approaches of Early Christian Era Apologists in Light of the Mission of Christ to a Pluralistic World. A Dissertation Presented to the Faculty of Liberty University Rawlings School of Divinity in Candidacy for the Degree of Doctor of Philosophy by George B. Bannister, Sr. Lynchburg, Virginia December 2018 Copyright © 2018 by George Benjamin Bannister, Sr. All rights reserved Approval Sheet MISSIONAL APOLOGETICS: AN EXAMINATION OF ESSENTIAL ELEMENTS IN THE APOLOGETIC APPROACHES OF EARLY CHRISTIAN ERA APOLOGISTS IN LIGHT OF THE MISSION OF CHRIST TO A PLURALISTIC WORLD. George Benjamin Bannister, Sr. Read and approved by: Chairperson: ____________________________________ Date: ______________________________ To the Lord Jesus Christ, my Savior and Lord, whose grace never ceases to amaze me. To Lisa, my bride, best friend, and holder of my heart; who has loved and supported me for many years and has been the best wife and partner and ministry co-laborer any man could wish for. Without you, I would not have achieved this milestone. To my sons and their brides who have encouraged me to stay the course and pursue the goal of completing this task. Thank you, Ben and Cindy, Dan and Liliana, and Bob and Deborah. I am a man who has been blessed beyond measure and far more than I could ever deserve! Contents Figures ......................................................................................................................................... -
Music and Theatre in Eastern Europe: Understanding Historical Perspectives and Igniting Passion
Music and Theatre in Eastern Europe: Understanding Historical Perspectives and Igniting Passion January 7 – January 31, 2016 Hosted by Dr. Scott Johnson, Jayna Gearhart Fitzsimmons and Brad Heegel Program Inclusions v Experience the musical enrichment and fellowship traveling as part of a community under the leadership of Dr. Scott Johnson, Co-Chair of the College Department of Music who is both an accomplished musician and mentor; Jayna Gearhart Fitzsimmons, artistic director and experienced director of theater and Brad Heegel, Administrative Director of Performing and Visual Arts at Augustana who is both a seasoned traveler and energetic lead organizer for this program. v Be inspired by the culture and art of the Czech Republic with Prague’s royal palaces and museums; the beauty and music of Austria with the Vienna Boys Choir and Opera Houses; the grace and history of Slovakia with it’s amazing Slovak National Theatre; the vibrancy and heritage of Hungary in Budapest with collections of Art Nouveau and gypsy music; and lastly the history and open arms of Croatia in the town of Zagreb. v Attend eight concerts/performances and visit over forty famous sights and theatres in Europe. v Travel from Sioux Falls with connecting service into Prague and from Zagreb via United Airlines, Lufthansa Airlines and Croatian Airlines. v Stay for twenty-three nights in select Moderate First Class hotels described in the itinerary or similar, based on sharing a room. v Journey throughout Europe by private, deluxe motorcoach for all transfers and touring or by 2nd class rail. v Enjoy included daily buffet breakfast and six dinners. -
Transnational Koreans in Asian Pop Culture in the Pre-Korean Wave Era*
Vol.17 No.3, 55∼83 DOI:10.20879/acr.2020.17.3.55 https://www.comm.or.kr Transnational Koreans in Asian Pop Culture in the Pre-Korean Wave Era* Doobo Shim** Professor, Department of Media and Communication, Sungshin Women’s University, South Korea 12 Abstract he Korean Wave, which refers to the overseas popularity of South Korean T culture, is moving toward a new stage of development. Seen in conjunction with the recent performances of K-pop bands on global music platforms, Korean film Parasite's winning four prizes at the 92nd Academy Awards in 2020 has led commentators to argue that the whole world is now observing the Korean Wave phenomena. However, while the global rise of Korean pop culture has been documented continuously, most of the research has been centered around either Korean production or foreign consumption. Additionally, while the transnationality of popular culture has led academia to adopt the theory of hybridity, its application to the Korean Wave was largely limited to textual studies. Against this backdrop, this research will shed light on diasporic Korean artistes who have been largely forgotten either in Korea or in their resettled and adopted cultures. In particular, this study will zero in on Korean actors and filmmakers in Shanghai in the 1930s and the Korean-Hong Kongese film collaborations in the 1960s and inquire into their cultural meanings in inter-Asian popular culture. For one, Korean director Jeong Chang-hwa handed down his action film know-how to Hong Kong cinema, which would later become a global action film hub. -
Introduction
introduction The disembodied voices of bygone songstresses course through the soundscapes of many recent Chinese films that evoke the cultural past. In a mode of retro- spection, these films pay tribute to a figure who, although rarely encountered today, once loomed large in the visual and acoustic spaces of popu lar music and cinema. The audience is invited to remember the familiar voices and tunes that circulated in these erstwhile spaces. For instance, in a film by the Hong Kong director Wong Kar- wai set in the 1960s, In the Mood for Love, a traveling businessman dedicates a song on the radio to his wife on her birthday.1 Along with the wife we listen to “Hua yang de nianhua” (“The Blooming Years”), crooned by Zhou Xuan, one of China’s most beloved singers of pop music. The song was originally featured in a Hong Kong production of 1947, All- Consuming Love, which cast Zhou in the role of a self- sacrificing songstress.2 Set in Shang- hai during the years of the Japa nese occupation, the story of All- Consuming Love centers on the plight of Zhou’s character, who is forced to obtain a job as a nightclub singer to support herself and her enfeebled mother-in- law after her husband leaves home to join the resis tance. “The Blooming Years” refers to these recent politi cal events in a tone of wistful regret, expressing the home- sickness of the exile who yearns for the best years of her life: “Suddenly this orphan island is overshadowed by miseries and sorrows, miseries and sorrows; ah, my lovely country, when can I run into your arms again?”3 -
Ladislav Vychodil's Approach to Designing Stages for Shakespeare
¤ Theatralia 21 / 2018 / 2 ¨79ª94¬ ® https://doi.org/10.5817/TY2018-2-6 Ladislav Vychodil’s Approach to Designing Stages for Shakespeare Home and Abroad Zuzana Koblišková ] Abstract This essay aims to present the most significant approaches Vychodil used for designing stages for Shakespeare plays, and to compare the designs with others, more typical of Vy- yorick chodil’s aesthetic practice. The paper will, therefore, ask the following questions: (i) what [ demands do Shakespeare’s plays make on the designer? and (ii) how does Vychodil, in par- ticular, respond to these requirements? In constructing my argument, I have relied not only on well-known resources and monographs, but I have also used material from the archives of the Jerome Lawrence and Robert E. Lee Theatre Research Institute in Columbus, Ohio, which have not hitherto been sufficiently studied by other researchers. Keywords Ladislav Vychodil, Shakespeare scenography, Slovak National Theatre, Jarka M. Burian, Oslo, Santa Barbara CA 79 text_theatralia_02_2018.indd 79 10.12.2018 12:00:46 Zuzana Koblišková Ladislav Vychodil’s Approach to Designing Stages for Shakespeare Home and Abroad […] once you start working somewhere else than home, the work as if meant more […] especially when you start working abroad […] (ČINČERA 1995) (Ladislav Vychodil) Introduction Certainly, there is no need to introduce Ladislav Vychodil within the context of Czech ] and Slovak scenography. He was born in 1920 in Moravia; yet he has been called ‘the doyen of Slovak scenography and the founder of the scenography department at the Academy of Performing Arts in Bratislava’ (Hudobný život 2005: 8). Vychodil was born yorick yorick [ Czech (coincidently, in the same year that the Slovak National Theatre was ‘born’) and it might have been fate that throughout his whole life, Vychodil fought fiercely to help create a Slovak theatre tradition. -
Momentous Historical Events in the Modern Czechoslovak History and Their Place in the Ideological Framework of Pre-War Czechoslovakia
Momentous historical events in the modern Czechoslovak history and their place in the ideological framework of pre-war Czechoslovakia Milan Olejník, Spoločenskovedný ústav SAV, Košice, [email protected] OLEJNÍK, Milan.Momentous historical events in the modern Czechoslovak history and their place in the ideological framework of pre-war Czechoslovakia. Individual and Society, 2009, Vol. 12, No. 2. The article is a summary of celebration of the 28th October 1918 and Pittsburg agreement in Slovakia in epoch of the Pre-Munich Czechoslovakia republic. Czechoslovakian republic. 28 October 1918. Pittsburgh Agreement. Autonomy. 28 October 1918 – establishment of Czechoslovak Republic Czechoslovak Republic (CSR) was one of the states, which came to existence as a result of geopolitical changes after World War I. The biggest challenge to newly formed state was its ethnic diversity – almost a half of population (if we count Slovaks separately) was not Czech. The next largest ethnic community was German. Majority of three million Germans considered their inclusion into CSR as an act of injustice. A similar situation existed in Slovakia, where approximately seven hundred thousand ethnic Hungarians (Magyars) were included into Czechoslovakian state. There were other ethnic minorities – Ukrainians, Ruthenians, Jews, Poles and others, who became part of complex ethnic structure of CSR. The ethnic core community – Czechs – utilized all possible means available to their disposal to alleviate existing situation and to establish working framework of government in sphere of politics, economics and ideology. Mainly for this reason, an emphasis was paid to ideology supportive to unity of state. In that sense, singularly important was to weld Czechs and Slovaks together and create unified nation.