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Main Street, Stockbridge (413) 298-3664. at Stockbridge Seiji Ozawa, Music Director One Hundred and Fifth Season, 1985-86 Trustees of the Boston Symphony Orchestra, Inc.

Leo L. Beranek, Chairman Nelson J. Darling, Jr., President Vice-Chairman J. P. Barger, Vice -Chairman Mrs. John M. Bradley,

George H. Kidder, Vice-Chairman William J. Poorvu, Treasurer Mrs. George L. Sargent, Vice-Chairman

Vernon R. Alden Archie C. Epps Mrs. August R. Meyer

David B. Arnold, Jr. Mrs. John H. Fitzpatrick E. James Morton Mrs. Norman L. Cahners Mrs. John L. Grandin David G. Mugar

George H. A. Clowes, Jr. Francis W Hatch, Jr. Thomas D. Perry, Jr.

William M. Crozier, Jr. Harvey Chet Krentzman Mrs. George R. Rowland Mrs. Lewis S. Dabney Roderick M. MacDougall Richard A. Smith Mrs. Michael H. Davis John Hoyt Stookey Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb

Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Richard P. Chapman Edward M. Kennedy Sidney Stoneman AbramT. Collier Albert L. Nickerson John L. Thorndike John T. Noonan Officers of the Corporation Thomas W Morris, Vice-President, Special Projects and Planning John Ex Rodgers, Assistant Treasurer Theodore A. Vlahos, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Mary Glenn Goldman, Assistant Clerk

Administration of the Boston Symphony Orchestra, Inc. Daniel R. Gustin, Acting General Manager Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Theodore A. Vlahos, Director of Business Affairs

Helen P. Bridge, Director of Volunteers Marc Mandel, Publications Coordinator Vera Gold, Assistant Director of Promotion Richard Ortner, Administrator of Patricia Halligan, Personnel Administrator Tanglewood Music Center Nancy A. Kay, Director of Sales Nancy E. Phillips, Media and John M. Keenum, Director of Production Manager, Boston Foundation Support Symphony Orchestra James F. Kiley, Operations Manager, Charles Rawson, Manager of Tanglewood Box Office Nancy Knutsen, Assistant Manager, Eric Sanders, Director of Corporate Boston Pops Development Anita R. Kurland, Administrator of Joyce M. Serwitz, Assistant Director Youth Activities of Development Steven Ledbetter, Musicologist & Susan E. Tomlin, Director of Program Annotator Annual Giving

Programs copyright '1986 Boston Symphony Orchestra, Inc. Cover design by Wondriska Associates Inc. JOIN THE BSO FOR A SEASON OF GREAT MUSIC AT SYMPHONY HALL AND CARNEGIE HALL.

Subscribe now to the 1986-87 season!

Join Music Director Seiji Ozawa and the Boston Symphony Orchestra in Symphony Hall for a 23-week season of magnificent music. In addition, Ozawa and the BSO will present their traditional three-concert series at Carnegie Hall, featuring appearances by Mstislav Rostropovich and Krystian Zimerman.

Free brochures with complete program information for the BSO's Boston and New York seasons are available at the Tanglewood Main Gate, or call Symphony Hall, (617) 266-1492. Board of Overseers of the Boston Symphony Orchestra, Inc. Harvey Chet Krentzman, Chairman

Avram J. Goldberg Mrs. Carl Koch Vice-Chairman Vice-Chairman Ray Stata Mrs. Gordon F. Kingsley Vice-Chairman Secretary John Q. Adams Mrs. Thomas Gardiner Mrs. Hiroshi Nishino Mrs. Weston W. Adams Mrs. James G. Garivaltis Vincent M. O'Reilly Martin Allen Mrs. Ray A. Goldberg Stephen Paine, Sr. Mrs. David Bakalar Jordan L. Golding John A. Perkins Bruce A. Beal Joseph M. Henson Peter C. Read Peter A. Brooke Arnold Hiatt Robert E. Remis Mary Louise Cabot Mrs. Richard D. Hill Mrs. Peter van S. Rice

Mrs. C. Thomas Clagett, Jr. Susan M. Hilles David Rockefeller, Jr. James F. Cleary Glen H. Hiner John Ex Rodgers

John F. Cogan, Jr. Mrs. Marilyn Brachman Hoffman Mrs. Jerome Rosenfeld Mrs. Nat Cole Mrs. Bela T. Kalman Mrs. William C. Rousseau William H. Congleton Mrs. S. Charles Kasdon Mrs. William H. Ryan Arthur P. Contas Richard L. Kaye Gene Shalit Mrs. A. Werk Cook Robert D. King Mark L. Selkowitz Phyllis Curtin John Kittredge Malcolm L. Sherman A.V. d'Arbeloff Robert K. Kraft W Davies Sohier, Jr. Mrs. Michael H. Davis John P. LaWare Ralph Z. Sorenson

Mrs. Eugene B. Doggett Mrs. James F. Lawrence Mrs. Arthur I. Strang Harriett Eckstein Laurence Lesser William F. Thompson

Mrs. Alexander Ellis R. Willis Leith, Jr. Luise Vosgerchian Katherine Fanning Mrs. Charles P. Lyman Mrs. An Wang John A. Fibiger Mrs. Harry L. Marks Roger D. Wellington Kenneth G. Fisher Hanae Mori Mrs. Thomas H.P. Whitney Gerhard M. Freche Richard P. Morse Mrs. Donald B. Wilson Peter H.B. Frelinghuysen Mrs. Thomas S. Morse Brunetta Wolfman

Mrs. Thomas J. Galligan Mrs. Robert B. Newman Nicholas T. Zervas

Overseers Emeriti

Mrs. Frank G. Allen Mrs. Louis I. Kane Mrs. Stephen V.C. Morris Hazen H. Ayer Leonard Kaplan David R. Pokross Paul Fromm Benjamin H. Lacy Mrs. Richard H. Thompson

Officers of the Boston Symphony Association of Volunteers Mrs. Michael H. Davis President

Mrs. R. Douglas Hall III Mrs. Carl Koch Executive Vice-President Treasurer

Mrs. Harry F. Sweitzer, Jr. Mrs. Gilman W Conant Secretary Nominating Chairman Vice-Presidents Mrs. Eugene B. Doggett, Development Services Mrs. BelaT. Kalman, Youth Activities Ms. Phyllis Dohanian, Fundraising Projects Mrs. Hart D. Leavitt, Regions Mrs. Craig W Fisher, Tanglewood Mrs. August R. Meyer, Membership Mrs. Mark Selkowitz, Tanglewood Ms. Ellen M. Massey, Public Relations

Chairmen of Regions Mrs. Thomas M. Berger Ms. Prudence A. Law Mrs. F.L. Whitney Mrs. Charles A. Hubbard Mrs. Robert B. Newman Mrs. Thomas H.P. Whitney

Mrs. Herbert S. Judd, Jr. John H. Stookey Mrs. Norman Wilson Mrs. Thomas Walker Like you, we're unique.

How are Conifer Banks statewide resources of The unique? We're made up of 6 Conifer Group, it also has the community banks with 96 power to help you meet those offices serving hundreds of needs. communities throughout Contact the Conifer Bank Massachusetts. What's more, nearest you. The world may every Conifer Bank is backed not be our oyster, but our by the resources of The Coni- customers certainly are. fer Group, the 6th largest Guaranty Bank (617) 791-7811 Essexbank (617) 598-2000/(617) 532-2500 bank holding company in the Union National Bank (617) 458-3151 state and the 8th largest in Plymouth-Home National (617) 583-6700 Berkshire Bank (413) 499-1600 New England. Because the Bank of Cape Cod (617) 548-7500 Conifer Bank in your com- Members FDIC munity is local, it under- stands your needs. And be- The Conifer Group cause it has access to the Like You, We're Unique. TANGLEWOOD 5 August 1937 the festival's largest crowd so far assembled under a tent for the The Tanglewood Festival first Tanglewood concert, an all- In August 1934, a group of music- Beethoven program. loving summer residents of the At the all-Wagner concert which Berkshires organized a series of three opened the 1937 festival's second outdoor concerts at Interlaken, to be weekend, rain and thunder twice inter- given by members of the New York rupted the performance of the Rienzi Philharmonic under the direction of Overture and necessitated the omission Henry Hadley. The venture was so altogether of the Siegfried "Forest successful that the promoters incorpo- Murmurs," music too delicate to be rated the Berkshire Symphonic Festival heard through the downpour. At the and repeated the experiment during the intermission, Miss Gertrude Robinson next summer. Smith, one of the festival's founders, The Festival Committee then invited made a fundraising appeal for the build- Serge Koussevitzky and the Boston ing of a permanent structure. The appeal Symphony Orchestra to take part in the was broadened by means of a printed following year's concerts. The orchestra's circular handed out at the two remain- Trustees accepted, and on 13 August ing concerts, and within a short time 1936 the Boston Symphony gave its first enough money had been raised to begin concerts in the Berkshires (at Holm- active planning for a "music pavilion." wood, a former Vanderbilt estate, later Eliel Saarinen, the eminent architect the Center at Foxhollow). The series selected by Koussevitzky, proposed an again consisted of three concerts and elaborate design that went far beyond was given under a large tent, drawing a the immediate needs of the festival and, total of nearly 15,000 people. more important, went well beyond the In the winter of 1936, Mrs. Gorham budget of $100,000. His second,

Brooks and Miss Mary Aspinwall Tap- simplified plans were still too expensive, pan offered Tanglewood, the Tappan and he finally wrote that if the Trustees family estate, with its buildings and 210 insisted on remaining within their acres of lawns and meadows, as a gift to budget, they would have "just a shed," Koussevitzky and the orchestra. The which "any builder could accomplish offer was gratefully accepted, and on without the aid of an architect." The

^5£S5 fl'fcE SYMPHONIC FESTlVM- R *f OE KOUSSEVITZKY - CONDUCTOR 'O f* '

A 1939 banner advertising that summer's Boston Symphony Tanglewood Festival •to*.

Drawing by Dough* McGregor People by Normjn Rockwell Since 1773

A great place to spend an overnight or enjoy a meal. Open every day

for luncheons and dinners. And . . . just a few minutes down the road on Main Street in the center of Stockbridge. The Red Lion Inn has catered to travelers and visitors since 1773.

Phone for reservations (413)298-5545 Fine Food and Lodging The Red Lbn Inn Since 1773. Stockbridge, Mass. 01262

CountryCurtains At the Red Lion Inn in Stockbridge, MA 413-298-4938

Country Curtains are a tradition . . . years of old-fashioned quality and conscientious service from Nantucket to Nob Hill. Curtains in cotton muslin or care

free permanent press . . . some with ruffles, others with fringe or lace trim. Also bedspreads, quilts, canopy covers, dust ruffles, pillow shams, kitchen and dining room accessories, pillows and dolls, wooden rods and much, much more! Visit our charming retail shop at the Red Lion Inn, in Stockbridge, Massachusetts or send for our free mail order catalog.

Monday through Wednesday 10 AM - 6 PM Thursday and Friday 10 AM - 8 PM Saturday 10 AM - 6 PM Sunday 12 Noon to 6 PM Trustees then turned to a Stockbridge in its second year under Artistic Director engineer, Joseph Franz, to make further Leon Fleisher, the Tanglewood Music simplifications in Saarinen's plans in Center looks forward to celebrating its order to lower the cost. The building first half-century of musical excellence that he erected remains, with modifica- in 1990. tions, to this day; it is still called simply The TMC was Koussevitzky 's pride "the Shed." The Shed was inaugurated and joy for the rest of his life. He assem- for the first concert of the 1938 festival. bled an extraordinary faculty in com-

It has echoed with the music of the position, operatic and choral activities, Boston Symphony Orchestra every and instrumental performance; he him- summer since, except for the war years self taught the most gifted conductors. 1942-45, and has become almost a place The school opened formally on 8 July of pilgrimage to millions of concert- 1940, with speeches (Koussevitzky, goers. By 1941, the Theatre-Concert alluding to the war then raging in Hall, the Chamber Music Hall, and Europe, said, "If ever there was a time several small studios— all part of what to speak of music, it is now in the New was then called the Berkshire Music World") and music, the first perform- Center, which had begun operations ance of Randall Thompson's Alleluia for the preceding year—were finished, and unaccompanied chorus, which had the festival had so expanded its activities been written for the ceremony and had and its reputation for excellence that it arrived less than an hour before the attracted nearly 100,000 visitors. event was to begin, but which made

Today, as it approaches its 50th such an impression that it has remained anniversary next summer, Tanglewood the traditional opening music each annually draws more than 300,000 summer. visitors; in addition to the concerts of The emphasis at the Tanglewood the Boston Symphony Orchestra, there Music Center has always been not on are weekly chamber music concerts, sheer technique, which students learn Prelude concerts and Open Rehearsals, with their regular private teachers, but the annual Festival of Contemporary on making music. Although the program Music, and almost daily concerts by the has changed in some respects over the gifted young musicians of the Tangle- years, the emphasis is still on ensemble wood Music Center. The Boston Pops performance, learning chamber music performs each summer as well. The with a group of talented fellow musi- season offers not only a vast quantity of cians under the coaching of a master- music but also a vast range of musical musician-teacher. Many of the pieces forms and styles, all of it presented with learned this way are performed in the a regard for artistic excellence that regular student recitals; each summer makes the festival unique. brings treasured memories of exciting performances by talented young profes- The Tanglewood Music Center sionals beginning a love affair with a Tanglewood is much more than a great piece of music. pleasant, outdoor, summer concert hall; The Tanglewood Music Center it is also the site of one of the most in- Orchestra performs weekly in concerts fluential centers for advanced musical covering the entire repertory under the study in the world. Here, the Tangle- direction of student conductors as well wood Music Center, which has been as members of the TMC staff and visitors maintained by the Boston Symphony who are in town to lead the BSO in its Orchestra ever since its establishment festival concerts. The quality of this (as the Berkshire Music Center) under orchestra, assembled for just eight the leadership of Serge Koussevitzky in weeks each summer, regularly as-

1940, provides a wide range of special- tonishes visitors. It would be impossible ized training and experience for young to list all the distinguished musicians musicians from all over the world. Now who have been part of that annual corps Remembrance of Things TanglewGDd...

The Glass House TANGLEWOOD'S DISTINCTIVE GIFT SHOP

MasterCard /VISA /American Express

LOCATED ATTHE MAIN GATE, TANGLEWOOD, LENOX, MA01240 (413)637-1600

Monday through Saturday: 10am to 4pm Friday and Saturday: 6pm to closing of the grounds Weeknight Theatre concerts: 7pm to closing of the grounds Sunday: 12 noon to closing of the grounds of young people on the verge of a profes- Seminar for Conductors. Beginning in sional career as instrumentalists, 1966, educational programs at Tangle- singers, conductors, and composers. wood were extended to younger stu-

But it is worth noting that 20% of the dents, mostly of high-school age, when members of the major orchestras in this Erich Leinsdorf invited the Boston Uni- country have been students at the versity School for the Arts to become Tanglewood Music Center, and that involved with the Boston Symphony figure is constantly rising. Orchestra's activities in the Berkshires. Today there are three principal pro- Today, Boston University, through its grams at the Tanglewood Music Center, Tanglewood Institute, sponsors pro- each with appropriate subdivisions. The grams which offer individual and en- Fellowship Program provides a demand- semble instruction to talented younger ing schedule of study and performance musicians, with ten separate programs for students who have completed most for performers and composers. of their training in music and who are Today, alumni of the Tanglewood awarded fellowships to underwrite their Music Center play a vital role in the expenses. It includes courses of study musical life of the nation. Tanglewood for instrumentalists, vocalists, conduc- and the Tanglewood Music Center, tors, and composers. The Tanglewood projects with which Serge Koussevitzky Seminars are a series of special instruc- was involved until his death, have be- tional programs, this summer including come a fitting shrine to his memory, a the Phyllis Curtin Seminar for Singers, a living embodiment of the vital, Listening and Analysis Seminar, and a humanistic tradition that was his legacy.

There are discoveries to be made

at every age. At 65, it's Williamstown.

A vital, active college town renowned for its theater festival, art museums and

spectacular natural beauty, Williamstown now has another reason for you to come.

Not just to visit, but to make your home here.

Sweetwood, the new continuing care residential community which is being built

in Williamstown, is precisely the home you've been looking for at this time in your

life. A cut above many residences of its genre, Sweetwood offers amenities so far

beyond expectation, it deserves your utmost consideration. Furthermore, it is

affiliated with Sweet Brook, the finest skilled nursing facility in The Berkshires. This

assures you that every health care need will be given superb attention.

Call 413-458-8371 to have a complimentary Sweetwood brochure sent to you immediately.

The new continuing care community Cold Spring Road Williamstown, MA 01267 413458-837 TANGLEWOOD LENOX, MASSACHUSETTS TANGLEWOOD INFORMATION

Ticket information for all Berkshire Festival events may be obtained at the desks at the Main Gate and at the Lion Gate or by calling 413-637-1940. Box office hours are from 10 a.m. to 6 p.m. Visa, MasterCard, and American Express are accepted.

Open Rehearsals by the Boston Symphony Orchestra are held each Saturday morning

at 10:30. Admission is $7.00 and the proceeds benefit the orchestra's Pension Fund.

The Lost and Found is in the superintendent's house near the Main Gate. Visitors who

find stray property may hand it to any Tanglewood official.

Rest rooms and pay phones may be located on the map opposite.

The First Aid station is near the Main Gate. Physicians expecting calls are asked to leave their names and seat numbers with the guide at the Main Gate.

Limited parking facilities are available for invalids and the physically handicapped. Please ask the parking attendants.

Latecomers will be seated only at the first convenient pause in the program. Those listeners who need to leave before the concert is over are asked to do so between works, and not during the performance.

No smoking, eating, or drinking in the Tanglewood Shed, please. Your cooperation is appreciated.

The use of recording equipment at Tanglewood is forbidden at all times.

Cameras: You are welcome to bring cameras to Tanglewood, but please refrain from taking pictures during the music since the click of shutters, the winding of film, and the flash annoy your neighbors and distract the musicians. Thank you for your understanding and your courtesy.

Please note: In consideration of our patrons and artists, children under four years of

age will not be permitted into the Shed or Theatre-Concert Hall for concerts. While all ages are admitted onto the lawn, everyone, including children, must pay full lawn admission price.

The Tanglewood Tent next to the Shed offers bar service and picnic space to Tent

members on concert days. Tent membership is a benefit available to donors through the Tanglewood Friends' Office.

Refreshments can be obtained in the area west of the Main Gate and at other locations on the grounds. Visitors are invited to picnic before concerts.

T-shirts, posters, beach towels, postcards, books, and other souvenirs are on sale in the Glass House next to the Main Gate. Glass House hours are from 10 a.m. to 4 p.m. Monday through Saturday; from 6 p.m. until the grounds close Friday and Saturday nights; from 7 p.m. Theatre concert nights; and from 12 noon on Sunday. Proceeds help sustain the Boston Symphony concerts at Tanglewood as well as the Tanglewood Music Center.

The Tanglewood Music Store, adjacent to the Glass House and operated by the Boston Symphony Orchestra, stocks sheet music and musical supplies, scores, music books, and recordings. Whenever available, records and cassettes will feature the repertory and artists heard at Tanglewood Festival concerts. The Tanglewood Music Store remains open for half an hour after the conclusion of each concert in the Shed.

Concerts of the Boston Symphony Orchestra and the Tanglewood Music Center are funded in part by the National Endowment for the Arts. CHESTERWGDD -.*,.-Hgg NEW ENGLAND

The Stockbridge, Mass. 1920s m summer BACH estate of Daniel Chester French, sculptor of the Lincoln Memorial. FESTIVAL Studio, mansion, BLANCHE HONECGER MOYSE, Artistic Director sculpture gallery, Italianate garden, nature walk and EIGHTEENTH FALL SEASON museum shop. Daily 10-5. May 1 though SEPTEMBER 23 - OCTOBER 12, 1986 October 31. Off Rte. For program and ticket information write 183, Stockbridge. A Property of the Na- THE BRATTLCBORO MUSIC CENTER, Box T tional Trust for 15 Walnut Street, Brattleboro, Vermont 05301 Historic Preservation. or call the Festival office, 802/257-4523.

Berkshire Artists Exclusively... /TlBERKSHIREI Ine publicIS THEATRE Repertory Performances Throughout the Summer Four Plays A Week Thursdays through In the center of Mondays Mill River, MA 01244 413-229-2018 Call 445-4634 (413) 20 min. from Stockbridge • Open Thurs.-Mon. Excite Your Imagination Lola & Lew Lehrman

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House for Sale: 100 Rooms. Inquire Within. K i ONLY ONE BOOK CAPTURES IT ALL. "The sumptuous times come brilliantly to life THE BERKSHIRE COTTAGES is the next best thing to being there. ' '" NEW YORK TIMES

$27.95 at Tanglewood Gift Shop or direct from i Cottage Press, Box 1265T, Englewood Cliffs, in NJ 0"632. =«*i :V= -*<* presents ANTONY and CLEOPATRA

Directed by Tina Packer

Outdoors on the Mainstage

Tuesdays through Sundays at 8 p.m. July 9 through August 31

BOX OFFICE The Mount 413-637-3353 Lenox, Massachusetts

IF YOU CANT BE HERE FOR THE CONCERTS... The weekend Tanglewood concerts are as close as your radio dial. Listen to WAMC-FM as it presents the igth year of live broadcasts from the music shed. WAIilC/90.3 PUBLIC RADIO FOR EASTERN NEW YORK AND WESTERN hIEW ENGLAND Memberships: Basic $25; Booster $50; Patron $250; Honor $500; Life $1000 WAMC-FM, Box 13000, Albany, New York. 12212 (518) 465-5233 Seiji Ozawa

summers beginning in 1964, and music director for four seasons of the Toronto Symphony Orchestra, a post he relin- quished at the end of the 1968-69 season. Seiji Ozawa first conducted the Boston Symphony in Symphony Hall in January 1968; he had previously appeared with the orchestra for four summers at Tangle- wood, where he became an artistic director in 1970. In December 1970 he began his inaugural season as conductor and music director of the San Francisco Symphony Orchestra. The music direc- torship of the Boston Symphony fol- lowed in 1973, and Mr. Ozawa resigned his San Francisco position in the spring The 1985-86 season is Seiji Ozawa's of 1976, serving as music advisor there thirteenth as music director of the for the 1976-77 season. Boston Symphony Orchestra. In the fall As music director of the Boston Sym- of 1973 he became the orchestra's thir- phony Orchestra, Mr. Ozawa has teenth music director since it was strengthened the orchestra's reputation founded in 1881. internationally as well as at home, begin- Born in 1935 in Shenyang, China, to ning with concerts on the BSO's 1976 Japanese parents, Mr. Ozawa studied European tour and, in March 1978, on a both Western and Oriental music as a nine-city tour of Japan. At the invitation child and later graduated from Tokyo's of the Chinese government, Mr. Ozawa Toho School of Music with first prizes in then spent a week working with the composition and conducting. In the fall Peking Central Philharmonic Orchestra; of 1959 he won first prize at the Inter- a year later, in March 1979, he returned national Competition of Orchestra Con- to China with the entire Boston Sym- ductors, Besangon, France. Charles phony for a significant musical and Munch, then music director of the cultural exchange entailing coaching, Boston Symphony and a judge at the study, and discussion sessions with competition, invited him to Tangle- Chinese musicians, as well as concert wood, where in 1960 he won the performances. Also in 1979, Mr. Ozawa Koussevitzky Prize for outstanding led the orchestra on its first tour devoted student conductor, the highest honor exclusively to appearances at the major awarded by the Tanglewood Music music festivals of Europe. Seiji Ozawa Center. and the Boston Symphony celebrated While working with Herbert von the orchestra's one-hundredth birthday Karajan in West Berlin, Mr. Ozawa came with a fourteen-city American tour in to the attention of Leonard Bernstein, March 1981 and an international tour to whom he accompanied on the New Japan, France, Germany, Austria, and York Philharmonic's spring 1961 Japan England in October/November that tour, and he was made an assistant same year. In August/September 1984, conductor of that orchestra for the 1961- Mr. Ozawa led the orchestra in an 62 season. His first professional concert eleven-concert tour including appear- appearance in North America came in ances at the music festivals of Edinburgh, January 1962 with the San Francisco London, Salzburg, Lucerne, and Berlin, Symphony Orchestra. He was music as well as performances in Munich, director of the Ravinia Festival for five Hamburg, and Amsterdam. This February he returned with the orchestra to Japan leben, Stravinsky's Le Sacre du printemps, for a three-week tour. Hoist's The Planets, and Mahler's Sym- Mr. Ozawa pursues an active inter- phony No. 8, the Symphony of a national career. He appears regularly Thousand. For CBS, he has recorded with the Berlin Philharmonic, the Or- music of Ravel, Berlioz, and Debussy chestre de Paris, the French National with mezzo-soprano Frederica von Radio Orchestra, the Vienna Philhar- Stade, the Mendelssohn Violin Concerto monic, the Philharmonia of London, with Isaac Stern, and, most recently, and the New Japan Philharmonic. His Strauss's Don Quixote and the Schoenberg/ operatic credits include Salzburg, Monn Cello Concerto with cellist Yo-Yo London's Royal Opera at Covent Gar- Ma. For Telarc, he has recorded the den, La Scala in Milan, and the Paris complete cycle of Beethoven piano Opera, where he conducted the world concertos and the Choral Fantasy with premiere of Olivier Messiaen's opera Rudolf Serkin. Mr. Ozawa and the St. Francis ofAssisi in November 1983. orchestra have recorded five of the Messiaen's opera was subsequently works commissioned by the BSO for its awarded the Grand Prix de la Critique centennial: Roger Sessions's Pulitzer 1984 in the category of French world Prize-winning Concerto for Orchestra premieres. Mr. Ozawa conducted the and Andrzej Panufnik's Sinfonia Votiva Boston Symphony Orchestra in the are available on Hyperion; Peter American premiere of scenes from Lieberson's Piano Concerto with soloist St. Francis ofAssisi this past April in Peter Serkin, John Harbison's Symphony

Boston and New York. No. 1, and Oily Wilson's Sinfonia are on Seiji Ozawa has won an Emmy for the New World records. For Angel/EMI, he Boston Symphony Orchestra's "Evening and the orchestra have recorded at Symphony" television series. His Stravinsky's Firebird and, with soloist award-winning recordings include Itzhak Perlman, the violin concertos of Berlioz's Romeo et Juliette, Schoenberg's Earl Kim and Robert Starer. Gurrelieder, and the Berg and Stravinsky Mr. Ozawa holds honorary Doctor of violin concertos with Itzhak Perlman. Music degrees from the University Other recordings with the orchestra of Massachusetts, the New England include, for Philips, Richard Strauss's Conservatory of Music, and Wheaton Also sprach Zarathustra and Ein Helden- College in Norton, Massachusetts.

MusicforAll Seasons/

All year long, Boston University's School of Music attracts gifted students from

all over the world. From fall to summer, in a setting that combines conservatory intensity with the riches of a liberal arts education, these students are guided to the highest levels of excellence by an exciting faculty led by Phyllis Curtin, famed soprano and Dean of the School for the Arts. During the summer, the University's Tanglewood Institute offers musicians of high school and college age a wide array of line programs in the Berkshire's

Boston University School of Music Tanglewood Institute

855 Commonwealth Avenue, Boston, Massachusetts 02215

617/353-424 1 Boston I fniversity is an equal opportunity institution. 1987 Tanglewood Schedule

Put your name on our mailing list.

Receive the 1987 Tanglewood brochure and order form

AND win a Box (eight seats) for a Tanglewood concert in 1987.

Coupon will be entered in a drawing for a free box of eight seats for a 1987 Tanglewood

concert of your choice (subject to availability). Please return coupon to: 1987 Tanglewood

Schedule, c/o Friends Office, Lenox, MA 01240. After September 1: 1987 Tangle- wood Schedule, c/o Development Office, Symphony Hall, Boston, iMA 02115.

Yes, please send me your 1987 Tanglewood Schedule and enter my name in the drawing for a free box next season.

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Telephone Violas Peter Hadcock Burton Fine E-flat Clarinet Charles S. Dana chair Bass Clarinet Patricia McCarty Craig Nordstrom Anne Stoneman chair, fully funded in perpetuity Bassoons Ronald Wilkison Sherman Walt Robert Barnes Edward A. Taft chair Jerome Lipson jRoland Small Bernard Kadinoff §Donald Bravo Music Directorship endowed by Joseph Pietropaolo Matthew Ruggiero John Moors Cabot Michael Zaretsky Contrabassoon Marc Jeanneret BOSTON SYMPHONY Richard Plaster Betty Benthin ORCHESTRA *Mark Ludwig Horns Charles Kavalovski 1985/86 *Roberto Diaz Helen Sagoff Slosberg chair First Violins Cellos Richard Sebring Malcolm Lowe Jules Eskin Daniel Katzen Concertmaster Philip R. Allen chair Jay Wadenpfuhl diaries chair Martha Babcock Munch Richard Mackey Max Hobart Vernon and Marion Alden chair Jonathan Menkis Acting Associate Concertmaster Mischa Nieland Helen Horner Mclntyre chair Esther S. and Joseph M. Shapiro chair Trumpets Arzewski Joel Moerschel Cecylia Charles Schlueter Acting Assistant Concertmaster Sandra and David Bakalar chair Roger Louis Voisin chair Robert L. Beal, and *Robert Ripley Andre Come Enid and Bruce A. Beal chair Luis Leguia Bo Youp Hwang Ford H. Cooper chair Robert Bradford Newman chair Charles Daval Edward and Bertha C. Rose chair Carol Procter Max Winder Peter Chapman Ronald Feldman John and Dorothy Wilson chair Trombones Harry Dickson *Jerome Patterson Ronald Barron Forrest Foster Collier chair "Jonathan Miller P. and Mary B. Barger chair, Gottfried Wilfinger J. *Sato Knudsen fully funded in perpetuity Fredy Ostrovsky Norman Bolter Dorothy Q. and David B. Arnold, Jr., Basses chair, fully funded in perpetuity Edwin Barker Bass Trombone Leo Panasevich Harold D. Hodgkinson chair Douglas Yeo Carolyn and George Rowland chair Lawrence Wolfe Tuba Sheldon Rotenberg Maria Stata chair, Chester Schmitz Muriel C. Kasdon ana fully funded in perpetuity Margaret and William C. Marjorie C. Paley chair Hearne Joseph Rousseau chair Alfred Schneider Bela Wurtzler Raymond Sird Timpani Leslie Martin Everett Firth Ikuko Mizuno Salkowski John Sylvia Shippen Wells chair Amnon Levy John Barwicki Percussion Second Violins *Robert Olson Charles Smith Marylou Speaker Churchill *James Orleans Peter and Anne Brooke chair Fahnestock chair Vyacheslav Uritsky Flutes Arthur Press Assistant Timpanist Charlotte and Irving W. Rabb chair Doriot Anthony Dwyer Ronald Knudsen Walter Piston chair Thomas Gauger Joseph McGauley Fenwick Smith Frank Epstein Myra and Robert chair Leonard Moss Kraft Leone Buyse Harp *Michael Vitale Ann Hobson Pilot Piccolo *Harvey Seigel Willona Henderson Sinclair chair *Jerome Rosen Lois Schaefer Evelyn and C. Charles Marran chair *Sheila Fiekowsky Personnel Managers {Gerald Elias Oboes William Moyer Ronan Lefkowitz Ralph Gomberg Harry Shapiro Mildred B. Remis chair *Nancy Bracken Wayne Rapier Librarians *Jennie Shames Marshall Burlingame Alfred Genovese *Aza Raykhtsaum William Shisler *Lucia Lin English Horn James Harper §Julius Schulman Laurence Thorstenberg Phyllis Knight Beranek chair, Stage Manager §Joseph Conte fully funded in perpetuity Position endowed In/

Angelica I loud CUtgett 'Participating in a system rotated Clarinets of Alfred Robison seating within each string section Harold Wright %On sabbatical leave Ann S.M. Banks chair Stage Assistant ^Substituting, Tanglewood 1986 Thomas Martin Harold Harris References furnished request

Aspen Music Festival Liberace Burt Bacharach Panayis Lyras David Bar-Man Marian McPartland Leonard Bernstein Zubin Mehta Bolcom and Morris Metropolitan Opera Jorge Bolet Mitchell-Ruff Duo Boston Pops Orchestra Seiji Ozawa Boston Symphony Orchestra Philadelphia Orchestra Brevard Music Center Andre Previn Dave Brubeck Ravinia Festival David Buechner Santiago Rodriguez Chicago Symphony Orchestra George Shearing Cincinnati May Festival Abbey Simon Cincinnati Symphony Orchestra Georg Solti Aaron Copland Tanglewood Music Center Denver Symphony Orchestra Michael Tilson Thomas Ferrante and Teicher Beveridge Webster Natalie Hinderas Earl Wild Interlochen Arts Academy and John Williams National Music Camp Wolf Trap Foundation for Billy Joel the Performing Arts Gilbert Kalish Yehudi Wyner Ruth Laredo Over 200 others Baldwin w

A Tradition

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Sheffield, Mass* 90 Church St., Lenox, 637-2640 A collejge preparatory coeducational Lunch, Dinner, Sunday Brunch boarding/day school After-Concert Menu Fri./Sat. p.m.

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Momiji berkshire ^ record Gallery outlet Fine Japanese £0ft inc. Woodblock Prints Summer 1986 Exhibitions A Vast Selection of BARGAIN PRICED July - Meiji Period Prints August - Contemporary Japenese Prints Closeouts & Overrun L.P.'s & Cassettes Gallery Hours: Plus- Major Labels at Substantial Discounts. Wed. thru Sat. 10-4 428 Pittsfield-Lenox Rd. Sunday 10-2 Other times by appt. Lenox, Mass. 01240 413-637-2415 Located on Seekonk Road ,Great Barrington Take Taconic Ave. (off Rt. 7 at St. James Church in Stop in or Write & Let Us Put You on Our Gr. Barr.) past Simons Rock 1/4 mile to Seekonk Rd. Mailing List. on left. Go up hill to 1st house on right. (413) 528-4865 11:30-5:30 Mon.-Sat.

A. i. (Ger. A; Fr. and It. la.) The RESTAURANT sixth tone in the typical diatonic scale & of C-major. The tone a 1 (see Pitch, Spnwf MOTOR INN absolute) is that sounded by the oboe or other fixed-tone instr. (pfte., organ) to give the pitch for the other instr.s Open for every meal every day the year of the orchestra or military band. 'round. Entertainment in our lounge on weekends. AAA and Mobil Guide In printing, as in music, quality rated. there are those who set the tone and operated by the Grosso Owned by which others are measured. Family for over 50 years.

US Rte. 7 Halfway between Pittsfield and Williamstown. The Studley Press New Ashford, Mass. 01237

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Sef among the trees bordering the Cranwell golf course. Coldbrooke Village condominiums are an extension of a charming turn-of-the-century way of life with a modern touch. These are the only residential/golf course dwellings in the Berkshires — 164 of them over the next four years — either individual villas or multiple town houses, all carefully designed and luxuriously appointed. Enjoy access to all the Cranwell resort facilities. plus all the cultural and recreational activities of the Berkshires.

Lenox. MA 01240 Tel: (413) 637-2580

Call us for details and/or a personal tour. Mon.- Fri.. weekends by appointment. A Brief History of the Boston Symphony Orchestra

For many years, philanthropist, Civil renamed first "Popular" and then War veteran, and amateur musician "Pops," fast became a tradition. Henry Lee Higginson dreamed of found- During the orchestra's first decades, ing a great and permanent orchestra in there were striking moves toward expan- his home town of Boston. His vision sion. In 1915, the orchestra made its first approached reality in the spring of 1881, transcontinental trip, playing thirteen and on 22 October that year the Boston concerts at the Panama-Pacific Exposi- Symphony Orchestra's inaugural concert tion in San Francisco. Recording, begun took place under the direction of con- with RCA in the pioneering days of ductor Georg Henschel. For nearly 1917, continued with increasing fre- twenty years, symphony concerts were quency, as did radio broadcasts of con- held in the old Boston Music Hall; certs. The character of the Boston Sym- Symphony Hall, the orchestra's present phony was greatly changed in 1918, home, and one of the world's most when Henri Rabaud was engaged as highly regarded concert halls, was conductor; he was succeeded the follow- opened in 1900. Henschel was succeed- ing season by Pierre Monteux. These ed by a series of German-born and appointments marked the beginning of -trained conductors—Wilhelm Gericke, a French-oriented tradition which would Arthur Nikisch, Emil Paur, and Max be maintained, even during the Russian- Fiedler—culminating in the appoint- born Serge Koussevitzky's time, with ment of the legendary Karl Muck, who the employment of many French-trained served two tenures as music director, musicians. 1906-08 and 1912-18. Meanwhile, in July The Koussevitzky era began in 1924. 1885, the musicians of the Boston Sym- His extraordinary musicianship and phony had given their first "Prom- electric personality proved so enduring enade" concert, offering both music and that he served an unprecedented term refreshments, and fulfilling Major Hig- of twenty-five years. ginson's wish to give "concerts of a In 1936, Koussevitzky led the or- lighter kind of music." These concerts, chestra's first concerts in the Berkshires, soon to be given in the springtime and and a year later he and the players took

The first photograph, actually a collage, of the Boston Symphony Orchestra under Georg Henschel, taken 1882 .

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up annual summer residence at Tangle- American and world premieres, made wood. Koussevitzky passionately recordings for Deutsche Grammophon shared Major Higginson's dream of "a and RCA, appeared regularly on tele- good honest school for musicians," and vision, led the 1971 European tour, and in 1940 that dream was realized with the directed concerts on the east coast, in founding at Tanglewood of the Berk- the south, and in the mid-west. shire Music Center (now called the Seiji Ozawa, an artistic director of the Tanglewood Music Center), a unique Tanglewood Festival since 1970, became summer music academy for young the orchestra's thirteenth music director artists. in the fall of 1973, following a year as Expansion continued in other areas as music adviser. Now in his thirteenth well. In 1929 the free Esplanade concerts year as music director, Mr. Ozawa has on the Charles River in Boston were continued to solidify the orchestra's inaugurated by Arthur Fiedler, who had reputation at home and abroad, and his been a member of the orchestra since program of centennial commissions 1915 and who in 1930 became the from Sandor Balassa, Leonard Bern- eighteenth conductor of the Boston stein, John Corigliano, Peter Maxwell Pops, a post he would hold for half a Davies, John Harbison, Leon Kirchner, century, to be succeeded by John Will- Peter Lieberson, Donald Martino, iams in 1980. The Boston Pops celebrated Andrzej Panufnik, Roger Sessions, Sir its hundredth birthday in 1985 under Michael Tippett, and Oily Wilson—on Mr. Williams's baton. the occasion of the orchestra's hun- Charles Munch followed Kousse- dredth birthday has reaffirmed the vitzky as music director in 1949. Munch orchestra's commitment to new music. continued Koussevitzky's practice of Under his direction, the orchestra has supporting contemporary composers also expanded its recording activities to and introduced much music from the include releases on the Philips, Telarc, French repertory to this country. During CBS, Angel/EMI, Hyperion, and New his tenure, the orchestra toured abroad World labels. for the first time, and its continuing From its earliest days, the Boston series of Youth Concerts was initiated. Symphony Orchestra has stood for Erich Leinsdorf began his seven-year imagination, enterprise, and the highest term as music director in 1962. Leinsdorf attainable standards. Today, the Boston presented numerous premieres, re- Symphony Orchestra, Inc., presents stored many forgotten and neglected more than 250 concerts annually. At- works to the repertory, and, like his two tended by a live audience of nearly 1.5 predecessors, made many recordings million, the orchestra's performances for RCA; in addition, many concerts are heard by a vast national and inter- were televised under his direction. national audience through the media of Leinsdorf was also an energetic director radio, television, and recordings. Its of the Tanglewood Music Center, and annual budget has grown from Higgin- under his leadership a full-tuition fellow- son's projected $115,000 to more than ship program was established. Also $20 million, and its preeminent position during these years, the Boston Sym- in the world of music is due not only to phony Chamber Players were founded, the support of its audiences but also to in 1964; they are the world's only perma- grants from the federal and state govern- nent chamber ensemble made up of a ments, and to the generosity of many major symphony orchestra's principal foundations, businesses, and individu- players. als. It is an ensemble that has richly William Steinberg succeeded Leins- fulfilled Higginson's vision of a great dorf in 1969. He conducted several and permanent orchestra in Boston. Music to your mouth.

Lobster pic, crisp native duck- ling, prime ribs, baked Indian pudding, grasshopper pic. Our heart) Yankee fare and libations taste as good as they sound. At The Publick House, traditions of cooking and hospitality go back about as far as symphonic ones. Why, we were feeding hungry travellers before Beethoven had his first birthday! We invite you to partake of dinner en route to Tanglewood, or supper on your way home. We're located only a few minutes (and two centuries) from the Massachusetts Turnpike and 1-84. So break your journey bv breaking bread with us. Buddv Adler [nnkeeper Publick House

On the Common -Sturbridge. MA (617) 3-17-3313. Exit 9 Mass.Tpke. or Exit 3 for 1-84.

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Visit our Information Center in the Curtis Hotel before or after the concert, call or write us for more information. If you live outside the Berkshire Hills, call us collect.

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Benefactors ($100,000 and over) Dr. Armand Hammer Mrs. Dorothy Corwin Mr. and Ambassador and Mrs. Frednc R. Mann Mrs. Danny Kaye Mr. and Mrs. Irving M. Rosenbaum Mr, and Mrs. James 0. Wolfensohn Mrs. Sue Cummiogs The Weiler-Arnow Family Mr. and Mrs. Miles Lerman Dr. and Mrs. Arthur Sackter Founders ($25,000 and over) Mr. and Mrs, Leonard Davis Diane and Norman Bernstein Mrs. Janice Levin Mr. and Mrs. Irving Schneider Mr, and Mrs Albert Abramson Mr. Lester Rosalinds Deutseh Mrs. Sam Lopin Mr. Mrs. and Arthur Gilbert Mr: and Mrs. Arthur Belfer and Albert Schussler Mr, Barbara Dor Mr and Mrs. Joseph L. Mailman and Mrs Charles Gold Mr. and Mrs. Morris Bergreen Mr. and Mrs. Lawrence Supersteto Mr. and Mrs. Guilford Gtaer Joseph and Ceil Mazer Foundation Sponsors ($50,000 and over) Leonard Bernstein Mr.SySyms Mr. and Mrs. Norman Hirschtietd Mrs. Louis The Ahmanson Foundation Mrs. l^athanson Mr. and'Mrs. Aaron Ziegelman Samuel Cooke Mr. and Mrs. Robert Katz Mr. and Mrs Itzhak Perlman Mr. Pinchas Zukerman

38 Tanglewqpd

i 8

The Boston Symphony Orchestra is pleased to present THE ISRAEL PHILHARMONIC ORCHESTRA Zubin Mehta, Music Director and Conductor

Saturday, 30 August at 8:30

ZUBIN MEHTA conducting

BEETHOVEN Symphony No. 2 in D, Opus 36 Adagio molto—Allegro con brio Larghetto Scherzo: Allegro Allegro molto

INTERMISSION

HOLST The Planets, Suite for large orchestra, Opus 32 Mars, the Bringer of War (Allegro) Venus, the Bringer of Peace (Adagio) Mercury, the Winged Messenger (Vivace)

Jupiter, the Bringer of Jollity (Allegro giocoso) Saturn, the Bringer of Old Age (Adagio) Uranus, the Magician (Allegro) Neptune, the Mystic (Andante) WOMEN OF THE TANGLEWOOD FESTIVAL CHORUS, JOHN OLIVER, conductor

This performance is made possible in part by a generous grant from Judith and Stewart Colton by arrangement with the American Friends of the Israel Philharmonic Orchestra, which provides support to the orchestra through an endowment campaign in the United States.

Please do not take pictures during the concert. Flashbulbs, in particular, distract the musicians and other members of the audience.

Please be sure the electronic signal on your watch or pager is switched off during the concert.

Please be considerate. The noise of coughing and candy wrappers is extremely disturbing to the musicians and other concertgoers.

39 Week 10 N ' SUMMER ON THE MOUNTAIN

The Country Inn at Jiminy Peak is the available for sale or rent. perfect place to spend your summer The Jiminy Peak Tennis Club, a brand holiday. This deluxe new Inn combines new facility consisting of tournament- charming New England ambiance with the grade courts and a pro shop, will be most modern resort amenities such as a operated by All American Sports. Programs fully-equipped exercise room, heated will be available for all levels of play. In outdoor pool, saunas, and Jacuzzis. addition, you can enjoy our Alpine Slide All accommodations are suites consist- and putting course or spend time trout ing of a bedroom, bath, living room and fishing or bicycling. a kitchen. For further information, call or write — Drummonds Restaurant, located on the we'll be happy to answer any questions top floor of the Inn, offers fine food and you may have. magnificent views of the mountain. THE MOUNTAIN RESORT The Country Inn has special holiday and weekend packages, with suites available JiminytPeak for sale or rental. In addition, Jiminy has two condominium communities, The Corey Road ^^^^V Country Village and Beaver Pond Meadows, Hancock, Mass. 01237 1X 413-738-5500 where both 2 and 3 bedroom units are

TANGLEWOOD ANNUAL FUND--THE KOUSSEVITZKY SOCIETY

We would like to thank the following contributors for their generous support of the Tanglewood Annual Fund

for the 1986 season. These very special supporters have each donated $ 1,000 or more in unrestricted gifts to the

Tanglewood Annual Fund campaign.

Mr. and Mrs. Herbert B. Abelow Mr. and Mrs. Victor Levy Ms. Victoria Albert Mrs. IrmaMann

Mr. and Mrs. Gordon P. Baird Mr. and Mrs. K. Fred Netter

Mrs. Judith Bernstein Mr. Harrison L. Neylon Mr. Harold G. Colt Mr. Robert Owens

Mrs. Pauline Copen Mr. and Mrs. Millard H. Pryor, Jr. Mr. and Mrs. Albert Cornelio Mr. and Mrs. Arthur Rodbell

Mr. and Mrs. Herbert J. Coyne Mr. and Mrs. Joseph W Rosgen

Mrs. Daniel England, Jr. Mr. and Mrs. Leon Schneider

Mr. and Mrs. Eugene M. Elkind ~g Mr. and Mrs. Eugene Schnell

Jo Ann Fitzpatrick Mr. and Mrs. Albert P. Shore Mr. and Mrs. Dale Fowler Mr. and Mrs. Abraham Simcovitz Dr. and Mrs. Donald B. Giddon Mrs. Marcia M. Simon

Mr. Randolph G. Hawthorne Mrs. William F. Sondericker

Mr. C.H.Jenkins, Jr. Mr. and Mrs. Ronald Stillman Mr. and Mrs. BelaT. Kalman Dr. and Mrs. Jerry Sugar Mr. Stephen B. Kay Mr. Henry Voremberg

Mr. and Mrs. Richard L. Kaye Dr. and Mrs. Harold J. White

Mr. and Mrs. Carleton F. Kilmer Oliver A. and Lissa Wyman

40 —

NOTES

Ludwig van Beethoven Symphony No. 2 in D, Opus 36

Ludwig van Beethoven was baptized in Bonn, Germany, on 17 December 1770 and died in

Vienna on 6 March 1827. The Second Symphony was composed during the summer and fall of

1802; its first performance took place on an all-Beethoven concert given at the Theater-an-der- Wien in Vienna on 5 April 1803 (the program also included the First Symphony as well as the premieres of the Third Piano Concerto and the oratorio "Christ on the Mount of Olives"). The symphony is scored for flutes, oboes, clarinets, bassoons, horns, and trumpets in pairs, timpani, and strings.

During the summer of 1802 Beethoven left Vienna for several months to live in the nearby suburb of Heiligenstadt, located in the low mountains to the northwest of

Vienna. Heiligenstadt would be but one in a lengthy list of temporary residences of the peripatetic Beethoven, were it not for one incident that took place there not long before he returned to the city. Having gone to Heiligenstadt in the first place on the advice of his doctor, who suggested that the rural quiet of the village might improve his hearing, which had already begun to concern him deeply, Beethoven fell into a deep, suicidal despair and on 6 October 1802 gave vent to his emotions by writing in a document now known as the Heiligenstadt Testament—a lengthy farewell that combined elements of self-justification (trying to explain his apparently misanthropic nature) with rhetorical moralisms on the importance of virtue (which, he says re- strained him from taking his own life) and passionate outbursts expressing his unhap- piness. After writing this document, Beethoven sealed it up in his papers (where it was discovered after his death, a full quarter of a century later) and went on with the business of living and composing. In any case, the musical works sketched and completed at Heiligenstadt that sum- mer—including the Opus 30 violin sonatas, the Opus 31 piano sonatas, and the Sec- ond Symphony—seem entirely to have avoided contamination from the mental world of the Heiligenstadt Testament. The symphony, while vigorous and energetic in the unmistakable early Beethoven manner, is nonetheless smiling throughout, filled with such musical wit as befits a composer who once studied, however briefly, with Haydn. At the same time the Second Symphony is a step forward on the path of the Nine, conquering wider terriotory than the First.

Following the slow introduction (which is already three times the length of that for the First Symphony), Beethoven presents thematic material that is little more than an arpeggiation of the tonic chord, animated by a rapid turn figure in the tune itself and an answering "fiery flash of the fiddles" (as Grove puts it). At the very outset of the Allegro, everything sounds straightforwardly formalistic, but the dovetailing of phrases soon prevents successful prediction of the next event. When the full orchestra takes up the theme, fortissimo, what started out as a simple D major arpeggio rushes up as far as a strongly accented C-natural, the first emphatic out-of-key note; it has consequences later on. The violins begin inserting a measured trill, which appears in every movement as a particular fingerprint of this symphony. The second theme is also straightforwardly simple, a marchlike arpeggiation of the dominant key pre- sented first on clarinets and bassoons. At the end of the recapitulation, all is prepared for a short coda, with a few perfunctory reiterations of the tonic D major triad, when the woodwinds suddenly insist on inserting a C-natural—the intrusive note from

41 Week 10 —

early in the movement—into the tonic chord. This generates a much more extended coda, which takes on some of the elements of a new development section, something that was to be even more marked in the Third Symphony to come. The slow movement is one of the most leisurely Beethoven ever wrote ("indolent" is the word that most analysts have used to describe it). It is a full-scale slow-move- ment sonata form, complete with development and a good deal of internal repetition.

But for all its length, the Larghetto never loses momentum, and it remains deliriously pastoral throughout, with just momentary twinges of pain.

Beethoven uses the term "scherzo" here for the first time in a symphony; the corres- ponding movement of the First Symphony had been called a "menuetto," though it had passed far beyond the graceful character of that courtly dance. The third move- ment of the Second Symphony, though, is a hearty joke (which is what the word "scherzo" means) with whirlwind alternations of dialogue, tossing back and forth the basic three-note motive between the instruments, then suddenly bending one pitch to lead off to distant keys, only to return home with equal celerity. In the Trio, the strings roar in mock gruffness on the chord of F-sharp major, only to be reminded (by a fortissimo A from the woodwinds and brasses) that F-sharp is not the home key here, but simply the third of D, to which the chastened strings immediately return.

The finale is a wonderfully confident achievement, fusing Haydn's wit with Bee- thoven's newly won breadth and grandeur. The rondo style of the principal theme a pick-up tossed off in the upper instruments to be answered with a sullen growl lower down—forecasts wit, especially when Beethoven uses that little pick-up to mislead the ear. But the real breadth appears at the end, when a quiet, lyrical idea that has passed almost unnoticed as the transition between first and second themes now takes on an unexpectedly potent force and generates an enormous coda with a whole new developmental section, in which the measured tremolo of the strings, heard here and there throughout the symphony, returns with a fortissimo shake on the same C-natural that had upset the course of the home tonic back in the first move- ment. From here on the reaffirmation of that firm tonic is the main order of business, to bring the chain of events to a close. The size of the last movement and the extended coda clearly unsettled the critic for the Zeitungfur die elegante Welt, who wrote after the first performance: "Beethoven's

42 .

Second Symphony is a crass monster, a hideously writhing wounded dragon that refuses to expire, and though bleeding in the Finale, furiously beats about with its tail erect." One wonders what he thought of Beethoven's ensuing works. Basil Lam has noted acutely, apropos of this symphony, "In view of such music as this, let us not lapse into the still received opinion that Beethoven, after writing two promising symphonies, began to brood on Napoleon and found himself great with the Eroica." Beethoven's sense of proportion—which allows him to achieve the great- est effects with the simplest and most abstract materials— is already fully in operation with the Second Symphony. And, while the ways of genius are wondrous strange and no one lacking the advantage of hindsight could predict the extraordinary growth that was to come in the Third Symphony, it is not only unfair to patronize Beethoven's

Second as an "early work," as "complacently formal," it would be downright foolish.

—Steven Ledbetter

Gustav Hoist The Planets, Suite for large orchestra, Opus 32

Gustav Hoist was born —Gustavus Theodore von Hoist— in Cheltenham, Gloucestershire, England, on 21 September 1874 and died in London on 25 May 1934. He wrote The Planets between 1914 and 1916, beginning with Mars (but before the outbreak of war in August), con-

tinuing with Venus and Jupiter that fall, writing Saturn, Uranus, and Neptune in 1915, and finishing with Mercury in 1916. The first performances were private, one of a two-piano arrangement both made and played by Vally Lasker and Norah Day, Hoist's assistants at

St. Paul's School, where he was music master, and the other—of Mars, Mercury, Jupiter, Saturn, and Neptune only—by the Queen's Hall Orchestra under Dr. Adrian Boult on 29

September 1918. Venus was performed for the first time, along with Mercury and Jupiter, in

London on 22 November 1919, the composer conducting, and the first performance of the com- plete suite took place in London on 15 November 1920, Albert Coates conducting. In January

1932, while a visiting professor at Harvard, Hoist conducted the Boston Symphony in a pair of concerts of his own music, including The Planets. He reported then to Imogen Hoist, his daughter and future biographer: "The band treated me royally. At two of the rehearsals they

insisted on staying half an hour extra and at every possible occasion they cheered me. . . The only fault of the orchestra was that they were over anxious. On Friday's concert there were half a dozen extraordinary slips in the Planets; in the Perfect Fool Ballet the harpist missed a line, and

the water music sounded quite modern; while in the St. Paul's Suite I broke a collar stud. But

Saturday's concert was really good." The score of The Planets calls for four flutes, two piccolos, bass flute, three oboes, bass oboe, and English horn, three clarinets and bass clarinet, three bassoons and contrabassoon, six horns, four trumpets, three trombones, tenor and bass tubas,

six timpani, triangle, side drum, tambourine, cymbals, bass drum, gong, bells, glockenspiel,

celesta, xylophone, two harps, organ, strings, and, in the last movement, women's chorus.

Hoist's father was a piano teacher whose grandfather, who had once taught the harp to Imperial Grand Duchesses in St. Petersburg, had emigrated to England from Riga. His mother, a sweet lady whose jumpy nerves were upset by music, died young, and Gustav and his brother, Emil Gottfried (later a successful actor under the name of Ernest Cossard), were brought up by their Aunt Nina, who had once strewn rose petals for Franz Liszt to walk on. Gustav inherited his mother's overstrung

43 Week 10 nerves, and later in life he was several times to come near mental collapse. He was a timid child, so nearsighted that as a grown man he could not, even when wearing spectacles, recognize members of his own family at six yards. His nights alternated between insomnia and nightmares. Much of his life he suffered from neuritis so severe that he had to dictate some of his music, portions of the densely intricate orchestral score of The Planets, for example. He played violin and keyboards as a boy, but the neuritis put a stop to both, and other than occasional conducting, his last activity as a performer was as trombonist in the Scottish Orchestra and with the Carl Rosa Opera Company from 1898 until 1903. He studied composition at the Royal College of Music,

London, with Sir Charles Villiers Stanford, and it was as a composer and teacher that he really found himself. He taught most of his adult life, at the James Allen and St. Paul's girls' schools and at Morley College for Working Men and Women. He kept the association with St. Paul's until his death—the alumnae used to identify themselves to him by naming what Bach cantatas they had sung under his direction—and it was in the soundproof room of the new music wing opened there in 1913, a very paradise where he could be not only undisturbed but also indulge in the near-crematorial tem- peratures he favored indoors, that he worked on The Planets. There was more to his heaven and earth than what he inherited from his Swedish and English ancestors (or his Spanish great-great-grandmother who had ended up as the wife of an Irish peer in County Killarney) or what he had learned at the Royal College. In his twenties, he became deeply involved in Indian philosophy and reli- gion, and he taught himself Sanskrit so as to make his own translations of the Rig Veda. Between 1908 and 1912 he composed four sets of hymns from those ancient books of knowledge, and his most moving achievement is the opera Savatri, based on an incident in the fourth-century epic Mahabharata (there is an overwhelming recorded

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44 performance with Janet Baker). And some time after the turn of the century, he came into the thrall of astrology, something of which he was reluctant to speak, though he admitted that casting horoscopes for his friends was his "pet vice." The Planets are astrological. "As a rule I only study things that suggest music to me," Hoist once

". wrote, . . recently the character of each planet suggested lots to me." And for the 1920 premiere, Hoist provided this note: These pieces were suggested by the astrological significance of the planets; there is no programme music in them, neither have they any connection with the deities of classical mythology bearing the same names. If any guide to the

music is required the subtitle to each piece will be found sufficient, especially if

it be used in a broad sense. For instance, Jupiter brings jollity in the ordinary sense, and also the more ceremonial type of rejoicing associated with religions or national festivities. Saturn brings not only physical decay, but also a vision

of fulfillment. Mercury is the symbol of mind.

Mars, the Bringer of War: The association of Mars and war goes back as far as his- tory records. The planet's satellites are Phobos (fear) and Deimos (terror), and its symbol 8 combines shield and spear. In Hoist, this comes out as a fierce, remorseless Allegro, in five violent beats to the bar.

Venus, the Bringer of Peace: After the moon, Venus is the brightest object in our night sky.* The identification with Ishtar, Aphrodite's Babylonian predecessor, goes back to at least 3,000 B.C. To astrologers, "when the disorder of Mars is past, Venus restores peace and harmony" (Noel Jan Tyl, The Planets: Their Signs and Aspects, Vol. Ill of The Principles and Practice of Astrology, St. Paul, 1974). Horn and flutes answer each other in this Adagio. High violins have an extended song, but the dominant colors are the cool ones of flutes, harps, and celesta. Mercury, the Winged Messenger: Hermes, god of cattle, sheep, and vegetation, deity of dreams, and conductor of the dead, first assumes the role of messenger in the Odyssey. Mercury, his Roman counterpart, was primarily a god of merchandise and merchants, and his winged sandals and winged cap are taken over from Hermes. To astrologers, Mercury is "the thinker" (cf. Hoist's comment above). The composer

The Greeks called it Hesperus when it appeared in the Western sky.

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46 makes this a virtuosic scherzo, unstable, nervously changeable in meter and har- mony—in a word, mercurial. Jupiter, the Bringer of Jollity: The most massive of the planets, possessing twelve satellites (one of them larger than the planet Mercury), named for the light-bringer, the rain-god, the god of thunderbolts, of the grape and the tasting of the new wine, of oaths, treaties, and contracts, and from whom we take the word "jovial." Jupiter, says Noel Tyl, "symbolizes expansiveness, scope of enthusiasm, knowledge, honor, and

opportunity . . . [and] corresponds to fortune, inheritance, bonanza." Hoist gives us an unmistakably English Jupiter, and in 1921 he took the big tune in the middle and set to it as a unison song with orchestra the words, "I vow to thee, my country."

Saturn, the Bringer of Old Age: Saturn is the outermost of the planets known in ancient times. The god is associated with Cronus and traditionally portrayed as an old man. To quote Tyl again, Saturn is "man's time on earth, his ambition, his strategic delay, his wisdom toward fulfillment, his disappointments and frustrations." Another Adagio dominated by the sound of flutes and harps, like Venus in both characteristics, but static, full of the suggestion of bells, and serene at the last. This movement was Hoist's own favorite. Uranus, the Magician: The first planet discovered in the age of the telescope, specifically in 1781 by Sir William Herschel, who wanted to name it for George III.* In astrology, Uranus rules invention, innovation, and astrology itself. Hoist begins with a triple invocation (trumpets and trombones, then tubas, then timpani) and leads that way into a movement of galumphing dance. At the end, the apparitions disappear into the night. Neptune, the Mystic: Pluto, now waiting to be displaced as the farthest-out planet by Planet X that the astronomers know about but haven't yet found, was discovered in 1930, so that when Hoist wrote his suite, Neptune, discovered in 1846, was the ex- treme point in our system, t In astrology, Neptune means confusion and mystic rap- port with other worlds. Neptune is invisible to the naked eye and to Hoist it speaks of distance, mystery, unanswerable questions. He makes of it another slow movement in swaying, irregular meter, softly dissonant in harmony, full of the sound of shim- mering harps and celesta, and dissolving in the voices of an invisible chorus of women.

—Michael Steinberg

Now Artistic Adviser of the San Francisco Symphony, Michael Steinberg was the Boston Symphony Orchestra's Director of Publications from 1976 to 1979.

*Some astronomers wanted to call it Herschel, but the name of Uranus was definitively assigned by the German astronomer, Johann Elert Bode. tDuring most of the next twenty years, Neptune will in fact be even more distant than Pluto.

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ARTISTS

The Israel Philharmonic Orchestra

Founded in 1936, the Israel Philhar- History of the monic Orchestra celebrates its fiftieth Israel Philharmonic anniversary this year. The orchestra The Israel Philharmonic has been inti- marks its first half-century of musical mately bound to the history of its home- and artistic achievement with eighteen land. It was founded by the outstanding concerts in fifteen cities throughout the Polish violinist Bronislaw Huberman, United States beginning in Los Angeles who assembled the finest musicians of in August and culminating with two Eastern Europe and Germany to form New York City performances in Sep- what was then known as the Palestine tember. Zubin Mehta, the IPO's Music Symphony. The first concert of this new Director for Life, and also music director ensemble took place on 26 December of the New York Philharmonic, conducts 1936 under the baton of Arturo Tosca- all of the United States tour perform- nini, for whom this event was a personal ances with the exception of the last, statement against Fascism as well as an which will be conducted by Leonard opportunity to encourage the growth of Bernstein. Solo artists performing with the fledgling orchestra. On 17 May 1948, the IPO during its golden anniversary the date Palestine became the State of tour include violinists Mintz Shlomo Israel, the orchestra played the new and Pinchas Zukerman, pianist Claudio national anthem at the Declaration of Arrau, and cellist Yo-Yo Ma. Independence ceremony. To commemorate fifty years of life Throughout its fifty-year history, the a musical milestone for a national sym- IPO has performed under the direction phony group twelve years older than of some of the world's greatest conduc- the nation it represents—there will be tors. In addition to Toscanini, this a special 50th Birthday Celebration. prestigious group has included Sir John Scheduled prior to the first September Barbirolli, Daniel Barenboim, Leonard New York performance at Avery Fisher Bernstein, Serge Koussevitzky, Zubin Hall at Lincoln Center, this event will be Mehta, Dmitri Mitropoulos, Pierre Mon- attended by members of the IPO, Maes- teux, Charles Munch, Eugene Ormandy, tro Mehta, solo artists, members of Paul Paray, and William Steinberg. Its the diplomatic corps, and friends and roster of soloists has included pianists benefactors of the IPO. It will be held in Claudio Arrau, Vladimir Ashkenazy, Avery Fisher Hall. Daniel Barenboim, and Arthur Rubin-

50 stein; violinists Shlomo Mintz, Itzhak parks, and Army bases, as well as free Perlman, Isaac Stern, and Pinchas Zuker- summer concerts in Hayarkon Park man; cellists Pablo Casals, Jacqueline which draw audiences of over 200,000 DuPre, Gregor Piatigorsky, Yo-Yo Ma, people. and Mstislav Rostropovich; flutists Because the IPO's members represent James Galway and Jean-Pierre Rampal; many different nationalities, Yiddish is and singers Montserrat Caballe, Sherrill the common language during rehearsals. Milnes, Roberta Peters, Leontyne Price, The permanent home of the IPO is Beverly Sills, and Richard Tucker. the Fredric R. Mann Auditorium in Tel Consistent throughout the orchestra's Aviv, a 3,000-seat hall inaugurated in existence is the great feeling of pride 1957. The first modern Jewish city, Tel and enthusiasm all members of the IPO Aviv is an urban metropolis and an have shared together in being part of international art center drawing musi- Israel's premier orchestra. cians and artists from throughout the world. The IPO Today As it begins its sixth decade, the Israel The IPO performs more than 200 con- Philharmonic Orchestra's 110 musicians, certs a year in Israel and abroad. As the under the direction of Maestro Mehta, center of musical life in Israel, the IPO form a mature and established ensem- presents a regular series of subscription ble. Following the high standards set by concerts in Tel Aviv, Jerusalem, and the original seventy players, the IPO is Haifa. Its subscribers number over Israel's international ambassador, speak- 35,000 annually. Special concerts are ing the language understood through- given in kibbutzim (collective farm out the world—great music. settlements throughout Israel), national

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52 Zubin Mehta the Los Angeles Philharmonic from 1962 until 1978. Mr. Mehta began his legendary re- I I I lationship with the Israel Philharmonic in 1961, filling in at the last minute for Eugene Ormandy. The Israel Philhar- monic was twenty-five years old at the time, and Mr, Mehta, also twenty-five, was invited to return every year, at least until their mutual fiftieth birthday. He became the orchestra's first permanent music advisor in 1969 and was later made music director; in 1981 the or- chestra voted him Music Director for Life. He has made numerous recordings with the Israel Philharmonic, for Decca and EMI records. His connections with Israel are evident not only in his fre- quent, regularly scheduled appearances Zubin Mehta is music director of both with the orchestra, but also in his un- the Israel Philharmonic and the New scheduled visits and his great identifica- York Philharmonic, spending approxi- tion at times of trouble and war. Mr. Mehta mately twenty weeks a year with each. has been awarded many international He is also a frequent guest with the honors and distinctions, including the Vienna Staatsoper, the Teatro Com- Padma Bhushan from his homeland, munale in Florence, Italy, the Royal the Commendatore of Italy, and the Opera at Covent Garden, and the Medaille d'Or Vermeil of the City of Salzburg Festival. For more than twenty Paris. Among his honorary degrees are years, he has been an annual visitor with doctorates from the Jewish Theological the Berlin Philharmonic, the Vienna Phil- Seminary of America, the Weizmann harmonic, and the Philadelphia Orches- Institute of Science, and Tel Aviv Univer- tra. Born in Bombay, India, Mr. Mehta sity. In 1981, the Hebrew University grew up in a musical household. He began dedicated the Mehli Mehta and Zubin music studies with his father, Mehli Mehta Music Wing at the Mount Scopus Mehta, who founded the Bombay Sym- campus. Mr. Mehta is honorary chair- phony Orchestra. The senior Mr. Mehta man of the American Friends of the is currently music director of the Amer- Israel Philharmonic Orchestra. In ican Youth Symphony in Los Angeles. August 1979, Mr. Mehta conducted After studying medicine for a short three concerts at Tanglewood with time, Zubin Mehta left India for the the New York Philharmonic while the Music Academy in Vienna. Upon gradu- Boston Symphony was on tour in ation, his first prize in the Liverpool Europe, the first time a visiting orchestra International Conductors Competition appeared here at the invitation of the BSO. brought him to international promi- nence. In 1958, Mr. Mehta was a con- ducting student at the Tanglewood Music Center. At the age of twenty-five, he became the youngest person ever to conduct the Vienna Philharmonic, and he achieved the same distinction the following season when he conducted the Berlin Philharmonic. He was music director of the Montreal Symphony from 1961 to 1967 and music director of

53 .

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54 THE ISRAEL PHILHARMONIC ORCHESTRA The 50th Season, 1985-86 Zubin Mehta, Music Director

First Violins Violas Harp Horns Chaim Taub Daniel Benyamini*§ Judith Liber* Yaacov Mishori* concertmaster* Arie Israeli* Meir Rimon* Uri Pianka Ze'ev Steinberg* Flutes Jeffrey Lang* concertmaster* Miriam Hartman** Anatol Krupnik Murvitz Uri Shoham* Moshe Michael Appelman Sally-Ann Meth asst. concertmaster Yossi Arnheim** Avraham Bornstein Ezra Molcho Menahem Breuer Bezalel Aviram Yossef Rabin asst. concertmaster Amihud Elroy Peretz Yaron Shohat Izia Brakier Rachel Kam Sergio Feidman Shelomo Shimon Koplanski Marina Dorman Trumpets Raphael Frankel Avraham Levental Piccolo Zvi Litwak Kenneth Cox* Rodica Iosub Peretz Yaron Nahum Pinchuk Ilan Eshed** Zinovi Kaplan Sergio Feidman Raphael Glaser Raphael Markus Abraham Rozenblit Yoram Levy Avraham Melamed Oboes Cellos Robert Mozes Bruce Weinstein* Trombones Ron Porath Michael Haran* Chaim Jouval** Ray Parnes* Rosnovsky Marcel Bergman* Anna Merrill Greenberg Steward Taylor* Shulamit Lorrain** Zvi Segal Hermann Openstein Yehoshua Pasternak** Yoram Alperin Eva Strauss-Marko Zvi Ostrowsky David Barnea Mordechai Youval English Horn Paya Yussim Paul Blassberger Bass Trombone Merrill Greenberg Matos Zalmanovich Elchanan Bregman Matityahu Grabler Naomi Enoch Micha Davis Second Violins Clarinets Baruch Gross Elyakum Zaltsman* Ya'acov Mense Richard Lesser* Tuba Lazar Shuster* Raphael Morag Yaakov Barnea** Shemuel Hershko* Yitzhak Geras** Alia Yampolsky Eli Eban Shimeon Abalovitch Israel Zohar Timpani Shulamit Alkalay Basses Gideon Steiner* Elimeleh Edelstein Piccolo Clarinet Alon Bor** Teddy Kling* Yigal Fisher Peter Marck* Yaakov Barnea Nachum Fruman Percussion Ruth Amir Eli Eban Celita Goldenberg Alon Bor* Dov Katz Nathan Greenberg Clarinet Gabi Hershkovich Eli Magen Bass Levia Hofstein Ayal Rafiah Michael Nizberg Israel Zohar Elizabeth Krupnik Eitan Shapiro Yevgeny Shatzky Kalman Levin Gabriel Vole Bassoons Librarian: Yoram Livne Dov Yaari Mordechai Rechtman* Marilyn Steiner Wolfgang Valk Zeev Dorman** Asst. Librarian: Walter Meroz Eli Geten * Canada Concertmaster-Chair Marvin P. Feinsmith Stage Manager: * Principal Uzi Seltzer ** Asst. Principal Contrabassoon Technical Asst.: § On Sabbatical Marvin P. Feinsmith Yaakov Kaufman

IPO Management: Zvi Litwak, Yaacov Mishori, Yehoshua Pasternak General Secretary: Avi Shoshani Assistant to the Music Director: Shalom Ronly-Riklis Musicians' Council: E. Bregman (Chm'n), E. Eban, M. Greenberg, B. Gross, R. Frankel, G. Vole Review Committee: Zvi Ostrowsky, Ilan Eshed Supervisor: Ray Parnes • Inspector: Zvi Segal • Assembly Chm'n: W. Meroz Comptroller: Yochanan Ben-Ja'acov • Press relations: Meroz Lapidot Treasurer: Yael Zagouri • Subscription Dept.: Varda Zohar

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56 Tanglewood Festival Chorus John Oliver, Conductor

the American premiere of excerpts from Olivier Messiaen's opera St. Francis of Assisi in Boston and New York under the direction of Seiji Ozawa. The Tanglewood Festival Chorus has collaborated with Seiji Ozawa and the Boston Symphony Orchestra on numer- ous recordings, beginning with Berlioz's The Damnation of Faust for Deutsche Grammophon, a 1975 Grammy nominee for best choral performance. The chorus may also be heard on the Philips releases of Schoenberg's Gurrelieder, taped live during Boston Symphony performances and named best choral recording of 1979 by Gramophone magazine, and Mahler's Symphony No. 8, the Symphony of a Co-sponsored by the Tanglewood Music Thousand; both of these have been issued Center and Boston University, and now on compact disc. The Tanglewood Festi- in its sixteenth year, the Tanglewood val Chorus under John Oliver also in- Festival Chorus was organized in the cludes regular performances of a cappella spring of 1970 when founding conductor repertory in its schedule; their album of John Oliver became director of vocal a cappella twentieth-century American and choral activities at the Tanglewood choral music, recorded at the invitation Music Center. Originally formed for of Deutsche Grammophon, received a performances at the Boston Symphony Grammy nomination for best choral Orchestra's summer home, the chorus performance of 1979. The most recent was soon playing a major role in the recordings by Mr. Oliver and the chorus orchestra's Symphony Hall season as include music of Luigi Dallapiccola and well. Now the official chorus of the Kurt Weill for Nonesuch, Beethoven's orchestra, the Tanglewood Festival Choral Fantasy with Seiji Ozawa, Rudolf Chorus is regarded by conductors, Serkin, and the Boston Symphony Or- press, and public as one of the great chestra for Telarc (a compact disc), and orchestra choruses of the world. The Debussy's La Damoiselle elue with the members of the chorus donate their orchestra and mezzo-soprano Frederica services, and they perform regularly von Stade for CBS. The chorus has also with the Boston Symphony Orchestra in recorded a Christmas album, "We Wish Boston, New York, and at Tanglewood, You A Merry Christmas," with John working with Music Director Seiji Williams and the Boston Pops for Ozawa, John Williams and the Boston Philips. Pops, and such prominent guests as Sir John Oliver made his Boston Sym- Colin Davis, Leonard Bernstein, and phony Orchestra conducting debut last Klaus Tennstedt. In April 1984, the summer at Tanglewood and led perform- chorus received international attention ances of Bach's B minor Mass with the for its participation in the world pre- orchestra at Symphony Hall in December miere performances under Sir Colin 1985. In addition to his work with the Davis of Sir Michael Tippett's The Mask of Tanglewood Festival Chorus, he is con- Time, commissioned by the Boston Sym- ductor of the MIT Choral Society, a phony Orchestra for its centennial in senior lecturer in music at MIT, and 1981. This past April they participated in conductor of the John Oliver Chorale.

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Kripalu Center at Shadowbrook .

A year-round resourceforyour health and well-being . . . The perfect

place to nurture your body mind and spirit . . . Offering weekend to month -long seminars in health andfitness, personal growth, yoga and spiritual attunement. • comfortable accommodations • bodywork, facials and • delicious vegetarian cuisine flotation tank • daily yoga and aerobic dance classes • holistic physician in private practice • sauna and whirlpool • private beach on Lake Mahkeenac

Jfli (TJlllfJ"^ \

Call for complete program guide. KRIPALU CENTER FOR YOGA AND HEALTH Box 793, Dept. T, Lenox, MA 01240 (413) 637-3280 Across from Tanglewood on Route 183 M=.

'You always look so good. you feel great So and we feel even better. Because we love fashion makes us nothing happier than our fashionable customers. But your high-style look carries a low price tag of Cohoes. The store with fine Themen's and women's fashions at prices worth a trip from anywhere?'

1111■111111.1111111111.11111111111.11.1.11111.11.11.11."1111 C ES 43 MOHAWK STREET, COHOES, NY JUST 45 MIN. WEST ON 1-90 TO 787-NORTH COHOESCARD, MASTERCARD & VISA ACCEPTED. TELEPHONE (518) 237-0524 STORES ALSO IN HARTFORD, CT; PROVIDENCE, RI; ROCHESTER, NY; WOODBRIDGE VA. OUTSIDE OF WASHINGTON, DC. OPENING IN ATLANTA, GA. FALL OF 1986 .

Become a 1986 Friend ofTanglewood . .

.... and enjoy special benefits all season long! Tanglew(©d N N U u N D

Because you give, there's music at Tanglewood.

Contributors of $40 Single Membership Attend, without charge, conceits performed by the student orchestra of the Tanglewood Music Center. Register for the popular Talks & Walks lecture series, Contributors o available only to Friends of Tanglewood. Receive an invitation to "Berkshire Day Family Membership at Seranak" in June 1987. (includes children under 21)

Contributors of $150 In addition to above benefits, receive the Tanglewood Advance Ticket Order Form in the early spring, before tickets go on sale to the general public (to be eligible,

your gift must be made by December 31, 1986). Receive special acknowledge-

ment in the Tanglewood program booklet (for gifts made before July 1, 1986). Enjoy the hospitality of the Tanglewood Tent—a club which provides bar service and picnic space on concert days. Also attend the Saturday evening Tent Buffet,

a prix-fixe supper served from 6:30 until 8:00 (reservations required).

Contributors of $250 In addition to above benefits, receive special parking privileges for conveniently located parking.

Contributors of $650 In addition to above benefits, attend pre-concert suppers for a fixed price on Friday and Saturday evenings at the charming Seranak estate (reservations

required).

The Koussevitzky Society In addition to above benefits, attend a complimentary gala dinner party at

Contributors of $1,000 Seranak, attend a Juilliard String Quartet chamber music rehearsal, receive special acknowlegement in the Tanglewood and Tanglewood On Parade program booklets, enjoy gold card parking privileges. Also receive (upon request) two complimentary passes to each BSO Saturday morning Open Rehearsal, and a

pair of complimentary tickets to one Thursday Recital. Become eligible for

special ticket assistance through the Tanglewood Friends Office.

For further information on becoming a 1986 Friend of Tanglewood, contact Sue Tomlin, BSO Director of

Annual Giving (617) 266-1492, or come by the Tanglewood Friends Office (413) 637-1600.

Q 1\?5 ) I want to become a Friend of Tanglewood for the 1986 season! Enclosed is my check for $_ to the Tanglewood Annual Fund.

Name- Telephone.

Address.

City- State_ Zip_

Please make your check payable to:

"Tanglewood Annual Fund" and mail to: Tanglewood Annual Fund, % Friends Office, Tanglewood, Lenox, MA 01240. Thank you for your valuable support! Ah hi

AUDUDON GUIDED TOUR

• Aged, Hand-Cut Steaks •

• Fresh Seafood •Prime Rib •

* Spectacular Salad Bar •

• Fresh Berries & Cream • Homemade Chocolate Mousse Guided Exhibit of Audubon's • Ben Jerry's Ice Cream • & "BIRDS OF AMERICA" AMSTERDAM COLLECTION Gallery Shop featuring limited edition Crints, porcelain bird figurines, nature •DAKOTA ooks, poster art, plus complete custom frame service.

A Berkshire Roadside Restaurant Open 10 a.m. to 5 p.m. dailv. Admission for Guided Tour. Route 7 on the Lenox- Group rates for 15 or more. Pittsfield Town Line Dinner Served • Mon-Thurs 5-10 p.m. ^AUDUBON Fri & Sat 5-11 p.m. • Sun 4-10 p.m. r^ GALLERIES r PINE & SHAMROCK STREETS 413-499-7900 STOCKBRIDGE. MA

Established 1984 Gallery (4 13) 298-4074 Gift Shop(413) 298-3946

/ The yic0- Berkshire Clothing Co.

What 14)kx* Men's and Women's Casual OPEN: Mon - Fri 10 - 9 Clothing at Discount Prices Saturday 10 - 6 Sunday 12 - 5

at the corner of Route 7 & Holmes Road, Lenox, MA - 443-3406 SEIJI OZAWA CLAUDIO ABBADO LEONARD BERNSTEIN CHARLES DUTOIT ZUBIN MEHTA MICHAEL TILSON THOMAS CHRISTOPH VON DOHNANYI PHYLLIS CURTIN

SHERRILL MILNES - LEONTYNE PRICE SHIRLEY VERRETT BURT BACHARACH

JACOB DRUCKMAN - DAVID DELTREDICI OLIVER KNUSSEN

What do these names have in common, along with hundreds ofmusicians who perform in

America 's major symphony orchestras ?

All are distinguished alumni of a unique program founded in 1940 as the fulfillment of Serge Koussevitzky's vision of the ideal musical community. Today, the Tanglewood Music Center continues to be the nation's preeminent academy for advanced musical study and performance. Maintained and financed by the Boston Symphony Orchestra, the Tanglewood Music Center offers exceptional young instrumentalists, singers, composers, and conductors a comprehensive and exhilarating eight-week program of musical training, under the direction of the world's greatest concert artists.

Since admission to the TMC is based solely on musical ability rather than the ability to pay, the Center operates each year at a substantial loss to the BSO. We need your support. Please contribute Tanglewod the Center. to Tanglewood Music When you do, you contribute to the future of Music music itself. Please make checks payable to the Tanglewood Music Center and mail to Center the Friends Office, Tanglewood, Lenox MA 01240. For further information, please contact John Keenum in the Friends Office at Tanglewood, or call (413)637-1600. . .

Boston Symphony Association of Volunteers at Tanglewood Executive Committee

Mrs. Craig W. Fischer Mrs. MarkL. Selkowitz Co-Chairmen Mrs. Peter Buttenheim Mr. David Kalib Phonathon White Mr. Bruce Callahan Pines Ushers country estate Mrs. Leonard H. Cohen condominiums Mrs. Kenneth M. Nash at Stockbridge (see inside cover) front Talks & Walks

Mr. Joseph T. Duffy Mrs. Anthony G. Massimiano Glass House Mrs. George Elvin PEOPLE Mrs. Arthur W Paddock Opening Ceremonies That is what we are all about. Mr. Hilbert H. Finn Great people working with Tanglewood Business you. Mrs. James G. Garivaltis Mrs. Robert L. Singleton Great craftsmen working for Fellowship Luncheon you. Mr. & Mrs. Paul J. Hickey If you are looking for a builder to share Berkshire Day your concerns about your new home, Mrs. John C. Johnson addition, or remodeling needs. . then call us at (203) 435-2713. Mrs. Morton L. Weiss The Dansant Mrs. Eugene Leibowitz LTD salmon creek builders Youth Activities

P.O. BOX 444 • Salisbury, Ct. 06068 Mrs. Karl K. Lipsky Ms. Julia B. Polk Fellowship Students Mr. Paul C. Merlino Secretary/Treasurer

Dr. Thomas S. Morse Maintaining the majesty Community Affairs

of the Tanglewood trees . . Mrs. Thomas S. Morse Nominating Committee; Seranak Mrs. Joseph Nathan Friends Receptions

Mr. &Mrs. Robert J. Rosenblatt TMC Raffle Mr. Ernest Sagalyn Tanglewood Tent Club Mr. Mark L. Selkowitz HRUFT Nominating Committee Mrs. Raymond H. Schneider The Haupt Tree Company Patron Dinner Sheffield, Massachusetts 01257 Mr. & Mrs. Robert A. Wells 413-229-8565 Volunteer Recognition 1986 Tanglewood Talks & Walks

Exclusively available to the Friends of Tangle- July 10 Leon Fleisher wood is a stimulating series of six lecture- luncheons in the Tanglewood Tent. The tent Artistic Director

opens at 12 noon with table space reserved for Tanglewood Music Center picnics. The talk by our guest speaker begins at

lp.m. and is followed by a guided tour of the July 17 Joel Smirnoff Tanglewood grounds at approximately 1:45. Bring a picnic lunch; beverages will be available. Second Violin Juilliard String Quartet Reservations must be prepaid and cannot be accepted by telephone. Seating will be deter- July 31 Empire Brass mined in the order reservations are received. Special seating requests will be accommodated The internationally renowned Quintet to the extent possible. Because seating in the

tent is limited, we urge you to reserve now. August 14 John Oliver If you need to cancel your reservation, please

call the Tanglewood Friends Office (637-1600) Conductor Tanglewood Festival Chorus so that those on a waiting list may be accommodated.

August 21 Christoph Eschenbach The series of six Talks & Walks is available at $ 18 per person. Individual tickets may be purchased for Pianist and Conductor $3. 50 per program. Ticket reservations will be accepted only from Friends ofTanglewood. August 28 BiMCrofut Benjamin Luxon Reservations may be made through the Tangle-

wood Friends Office or by mailing your check to: Folk singers of America and the

British Talks & Walks 1986 Isles % Friends Office Tanglewood

Lenox, MA 01240 Please make your check payable to "Tanglewood Talks & Walks"

1986 Tent Club Buffet

Saturday evening buffet suppers are available exclusively to Friends and Business Friends of Tanglewood who are members ofthe Tent Club!

The Boston Symphony Association of Volunteers at Tanglewood is pleased to announce that buffet dinners will be served in the Tanglewood Tent Club every Saturday evening throughout the season.

All Tanglewood Tent Club members and their guests are invited to join us for leisurely dining on the Tanglewood grounds —no rushing, no waiting, no worrying, no work!

Enjoy a varied selection of hot and cold entrees accompanied by vegetables, salads, breads, relishes, desserts and beverages — all for the fixed price of $16.50 per person.

Dining Hours: Saturdays from 6:30 p.m. until 8:00 p.m. Concert begins at 8:30 p.m.

Reservations: Reservations are required and are limited to 100 per evening.

Call Janet Tlvy at the Friends Office (4 13) 637- 1600.

Reservations must be made by noon on Friday for the following Saturday.

We regret the necessity to charge for all reservations unless cancellation

is made before Friday noon. Five great reasons to visit ManchesterVillage,Vermont! Play, shop, tour, dine and stay in one of New England's most historic villages!

The jelly Mill *1111,1k &Friends 0„,id4.40 the best of everything— under Orvis one roof. Crafts, gifts, world famous for fly-fishing rods jewelry, kitchen & and equipment, custom shotguns home accessories, and classic country clothing. gourmet foods, A selection of fine gifts toys and more. Plus and accessories. luscious luncheons.

a. Landau the world's largest w....1/11.11..111dIrdt collection of Icelandic woolens. Jackets, sweaters, blankets and accessories. Fashionable sweaters and accessories from around the globe.

• Hildene home of all Abraham Lincoln's descendants. A mansion with original family furnishings. Formal gardens, observatory, aeolian pipe organ, visitors' center.

The Equinox historic 4-season, 154-room resort. The Main Dining Room serves delectable cuisine... Marsh Tavern, fine spirits & hearty fare. (802) 362-4700

All are open 7 days a week. From the Berkshires: North on State 7 to Bennington. North on Historic 7A to Manchester Village. Come back to the good old days... Come back to ManchesterVilla • e!

7111•1111M Days in the Arts A Memorable Experience

This summer, for the nineteenth season, the Boston Symphony Orchestra is pleased to host hundreds of middle school students from Boston and other cities paired with students from suburban communities of Massa- chusetts in a week of unparalleled arts and recreational experiences at Tanglewood. Participating area cultural institutions include Berkshire Public Theatre, Berk- shire Theatre Festival, Chester- wood, the Clark Art Institute, Jacob's Pillow, the Rockwell like . I felt is so^m near Ozawa >; Museum, and Shakespeare & Co. "Being world too. •- the an-art I was in

Musi c and'trees ouch 'everyone and teach youngstersfrom Afferent back- grounds to touch each other. "

were "The five days very crammed with meaning activities- way What a great the arts to present to children!"

Tanglew(©d

The Boston Symphony Orchestra gratefully acknowledges the following contributors to Days in the Arts: The Charles Sumner Bird Foundation, The Boston Foundation, The Cambridge Foundation, Frances R. Dewing Foundation, Alice Willard Dorr Foundation, The Marilyn Brachman Hoffman Endowment, Arthur D. Little, Inc., Massachusetts Council on the Arts and Humanities, Mrs. Robert W. Palm, Polaroid Foundation, Scully Signal Company, and all those individuals who generously support the program. In addition, the following have contributed under the auspices of the Associated Grantmakers of Massachusetts: Boston Globe Foundation, Boston Safe Deposit and Trust Co. - Trustees of the Peter E. Strauss Trust, Jessie B. Cox Charitable Trust, Theodore Edson Parker Foundation, Mabel Louise Riley Foundation, Nathaniel and Elizabeth P. Stevens Foundation, Charles Irwin Travelli Fund, and Zayre Corporation

For further information, please contact the Youth Activities Office, Boston Symphony (Orchestra, Symphony ll.ill. Boston, MA 021 IV WMNR Fine Arts Radio 88-i fm

Classical Music in Western Connecticut r THIb FIGHT SPOT Leslie J. Garfield & Co Inc for sophisticated entertainment in an elegant, relaxed setting, 9 pm Specializing in the Sale of

to 1 am, seven nights a week, Manhattan Residential and Gj^UJV, beginning July 3rd LIGHT Commercial Buildings SPOT for supper or dessert with wine or 595 MADISON AVE cocktails, exotic coffees or teas. NEW YORK, N.Y. 10022 EDLINDERMAN (212) 371-8200 Dynamic Broadway Entertainer.

at Seven Hills

Plunkett Street between Routes 7 and 20 in Lenox, five minutes from Tanglewood. Reservations 637-0060. The businesses and professional organizations listed below have all contri- buted to Tanglewood. By donating $300 or more, each company is listed as a Business Friend of Tanglewood for the 1986 season. Contributors of $1,000 or more are indicated in capital letters. We are very grateful for the generous support of the following companies and organizations and appreciate their commitment to Tanglewood. Hilbert H.Finn Robert L. Plageman Tanglewood Business Committee

Antiques/Art Galleries Great Barrington Savings Besse-Clarke Bank Pittsfield, Henry B. Holt Gallery, Inc. MA Great Barrington, (413) 447-7361 Essex Falls, N] MA (413) 528-1190 (201) 228-0853 1884 House Inc. Stockbridge, 7 Arts Antiques The Lee National Bank MA 298-5159 Stockbridge, MA Lee, MA (413) (413) 243-0115 (413) 298-3577 Elise Farar, Inc. Lee Savings Bank Lenox, The Shop on Main Street MA Chatham, NY Lee, MA (413) 637-1131 (413) 243-0117 (518) 392-9044 England's LENOX NATIONAL BANK Pittsfield, MA Automotive Lenox, MA (413) 443-3561 637-0017 Berkshire Foreign Auto Parts (413) The Talbots Pittsfield, MA Lenox Savings Bank Lenox, MA (413) 499-1130 Lenox, MA (413) 637-3576 Central Berkshire New Car (413) 637-0147 Contracting/Outdoor Dealers Associates North Adams Hoosac Services Pittsfield, MA Savings Bank County Concrete Corp. (413) 442-1584 North Adams, MA Pittsfield, MA 663-5353 (413) 499-4980 S&W Sales Co., Inc. (413) Ridgewood, NY The Pittsfield Co-Operative Joseph Francese, Inc. (718) 821-3060 Bank Pittsfield, MA Pittsfield, MA (413) 442-8500 Banking (413) 447-7304 The Haupt Tree Co., Inc. Bank of Boston, Sheffield, MA Western Mass., N.A. (413) 229-8565 Pittsfield, MA Beverage Sales/Distribution Hutchinson Sand & Gravel (413) 445-5651 Co., Inc. Coca-Cola Bottling Co. of BAYBANKS, INC. Northampton, MA Cheshire, MA Boston, MA (413) 743-5522 (413) 584-2050 (617) 482-2255 William T Lahart & Son, The Fahey Beverage Co., Inc. BERKSHIRE BANK & Inc. Pittsfield, MA TRUST COMPANY Lenox, MA (413) 442-7313 Pittsfield, MA (413) 637-0146 (413) 499-1600 Goshen Wine & Spirits Goshen, CT J.H. Maxymillian, Inc. BERKSHIRE COUNTY Pittsfield, (203)491-2078 MA SAVINGS BANK (413) 442-0853 Pittsfield, MA Merchant Du Vin Petricca Industries, Inc. (413) 443-5601 Lenox, MA Pittsfield, (413)637-2811 MA Citicorp/Citibank (413) 499-2779 Boston, MA United Liquors, West/ Ward's Nursery, Inc. (617) 742-0303 Perrier-Poland Springs Great Barrington, Chicopee, MA MA City Savings Bank of (413) 528-0166 (413) 593-5704 Pittsfield M.F Webber Landscaping, Pittsfield, MA Inc. (413) 443-4421 West Stockbridge, MA Clothing COMFED Savings Bank (413) 528-0275 Pittsfield, Springfield, Arcadian Shop, Inc. Peter D. Whitehead, Builder Lowell, MA Lenox, MA Great Barrington, MA (413) 447-8400 (413) 637-3010 (413) 528-3185 First Agricultural Bank The Bagatelle, Inc. Williams Construction Pittsfield, MA Miami, FL West Stockbridge, MA (413) 499-3000 (305) 576-1676 (413) 232-7003 Dentistry New Yorker Electronics Co., Heating Oil/Gasoline Craig W. Fischer, D.M.D. Inc. Lipton Energy Pittsfield, MA Mamaroneck, NY Pittsfield, MA (413) 499-2862 (914) 698-7600 (413) 443-9191 Alan G. Green, D.D.S., P.C. Energy/Utilities O'Connell Oil Associates Commack, NY The Berkshire Gas Co. Pittsfield, MA (516) 266-1616 Pittsfield, MA (413) 499-4800 Elliot M. Greenfeld, D.D.S. (413) 442-1511 Stockbridge Fuel & Grain Pittsfield, MA The Home Gas Corp. Co., Inc. (413) 499-4540 Great Barrington, MA Stockbridge, MA Jeffrey Kochman, D.D.S. (413) 528-1910 (413) 298-3000 New York, NY Northeast Utilities/ Sweatland-Pierce-Harrison (212) 753-3560 Western Mass. Electric Co. Oil Joseph M. Weinstein, D.D.S., Pittsfield, MA Pittsfield, MA P.C. (413) 443-6411 (413) 443-6461 New York, NY (212) 927-1117 Financial Services High Technology Gelfand, Rennert & Feldman Blaze SSI Corporation Education New York, NY Brielle, NJ Berkshire Community (212) 682-0234 (201) 223-5575 College Kenneth J. Loveman & Co., DYNATECH CORP. Pittsfield, MA CPA's Burlington, MA (413) 499-4660 Pittsfield, MA (617) 272-3304 Berkshire Country Day (413) 443-9122 Hill Engineering, Inc. School, Inc. Christopher D. Morse Dalton, MA Lenox, MA Associates/Integrated (413) 684-0925 (413) 637-0755 Resources Equity Corp. Phoenix Software Berkshire Hills Regional Stockbridge, MA Associates Ltd. School District (413) 298-3355 Norwood, MA Stockbridge, MA Ernest S. Sagalyn, CLU (617) 769-7020 (413) 298-3711 Pittsfield, MA Desisto Schools, Inc. (413) 442-1779 Industrial Products West Stockbridge, MA Michael K. Schaefer, CPA Butler Wholesale Products, (413) 298-3776 Boston, MA Inc. Great Barrington Rudolf (617) 227-1931 Adams, MA Steiner School Smith Barney, Harris (413) 743-3885 Great Barrington, MA Upham & Co., Inc. J. Gerber & Co., Inc. (413) 528-4015 Hartford, CT New York, NY Stanley H. Kaplan (203) 275-0747 (212) 613-1100 Educational Center Ltd. Funeral Homes Ray Murray Inc. Newton Center, MA Lee, MA (617) 244-2202 Dery Funeral Home Pittsfield, Dalton, (413) 243-2164 The Kolburne School, Inc. Cheshire, MA New Marlborough, MA (413) 443-9151 Insurance (413) 229-8787 Hickey-Birches Funeral BERKSHIRE LIFE Miss Hall's School Home INSURANCE COMPANY Pittsfield, MA Great Barrington, MA Pittsfield, MA (413) 443-6401 (413) 528-3080 (413) 499-4321 Pittsfield High School Hardware/Home Supplies Biener Agency, Inc. Pittsfield, MA Great Neck, NY (413) 499-1235 Carr Hardware & Supply (516) 482-7700 Co., Inc. Simon's Rock of Bard Bradford, Brownlow & Pittsfield, MA College Associates (413) 443-5611 Great Barrington, MA Pittsfield, MA (413) 528-0771 Dettinger Lumber Co., Inc. (413) 443-6441 Pittsfield, MA Valleyhead, Inc. COLT INSURANCE (413) 442-6916 Lenox, MA AGENCY, INC. (413) 637-3635 DRESSER-HULL LUMBER Pittsfield, MA Williams College Executive COMPANY (413) 445-5648 Lee, MA Program Massachusetts Mutual Life (413) 243-1400 Williamstown, MA Insurance Company/ (413) 597-2544 Pittsfield Supply Company McCormick & Toole Pittsfield, MA Insurance Agency, Inc. Electronics (413) 445-4589 Pittsfield, MA ARGIL ELECTRONICS, WEST END LUMBER (413) 443-6428 LTD. YARD, INC. Mole & Mole New York, NY Bridgeport, CT Lenox, MA (212) 691-8111 (203) 333-2178 (413) 637-0061 Reynolds, Barnes & Hebb, GENERAL ELECTRIC Berkshire Hematology/ Inc. PLASTICS BUSINESS Oncology Associates, P C. Pittsfield, MA GROUP Pittsfield, MA (413) 447-7376 Pittsfield, MA (413) 499-4161 (413) 494-1110 Stevenson & Co., Inc. The Berkshire Learning Pittsfield, MA Lee Lime Corporation Center (413) 443-3581 Lee, MA Pittsfield, MA (413) 243-0053 (413) 442-5531 Legal Lipton Industries Inc. Berkshire Orthopaedic Cain, Hibbard, Myers & Pittsfield, MA Associates, Inc. Cook (413) 499-1661 Pittsfield, MA Pittsfield, MA Mount Tom Box Co., Inc. (413) 499-1190 (413) 443-4771 West Springfield, MA Berkshire Radiological Joel S. Greenberg, P.C. (413) 781-5300 Associates Pittsfield, MA The Mutterperl Group Pittsfield, MA (413) 499-2244 New York, NY (413) 443-6457 Howland & Sheppard, P.C. (212) 239-0345 BERKSHIRE UROLOGICAL Amherst, MA A. Shapiro & Sons ASSOCIATES, INC. (413) 549-4570 North Adams, MA Pittsfield, MA Otterbourg, Steindler, (413) 663-6525 (413) 499-0300 Houston and Rosen, P.C. Damon Corporation New York, NY Media/Entertainment Needham Heights, MA (212) 661-9100 Berkshire Broadcasting Co., (617) 449-0800 Rutberg & Heller Inc. 510 Medical Walk-In Center Lenox, MA North Adams, MA Pittsfield, MA (413) 637-2255 (413) 663-6567 (413) 499-0237 Bernard Turiel, P.C. BRITISH BROADCASTING John Galt, M.D., Inc. New York, NY CORPORATION Pittsfield, MA (212) 563-6830 London, England (413) 445-4564 "Getting Married/ Hagyard Pharmacy Management/I3usiness A Planning Guide" Lenox, MA Consulting Boston, MA (413) 637-0048 Canter, Achenbaum, (617) 739-3349 HEALTH PROGRAMS Associates Inc. GENERAL CINEMA INTERNATIONAL New York, NY CORPORATION Wellesley, MA (212) 751-9630 Chestnut Hill, MA (617) 235-2856 Colonial Consulting (617) 232-8200 William E. Knight, M.D. Corporation, Inc. High Fidelity Magazine Pittsfield, MA New York, NY New York, NY (413) 442-4438 (212) 307-1830 (212) 887-8355 JGG Associates, Inc. INTERNATIONAL Pittsfield, MA TELEVISION TRADING Moving/Storage (413) 584-8760 CORP. Frank L. Castine, Inc. John Michael Associates, South Egremont, MA Athol, MA Inc. (413) 528-9010 (617) 249-9105 East Hartford, CT Jaycole Advertising Inc. Mullen Brothers (203) 282-0177 New York, NY Pittsfield, MA Periodical Marketing (212) 533-6355 (413) 499-0815 Services Company Pittsfield News Co., Inc. Security Self Storage Hackensack, NJ Pittsfield, MA Pittsfield, MA (201) 342-6335 (413) 445-5682 (413) 445-5181 Right Associates Steve Ganak Ad Reps Providence, RI Boston, MA (401) 331-1729 (617) 542-6913 Paper Products/Printing Manufacturing Virstal Theatrical Productions BRM Associates, Inc. Boyd Converting Co., Inc. Sheffield, MA New York, NY South Lee, MA (413) 229-6609 (212) 249-0505 (413) 243-2200 Beloit Corporation Culbro Corporation Medical/Science Jones Division New York, NY Berkshire Anesthesiologists Dalton, MA (212) 561-8700 Pittsfield, MA (413) 443-5621 Davison Trading Company (413) 499-0141 Berkshire Corp. Holyoke, MA Berkshire Associates for Great Barrington, MA (413) 534-7748 Neurological Diseases, (413) 528-2602 General Electric Company Inc. C.T. Brigham Co. Pittsfield, MA Pittsfield, MA Pittsfield, MA (413) 494-1110 (413) 499-2831 (413) 445-5646 CRANE & COMPANY, INC.! The Rose Agency HOUSATONIC BYRON WESTON Pittsfield, MA CURTAIN COMPANY COMPANY (413) 443-7211 Housatonic, MA Dalton, MA Ruffer Realtors (413) 274-3317 (413) 684-2600 Pittsfield, MA JENIFER HOUSE James River Corp. (413) 445-5661 Great Barrington, MA Curtis Div. /Adams Mill White Pines Country (413) 528-1500 Adams, MA Estate Condominiums KAY-BEE TOY & HOBBY (413) 743-0290 Stockbridge, MA SHOPS, INC. MEAD CORPORATION (413) 637-1140 Lee, MA Specialty Paper Division (413) 243-2000 South Lee, MA Tourism/Resorts The Lemon Tree (413) 243-1231 Berkshire Hills Conference Lenox, MA Sheaffer Eaton Textron Center (413) 637-1024 Pittsfield, MA Pittsfield, MA Lenox Kites (413) 499-2210 (413) 443-9186 Lenox, MA STUDLEY PRESS, INC. Butternut Basin, Inc. (413) 637-2115 Dalton, MA Great Barrington, MA Loeb's Foodtown of Lenox (413) 684-0441 (413) 528-2000 Lenox, MA Walden Printing Company Eastover Incorporated (413) 637-0270 Walden, NY Lenox, MA McClelland Drug Store (914) 778-3575 (413) 637-0625 Lee, MA Photography (413) 243-0135 Where to Eat Price Chopper Photo Shop, Inc. Abdalla's Liquor and Deli Supermarkets Pittsfield, MA Stockbridge, MA Schenectady, NY (413) 442-6411 (413) 298-5533 (518) 355-5000 Walter Hilton Scott, BURGER KINGS OF Rayburn Musical Photographer BERKSHIRE COUNTY Instrument Co., Inc. Stockbridge, MA Boston, MA (413) 298-3651 Church Street Cafe Lenox, MA (617) 266-4727 Whitestone Photo (413) 637-2745 The Record Store, Inc. Lenox, MA Williamstown, MA (413) 637-0584 Crosby's Lenox, MA (413) 458-5418 Real Estate (413) 637-3396 Paul Rich & Son Home Apple Hill—Angus Luau Hale Restaurant Furnishings MacDonald Realty Lenox, MA Pittsfield, MA Great Barrington, MA (413) 443-4745 (413) 443-6467 (413) 528-3458 Shaker Mill Tavern The Sounds of Music Corashire Realty West Stockbridge, MA Lenox, MA Great Barrington, MA (413) 232-8565 (413) 637-0908 (413) 528-0014 Taft Farms Cohen & White Associates Where to Shop Great Barrington, MA (413) 528-1515 Lenox, MA Allendale Shopping Center (413) 637-1086 Pittsfield, MA Yankee Candle Company, Evergreen Realty (914) 967-7500 Inc. South Deerfield, MA Pittsfield, MA Bazaar Stores (413) 665-8306 (413) 4994610 New York, NY Sheldon Gross Realty, Inc. (212) 988-7600 West Orange, NJ Christopher & Co. (201) 325-6200 Lenox, MA Where to Stay Charlotte R. Isaacs (413) 637-3612 Apple Tree Inn Real Estate COUNTRY CURTAINS Lenox, MA Stockbridge, MA Stockbridge, MA (413) 637-1477 (413) 298-3300 (413) 243-1474 Barrington Court Motel Israel Realty Associates, Inc. Crescent Creamery, Inc. Inc. New York, NY Pittsfield, MA Great Barrington, MA (212) 239-9790 (413) 445-4548 (413) 528-2340 Prestige Realty DECO ART SUPPLIES Berkshire Spur Motel Springfield, MA Pittsfield, MA Canaan, NY (413) 788-0985 (413) 442-1893 (518) 781-4432 Esther Quinn Realty Farrell's Decorating Center Blantyre Pittsfield, MA Pittsfield, MA Lenox, MA (413) 4994646 (413) 442-2029 (413) 637-3556 Reinholt Realtors Guido's Fresh Marketplace Gateways Inn, Inc. Lenox, MA Pittsfield, MA Lenox, MA (413) 637-1251 (413) 442-9909 (413) 637-2532 Laurel Hill Motel Windflower Inn, Inc. The General Systems Co., Lee, MA Great Barrington, MA Inc. (413) 243-0813 (413) 528-2720 Pittsfield, MA Monument Mountain Yankee Motor Lodge, Inc. (413) 499-2880 Motel, Inc. Lenox, MA G.W. Enterprises Great Barrington, MA (413) 499-3700 Sarasota, FL (413) 528-3272 J-L Distributors, Inc. The Morgan House Other Pittsfield, MA Lee, MA Abbott's Limousine & (413) 443-7185 (413) 243-0181 Taxi Service Kripalu Center for Yoga Quincy Lodge Lee, MA and Health Lenox, MA (413) 243-1645 Lenox, MA (413) 637-9750 AKC Fund, Inc. (413) 637-3280 THE RED LION INN New York, NY Sarum Tea Company Inc. Stockbridge, MA (212) 737-1011 Salisbury, CT (413) 298-5545 BALDWIN PIANO AND (203) 435-2086 Susse Chalet Motor Lodge ORGAN COMPANY Taylor Rental Center Lenox, MA New York, NY Pittsfield, MA (413) 637-3560 (212) 245-6700 (413) 443-4072 Tanglewood Motor Inn BOSTON SHOWCASE TRAVEL CONSULTANTS Lenox, MA COMPANY INTERNATIONAL (413) 442-4000 Newton Highlands, MA Wellesley, MA (617) 965-1100 The Village Inn (617) 235-2995 Lenox, MA Bradley Architects, Inc. W.A. Wilde Company (413) 637-0020 Pittsfield, MA Holliston, MA (413) 448-8253 The Weathervane Inn (617) 429-5515 South Egremont, MA BROADWAY Willowood Nursing & (413) 528-9580 MANUFACTURERS Retirement Facility SUPPLY/AMERICAN Wheatleigh Hotel & Great Barrington, MA TERRY CORP. (413) 528-4560 Restaurant New York, NY Lenox, MA (212) 226-8040 AVEDIS ZILDJIAN (413) 637-0610 COMPANY Joe Chuckrow Sales, Inc. The Williams Inn Norwell, MA Latham, NY (617) 871-2200 Williamstown, MA (518) 783-6158 (413) 458-9371 Covenant Foundation Chestnut Hill, MA

Limited Edition Prints

441110111..0:2.105 Co0 b y LEONARD WEBER

TANGLEWOOD Avad-a-ati.". Catalog $3.00 Hayloft Gallery G/ass #0,444.42_ Monterey, MA 01245 Tel. 528-1806 Buy Yourself a Real Estate Foxhollow was a real estate—twice! Once George Westinghouse built an exquisite mansion here. Then Mrs. Cornelius Vanderbilt built the present Foxhollow Manor House. Now we offer you the 1980s answer to a real country estate.

All new two story homes with 2 decks overlooking Laurel Lake, cathedral ceilings, glass walls, fireplace, solarium breakfast room, guest wing and garage. Each completed home features top of the line cabinetry, appliances, floor tiles and carpeting. Three to five bedrooms priced from $242,000 to $279,000.

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Eoxhollow, Route 7, Leriox, NIA (413) 637-3647 COMING CONCERTS AT TANGLEWOOD

Thursday, 21 August at 8:30 Thursday, 28 August at 8:30 (Theatre-Concert Hall) (Theatre-Concert Hall) CHRISTOPH ESCHENBACH and WILLIAM CROFUT & TZIMON BARTO, duo-pianists BENJAMIN LUXON with EVERETT FIRTH and Program of English and American ARTHUR PRESS, percussion folk songs Music of Bartok and Messiaen Friday, 29 August at 7 Friday, 22 August at 7 (Weekend Prelude) (Weekend Prelude) CAROL VANESS, soprano CHO-LIANG LIN, violin WARREN JONES, piano SANDRA RIVERS, piano Music of Handel, Rossini, and Turina Music of Beethoven Friday, 29 August at 9 Friday, 22 August at 9 BOSTON SYMPHONY ORCHESTRA BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, conductor CHRISTOPH ESCHENBACH, ITZHAK PERLMAN, violin conductor and pianist BRAHMS Violin Concerto BEETHOVEN Piano Concerto No. 1; RAVEL Valses nobles et sentimentales; Symphony No. 1 La Valse

Saturday, 23 August at 8:30 Saturday, 30 August at 8:30 BOSTON SYMPHONY ORCHESTRA ISRAEL PHILHARMONIC ORCHESTRA CHRISTOPH ESCHENBACH, conductor ZUBIN MEHTA, conductor TZIMON BARTO, piano WOMEN OF THE TANGLEWOOD PROKOFIEV Classical Symphony FESTIVAL CHORUS, JOHN OLIVER, RAVEL Piano Concerto in G conductor SATIE La Belle excentrique BEETHOVEN Symphony No. 2 TCHAIKOVSKY Serenade for strings HOLST The Planets

Sunday, 24 August at 2:30 Sunday, 31 August at 8:30 BOSTON SYMPHONY ORCHESTRA BOSTON SYMPHONY ORCHESTRA SEMYON BYCHKOV, conductor SEIJI OZAWA, conductor CHO-LIANG LIN, violin CAROL VANESS, soprano BEETHOVEN Overture to The Creatures THOMAS MOSER, tenor of Prometheus BENJAMIN LUXON, baritone SIBELIUS Violin Concerto TANGLEWOOD FESTIVAL CHORUS, TCHAIKOVSKY Symphony No. 5 JOHN OLIVER, conductor BOSTON BOY CHOIR, Tuesday, 26 August THEODORE MARIER, director BRITTEN TANGLEWOOD ON PARADE War Requiem Afternoon events beginning at 2:30 (Gates open at 2) Programs subject to change. Gala concert at 9 with the BOSTON SYMPHONY ORCHESTRA TANGLEWOOD MUSIC CENTER ORCHESTRA SEIJI OZAWA and JOHN WILLIAMS, conductors Program to include music of John Williams and Tchaikovsky's 1812 Overture The Berkshires Most Entertaining Restaurant A sampling from our menu. Fresh Seafood Giant Hamburger Platters Steaks & Ribs Salads & Luscious Desserts Deck Cafe Lunch, Dinner & Sunday Buffet Brunch Saturday Mite Comedy Connection Open 7 days & nights Reservations suggested ^\

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Box 617, Dept. 05006, Stockbridge, MA 01262 The Village at October Mountain East Street Lee, Massachusetts 01238 243 - 1453

Just as it is becoming almost impossible to find gracious country living at an affordable price, the Village at October Mountain emerges. Our Colonial Townhouses offer a flexible design package that will satisfy the needs of the most discrim- inating buyers and is only minutes from Tanglewood and the major ski areas.

PRICES STARTING IN THE LOW $100'S

We overlook nothing but the Berkshires. THE TANGLEWOOD MUSIC CENTER Leon Fleisher, Artistic Director 1986 Concert Schedule

Tuesday, 1 July at 2 p.m. Sunday, 27 July at 8:30 p.m. Tanglewood Music Center Vocal Recital—Fellows Exercises Opening Monday, 28 July at 8:30 p.m. (admission free; Tanglewood Music Center Orchestra open to the public) Leon Fleisher and Tuesday, 8 July at 8:30 p.m. Conducting Fellows conducting Tanglewood Music Center Orchestra Program to be announced Seiji Ozawa and Conducting Fellows conducting Program to include Saturday, 2 August through Beethoven Symphony No. 7 Thursday, 7 August FESTIVAL OF Sunday, 13 July at 10 a.m. MUSIC Chamber Music—Fellows CONTEMPORARY Saturday, 2 August Sunday, 13 at 8:30 p.m. July —Fellows of the Tanglewood Recital Fellows Vocal — Music Center, 2 p.m. Monday, 14 July at 8:30 p.m. Sunday, 3 August Young Artists Orchestra —Fellows of the Tanglewood Eiji Oue conducting Music Center, 10 a.m. Program to include —Fellows of the Tanglewood Berlioz Symphonie fantastique Music Center, 8:30 p.m. Monday, 4 August Tuesday, 15 July at 8:30 p.m. Fellows of the Tanglewood Vocal Recital—Fellows — Music Center, 8:30 p.m. Wednesday, 16 at 8:30 p.m. July Tuesday, 5 August Tanglewood Music Center Orchestra Juilliard String Quartet, 8:30 p.m.' Gustav Meier — and Wednesday, 6 August Conducting Fellows conducting —Tanglewood Music Center Program to include Orchestra, Oliver Knussen, Wagner Excerpts from Tannhauser conductor, 8:30 p.m. Saturday, 19 July at 2 p.m. Thursday, 7 August Chamber Music—Fellows —Joseph Silverstein, violin, and Peter Serkin, piano, 8:30 p.m.* Sunday, 20 July at 10 a.m. Chamber Music—Fellows Sunday, 20 July at 8:30 p.m. Sunday, 10 August at 10 a.m. Chamber Music Young Artists — Chamber and Vocal Music- Fellows Monday, 21 July at 8:30 p.m. Monday, 11 August at 8:30 p.m. Chamber Music Young Artists — Young Artists Orchestra Tuesday, 22 July at 8:30 p.m. Robert Sirota and Tanglewood Music Center Orchestra Eiji Oue conducting Leonard Bernstein and Program to include Conducting Fellows conducting Brahms Symphony No. 2 Program to be announced Wednesday, 13 August at 8:30 p.m. Wednesday, 23 July at 8:30 p.m. Chamber Music— Fellows Chamber and Vocal Music Fellows — Saturday, 16 August at 2 p.m. Saturday, 26 July at 2 p.m. Tanglewood Music Center Orchestra Young Artists Orchestra and Chorus Leon Kirchner and Leonard Atherton and Conducting Fellows conducting Eiji Oue conducting Program to include Program to include Stravinsky Symphony in Bartok Concerto for Orchestra Three Movements

Sunday, 27 July at 10 a.m. Sunday, 17 August at 2 p.m. Chamber Music— Fellows Chamber Music— Fellows There's A Great Spirit long The Mohawk Trail

Take the road less traveled, along the woOded Mohawk Trail, and through the Pioneer Valley. Sure, you'll get there faster if you take the turnpike, but you'll miss so much. Cross covered bridges, visit Historic Deerfield, bid .at a country auction, ride a riverboat or just savor th unspoiled scenery. Stay a day or more, at a country `,_ BOSTON inn, fine hotel, or partake of bed and breakfast. The Great Spirit of the Mohawk beckons . . .

For more information, contact:

CONVENTION AND VISITORS BUREAU _ 1500 Main Street, Springfield, MA 01115 • (413) 787-1548 Mohawk Trail Association Dept. T., P.O. Box J, Charlemont, MA 01339 • (413) 664-6256

Funded in part by the Mass. Dept. of Commerce, Div. of Tourism. fig The spirit of Massachusetts is the spirit of America. Sunday, 17 August at 8:30 p.m. Vocal Recital—Fellows Monday, 18 August at 8:30 p.m. Chamber Music—Young Artists Tuesday, 19 August at 8:30 p.m. i Young Artists Orchestra and Chorus rv Leonard Atherton and Eiji Oue conducting; Joseph Silverstein, violin Program to be announced

Wednesday, 20 August at 8:30 p.m. Tanglewood Music Center Orchestra Gennady Rozhdestvensky and Conducting Fellows conducting Program to include Shostakovich Symphony No. 10

Saturday, 23 August at 2 p.m. Vocal Recital—Fellows Sunday, 24 August at 10 a.m. Chamber Music—Fellows Sunday, 24 August at 8:30 p.m. Chamber Music—Fellows Schedule subject to change. Monday, 25 August at 8:30 p.m. Young Artists Chamber Music— Current information available each week at Tuesday, 26 August the Tanglewood Main Gate. TANGLEWOOD ON PARADE (Afternoon events beginning at 2:30, Except where noted, admission is by a $5 followed by a gala orchestra concert donation for chamber music and vocal con- at 9 featuring the Tanglewood Music certs, and by a $6 donation for orchestra Center Orchestra, the Young Artists concerts. Members of the Friends of Music at Orchestra, and the Boston Symphony Tanglewood are admitted to all Tanglewood Orchestra.)* Music Center events without charge.

Tanglewood Festival ticket required

Programs designated "Fellows" events are performed by members of the Tanglewood Music Center's Fellowship Program for advanced young performers 18 years of age and older. The Tanglewood Music Center Orchestra is comprised of members of the Fellowship Program.

Programs designated "Young Artists" events are performed by members of the Boston University Tanglewood Institute's Young Artists Instrumental and Vocal Programs for high-school age musicians.

"Tanglewood on Parade" is a day-long series of concert performances and other events highlighting the entire spectrum of Tanglewood performance activities, including the Tanglewood Music Center Fellowship Program, the Boston University Tanglewood Insti- tute's Young Artists Programs, and the Boston Symphony Orchestra itself. "Tanglewood on Parade" is presented as a benefit for the Tanglewood Music Center and concludes with a gala concert at 9:00 p.m. featuring the Boston Symphony Orchestra, the Tanglewood Music Center Orchestra, and conductors Seiji Ozawa and John Williams. Tanglewood Festival tickets are required and are available at the Tanglewood box office. FROM ENGLAND, IRELAND, HOLLAND & FRANCE 4tf5£<« ANTIQUES 6 FLOORS 12 SHOPS

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DANBEE, girls. Opportunities to specialize in MOHAWK IN THE BERKSHIRES, coed. Elec- athletic, non-athletic programs, mature staff. tive, struct, program in relaxed atmosphere. Winter Ann Miller, D. Metzker, J. O'Neill. Peru 655 2727 ski camp. Ralph Schulman. Cheshire 443 9843

EMERSON, coed. Sports, other camp activities, ROMACA FOR GIRLS. Active program, dynamic, unpressured atmosphere, indiv & group choice, fun, led by enthusiastic skilled men and women. Addie, Marvin Lein. Hinsdale 655 8123 Karen, Arnold Lent. Hinsdale 655 2715

GREYLOCK FOR BOYS. Active program all TACONIC, coed. Individualized program directed land, water sports. Forest beside sparkling lake. by mature staff. Traditional activities plus. Bert Margolis, Irv Schwartz. Becket 623 8921 Barbara, Robert Ezrol. Hinsdale 655 2717

HALF MOON FOR BOYS. Tradl. well balanced WATITOH, coed. Full camping program, water- camp program. Special care for younger boys. sports, tripping. Ideal setting atop Berkshires. Mr. & Mrs. Edward Mann. Monterey 528 0940 Mr. and Mrs. Sheldon Hoch. Becket 623 8951

LENORE-OWAISSA, girls. Instill a feeling of self WINADU, boys. Character training in sports. worth. Indiv. skill dev. Leadership training. Great athletic instruction. Excellent facilities. Dorothy and Joseph Langer. Hinsdale 655 2733 Arlene, Shelley Weiner. Pittsfield 447 8900 You have a unique opportunity At the GE Plastics Technology Visit to step into the future at Center, creative visions become GE Plastics' global head- reality. Tomorrow's exciting The quarters in Pittsfield, site products are being designed here, of the world's foremost facility using sophisticated computer Future for advanced engineering systems to determine optimal plastics technology. structure and form. See the facility At The Through the vaulted entrance- where components are made state-of-the-art way is a world of innovation! on molding machines materials GE Plastics Here truly remarkable materials and tested with are developed — high-perform- equipment ranging from a 500,000- ance engineering plastics power scanning electron micro- jfechnology more durable than metals, scope to a 50-MPH impact tester. safer than glass, lighter than Call (413) 448-7484 to arrange Center aluminum. Discover the major a guided tour of the world-class role they play in your life— Plastics Technology Center. in household appliances, Reservations are required for the business machines, sports tours, which begin at 4:30 P.M. equipment, automobiles- each Monday, Wednesday and thousands of products you Friday during June, July and depend on every day. August, 1986.

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