Tanglewood Trio in B-Flat Major, Op.97 “Archduke”/ Schubert: Quintet in C Major, D.956

Total Page:16

File Type:pdf, Size:1020Kb

Tanglewood Trio in B-Flat Major, Op.97 “Archduke”/ Schubert: Quintet in C Major, D.956 lin; Alisa Weilerstein, cello/ Scott St John, violin; Benjamin Butterfield, tenor; Chalium Poppy, Nicholas Kitchen, violin; Nokuthula bass Ngwenyama, viola; Hsin-Yun Huang, viola; 10 7:30pm. CCC Vic. $16-18. Strauss: Die boston symphony orchestra Yeesun Kim, cello; Nina Maria Lee, cello Fledermaus Overture; Bauernpolka; Pizzacato Polka; Feuerfest; Mozart: “O wie aengstlich”; AUGUST 2001 season 1 11am. ArtUm. FA, adults must be accompanied Thomas: Adieu Mignon; Lehar: Dein ist mein by children. Family Concert. Dvorak: “American” ganzes Herz; Fall: The Rose of Stanbul; Victoria Symphony, Michael Quartet; etc. Borromeo String Quartet. 10:00 AM Schumann: Sym. #3. Gormley, cond.; Benjamin Butterfield, tenor Musical Instrument Petting Zoo: Strings, Winds, 14 Percussion and Brass to bow and blow, to pluck 7:30pm. CCC Vic. $16-18. Delibes: Sylvia, Suite; and strike Saint-Saëns: Cello Con. #1; Frank: Symphony in Victoria Symphony, Michael Gormley, cond.; 2, 4 6:15pm. CHS Patio. FA. Music Matters. (º26/7) D. John Friesen, cello 2 8:15pm. CHS. $15-39. Main Series. Bach arr.Mozart: Two Adagios & Fugues/ Beethoven: Tanglewood Trio in B-flat major, op.97 “Archduke”/ Schubert: Quintet in C major, D.956. Mark Steinberg, violin; Misha Amory, viola; Nina Maria seiji ozawa Lee, cello/ Adam Neiman, piano; Ruggero Allifranchini, violin; Alisa Weilerstein, cello/ music director Borromeo String Quartet; Alisa Weilerstein, cello. 7:15pm Prelude Concert: Bax: Fantasy bernard haitink Sonata (1927) for viola & harp/ Nokuthula Ngwenyama, viola; Heidi Krutzen, harp principal guest conductor 3 11am. CHS. $12. Morning Concert. Saint-Saëns: Fantaisie, op.124/ Schubert: Quintet in A major, D.667 “The Trout”. Ruggero Allifranchini, violin; Heidi Krutzen, harp/ Anton Nel, piano; Nicholas Kitchen, violin; Hsin-Yun Huang, viola; Yeesun Kim, cello; Wilmer Fawcett, bass Florida International Festival 4 8:15pm. CHS. $15-39. Main Series. Berg: Four For the past three decades, residents of the Pieces, op.5 for clarinet & piano/ Dohnányi: Daytona Beach area have enjoyed the cultural Quintet in E-flat minor, op.26 for piano, 2 vio- experiences offered by the Florida International lins, viola & cello/ Omar Daniel: El Corazon y el Festival. The multi-day event, which occurs every Tigre (The Heart and the Tiger) (World Premiere) june 22 – september 2 other year, features the London Symphony for 2 violins, viola, cello, harp & percussion/ Orchestra, who calls the area its "Official Brahms: Quintet in G major, op.111 for 2 violins, American Summer Home." Through a variety of tickets on sale now! 2 violas & cello. François Houle, clarinet; Adam Neiman, piano/ Anton Nel, piano; Ruggero world-class performances, entertainment ranging Allifranchini, violin; Scott St John, violin; from music and dance to comedy and family Nokuthula Ngwenyama, viola; Alisa Weilerstein, favourites are presented through both free cello/ Scott St John, violin; Ruggero Allifranchini, and paid programs. violin; Misha Amory, viola; Nina Maria Lee, cello; July 13-29, 2001 Heidi Krutzen, harp; Salvador Ferreras, percus- Daytona Beach Area, Volusia County, Florida sion/ Borromeo String Quartet; Hsin-Yun www.fif-lso.org Huang, viola. 7:15pm Prelude Concert: (904) 257-7790 Beethoven: Trio in C minor, op.9 #3 for violin, viola & cello/ Mark Steinberg, violin; Misha Glimmerglass Opera Amory, viola; Nina Maria Lee, cello 5 3pm. CHS. $15-39. Main Series. Schubert: Trio Glimmerglass Opera, in its 27th Festival Season, Movement in B-flat, D.471/ Piazolla: Las is the leading summer opera company in the Estaciones (The Seasons) / Dvorak: Quintet in A Northeast. Located in Cooperstown, NY, a new major, S.103. Mark Steinberg, violin; Misha attendance record was set last season with over Amory, viola; Nina Maria Lee, cello/ Adam 38,000 visitors from Europe, Canada and the US. Neiman, piano; Scott St John, violin; Alisa In conjunction with students enrolled in the Weilerstein, cello/ Anton Nel, piano; Borromeo Young American Artists Program, a star cast of String Quartet operatic singers will present four works this sea- son: Chabrier's L'Étoile, Mozart's Le Nozze di Vancouver Early Music Festival Figaro, Handel's Agrippina and Britten's The Rape Join us this summer as we celebrate Music Director of Lucretia. Early Music Vancouver has gained international July 5-August 28, 2001 SEIJI OZAWA’S last full season at Tanglewood. acclaim as one of the foremost organisations Cooperstown, NY in North America devoted to the performance www.glimmerglass.org and study of music from the Middle Ages (607) 547-2255 Venez-nous rejoindre pour souligner through the late Romantic era. 604-732-1610, 614-822-9161 Tanglewood la dernière saison à Tanglewood du directeur www.earlymusic.bc.ca JULY The Tanglewood Music Center was founded at artistique Seiji Ozawa. 22 8pm. UBC First Nations Longhouse. Inaugural Tanglewood, the Boston Symphony Orchestra's benefit concert for the new chamber organ. summer home in Lenox, Mass., in 1940 by then Vancouver musicians and ensembles BSO Music Director Serge Koussevitzky, who want- Including performances by: 29 8pm. UBC-MUS RH. Musica Dolce. Monteverdi, ed to create a premier music academy where Cavalli: opera excerpts; Castello, Marini, young performers and composers would study Avec des concerts des artistes suivants: Buonamente: instrumental works. Ellen Hargis, with Boston Symphony Orchestra musicians and soprano; string ensemble; Ray Nurse, director. other world-class artists. The 2001 season Deborah Voigt 7:15pm PCC honours the 50th anniversary of Koussevitzky's death. Seiji Ozawa, Music Director. AUGUST June 22 - September 2, 2001 Mstislav Rostropovich 1 8pm. UBC-MUS RH. Molti Strumenti. Baroque Lenox, Massachussetts chamber music: sonatas, trio sonatas, etc. for www.tanglewood.org Dame Kiri Te Kanawa winds, strings and continuo. Vancouver musi- (888) 266-1200 cians. 7:15pm PCC Van Cliburn 5 8pm. UBC-MUS RH. Lutes & More #1. Weiss, G Hagen/ traditional Persian early music. Robert R Matthias Goerne Barto, baroque lute/ Amir Koushkani, tar. O 7:15pm PCC . Yo-Yo Ma 8 8pm. UBC-MUS RH. Corelli: string sonatas. A Masques (Timothy Haig, violin; Elin Soderstrom, N James Taylor viola da gamba; Olivier Fortin, harpsichord). E 7:15pm PCC C Dawn Upshaw 10 8pm. UBC-MUS RH. Lutes & More #2. Dowland, .S Campion, etc.: English lute solos and songs / Peter Serkin Bach: G minor Suite; Anna Magdalena Song W Book excerpts. Ellen Hargis, soprano; Nigel W Israel Philharmonic Orchestra, North, renaissance lute / Stephen Stubbs, baroque lute. 7:15pm PCC W • ClassicalMusicNews.org Zubin Mehta, conductor Victoria Symphony: • Horaire de diffusion Photography: Charles Gauthier Summer Cathedral Festival sur le Web All concerts take place at the magnificent Christ • Le calendrier canadien Church Cathedral in downtown Victoria 250-385-6515 de musique classique (888) 266-1200 http://victoriasymphony.bc.ca • La Scena Vocale JULY www.bso.org 3 7:30pm. CCC Vic. $16-18. Beethoven: Coriolan Overture; Piano Con. #5; Sym. #8. Victoria • ClassicalMusicNews.org Symphony, Michael Gormley, cond.; Anton • Webcast Scheduler Kuerti, piano 7 7:30pm. CCC Vic. $16-18. Mozart: Sym. #25; • The Canadian Classical Requiem. Victoria Symphony, Michael Gormley, Music Calendar LENOX, MA cond.; Victoria Symphony Festival Chorus; Anne Grimm, soprano; Marion Newman, alto; • La Scena Vocale LaScenaMusicale / Juin 2001 June / 43.
Recommended publications
  • To See the 2018 Tanglewood Schedule
    summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • 2011 Tanglewood Season Listing All Programs and Artists Are Subject to Change
    2011 Tanglewood Season Listing All programs and artists are subject to change. Saturday, June 25, at 7 p.m. Koussevitzky Music Shed Earth, Wind, and Fire Tuesday, June 28, 11 a.m. and 3 p.m. Theatre Wednesday, June 29, 11 a.m. and 3 p.m. Theatre String Quartet Marathon Two 2‐hour concerts each day Tuesday, June 28, 8 p.m. Ozawa Hall Wednesday, June 29, 8 p.m. Ozawa Hall Mark Morris Dance Group Tanglewood Music Center Fellows Mark Morris, choreographer Yo‐Yo Ma, cello Isaac Mizrahi, costume designer Phil Sandstrom and Michael Chybowski, lighting designers Frisson Stravinsky ‐ Symphonies of Wind Instruments New work (world premiere; BSO commission) Stravinsky ‐ Renard Falling Down Stairs J.S. Bach ‐ Suite No. 3 in C for solo cello, BWV 1009 Thursday, June 30, 8 p.m. Ozawa Hall James Taylor in Ozawa Hall James Taylor and guests In the more intimate setting of Tanglewood's Ozawa Hall, James Taylor offers the music that has made him one of the most beloved artists of our day. Friday, July 1, 8:30 p.m. Shed James Taylor and the Boston Pops Boston Pops James Taylor, soloist John Williams, conductor Tanglewood’s favorite singer joins “America's Orchestra,” the Boston Pops and John Williams for a remarkable collaboration. Saturday, July 2, 5:45 p.m. Shed A Prairie Home Companion at Tanglewood with Garrison Keillor Live broadcast Sunday, July 3, 7 p.m. Shed Monday, July 4, 7 p.m. Shed The Essential James Taylor James Taylor returns to Tanglewood with his extraordinary band of musicians for two spectacular performances.
    [Show full text]
  • October 2012
    21ST CENTURY MUSIC OCTOBER 2012 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2012 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail. Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    SUMMER 2009 BOSTON SYM ON Y ORCH E RA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY r ^ m I &£ V + i HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstenpalleries.com i photo: Icrcsa Nouri I O l \ e Broun and Coral Pink Persian Set They're Not Only Preparing ^ / for a Changing World They're Preparing to Change the World y M 1 what girls have in mind 'J'NZib-iS 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] V Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " 'Hot is the WOrdfor this show. —The New York T Museum of Fine Arts, Boston March 15- August 16, 2009 Tickets: 800-440-6975 or www.mfa.org BOSTON The exhibition is organized by the Museum The exhibition is PIONEER of Fine Arts, Boston and the Mus6e du fcUniCredit Group sponsored by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937. 1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 *f=^y Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2004
    2004, Tanglewood to SEIJI O ZAWA HALL Prelude Concert lOth ANNIVERSARY SEASON Friday, August 27, at 6 Florence Gould Auditorium, Seiji Ozawa Hall TANGLEWOOD FESTIVAL CHORUS JOHN OLIVER, conductor with FRANK CORLISS and MARTIN AMLIN, pianists FENWICK SMITH, flute ANN HOBSON PILOT, harp Texts and Translations Translations by Laura Mennill and Michal Kohout RHHr3 LEOS JANACEK (1854-1928) !!2£9@& Three Mixed Choruses P£yt£fr&iMi Pisen v jeseni Song of Autumn Nuz vzhuru k vysinam! Then up at heights! Cim jsou mi vazby tela? Whose is my textured body? HfMM Ja neznam zhynuti. I don't know death. V*$R 9 Ja neznam smrti chlad, I don't know cold death, A4S&2I Mne jest, )ak hudba sfer I feel like a sphere of music by nad mou hlavou znela, sounds above my head. Ja letim hvezdam vstric na bile peruti. I fly to meet the star on white wings. Ma duse na vlnach jak kvet buji, My soul on waves as flowers grow wild, z ni vune, laska ma se vznasi vys a vys, from its odor, my love floats higher and higher, kol moje myslenky se toci, poletuji, how much my thoughts roll, fly, jak pestfi motyli, like a colorful butterfly, ku hvezdam bliz a bliz! towards the star nearer and nearer! Ma duse paprsek, My soul beams, se v modrem vzduchu houpa, in the blue air sways, vidi, co sni kvet see, what dreams flower na dne v svem kalichu, at the bottom of its goblet, cim trtina zastena, what reeds shield, kdyz bfe hu vlna skoupa as the waves hit the shores ji usty vlhkymi chce zlibat potichu.
    [Show full text]
  • Boston Symphony Orchestra Economic and Community Impacts Boston, the Berkshires, and Massachusetts
    BOSTON SYMPHONY ORCHESTRA ECONOMIC AND COMMUNITY IMPACTS BOSTON, THE BERKSHIRES, AND MASSACHUSETTS JUNE 2008 Table of Contents EXECUTIVE SUMMARY . .i 1: INTRODUCTION . .1 1.1 Purpose of this report . .3 1.2 Overview of the Boston Symphony Orchestra . .3 1.3 Understanding the BSO’s Economic Impacts . .5 2: QUANTIFYING THE BSO’S ECONOMIC IMPACTS . .7 2.1 A Framework for Measuring Economic Impact . .9 2.2 The Economic Impacts of the BSO . .10 3: THE BSO AS AN EMPLOYER AND CORPORATION: PAYROLL AND SPENDING . .17 3.1 Direct Employment and Payroll at the BSO . .19 3.2 Purchase of Goods and Services from Outside Suppliers . .20 4: BSO’S ROLE IN MASSACHUSETTS’ TOURISM INDUSTRY . .23 4.1 Visitor Impacts in Boston . .25 4.2 Visitor Impacts in the Berkshires . .28 5: OTHER IMPACTS . .35 5.1 Building Human Capital . .37 5.2 Building Critical Components of the Creative Economy . .43 5.3 Enhancing Boston’s Image as a World-Class City . .48 5.4 Serving its Local Communities . .51 For For For the Mt. Auburn Associates: C3D: Boston Symphony Orchestra: Beth Siegel Stephen Shepard Ryan Losey Project Lead Project Lead Project Lead Peter Kwass Mark Volpe Michael Kane Peter Minichiello Devon Winey Kim Noltemy Judi Luciano Bart Reidy Joseph Heitz Laura Wexler Mt Auburn Associates and C3D wish to thank all of the staff members of the Boston Symphony Orchestra who took time out to meet with us and provide us with all of the information that we needed to understand the economic impact of the BSO. BSO staff provided us with the underlying data that was used to assess the economic impacts of the BSO.
    [Show full text]
  • Tanglewood Brochure
    2020 SEASON AT-A-GLANCE In the 2020 Tanglewood season, BSO Music Director Andris Nelsons leads twelve BSO concerts including Act III of Wagner’s Tannhäuser (7/11) and three programs showcasing Paul Lewis in all five Beethoven piano concertos (7/17–19). Other highlights include: • a weekend-long celebration of the 100th anniversary of Isaac Stern’s birth, with performances by violinists Augustin Hadelich, Midori, Pamela Frank, and Joshua Bell (7/24–26) • the Tanglewood Festival Chorus’s 50th Anniversary celebrated with six BSO collaborations (7/10–11, 8/1–2, 8/22–23) • Keith Lockhart leads the Boston Pops in Star Wars: The Empire Strikes Back (8/21) and the annual John Williams’ Film Night, hosted by Mr. Williams (8/15) • Ozawa Hall appearances by the Mark Morris Dance Group (7/1 & 2), Meow Meow (7/8), Emerson String Quartet with Emanuel Ax (7/9), Paul Lewis (7/14), and more • Popular Artists concerts with Ringo Starr (6/19), Trey Anastasio (6/20), Judy Collins and Arlo Guthrie (6/21), and the return of Wait Wait, Don’t Tell Me! (8/27) The Tanglewood Music Center (TMC) is the Boston Symphony Orchestra’s summer academy for advanced musical study. The TMC offers an intensive schedule of study and performance for emerging professional instrumentalists, singers, conductors, and composers. Orchestra Concerts July 6, 13, 20, 28, August 10 & 16 Chamber Music Concerts Sundays, June 28–August 16 Vocal Concerts July 12, 16, 26, August 3 & 9 Prelude Concerts Saturdays, July 11–August 15 Festival of Contemporary Music August 6–10 TMC-BBC Radio 3 New Generation Artists Recital* Mondays, July 6–August 10 *Free recitals presented in association with BBC Radio 3 Special Events String Quartet MasterPass* June 21–28 Bach Cantatas June 28 Mark Morris Dance Group July 1 & 2 MasterPass* Wednesdays July 1, 8, 15, 22, August 8 & 12 Full Tilt* July 5 & 27 TLI-TMC OpenStudio* July 13, 14 & 24 *Presented in collaboration with TLI 2 2020 SEASON The Tanglewood Learning Institute (TLI) offers engaging programs for curious minds, year-round.
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • Chicago Symphony Orchestra
    Pittsburgh Symphony Orchestra 2014-2015 Subscription Series May 15 and 17, 2015 MICHAEL FRANCIS, CONDUCTOR ANNE MARTINDALE WILLIAMS, CELLO JAMIE BARTON, MEZZO-SOPRANO MASON BATES Alternative Energy for Orchestra and Electronica I. Ford’s Farm, 1896 II. Chicago, 2012 III. Xinjiang Province, 2112 IV. Reykjavik, 2222 JAKE HEGGIE The Work at Hand for Mezzo-Soprano, Cello and Orchestra WORLD PREMIERE COMMISSIONED BY THE PITTSBURGH SYMPHONY ORCHESTRA Ms. Williams Ms. Barton Intermission BÉLA BARTÓK Concerto for Orchestra I. Introduction: Andante non troppo — Allegro vivace II. Game of the Pairs: Allegretto scherzando III. Elegy: Andante non troppo IV. Interrupted Intermezzo: Allegretto V. Finale: Presto May 15-17, 2015, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA MASON BATES Born 23 January 1977 in Philadelphia. Alternative Energy for Orchestra and Electronica (2011) PREMIERE OF WORK: Chicago, 2 February 2012; Symphony Hall; Chicago Symphony Orchestra; Riccardo Muti, conductor THESE PERFORMANCE MARK THE PSO PREMIERE APPROXIMATE DURATION: 25 minutes INSTRUMENTATION: piccolo, three flutes, alto flute, three oboes, English Horn, E-flat clarinet, three clarinets, three bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, laptop, percussion, harp, piano and strings. Mason Bates brings not only his own fresh talent to the concert hall but also the musical sensibilities of a new generation — he is equally at home composing “for Lincoln Center,” according to his web site (www.masonbates.com), as being the “electronica artist Masonic® who moved to the San Francisco Bay Area from New York City, where he was a lounge DJ at such venues as The Frying Pan — the floating rave ship docked off the pier near West 22nd Street.” Bates was born in Philadelphia in 1977 and started studying piano with Hope Armstrong Erb at his childhood home in Richmond, Virginia.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1994
    Boston Symphony Orchestr S E I J I O Z A W A MUSIC DIRECTOR Tangtewrod THE INTERIOR § ALTERNATIVE The Home Furnishing Center Come Visit The Berkshires Newest Attraction We've QUADRUPLED Our Selling Space BROADENED Our Product Line INCREASED Our Stock Levels But We've Kept The Same LOW PRICES We're Famous For! Fabric, Bedding, Wallpaper, Oriental Carpets, Area Rugs On site sewing for small projects We Feature FAMOUS BRAND Seconds At Tremendous Savings! Mon - Sat 10 - 5 5 Hoosac St. Adams, Ma. (413) 743 - 1986 * 2MI V I j? Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T Zervas, Vice-Chairman and President-elect Treasurer Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and David B.Arnold, Jr. Deborah B. Davis Mrs. BelaT. Kalman Mrs. August R. Meyer Peter A. Brooke Nina L. Doggett Allen Z. Kluchman Molly Beals Millman James F. Cleary Dean Freed Harvey Chet Mrs. Robert B. Newman - John F. Cogan,Jr. Avram J. Goldberg Krentzman Peter C. Read Julian Cohen Thelma E. Goldberg George Krupp Richard A. Smith William F Connell Julian T Houston R. Willis Leith, Jr. Ray Stata . William M. Crozier, Jr. Trustees Emeriti Veron R. Alden Nelson J. Darling, Jr. Mrs. George I. Mrs. George Lee Philip K.Allen Archie C. Epps Kaplan Sargent Allen G. Barry Mrs. Harris Albert L. Nickerson Sidney Stoneman Leo L. Beranek Fahnestock Thomas D. Perry, Jr.
    [Show full text]