The Heart of a Goof What This Story Is About
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The Heart of a Goof Free
FREE THE HEART OF A GOOF PDF P. G. Wodehouse | 256 pages | 03 Jun 2008 | Cornerstone | 9780099513872 | English | London, United Kingdom THE HEART OF A GOOF – USE - # | eBay Reading The Heart of a Goof consists of nine stories related by the Oldest Member of a golf club. He is a raconteur of the Ancient Mariner type. Whatever the plight of The Heart of a Goof trapped one is, the OM can find a tale to fit The Heart of a Goof situation. The details of the stories the old man recounts could not possibly be known by him but using him as a mouthpiece is a neat way for Wodehouse to hold the collection together and not to speak with his own, authorial voice. View original post 1, more words. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email. Notify me of new posts via email. A bookish blog mostly about women writers of the nineteenth and twentieth centuries. Mostly humorous but sometimes serious musings on world affairs, business, golf, food and stuff. I enjoyed The Heart of a Goof stories very…. Rate this:. Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. The world of P. Climate Action Australia Climate Change. Book Reviews by Satabdi. Melting Lyricism Discussions about books The Heart of a Goof everything that is lyrical in literature. -
Geneen Roth and Women Food and God
CONTENTS VIKING Lost and Found 2 Caleb’s Crossing 4 A Father’s Love 6 Bullfighting 8 The First Husband 9 Twice Born 10 Railway Maps of the World 11 Black Milk 12 Hell Is Empty 13 The Big Fight 14 The Man in the Rockefeller Suit 16 The Borrower 18 Rules of Civility 20 Carthage Must Be Destroyed 22 An African Affair 23 The Beginning Infinity 24 Ordinary Geniuses 25 Mice 26 In Malice, Quite Close 28 Now You See It 29 The Echo Chamber 30 White Heat 31 PAMELA DORMAN BOOKS/VIKING 22 Britannia Road 32 Alice Bliss 34 The Last Letter from Your Lover 36 Hudson Street Press, Sentinel, Current, Portfolio, The Library of America, Overlook, Viking Young Readers 40 Index 100 Ordering Information 102 *(1((1 The #1 New 527+ York Times AUTHOR OF THE #1 New York Times Bestseller bestselling author WOMEN FOOD AND GOD of Women Food Lost and Found and God explores how emotional issues with money mirror those with UNEXPECTED REVELATIONS ABOUT FOOD AND MONEY food and dieting Praise for Geneen Roth and women food and god: “ When I first read Geneen Roth’s Women Food and God—in one big gulp—I knew I’d found something profound. This book is an opportunity to finally end the war with weight and unlock the door to freedom.” —Oprah Winfrey interview with Geneen Roth, O Magazine “ Many people are talking about wholeness today, but what makes Geneen Roth different is her microscopic honesty. She doesn’t hold back. Her work is about the objective truth, and you can feel it nourishing your body.” —Christiane Northrup, MD “ Geneen’s work will blow you away. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
The First Screen Jeeves
Plum L in es The quarterly journal of The Wodehouse Society Vol. 22 No. 2 Summer 2001 The First Screen Jeeves By Brian Taves Brian Taves (PhD, University of Southern California) is a film archivist at the Library of Congress and author of three books. t the end o f 1935,20th detective, and Chan was A Century-Fox bought the studio’s most popular the film rights to Thank “star” after Shirley Ton, Jeeves (along with a Temple. one-year option on the Like Chan, Jeeves had other stories) and the right been brought to the no to make other films cen tice of the American read tered around Jeeves. Look ing public in The Saturday ing for potentially pro Evening Post. The Jeeves lific—and profitable — film series seems to have properties, the studio was been launched on what interested in any character was perceived as a sure who seemed to have the bet, casting Arthur potential to lure filmgoers Treacher, known for play to film after film, no less ing butler roles, as the fa than a modern television mous literary butler. series. Earlier in the year, However, while the Chan Fox’s merger with 20th series was cast and pre Century had enhanced the sented in a manner conso A studio photo of the three principals in the first Jeeves film: studio’s status, and a CCB” nant with Biggers’s liter David Niven, Virginia Field, and Arthur Treacher. unit was organized under ary creation, the Jeeves Sol Wurtzel, who had a $6,000,000 annual budget for films revealed no sense of the situations and character pat 24 “Bs” per year. -
Psmith in Pseattle: the 18Th International TWS Convention It’S Going to Be Psensational!
The quarterly journal of The Wodehouse Society Volume 35 Number 4 Winter 2014 Psmith in Pseattle: The 18th International TWS Convention It’s going to be Psensational! he 18th biennial TWS convention is night charge for a third person, but Tless than a year away! That means there children under eighteen are free. are a lot of things for you to think about. Reservations must be made before While some of you avoid such strenuous October 8, 2015. We feel obligated activity, we will endeavor to give you the to point out that these are excellent information you need to make thinking as rates both for this particular hotel painless as possible. Perhaps, before going and Seattle hotels in general. The on, you should take a moment to pour a stiff special convention rate is available one. We’ll wait . for people arriving as early as First, clear the dates on your calendar: Monday, October 26, and staying Friday, October 30, through Sunday, through Wednesday, November 4. November 1, 2015. Of course, feel free to Third, peruse, fill out, and send come a few days early or stay a few days in the registration form (with the later. Anglers’ Rest (the hosting TWS chapter) does appropriate oof), which is conveniently provided with have a few activities planned on the preceding Thursday, this edition of Plum Lines. Of course, this will require November 29, for those who arrive early. There are more thought. Pour another stiff one. You will have to many things you will want to see and do in Seattle. -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Information Sheet Number 9A a Simplified Chronology of PG
The P G Wodehouse Society (UK) Information Sheet Number 9a A Simplified Chronology of P G Wodehouse Fiction Revised December 2018 Note: In this Chronology, asterisked numbers (*1) refer to the notes on pages (iv) and (v) of Information Sheet Number 9 The titles of Novels are printed in a bold italic font. The titles of serialisations of Novels are printed in a bold roman font. The titles of Short Stories are printed in a plain roman font. The titles of Books of Collections of Short Stories are printed in italics and underlined in the first column, and in italics, without being underlined, when cited in the last column. Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1901 SC The Prize Poem Tales of St Austin’s (1903) SC L’Affaire Uncle John Tales of St Austin’s (1903) SC Author! Tales of St Austin’s (1903) 1902 SC The Pothunters The Pothunters SC The Babe and the Dragon Tales of St Austin’s (1903) SC “ The Tabby Terror ” Tales of St Austin’s (1903) SC Bradshaw’s Little Story Tales of St Austin’s (1903) SC The Odd Trick Tales of St Austin’s (1903) SC The Pothunters SC How Payne Bucked Up Tales of St Austin’s (1903) 1903 SC Harrison’s Slight Error Tales of St Austin’s SC How Pillingshot Scored Tales of St Austin’s SC The Manoeuvres of Charteris Tales of St Austin’s SC A Prefect’s Uncle SC The Gold Bat The Gold Bat (1904) SC Tales of St Austin’s A Shocking Affair 1 Published Novel [Collection] Published Short Story [Serial] Relevant Collection [Novel] 1904 SC The Gold Bat SC The Head of Kay’s The Head -
By the Way Sept 08.Qxd
BY THE WAY Occasional Newsletters from The P G Wodehouse Society (UK) Number 35 September 2008 IONICUS Covers for Wodehouse Paperbacks The topic for this By The Way was inspired by two members, Stephen Payne and Graeme Davidson. Stephen was anxious to confirm precisely how many Wodehouse books had been illustrated by Ionicus, as he understood there were more than the 56 Penguins he had at that point acquired. Graeme had been in correspondence with Ionicus in the late 1980s, with a view to purchasing the original artwork for one of the covers. The artist Ionicus (J C Armitage), who died in February 1998, still retains a narrow lead as the person who has designed more covers for Wodehouse books than any other, although this position will be surrendered during 2009 to Andrzej Klimowski, illustrator of the Collectors series of jacketed hardbacks published by Everyman (or Overlook in the USA). Ionicus provided the illustrations for a total of 58 Penguins, as listed below, plus the wrap-around cover for the Chatto & Windus first edition of Wodehouse’s last book, Sunset at Blandings (part of which was also used for the cover of the Coronet paperback). 1969 Piccadilly Jim 1974 The Little Nugget 1969 Spring Fever 1974 Sam the Sudden 1970 Psmith in the City 1974 Pearls, Girls and Monty Bodkin 1970 Psmith, Journalist 1975 Stiff Upper Lip, Jeeves 1971 The Mating Season 1975 Leave It to Psmith 1971 Very Good, Jeeves 1975 Indiscretions of Archie 1971 Laughing Gas 1975 Bachelors Anonymous 1971 Blandings Castle 1975 Doctor Sally 1971 Summer Lightning -
The Early Days of the Wodehouse Society by Len Lawson Past TWS President Len Lawson Gave This Presentation at the June 2009 Convention in St
The quarterly journal of The Wodehouse Society Volume 31 Number 1 Spring 2010 The Early Days of The Wodehouse Society by Len Lawson Past TWS President Len Lawson gave this presentation at the June 2009 convention in St. Paul. We’re grateful that Len has helped preserve this historical information and has shared it with us so entertainingly. he Wodehouse Society was founded by the gentleman you see Tpictured here, Captain William “Bill” W. Blood, USAF Retired. Not the best photo, but as you read in the caption, “The brilliance of his personality causes a lighting problem for photographers . .” The society was born with the meeting of Bill Blood and Franklin Axe (date unknown, probably 1979 or 1980). They met at an auction house (location unknown, probably near Doylestown, Pennsylvania) that often handled books. Frank’s wife Edna was looking for Wodehouse books for him when she ran into Bill Blood, also looking for Wodehouse books. Bill asked Edna to bring Frank along next time so they could talk about Wodehouse. She did and they did. Frank and Bill had a great time talking about Wodehouse. Bill asked if Frank would like to meet like this once a month, perhaps with more PGW devotees. Frank said, “Of course.” Somewhere along the way Bill suggested that they start a Wodehouse society, in fact, The Wodehouse Society. Since Bill agreed to do all the work, Frank said it was a great idea. Bill started by writing letters everywhere and placing a few advertisements. He wrote a letter to the editor of the New Hope Gazette, published a few miles from Bill Blood’s Doylestown in eastern Pennsylvania. -
BOLTON and WODEHOUSE and ^ WRIGHT and Forresti
P lum Lines The quarterly newsletter o f The Wodehouse Society Vol. 17 No i Spring 1997 BOLTON AND WODEHOUSE AND ^ WRIGHT AND fORRESTI By Elin Woodger n 1945, the Trio of Musical Fame became a duo, ment in the center of Manhattan, filled to the brim with Iirrevocably, when Jerome Kern died suddenly and the evidence of their long, productive careers in show unexpectedly. It had been 21 years since the triad of business. Awards, memorabilia, and photographs of Bolton, Wodehouse and Kern had last worked to famous friends and colleagues are distributed hand gether, and the Broadway musical had changed com somely throughout the place, and cover the top of their pletely—thanks, in no small part, to their ground grand piano in the living room. Every inch o f every wall breaking work in the first part of this century. But the seems to be lined with the covers o f sheet music for Princess Theater shows were a thing of the past, much songs they have written and posters o f shows they have to the sorrow of both Plum Wodehouse and Guy produced. As Tony and I wandered through the rooms, Bolton. Although each was to go on to score other examining all these treasures, we experienced much the successes, with or without other collaborators, they same emotion as the stout Cortez must have felt when were never again to recreate the heady days of working with eagle eye he stared at the Pacific! on the Princess musicals —until the late 1960s, when After showing us around their impressive apart Broadway producer-composer Frank Loesser brought ment, our genial hosts settled down with us to talk them together with two extraordinary men named about P.G. -
Meet Mr. Mulliner What This Story Is About
\ MEET MR. MULLINER WHAT THIS STORY IS ABOUT This book provides laughter, laughter all the way. ]\Ieet Mr. Mulliner and the spirits soa r upwards. He relates some truly remark- able adventures. He is blessed, too, with a bevy of priceless relatives who keep the ball of fun rolling in no uncertain fashion. There is nephew Lancelot, cousin Clarence, the bulb-squeezer or photographer, nephew George, cursed with a terrible stammer, and brother Wilfred who was clean bowled over by Miss Angela Purdue. In this bright company no one can fail to be amused. BY THE SAME AUTHOR CARRY ON, JEEVES .. 3S. 6d. net. LEAVE IT TO PSMITH 2S. 6d. net. UKKIDGE 2S. 6d. net. THE INIMITABLE JEEVES 2S. 6d. net. THE GIRL ON THE BOAT 2S. 6d. net. JILL THE RECKLESS .. 2S. 6d. net. A DAMSEL IN DISTRESS 23. 6d. net. LOVE AMONG THE CHICKENS 2S. 6d. net. A GENTLEMAN OF LEISURE 2S. 6d. net. INDISCRETIONS OF ARCHIE 2S, 6d. net. PICCADILLY JIM 28. 6d. net. THE ADVENTURES OF SALLY 2S. 6d. net. THE CLICKING OF CUTHBERT 2S. 6d. net. THE COMING OF BILL 2S. 6d. net. THE HEART OF A GOOF 2S. 6d. net. MEET MR. MULLINER BY P. G. WODEHOUSE HERBERT JENKINS LIMITED 3 YORK STREET ST. JAMES'S LONDON S.W.I « © ^ 'g 30,000 copies Printed in Great Britain hy Willi am Clowes and Sons, Limited, London and Beccles. TO THE EARL OF OXFORD AND ASQUITH CONTENTS I. The Truth about George 7 II. A Slice of Life 39 III. Mulliner's Buck-u-Uppo 68 IV. -
Wodehouse and the Comic Concussion
The quarterly journal of The Wodehouse Society Volume 30 Number 2 Summer 2009 See pages 16–19 for some last-minute convention news. We hope to see you in St. Paul on June 12–14! Wodehouse and the Comic Concussion by David Landman Who would these swings and parries take When he might a quietus make With a bare knuckle? —Willie “The Shaker” Shakespeare nce, when reconnecting a loose wire under the dash Oof my Hudson Hornet, I stretched out on my back the length of the front seat. Made aware that the open door was blocking traffic, I reached back to the armrest and, forgetting that it extended a good three inches beyond the plane of the door, slammed it shut. When I regained consciousness my first thought was that Stumpf, who spoke of the “falscher Schmuck und nutzloser Plunder” of feudalism, was talking through his Kaiser Bill pickelhaube. After that, I thought no more for a week as I wandered aimlessly along Slaphappy Street. A concussion is not a funny thing. Except in Wodehouse. Setting aside the sagas of professional bruisers like Kid Brady, I speak here only of the collateral havoc wreaked upon itself by the civilian population. It is remarkable how many of them are flattened and how readily they bounce up off the canvas, not much the worse for wear, in that martial arts academy known as the English country house. I do not complain. It is mostly the deserving who get their comeuppance. I remark only how smoothly the scorched-earth policy goes David Landman, fully recovered (we think) from his down thanks to the effervescence of the Wodehouse touch.