Mcmillan in Response to Comerica’S Motion to Approve Rescission 0F Exclusive Distribution and License Agreement
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UMG) and Helps with the Daily Management of the Labels and the Company’S Operations
UNIVERSAL MUSIC GROUP’S MICHELE ANTHONY NAMED UJA-FEDERATION OF NEW YORK’S MUSIC VISIONARY OF THE YEAR Home > News > UNIVERSAL MUSIC GROUP’S MICHELE ANTHONY NAMED UJA-FEDERATION OF NEW YORK’S MUSIC VISIONARY OF THE YEAR NEW YORK, February 23, 2017 – UJA-Federation of New York, celebrating their centennial anniversary, has named Universal Music Group Executive Vice President Michele Anthony as its Music Visionary of the Year. As the first woman to receive this award as a solo honoree, UJA will honor Ms. Anthony for her exceptional professional accomplishments and commitment to philanthropy at the annual Music Visionary of the Year Award Luncheon on June 14, 2017. “Michele is a standout talent in the music industry – a champion for artists, with extraordinary business acumen and incredible vision, she creates new and innovative opportunities for Universal Music and its artists. We are particularly proud to honor Michele because she pairs that with her longstanding and deep commitment to philanthropy. She is an inspiration,” said Daniel Glass, Founder of Glassnote Entertainment Group and Vice Chair of UJA. Said Ms. Anthony, “Music continues to serve as a powerful force in society and culture. I’m so proud to have worked with incredible artists that have impacted fans and left an indelible mark on the world. Doing good through organizations such as UJA and helping artists bring their music to a global audience are two of my greatest passions. I’m humbled to be recognized by UJA and honored to receive this award.” The Music Visionary Luncheon, a must-attend event for the music industry for over 15 years, attracts more than 600 top executives and an A-list roster of talent every year. -
WHERE ARE the MISSING SONG ROYALTIES? Distributed on the Basis of Publisher Market Share
XXXXXXXX Q2 2019 XXXXXXXX EDITOR’S LETTER You hear it everywhere you go in the UK Tim Ingham the American music industry, where so much business: whatever happened to the days more consumption takes place – and so much of new superstar British acts breaking more industry value is derived. (Spot check: last with regularity in the United States? That year, the UK generated £829m in retail revenues golden run of Mumford & Sons, Amy from subscription music streaming, according Winehouse, Adele, Ed Sheeran, Sam Smith – to ERA. That works out at $1.1bn, which makes why did it seem to dry up? the UK subscription streaming market worth The most sensible answer, of course, is the around a fifth of the USA’s ($5.4bn). Population shift to streaming. All of the above acts benefited wise, the UK is about a fifth of the size of the greatly from being considered ‘album’ artists, States, so this all makes logical sense.) with recognition amongst the public – at home Other numbers specifically bear out the and abroad – that they were musicians of lasting struggle British artists are facing. According value, i.e. their work was worth monetarily to the BPI’s annual All About The Music gambling on, in the form of an LP purchase. handbook, UK artists claimed 9.0% of ‘all That era is now rapidly disappearing, music consumption’ (across sales and streams) especially in the United States, where, according in North America last year, with just 7.6% to RIAA data, sales of albums (across CD, of on-demand streams in the marketplace. -
Sound Bites References
SOUND BITES BIG IDEAS IN POPULAR MUSIC Reference List SOUND BITES BIG IDEAS IN POPULAR MUSIC Reference List Don’t You Wonder, Sometimes? 4 Tracy K. Smith Voice and Hammer: Harry Belafonte’s Unfinished Fight (selection) 5 Jeff Sharlet Lush Life 8 John McCluskey Jr. Electronic Dance Music’s Love Affair with Ecstasy: A History (selection) 9 Nash Jenkins Bop 11 Langston Hughes I Am Your Conscious, I Am Love: A Paean 2 Prince 12 Hilton Als Amor Prohibido (selection) 15 Jeff Winkler Thieves in the Night 17 Dante Smith, Talib Kweli Greene, and Charles Njapa Bowie (selection) 18 Simon Critchley When Whitney Hit the High Note 20 Danyel Smith Black Flag 23 John Albert Millie Jackson’s Country Roots 24 Jalylah Burrell The contents of this packet include proprietary trademarks and copyrighted materials, and may be used or quoted only with permission and appropriate credit to the Great Books Foundation. SOUND BITES Beatlemania: A Love Story 26 Devin McKinney Sonny’s Blues 27 James Baldwin A Poem for Ella Fitzgerald 28 Sonia Sanchez Elvis Presley (selection) 29 Bobbie Ann Mason Star Child (selection) 31 Margo Jefferson When Johnny Cash Visited Leavenworth 33 Albert Nussbaum Soul Survivor 34 David Remnick Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play “The Star-Spangled Banner” at Woodstock 39 Sherman Alexie Why the Shirelles Mattered 40 Susan J. Douglas Earbud 42 Bill Holm Salsa y La Naturaleza: How a Willie Colón Song Taught Me About Queerness and Love 43 Gabby Rivera Brainworms, Sticky Music, and Catchy Tunes 44 Oliver Sacks Reluctant Exegesis: “(I Bless the Rains Down in) Africa” 45 Steve Almond Good Citations: The Rise of the Rock Curator (selection) 46 Simon Reynolds Beginning to See the Light 52 Ellen Willis Old Records Never Die: One Man’s Quest for His Vinyl and His Past (selection) 54 Eric Spitznagel Just a Little Bit: Loudness 57 Ben Ratliff Let’s Talk About Love 60 Carl Wilson Copyright © 2018 The Copyright Great © 2018 Books Foundation – 3 – SOUND BITES Don’t You Wonder, Sometimes? Tracy K. -
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ROZDZIAŁ 1991 1991 drugiego nie mieli grać przez następne 18 lat. Ostatecznie utwór ten ukazuje się Pearl Jam nie miał nawet prawdziwej nazwy, gdy z początkiem 1991 roku w 2003 roku w wersji instrumentalnej na wyruszył w pierwszą trasę, posiadał za to muzykę, która już wkrótce miała kompilacyjnym albumie Lost Dogs, a póź- się przeobrazić w jeden z najbardziej kultowych albumów we współczesnej niej z wokalami na reedycji Ten w 2009. historii rocka. Pnąc się po szczeblach sukcesu przekonywali do siebie Jeff Ament: Wyrwanie się z miasta, tam kolejne stacje radiowe, podbijając publikę małych miast coraz bardziej gdzie nikt nic o nas nie wiedział, dobrze oszałamiającymi koncertami. Kiedy Temple Of The Dog i Ten trafiły nam zrobiło. Pierwsze trzy czy cztery kon- pod sklepowe strzechy, a muzyka Pearl Jam, jak i sam zespół, pojawili certy miały miejsce w Seattle i wszystkie się w filmie Camerona Crowe’a o losach dwudziestolatków z Seattle, oczy zwrócone były na nowego wokalistę. Była to najlepsza rzecz, jaką mogliśmy zro- nie trzeba było długo czekać, by grupa stanęła u progu wielkiej kariery bić. supergwiazdy rock and rolla. Pearl Jam nie miał jednak czasu, aby spocząć na laurach. Zamiast tego zespół przyśpieszył z pełną mocą, zabierając Jerry Cantrell: Będąc nie tylko fanem Gre- en River i Love Bone, ale także ich przy- miliony fanów w podróż, która objęła cały świat. jacielem, Mookie Blaylock wydawał mi się początkowo jakiś niespójny. Może nie w kontekście tego, co robili Stone i Jeff, a bardziej ogólnie, zespół był po prostu ja- jeszcze nieco rozwinąć. „I’ve Got A Fee- Początek stycznia kiś niewyraźny.