The Battle of Good and Evil in the Picture of Dorian Gray
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Religion, Culture and the Politicization of Honour-Related Violence a Critical Analysis of Media and Policy Debates in Western Europe and North America
Religion, Culture and the Politicization of Honour-Related Violence A Critical Analysis of Media and Policy Debates in Western Europe and North America Anna C. Korteweg and Gökçe Yurdakul Gender and Development United Nations Programme Paper Number 12 Research Institute October 2010 for Social Development This United Nations Research Institute for Social Development (UNRISD) Programme Paper has been produced with the support of the United Nations Population Fund (UNFPA). UNRISD also thanks the governments of Denmark, Finland, Mexico, Norway, Sweden, Switzerland and the United Kingdom for their core funding. Copyright © UNRISD. Short extracts from this publication may be reproduced unaltered without authorization on condition that the source is indicated. For rights of reproduction or translation, application should be made to UNRISD, Palais des Nations, 1211 Geneva 10, Switzerland. UNRISD welcomes such applications. The designations employed in UNRISD publications, which are in conformity with United Nations practice, and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of UNRISD con- cerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The responsibility for opinions expressed rests solely with the author(s), and publication does not constitute endorse- ment by UNRISD. ISSN 1994-8026 Contents Acronyms ii Acknowledgements ii Summary/Résumé/Resumen iii Summary iii Résumé iv Resumen vi Introduction -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
El Retrato De Dorian Gray ~ Oscar Wilde ~
EL RETRATO DE DORIAN GRAY ~ OSCAR WILDE ~ HISTORIA 1 CÁTEDRA MARINO ALUMNAS GIANINNA JARA - VIVIANA ABIGAIL LEE ~ PÁG.1 ~ CONTEXTO LONDRES 1890 EL LIBRO NOS SITÚA EN LA CIUDAD DE LONDRES, INGLATERRA A FINALES DEL SIGLO XIX: “El ruido de Londres era como la larga nota de un lejano órgano”. “He prometido ver a una persona al Orleáns. Adios Mister Gray. Venga a verme alguna vez a Curzon Street.” “A las doce y cuarto del día siguiente lord Henry Wotton se dirigió desde Curzon Street hacia Albany...” “ Lord Henry pasó por los arcos de Burlington Street y, volviendo sobre sus pasos, se dirigió hacia Berkeley Square.” “Cuando estaba amaneciendo se encontró en Covent Garden.” “En la esquina de Grosvenor Square y South Audleyy Street...” Puente y abadía de Westminster y el Big Ben, en 1890. LONDON STEREOSCOPIC COMPANY GETTY. Royal Exchange, London, England] 1890-1900, Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print Abadía en estilo gótico, porque era condescendiente con la época de la fé. Royal Exchange con estilo Neoclasico, griego para referir a una época de majestuosidad, armonía, racionalidad, ideal. Las imágenes hacen alusión a la arquitectura de la época. Una Inglaterra que vivía desde principios de siglo una expansión de las Ciudades, con mucha actividad com - ercial debido a las fábricas e industrias y gran cantidad de personas que llegaban a las ciudades para trabajar “...que convirtió campos enteros en áreas de construc - ción. Pero esta actividad constructora ilimitada carecía de estilo propio... Las iglesias se construían más a menudo en estilo gótico, porque éste había sido el predominate en la llamada época de la fe. -
Report on Exploratory Study Into Honor Violence Measurement Methods
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Report on Exploratory Study into Honor Violence Measurement Methods Author(s): Cynthia Helba, Ph.D., Matthew Bernstein, Mariel Leonard, Erin Bauer Document No.: 248879 Date Received: May 2015 Award Number: N/A This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Report on Exploratory Study into Honor Violence Measurement Methods Authors Cynthia Helba, Ph.D. Matthew Bernstein Mariel Leonard Erin Bauer November 26, 2014 U.S. Bureau of Justice Statistics Prepared by: 810 Seventh Street, NW Westat Washington, DC 20531 An Employee-Owned Research Corporation® 1600 Research Boulevard Rockville, Maryland 20850-3129 (301) 251-1500 This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Table of Contents Chapter Page 1 Introduction and Overview ............................................................................... 1-1 1.1 Summary of Findings ........................................................................... 1-1 1.2 Defining Honor Violence .................................................................... 1-2 1.3 Demographics of Honor Violence Victims ...................................... 1-5 1.4 Future of Honor Violence ................................................................... 1-6 2 Review of the Literature ................................................................................... -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Artxsr, Ml 48106-1346 USA 800-521-0600 UMI* NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were microfilmed as received. 131,172 This reproduction is the best copy available UMI FRANK WEDEKIND’S FANTASY WORLD: A THEATER OF SEXUALITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University Bv Stephanie E. -
Horror of Philosophy
978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page i In The Dust of This Planet [Horror of Philosophy, vol 1] 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page ii 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iii In The Dust of This Planet [Horror of Philosophy, vol 1] Eugene Thacker Winchester, UK Washington, USA 978 1 84694 676 9 In the dust of this planet txt:Layout 1 1/4/2011 3:31 AM Page iv First published by Zero Books, 2011 Zero Books is an imprint of John Hunt Publishing Ltd., Laurel House, Station Approach, Alresford, Hants, SO24 9JH, UK [email protected] www.o-books.com For distributor details and how to order please visit the ‘Ordering’ section on our website. Text copyright: Eugene Thacker 2010 ISBN: 978 1 84694 676 9 All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publishers. The rights of Eugene Thacker as author have been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library. Design: Stuart Davies Printed in the UK by CPI Antony Rowe Printed in the USA by Offset Paperback Mfrs, Inc We operate a distinctive and ethical publishing philosophy in all areas of our business, from our global network of authors to production and worldwide distribution. -
Page 1 of 3 Moma | Press | Releases | 1998 | Gallery Exhibition of Rare
MoMA | press | Releases | 1998 | Gallery Exhibition of Rare and Original Film Posters at ... Page 1 of 3 GALLERY EXHIBITION OF RARE AND ORIGINAL FILM POSTERS AT THE MUSEUM OF MODERN ART SPOTLIGHTS LEGENDARY GERMAN MOVIE STUDIO Ufa Film Posters, 1918-1943 September 17, 1998-January 5, 1999 The Roy and Niuta Titus Theater 1 Lobby Exhibition Accompanied by Series of Eight Films from Golden Age of German Cinema From the Archives: Some Ufa Weimar Classics September 17-29, 1998 The Roy and Niuta Titus Theater 1 Fifty posters for films produced or distributed by Ufa, Germany's legendary movie studio, will be on display in The Museum of Modern Art's Roy and Niuta Titus Theater 1 Lobby starting September 17, 1998. Running through January 5, 1999, Ufa Film Posters, 1918-1943 will feature rare and original works, many exhibited for the first time in the United States, created to promote films from Germany's golden age of moviemaking. In conjunction with the opening of the gallery exhibition, the Museum will also present From the Archives: Some Ufa Weimar Classics, an eight-film series that includes some of the studio's more celebrated productions, September 17-29, 1998. Ufa (Universumfilm Aktien Gesellschaft), a consortium of film companies, was established in the waning days of World War I by order of the German High Command, but was privatized with the postwar establishment of the Weimar republic in 1918. Pursuing a program of aggressive expansion in Germany and throughout Europe, Ufa quickly became one of the greatest film companies in the world, with a large and spectacularly equipped studio in Babelsberg, just outside Berlin, and with foreign sales that globalized the market for German film. -
Johann Georg Faust
Johann Georg Faust Dr. Johann Georg Faust (approx. 1480 – 1540) was a German alchemist who was born in the village of Knittlingen, Württemberg (it is also claimed in Roda in the province of Weimar, and also in Helmstadt near Heidelberg in 1466). He has alternatively been known by the names “Johann Sabellicus” and “Georg Faust.” In 1507, Johannes Trithemius of Sponheim wrote that Faust was a con-man and a drifter who preyed on the gullible. He said he had fled a teaching position in Kreuznach after molesting several of the boys there. He may have then gone on to the University of Heidelberg to study, obtaining a degree in divinity from Heidelberg University in 1509, and then to Poland where a friend of Martin Luther, Philip Melanchthon, says Faust studied magic at the University of Kraków. Martin Luther and Philipp Melanchthon are said to have alleged Faust’s companionship with the devil. After that, he appears at the University of Ehrfut in central Germany. It is said that when he lectured on Homer he conjured up Homer’s heroes for his students. He was expelled from Ehrfut by the Franciscan monk Dr. Klinge (who was the cathedral preacher from 1520-1556). Dr. Klinge asked for Faust’s repentance. Faust refused the monk’s offer of intervention and admitted having signed a pact with the Devil, and said that he trusted the Devil more than God. In 1523 he is said to have visited Auerbach’s Tavern in Leipzig where he conjured wine out of a table, and rode a barrel of wine. -
The BG News September 3, 1987
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-3-1987 The BG News September 3, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News September 3, 1987" (1987). BG News (Student Newspaper). 4682. https://scholarworks.bgsu.edu/bg-news/4682 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. THE BG NEWS Vol.70 Issue7 Bowling Green, Ohio Thursday, September 3,1987 War intensifies in Persian Gulf MANAMA, Bahrain (API — Iranian in February 1984. Iran attacks third- The escalation of the so-called tanker a six-week lull, reported air raids Tues- ton said the U.S. assault carrier Gua- ships attacked five vessels in a 24-hour country ships on the theory that they war increases the threat to U.S. war- day on four ships in the waterway and dalcanal rescued an Iraqi pilot Monday period, including a cargo vessel and a may be carrying cargoes to Iraq or ships escorting reflagged Kuwaiti tan- five industrial and oil targets. from the gulf waters. tanker yesterday, in an unprecedented states that allegedly support it. kers through the gulf. Two groups of re- Iraq has claimed hits on nine ships In London, meanwhile, Britain war- reprisal campaign in its 3-year-old tan- Meanwhile, Iraq said its jets hit a flagged tankers were taking on oil in since Saturday, but only five have been ned Iraq to stop attacking ships in the ker war with Iraq In the Persian Gulf, "large maritime target" off the Iranian Kuwait today, and one convoy was ex- confirmed by Lloyd's and other inde- gulf and said Iraqi military actions snipping sources said. -
Reconstructing the Concept of Face in Cultural Sociology: in Goffman's Footsteps, Following the Chinese Case
Qi The Journal of Chinese Sociology (2017) 4:19 The Journal of DOI 10.1186/s40711-017-0069-y Chinese Sociology RESEARCH Open Access Reconstructing the concept of face in cultural sociology: in Goffman’s footsteps, following the Chinese case Xiaoying Qi Correspondence: Abstract [email protected] Australian Catholic University, Australia and Hong Kong Baptist Few readers notice that in a celebrated essay, Goffman, in a footnote, acknowledges University, Hong Kong, Special the Chinese source of his concept of face. Around the time that Goffman published Administrative Region of China “On Face-work,” Merton urged that theory development requires, among other things, clarification or refinement of concepts. If culture is taken to be effectively related to action and meaning, it is necessary to go beyond the approach in which theories, concepts, and methods developed in one socio-cultural context are simply applied to data generated in another. The present paper shows that concepts from other cultures may challenge taken-for-granted assumptions, received wisdoms, and established conventions. The paper draws on semi-structured interviews with respondents in a number of sites in mainland China. Examination of the various notions of face articulated by respondents suggests possible developments in sociological conceptualizations of face neglected in previous discussion. It is shown that an individual’s face generation and outcome may arise out of another individual’s status or behavior. An individual’s action may give rise to a collective face outcome and a collective’s circumstances may have impact on an individual’s face state. Additionally, it is shown that face itself may become an object of self-conscious deliberation and construction. -
Outros Faustos: As Influências Da Tradição Sobre O Fausto Pessoano
Outros Faustos: as influências da tradição sobre o Fausto pessoano Rodrigo Xavier*, Daniela Bos** & Carlos Pittella*** Palavras-chave Fausto, Influências literárias, Intertextualidade, Fernando Pessoa, Goethe, Lord Byron, Gomes Leal, Eugénio de Castro, Christopher Marlowe, Eça de Queiroz. Resumo Embora Fernando Pessoa tenha sido indiscutivelmente influenciado por Goethe ao recriar a lenda do Fausto, argumenta-se aqui que uma série de outros poetas e prosadores terão impactado, positiva e negativamente, em maior ou menor grau, o desenvolvimento do Fausto pessoano. Este artigo visa, pois, a reconstruir tais influências, a partir de evidências encontradas no espólio pessoano na Biblioteca Nacional de Portugal e na biblioteca particular do poeta na Casa Fernando Pessoa. Keywords Faust, Literary influences, Intertextuality, Fernando Pessoa, Goethe, Lord Byron, Gomes Leal, Eugénio de Castro, Christopher Marlowe, Eça de Queiroz. Abstract If Fernando Pessoa was undeniably influenced by Goethe to recreate the legend of Faust, here we argue that a series of other poets and prose writers did also impact, positively and negatively, to a greater or lesser degree, the development of Pessoa’s Faust. This article intends, thus, to reconstruct these influences, based on evidence found in the Pessoa archive at the National Library of Portugal and in the poet’s private library at the Casa Fernando Pessoa. * Universidade Federal do Rio de Janeiro, Departamento de Literaturas Vernáculas, Cátedra Jorge de Sena para Estudos Luso-Afro-Brasileiros. ** Universidade Tecnológica Federal do Paraná, Departamento de Letras. *** Brown University, Departamento de Estudos Portugueses e Brasileiros; Universidade de Lisboa, Faculdade de Letras, Centro de Estudos de Teatro. Xavier, Bos & Pittella Outros Faustos 1. -
Milwaukee Ballet Tempts Audiences with New Dance Drama Dorian Gray
FOR IMMEDIATE RELEASE Contact: Leslie Rivers o: 414-902-2102/c: 414-510-0052 [email protected] Milwaukee Ballet Tempts Audiences with New Dance Drama, Dorian Gray ~ Michael Pink adds to master storyteller legacy with premiere of famous cautionary tale ~ MILWAUKEE – January 13, 2016 – Milwaukee Ballet proudly presents Dorian Gray, the newest story ballet from the creative mind of Michael Pink, based on Oscar Wilde’s infamous novel, “The Picture of Dorian Gray.” Pink’s scintillating interpretation explores the pursuit of eternal youth and the consequences of succumbing to its temptation, leaving the audience to ponder, “What is your soul worth?” “The questions at the heart of Dorian Gray are so wonderfully rich and complex. As a storyteller, I have an incredible wealth of material to draw from,” says Artistic Director Michael Pink. “While complex, the themes are also universal: morality, immortality, the selfish pursuit of beauty in all its forms. When you add the emotional performances of the dancers, the stylized sets and costumes, and the cinematic score, the audience is bound to be captivated. If you enjoyed Dracula and Mirror Mirror, you’ll love this as well.” Pink reassembled the creative team which produced his blockbusters Dracula and Peter Pan: including celebrated British composer Philip Feeney; lighting designer David Grill, who recently won his third Primetime Emmy Award for his work on the Super Bowl Halftime Show; and New York‐based costume and scenic designer Todd Edward Ivins (Mirror Mirror). Michael Pink also cast Milwaukee‐based actor James Zager to portray Lord Henry, and serve as the story’s narrator.