Unbound, Volume 3 (2010)
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Imagine... John Mortimer
john mortimer owning up at 80 john mortimer owning up at 80 In the year he celebrates his 80th birthday, John Mortimer, the barrister turned author who became a household name with the creation of his popular drama Rumpole of the Bailey, is about to publish his latest book, Where There’s a Will. Imagine captures him pondering on life and offering advice to his children, grandchildren and in his own words “anyone who’ll listen”. John Mortimer’s wit and love of life shines through in this reflection on his life and career.The film eavesdrops on his 80th birthday celebrations, visits his childhood home – where he still lives today – and goes to his old law chambers.There are interviews with the people who know him best, including Richard Eyre, Jeremy Paxman, Kathy Lette, Leslie Phillips and Geoffrey Robertson QC. Imagine looks at the extraordinary influence Mortimer has had on the legal system in the UK.As a civil rights campaigner and defender par excellence in some of the most high-profile, inflammatory trials ever in the UK – such as the Oz trial and the Gay News case – he brought about fundamental changes at the heart of British law. His experience in the courts informs all of Mortimer’s writing, from plays, novels and articles to the infamous Rumpole of the Bailey, whose central character became a compelling mouthpiece for Mortimer’s liberal political views. Imagine looks at the great man of law, political campaigner, wit, gentleman, actor, ladies’ man and champagne socialist who captured the hearts of the British public.. -
Speakers of the House of Commons
Parliamentary Information List BRIEFING PAPER 04637a 21 August 2015 Speakers of the House of Commons Speaker Date Constituency Notes Peter de Montfort 1258 − William Trussell 1327 − Appeared as joint spokesman of Lords and Commons. Styled 'Procurator' Henry Beaumont 1332 (Mar) − Appeared as joint spokesman of Lords and Commons. Sir Geoffrey Le Scrope 1332 (Sep) − Appeared as joint spokesman of Lords and Commons. Probably Chief Justice. William Trussell 1340 − William Trussell 1343 − Appeared for the Commons alone. William de Thorpe 1347-1348 − Probably Chief Justice. Baron of the Exchequer, 1352. William de Shareshull 1351-1352 − Probably Chief Justice. Sir Henry Green 1361-1363¹ − Doubtful if he acted as Speaker. All of the above were Presiding Officers rather than Speakers Sir Peter de la Mare 1376 − Sir Thomas Hungerford 1377 (Jan-Mar) Wiltshire The first to be designated Speaker. Sir Peter de la Mare 1377 (Oct-Nov) Herefordshire Sir James Pickering 1378 (Oct-Nov) Westmorland Sir John Guildesborough 1380 Essex Sir Richard Waldegrave 1381-1382 Suffolk Sir James Pickering 1383-1390 Yorkshire During these years the records are defective and this Speaker's service might not have been unbroken. Sir John Bussy 1394-1398 Lincolnshire Beheaded 1399 Sir John Cheyne 1399 (Oct) Gloucestershire Resigned after only two days in office. John Dorewood 1399 (Oct-Nov) Essex Possibly the first lawyer to become Speaker. Sir Arnold Savage 1401(Jan-Mar) Kent Sir Henry Redford 1402 (Oct-Nov) Lincolnshire Sir Arnold Savage 1404 (Jan-Apr) Kent Sir William Sturmy 1404 (Oct-Nov) Devonshire Or Esturmy Sir John Tiptoft 1406 Huntingdonshire Created Baron Tiptoft, 1426. -
Stapylton Final Version
1 THE PARLIAMENTARY PRIVILEGE OF FREEDOM FROM ARREST, 1603–1629 Keith A. T. Stapylton UCL Submitted for the Degree of Doctor of Philosophy 2016 Page 2 DECLARATION I, Keith Anthony Thomas Stapylton, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed Page 3 ABSTRACT This thesis considers the English parliamentary privilege of freedom from arrest (and other legal processes), 1603-1629. Although it is under-represented in the historiography, the early Stuart Commons cherished this particular privilege as much as they valued freedom of speech. Previously one of the privileges requested from the monarch at the start of a parliament, by the seventeenth century freedom from arrest was increasingly claimed as an ‘ancient’, ‘undoubted’ right that secured the attendance of members, and safeguarded their honour, dignity, property, and ‘necessary’ servants. Uncertainty over the status and operation of the privilege was a major contemporary issue, and this prompted key questions for research. First, did ill definition of the constitutional relationship between the crown and its prerogatives, and parliament and its privileges, lead to tensions, increasingly polemical attitudes, and a questioning of the royal prerogative? Where did sovereignty now lie? Second, was it important to maximise the scope of the privilege, if parliament was to carry out its business properly? Did ad hoc management of individual privilege cases nevertheless have the cumulative effect of enhancing the authority and confidence of the Commons? Third, to what extent was the exploitation or abuse of privilege an unintended consequence of the strengthening of the Commons’ authority in matters of privilege? Such matters are not treated discretely, but are embedded within chapters that follow a thematic, broadly chronological approach. -
Corpus Christi College the Pelican Record
CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LII December 2016 i The Pelican Record Editor: Mark Whittow Design and Printing: Lynx DPM Published by Corpus Christi College, Oxford 2016 Website: http://www.ccc.ox.ac.uk Email: [email protected] The editor would like to thank Rachel Pearson, Julian Reid, Joanna Snelling, Sara Watson and David Wilson. Front cover: Detail of the restored woodwork in the College Chapel. Back cover: The Chapel after the restoration work. Both photographs: Nicholas Read ii The Pelican Record CONTENTS President’s Report .................................................................................... 3 Carol Service 2015 Judith Maltby.................................................................................................... 12 Claymond’s Dole Mark Whittow .................................................................................................. 16 The Hallifax Bowl Richard Foster .................................................................................................. 20 Poisoning, Cannibalism and Victorian England in the Arctic: The Discovery of HMS Erebus Cheryl Randall ................................................................................................. 25 An MCR/SCR Seminar: “An Uneasy Partnership?: Science and Law” Liz Fisher .......................................................................................................... 32 Rubbage in the Garden David Leake ..................................................................................................... -
Professor Robert Beveridge FRSA, University of Sassari
Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission. -
Labour's Last Fling on Constitutional Reform
| THE CONSTITUTION UNIT NEWSLETTER | ISSUE 43 | SEPTEMBER 2009 | MONITOR LABOUR’S LAST FLING ON CONSTITUTIONAL REFORM IN THIS ISSUE Gordon Brown’s bold plans for constitutional constitutional settlement …We will work with the reform continue to be dogged by bad luck and bad British people to deliver a radical programme of PARLIAMENT 2 - 3 judgement. The bad luck came in May, when the democratic and constitutional reform”. MPs’ expenses scandal engulfed Parliament and government and dominated the headlines for a Such rhetoric also defies political reality. There is EXECUTIVE 3 month. The bad judgement came in over-reacting a strict limit on what the government can deliver to the scandal, promising wide ranging reforms before the next election. The 2009-10 legislative which have nothing to do with the original mischief, session will be at most six months long. There PARTIES AND ELECTIONS 3-4 and which have limited hope of being delivered in is a risk that even the modest proposals in the the remainder of this Parliament. Constitutional Reform and Governance Bill will not pass. It was not introduced until 20 July, DEVOLUTION 4-5 The MPs’ expenses scandal broke on 8 May. As the day before the House rose for the summer the Daily Telegraph published fresh disclosures recess. After a year’s delay, the only significant day after day for the next 25 days public anger additions are Part 3 of the bill, with the next small HUMAN RIGHTS 5 mounted. It was not enough that the whole steps on Lords reform (see page 2); and Part 7, to issue of MPs’ allowances was already being strengthen the governance of the National Audit investigated by the Committee on Standards in Office. -
Julius Caesar
BAM 2013 Winter/Spring Season Brooklyn Academy of Music BAM, the Royal Shakespeare Company, Alan H. Fishman, and The Ohio State University present Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Julius Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Caesar Executive Producer Royal Shakespeare Company By William Shakespeare BAM Harvey Theater Apr 10—13, 16—20 & 23—27 at 7:30pm Apr 13, 20 & 27 at 2pm; Apr 14, 21 & 28 at 3pm Approximate running time: two hours and 40 minutes, including one intermission Directed by Gregory Doran Designed by Michael Vale Lighting designed by Vince Herbert Music by Akintayo Akinbode Sound designed by Jonathan Ruddick BAM 2013 Winter/Spring Season sponsor: Movement by Diane Alison-Mitchell Fights by Kev McCurdy Associate director Gbolahan Obisesan BAM 2013 Theater Sponsor Julius Caesar was made possible by a generous gift from Frederick Iseman The first performance of this production took place on May 28, 2012 at the Royal Shakespeare Theatre, Leadership support provided by The Peter Jay Stratford-upon-Avon. Sharp Foundation, Betsy & Ed Cohen / Arete Foundation, and the Hutchins Family Foundation The Royal Shakespeare Company in America is Major support for theater at BAM: presented in collaboration with The Ohio State University. The Corinthian Foundation The Gladys Krieble Delmas Foundation Stephanie & Timothy Ingrassia Donald R. Mullen, Jr. The Fan Fox & Leslie R. Samuels Foundation, Inc. Post-Show Talk: Members of the Royal Shakespeare Company The Morris and Alma Schapiro Fund Friday, April 26. Free to same day ticket holders The SHS Foundation The Shubert Foundation, Inc. -
• Client Survation on Behalf of Daily Mail • Sample Size: 1013 Interviews Conducted Online • Fieldwork Dates & Time
The Daily Mail - Topical Poll Survey Summary Document • Client Survation on behalf of Daily Mail • Sample size: 1013 interviews conducted online • Fieldwork dates & times: 10th - 11th January 2019 (50% of sample conducted on the evening of Thursday Jan 10th (9pm-12am) 50% from 7am- 2pm on Friday Jan 11th) • Methodology: People aged 18+ in the UK were interviewed online using a strict demographic targeting intention to most recent UK Census figures State of the parties - UK CON 38 LAB 41 LD 10 GRE 2 UKIP 4 SNP 3 AP 3 EU REF STANDARD Q EX DK 51% Remain 49% Leave Q.5: When the UK Government’s negotiations over the terms of Britain’s exit from the EU are complete, would you support or oppose holding a People’s Vote - a referendum - asking the public their view? Support 46% Oppose 34% Don’t know 20% By 2017 GE reported vote: Con Lab Support 34% 59% Oppose 54% 25% Don’t know 12% 16% By 2016 EU Referendum reported vote: Leave Remain Support 26% 71% Oppose 58% 18% Don’t know 16% 11% Q.7: From what you have seen or heard so far, do you support or oppose the UK Government’s agreement? (BASE THOSE WHO HAD SEEN OR HEARD) Respondents who have seen or heard details of the withdrawal agreement Support 34% +3 since 5/12/18 Oppose 41% -9 since 5/12/18 Neither support nor oppose 21% +6 since 5/12/18 Don’t know 3% -2 since 5/12/18 (NB: 5/12/18 survey asked respondents if they strongly supported/somewhat supported/neither supported nor opposed/somewhat opposed/strongly opposed the UK Government’s agreement) By 2017 GE reported vote: Con Lab Support 49% 28% -
John Clifford Mortimer Papers
http://oac.cdlib.org/findaid/ark:/13030/kt2m3n990k No online items Finding Aid to the John Clifford Mortimer Papers Processed by Bancroft Library staff; revised and completed by Kristina Kite and Mary Morganti in October 2001; additions by Alison E. Bridger in February 2004, October 2004, January 2006 and August 2006. Funding for this collection was provided by numerous benefactors, including Constance Crowley Hart, the Marshall Steel, Sr. Foundation, Elsa Springer Meyer, the Heller Charitable and Educational Fund, The Joseph Z. and Hatherly B. Todd Fund, and the Friends of the Bancroft Library. The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2004 The Regents of the University of California. All rights reserved. Finding Aid to the John Clifford BANC MSS 89/62 z 1 Mortimer Papers Finding Aid to the John Clifford Mortimer Papers Collection number: BANC MSS 89/62 z The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: Bancroft Library staff; revised and completed by Kristina Kite and Mary Morganti; additions and revisions by Alison E. Bridger Date Completed: October 2001; additions and revisions February 2004, October 2004, January 2006, August 2006 Encoded by: James Lake © 2004 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: John Clifford Mortimer papers, Date (inclusive): circa 1969-2005 Collection Number: BANC MSS 89/62 z Creator: Mortimer, John Clifford, 1923- Extent: Number of containers: 46 boxes Linear feet: 18.4 Repository: The Bancroft Library. -
Characterization in the Operas of Penderecki Karekterizacija V Operah Pendereckega
N. O’LOUGHLIN • CHARACTERIZATION IN THE OPERAS ... UDK 782.07Penderecki DOI: 10.4312/mz.51.1.127-137 Niall O’Loughlin Univerza v Loughboroughu Loughborough University Characterization in the Operas of Penderecki Karekterizacija v operah Pendereckega Prejeto: 8. januar 2015 Received: 8th January 2015 Sprejeto: 31. marec 2015 Accepted: 31st March 2015 Ključne besede: Penderecki, opera, karakterizacija, Keywords: Penderecki, opera, characterization, Huxley, Whiting, Milton, Hauptmann, Jarry Huxley, Whiting, Milton, Hauptmann, Jarry IZVLEČEK ABSTRACT Karakterizacija v štirih operah Pendereckega je Characterization in the four operas of Krzystof dobro razvita. Vključuje specifične melodične in- Penderecki is well developed. It includes specified tervale za junake, popačene vokalne linije, uporabo melodic intervals for characters, distorted vocal koloraturnega petja in različne oblike cerkvenega lines, the use of coloratura singing and various petja ter govorjenja. forms of chanting and speaking. Introduction Characterization in dramatic works is a complicated issue. In the first instance it concerns the words chosen and what form of emphasis has been adopted by the writ- er. The sequence of events in a drama will also have much to do with how the character is allowed to develop, and in particular how each character responds to the new situ- ations that arise. In addition, the actual performance by the actors in a spoken drama can add a new dimension to the definition of the character in a spoken play. When making the transfer to an operatic scenario, the words obviously are still of the first importance, but now the way that the words are set to music (if at all) and the level at which the words can be understood by the audience are now particularly relevant. -
1 the Balfour Declaration's Territorial Landscape: Between Protection and Self Determination
The Balfour Declaration’s Territorial Landscape: Between Protection and Self Determination Karin Loevy, NYU (very rough first draft, please do not circulate) The Balfour Declaration as it was published in The Times on November 9, 1917 Famously declaring British support for the establishment of a Jewish ‘national home’ in Palestine, the Balfour declaration (November 1917) is commonly understood as the first international instrument recognizing the right to self-determination for the Jewish people in Palestine, and the first step towards the 1948 establishment of the State of Israel. Based on analysis of the declaration’s drafting process and its international law background in 19th century practices of imperial protection, the paper challenges this perception. The framers of the Balfour declaration, Zionist activists as well as British officials, did not envision nor did they wish to establish a sovereign jurisdictional Jewish state in Palestine. What they had in mind was a space of protection for Jewish ‘homelessness’ under the auspices of a European Power. The legal framework that they imagined drew on such 19th century precedents as Ottoman autonomous zones, British and French protectorates and other mechanisms that sustained both rule and expansion in multi- national empires. Reframing the Balfour declaration as a document of protection may contribute to the study of the colonial context of contemporary post-colonial international norms such as that of self- determination of nations. But more importantly it may contribute to the legal and political discourse about the region’s national conflicts by enriching our perspective over their territorial past. 1 Table of contents: I. Introduction: Balfour’s Territory II. -
February 10, 2009 (XVIII:5) Jack Clayton the INNOCENTS (1961, 100 Min)
February 10, 2009 (XVIII:5) Jack Clayton THE INNOCENTS (1961, 100 min) Directed and produced by Jack Clayton Based on the novella “The Turn of the Screw” by Henry James Screenplay by William Archibald and Truman Capote Additional scenes and dialogue by John Mortimer Original Music by Georges Auric Cinematography by Freddie Francis Film Editing by Jim Clark Art Direction by Wilfred Shingleton Deborah Kerr...Miss Giddens Peter Wyngarde...Peter Quint Megs Jenkins...Mrs. Grose Michael Redgrave...The Uncle Martin Stephens...Miles Pamela Franklin...Flora Clytie Jessop...Miss Jessel Isla Cameron...Anna JACK CLAYTON (March 1, 1921, Brighton, East Sussex, England, UK—February 26, 1995, Slough, Berkshire, England, UK) had 10 writing credits, some of which are In Cold Blood (1996), Other directing credits: Memento Mori (1992), The Lonely Passion of Voices, Other Rooms (1995), The Grass Harp (1995), One Judith Hearne (1987), Something Wicked This Way Comes Christmas (1994), The Glass House (1972), Laura (1968), In Cold (1983), The Great Gatsby (1974), Our Mother's House (1967), Blood (1967), The Innocents (1961), Breakfast at Tiffany's (1961), The Pumpkin Eater (1964), The Innocents (1961), Room at the Beat the Devil (1953), and Stazione Termini/Indiscretion of an Top (1959), The Bespoke Overcoat (1956), Naples Is a Battlefield American Wife (1953). (1944). DEBORAH KERR (September 30, 1921, Helensburgh, Scotland, JOHN MORTIMER (April 21, 1923, Hampstead, London, England, UK—October 16, 2007, Suffolk, England, UK) has 53 Acting UK—January 16, 2009, Oxfordshire, England, UK) has 59 Credits. She won an Honorary Oscar in 1994. Before that she had writing credits, some of which are In Love and War (2001), Don six best actress nominations: The Sundowners 1959, Separate Quixote (2000), Tea with Mussolini (1999), Cider with Rosie Tables (1958), Heaven Knows, Mr.