Miss Marple's Final Cases: and Two Other Stories
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
© 2013 Yi-Ling Lin
© 2013 Yi-ling Lin CULTURAL ENGAGEMENT IN MISSIONARY CHINA: AMERICAN MISSIONARY NOVELS 1880-1930 BY YI-LING LIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral committee: Professor Waïl S. Hassan, Chair Professor Emeritus Leon Chai, Director of Research Professor Emeritus Michael Palencia-Roth Associate Professor Robert Tierney Associate Professor Gar y G. Xu Associate Professor Rania Huntington, University of Wisconsin at Madison Abstract From a comparative standpoint, the American Protestant missionary enterprise in China was built on a paradox in cross-cultural encounters. In order to convert the Chinese—whose religion they rejected—American missionaries adopted strategies of assimilation (e.g. learning Chinese and associating with the Chinese) to facilitate their work. My dissertation explores how American Protestant missionaries negotiated the rejection-assimilation paradox involved in their missionary work and forged a cultural identification with China in their English novels set in China between the late Qing and 1930. I argue that the missionaries’ novelistic expression of that identification was influenced by many factors: their targeted audience, their motives, their work, and their perceptions of the missionary enterprise, cultural difference, and their own missionary identity. Hence, missionary novels may not necessarily be about conversion, the missionaries’ primary objective but one that suggests their resistance to Chinese culture, or at least its religion. Instead, the missionary novels I study culminate in a non-conversion theme that problematizes the possibility of cultural assimilation and identification over ineradicable racial and cultural differences. -
EXPLORATIONS INTO a COMPLICATED STORY – OURS Voices, Experiences and Accounts of Disability at the University of Bologna
EXPLORATIONS INTO A COMPLICATED STORY – OURS Voices, experiences and accounts of disability at the University of Bologna edited by Nicola Bardasi and Cristiana Natali translated by Nicola Bardasi, Yuri Lysenko, Eleonora Perugini, Zazie Alberta Piva, Gabriele Savioli reviewed by Peter Henderson 1 Original title: Io a loro ho cercato di spiegare che è una storia complicate la nostra. Voci, esperienze, testimonianze sulla disabilità all’Università di Bologna Published by: Bononia University Press Via Ugo Foscolo 7, 40123 Bologna tel. (+39) 051 232 882 fax (+39) 051 221 019 © 2018 Bononia University Press ISBN 978-88-6923-357-9 www.buponline.com [email protected] First edition: July 2018 Cover design: Paola Bosi English version: March 2020 (updated June 2020) TABLE OF CONTENTS Introduction 5 Cristiana Natali How dancing gave me a hand 7 Maria Paola Chiaverini Sensory rediscovery of the world 9 Rocco Pessolano A story of deafness: a University experience 16 Cecilia Bacconi Equality and difference 19 Francesco Nurra The secret club 22 Anonymous The long journey 28 Michela Ricci Malerbi When disability is invisible 35 Jennifer Pallotta Patience and irony 38 Luca Mozzachiodi Disability and University 47 Enrico Franceschi I only had to get experience, instead I found a friend 53 Luca G. De Sandoli Interview with Matteo Corvino 61 Nicola Bardasi Interview with Francesco Musolesi 65 Nicola Bardasi My story 72 Giulia Baraldi Physical (and then also psychological) disadvantages 78 Anonymous A learning curve 80 Fabiola Girneata APPENDIX Project presentation letter 83 Selected anthropological bibliography 85 by Nicola Bardasi The authors 88 Introduction Cristiana Natali Translated by Gabriele Savioli Maria Paola has only one hand – the right one. -
Female Detectives in Modern Detective Novels an Analysis Of
Female Detectives in Modern Detective Novels An Analysis of Miss Marple and V. I. Warshawski Writer: Sladana Marinkovic Supervisor: Dr Michal Anne Moskow Examination assignment 10 p, English 41-60 p 10 p Essay Department of Education and Humanities 03-02-04 1 TABLE OF CONTENTS: Page 1. INTRODUCTION……………………………………….….………………………....3 1.1 Background……………………………………………..……………………...…4 1.2 Summary of the Novels…………………………….…………………..…5 1.3 Literature Review……..…………………………………….….……………..7 1.4 Research Questions……………………………………………………….….9 1.5 Methods…………………………………….…………………………………….…9 2. LITERATURE AND CULTURE…………………………………………..10 2.1. The Women Detectives…...……….………………………..……………11 2.2. Working Conditions……………………….…………………….………....16 2.3. The Murderers and the Victims………………………………….….17 3. LANGUAGE AND CULTURE………………………...…………………...18 3.1. Gender and Language…………….……………………….……………….20 3.2. Swearing and Taboo……………………………………………..………….22 4. CONCLUSION………………………………………………………………………...24 5. BIBLIOGRAPHY………………………………………………………………...…26 2 1. INTRODUCTION Ever since Edgar Allan Poe wrote what is today considered to be the very first detective short story, “The Murders in the Rue Morgue”(1841), detective novels have fascinated a lot of people. At first the authors entertained their audience by writing exciting stories where male detectives and spies played the lead part (Berger, 1992, 81). But since then, the murder mystery has evolved and been modified many times. For example, the appearance of the female detectives first emerges in Victorian literature. In this essay I will discuss two fictive women detectives, Christie’s Miss Marple and Paretsky’s V. I. Warshawski. These two detectives, and writers, belong to different times and cultures, but as readers, we must ask ourselves some basic questions before we start to compare them. Some of these questions I will consider later in section 1.4. -
Lakefield Leadline
Lakefield Leadline LAKEFIELD FARM Fall 2016 Barnside achieve even greater goals. of shape, sore, and just didn’t This is exciting! One of the have much confidence. He big changes I made this year had struggled emotionally in was I made Cashmere and the lesson program which he Joe a priority. I decided that just wasn’t cut out for. Now I Special points of inter- I would ride or work with am happy to say he feels est: them at least 3 days a week. strong, balanced and much It’s hard to believe another That seemed realistic and more confident. He reminds LEASE OPPORTUNITY year has flown by. It’s always reasonable and for the most me of a suped up sports car. fun to look back at my journal part, it was. Yes, there is the I just have to push on the gas PICTURES FROM AROUND THE BARN to see what was going on a fact that we have 7 grand- pedal and I feel his power. year ago. It makes me wish I kids, (who by the way could- He is maneuverable and re- BOARDING AND LESSON was a better at documentation. n’t be cuter), a mother who sponsive. He is so much fun AVAILABILITY I record enough though ,to see turned 100 this year, and a to ride and I think he really GIFT CERTIFICATES that there is a reoccurring job. These factors did tend to looks forward to it as well. theme year after year. There pull me away from the a con- Cashmere on the other hand are horse goals, frustration at sistent three days a week, but has a completely different the lack of time to achieve the that is life, and we all have personality. -
Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992
Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Michelle Chang IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Josephine Lee, Co-Advisor Elliott Powell, Co-Advisor December 2020 © Michelle Chang 2020 i Acknowledgements As I write the last section of my dissertation, I find myself at a loss for words. 55,000+ words later and my writing fails me. While the dissertation itself is an overwhelming feat, this acknowledgements section feels equally heavy. Expressing my gratitude and thanks for every person who has made this possiBle feels quite impossiBle. And as someone who once detested both school and writing, there’s a lot of people I am thankful for. It is a fact that I could not completed a PhD, let alone a dissertation, on my own. Graduate school wears you down, and especially one framed By the 2016 presidential election and 2020 uprisings, rise of white supremacy, and a gloBal pandemic, graduate school is really hard and writing is the last thing you want to do. While I’ve spent days going through mental lists of people and groups who’ve helped me, this is not a complete list and my sincere apologies to anyone I’ve forgotten. First and foremost, this dissertation would not be where it is today without the guidance and support of my advisors Jo Lee and Elliott Powell. The hours of advice and words of wisdom I received from you both not only shaped my project and affirmed its direction, but they also reminded me of the realistic expectations we should have for ourselves. -
Chapter One Introduction
CHAPTER ONE INTRODUCTION Background of The Study Agatha Christie is a British author in the 20th century who is famous for her novels. She is also famous for her plays, such as The Mousetrap, and short stories, such as The Submarine Plans and The Second Gong. She is considered to be one of the most famous murder mystery writers. She is clever at making stories and unforgettable detective characters. Agatha Christie has made a great contribution to the world of literature, especially in the genre of detective story. Most of her works have been filmed and the stories of her two famous detective characters, Miss Marple and Hercule Poirot, have been made into a serial in television and radio versions. Miss Marple looks like an ordinary old woman. She does not like a detective at all, yet with her ability to observe human nature, she can solve a murder case with her shrewd observation. Hercule Poirot is a Belgian man who has interesting physical appearance and also eccentric manners. His first appearance is in Christie’s first book, Mysterious Affair at Styles. It is difficult for someone to argue with him for he has strong character. His famous tool in identifying murder case is called “grey cells.” He always finishes each case with a dramatic denouement. 1 Maranatha Christian University In this thesis, I would like to analyse one of the many world famous Christie’s books, Towards Zero. This novel, which is a whodunit story, was written in 1944. Whodunit story is “a novel or drama concerning a crime (usually a murder) in which a detective follows clues to determine the perpetrator” (“who- dun-it”). -
The Cream of the Jest
The Cream of the Jest James Branch Cabell The Cream of the Jest Table of Contents The Cream of the Jest...............................................................................................................................................1 James Branch Cabell......................................................................................................................................1 i The Cream of the Jest James Branch Cabell Introduction by Harold Ward To Louisa Nelson "At me ab amore tuo diducet nulla senectus" Introduction In one of the charming essays wherein Anatole France narrates the adventures of his soul I find these words: "It is good to be reasonable and to love only the true; yet there are hours when common reality no longer satisfies and one yearns to escape from nature. We know well that this is impossible, but we so not desire it the less for that. Are not our most i rrealizable desires the most ardent? Doubtless−−and this is our great misery−−doubtless we cannot escape from ourselves. We are condemned, irrevocably, to see all things reflected in us with a mournful and desolating monotony. For this very reason we t hirst after the unknown and aspire to what is beyond us. We must have the unusual. We are asked, 'What do you wish?' And we reply, 'I wish something else.' What we touch, what we see, is nothing: we are drawn toward the intangible and the invisible." It is a philosophy of disillusion, the graceful sigh of an Epicurean who has concurred in the wisdom of Heraclitus: an Epicurean, however, in whose wisdom is the fragrance of compassion and understanding, and who has achieved to the dignity that is incap able alike of enthusiasm and despair. James Branch Cabell agress with M. -
1960 Golden C Wish to Thank the Many People Who Have Assisted in the Production of This Book
For Reference Not to be taken from this library Crgflfffi-d Pis".-.'±i..:-W Crcrtford, NJ. 07316 CRANFORD PUBLIC LIBRARY NJ. JUN. 2 1 1994 THE GOLDEN •r published by the SENIOR CLASS CRANFORD HIGH SCHOOL, CRANFORD, NEW JERSEY FOREWORD There is no slight challenge in record- ing the happenings of a year at Cranford High School. A wealth of activity occurs which may be set down in photographs and type. This book is an attempt to cap- ture in its three dimensions some of the essence of life here while imparting to it the fourth dimensional perspective of Time. ACKNOWLEDGMENTS The Editors of the 1960 Golden C wish to thank the many people who have assisted in the production of this book. The general staff has worked diligently. Some other persons deserve particular mention. Our sponsors. Miss Robinson, Mr. Lorigenbach, and Mr. Spada, have been a great help. Mr. Berkebilc, our photographer, has again provided faithful service. Finally, fo a conscientious effort on a difficult printing job, we express our gratitude to the Rae Publish- ing Company and its representative, Mr. Tom Everett. CONTENTS Dedications Page 6 Faculty Page 7 CHS page 18 Seniors Page 20 Activities page 69 Athletics Page 93 Underclassmen .... page 107 DEDICATIONS OLIVER L. WEST We express our most sincere thanks to Mr. West, our class sponsor. His efforts and personality have been prime factors in making the activities of the Class of 1960 enjoyable and successful. Those of us fortunate enough to have had him as a teacher, and to have been exposed to that rare West humor, appreciate "O. -
THE MOVING FINGER Agatha Christie
THE MOVING FINGER Agatha Christie Chapter 1 I have often recalled the morning when the first of the anonymous letters came. It arrived at breakfast and I turned it over in the idle way one does when time goes slowly and every event must be spun out to its full extent. It was, I saw, a local letter with a typewritten address. I opened it before the two with London postmarks, since one of them was clearly a bill, and on the other I recognised the handwriting of one of my more tiresome cousins. It seems odd, now, to remember that Joanna and I were more amused by the letter than anything else. We hadn't, then, the faintest inkling of what was to come - the trail of blood and violence and suspicion and fear. One simply didn't associate that sort of thing with Lymstock. I see that I have begun badly. I haven't explained Lymstock. When I took a bad crash flying, I was afraid for a long time, in spite of soothing words from doctors and nurses, that I was going to be condemned to lie on my back all my life. Then at last they took me out of the plaster and I learned cautiously to use my limbs, and finally Marcus Kent, my doctor, clapped me on my back and told me that everything was going to be all right, but that I'd got to go and live in the country and lead the life of a vegetable for at least six months. -
The Miss Marple Reading List Uk
THE MISS MARPLE READING LIST UK Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving... A shrewd woman with a sparkle in her eye, she isn’t above speculation about her neighbours in the small village of St Mary Mead. A keen advocate for justice, armed often only with her knitting needles and a pair of gardening gloves, this sleuth knows plenty about human nature. TOP FIVE MISS MARPLE NOVELS THE NOTES THE LIST Although published in 1976, Sleeping Murder was written during If you want to read the stories chronologically (in terms of World War II and portrays a sprightlier Miss Marple than Nemesis. The Miss Marple’s lifetime), we recommend the following order: title Miss Marple’s Final Cases is a misnomer, because most of the short stories are actually set (and were written) in the 1940’s. ‘Greenshaw’s Folly’ is published in The Adventure of the Christmas Pudding. The Murder at the Vicarage [1930] The Thirteen Problems (short stories) [1932] Miss Marple’s Final Cases (short stories) [1979] The Body in the Library [1942] “ I’m very ordinary. An ordinary rather The Moving Finger [1942] scatty old lady. And that of course is Sleeping Murder [1976] very good camouflage.” A Murder is Announced [1950] Nemesis, Agatha Christie They Do it with Mirrors [1952] A Pocket Full of Rye [1953] ‘Greenshaw’s Folly’ [1956] THE CHALLENGE 4.50 from Paddington [1957] The Mirror Crack’d from Side to Side [1962] A Caribbean Mystery [1964] Keep track of your Miss Marple reading. How many stories have you read? At Bertram’s Hotel [1965] Nemesis [1971] For more reading ideas visit www.agathachristie.com THE MISS MARPLE READING LIST US Miss Jane Marple doesn’t look like your average detective, but appearances are deceiving.. -
The Mousetrap by Agatha Christie
April 26 – May 22, 2016 on the One America Mainstage STUDY GUIDE edited by Richard J Roberts with contributions by Janet Allen, Courtney Sale Robert M. Koharchik, Alison Heryer, Michelle Habeck, David Dabbon Indiana Repertory Theatre 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com SEASON SPONSOR 2015-2016 ASSOCIATE LEAD SPONSOR SPONSOR YOUTH AUDIENCE & PRODUCTION PARTNER FAMILY SERIES SPONSOR MATINEE PROGRAMS SPONSOR The Mousetrap by Agatha Christie Welcome to the classic Agatha Christie mystery thriller: a houseful of strangers trapped by a blizzard and stalked by an unknown murderer. The Mousetrap is the world’s longest running stage play, celebrating its 64th year in 2016. Part drawing room comedy and part murder mystery, this timeless chiller is a double-barreled whodunit full of twists and surprises. Student Matinees at 10:00 A.M. on April 28, May 3, 4, 5, 6, 10, 11, 12 Estimated length: 2 hours, 15 minutes, with one intermission Recommended for grades 7-12 due to mild language Themes & Topics Development of Genre Deceit and Disguise Gender and Conformity Xenophobia or Fear of the Other Logic Puzzles Contents Director’s Note 3 Executive Artistic Director’s Note 4 Designer Notes 6 Author Agatha Christie 8 10 Commandments of Detective Fiction 11 Agatha Christie’s Style 12 Other Detective Fiction 14 Academic Standards Alignment Guide 16 Pre-Show Activities 17 Discussion Questions 18 Activities 19 Writing Prompts 20 Resources 21 Glossary 23 Going to the Theatre 29 Education Sales Randy Pease • 317-916-4842 cover art by Kyle Ragsdale [email protected] Ann Marie Elliott • 317-916-4841 [email protected] Outreach Programs Milicent Wright • 317-916-4843 [email protected] Secrets by Courtney Sale, director What draws us in to the murder mystery? There is something primal yet modern about the circumstances and the settings of Agatha Christie’s stories. -
The Religious and Secular Clergy in The
The Religious and Secular Clergy in the Sixteenth-Century English Vernacular Jest Book (1510 – 1609) Chantal van der Zanden – 552795 RMa Thesis Ancient, Medieval and Renaissance Studies (Renaissance Track) Supervisor: dr. Lieke Stelling Second reader: dr. Katell Lavéant Utrecht University, 14 June 2019 “Nothing is more fun than treating jokes seriously.” - Desiderius Erasmus Table of Contents Acknowledgements 7 Introduction 8 Chapter 1: The Place of Humour and Laughter in Renaissance England 14 Chapter 2: From Merry Jests to Merry Tales: The Influence of Christian Humanism (1510 – 1534) 23 Chapter 3: “Accordinge to the maner that hen was”: Comical Clerics and Jesting about Clerics in a Catholic Setting (1555 – 1585) 39 Chapter 4: Clerical Jests during the Scurrilous Writing of the Nasty Nineties and the Secular Turn (1590 – 1609) 57 Conclusion 72 Bibliography 75 7 Acknowledgements1 Since this thesis marks the end of five years of studying at Utrecht University, and since this might be the longest work I ever write, I would like to take the opportunity to thank a few people. First and foremost, the many teachers who have guided and inspired me up to this point, in the department of English but also in the department of history at Utrecht University where I enjoyed many inspiring lectures. Special thanks go out to my supervisor, dr. Lieke Stelling, for her feedback on earlier drafts of this thesis and her encouragements, but most of all I would like to thank her for allowing me to work on this project and for introducing me to the wonderful world of early modern jest books.