Mame November 21 at the November Theatre

Total Page:16

File Type:pdf, Size:1020Kb

Mame November 21 at the November Theatre News Release Virginia Repertory Theatre For Immediate Release Date: November 4, 2014 Contact: Susan Davenport Director of Communications Virginia Repertory Theatre [email protected] 804-513-8211 Virginia Rep Opens the Lavish Musical Mame November 21 at the November Theatre Starring Tony Nominee Emily Skinner and Richmond Favorite Desiree Roots Centeio Richmond, VA – Virginia Repertory Theatre announces the opening of the award- winning musical, Mame, at the Sara Belle and Neil November Theatre, 114 West Broad Street on Friday, November 21 with a Preview on Thursday, November 20. The show runs through January 11, 2014. Mame is based on the novel, Auntie Mame, by Patrick Dennis with a book by Jerome Lawrence and Robert E. Lee and unforgettable music and lyrics by Jerry Herman. The show originally opened on Broadway in 1966 and starred Angela Lansbury and Beatrice Arthur. Set in New York during the Great Depression, this lavish musical tells the story of Mame Dennis, an extravagant bon vivant whose life is turned upside down when the son of her late brother comes to live with her. Mame tries her best to keep up her usual fabulous flair while responsibly raising her new son. With a cast of 31 and a live band, Mame is one of the largest shows in the 2014/15 Season at Virginia Rep. Director and Choreographer, Patti D’Beck is a long-time veteran of Broadway. Her credits as associate choreographer, supervisor, dance captain, and actor include original productions of Applause (Lauren Bacall), A Chorus Line, Pippin (Ben Vereen), Evita, Annie Get Your Gun (Bernadette Peters), and Grease! She choreographed the 1977 Tony Awards for Rosie O'Donnell. D’Beck has worked with Broadway director/ choreographers including Bob Fosse, and Michael Bennett. She has directed/choreographed many stars including Brooke Shields, Reba McEntire, Keith Carradine, Mickey Rooney, Lucy Lawless, and Liza Minnelli. At Virginia Rep, D’Beck directed/choreographed Guys and Dolls, Thoroughly Modern Millie, White Christmas, and The Producers. Music Director, John Winn tours Asia, Russia, Turkey and Mexico leading his jazz quartet as singer/saxophonist and performs frequently in pit orchestras for touring Broadway productions in Richmond and Norfolk. Currently he teaches music at St. Christopher’s School. Virginia Rep is thrilled to welcome Tony Nominee Emily Skinner in the lead role of Mame. Skinner has unequivocally established herself as one of Broadway's most engaging and versatile performers. A native of Richmond, Skinner is an alumna of SPARC and started her professional career on the Richmond stages of TheatreVirginia, Theatre IV, and Swift Creek Mill Theatre. She was the first American chosen for the starring role of Mrs. Wilkinson in the acclaimed musical Billy Elliott. Skinner was nominated for a Tony Award (with Alice Ripley) and received a Drama League Award for her performance as Daisy Hilton Side Show. Other original Broadway cast credits include Jekyll and Hyde, James Joyce’s The Dead (opposite Christopher Walken), The Full Monty, Dinner at Eight (Outer Critics Circle Nomination), as well as The Actors Fund productions of The Best Little Whorehouse in Texas and Dreamgirls. Recent starring roles include the Off-Broadway new musical Inventing Mary Martin and Adelaide in the world premiere of The Great American Mousical at Goodspeed's Norma Terris Theatre under the direction of Dame Julie Andrews. Carnegie Hall appearances include singing with The New York Pops and the New York debut of Richard Thomas' infamous Jerry Springer The Opera (with Harvey Keitel). Off-Broadway theatres include the Manhattan Theatre Club, WPA Theatre, Paramount Theater at Madison Square Gardens, York Theatre, Playwrights Horizons and the Roundabout Theatre. Regionally, she has appeared in numerous leading roles at The Kennedy Center, Signature Theatre, Long Wharf Theatre, Hangar Theatre, Old Globe Theatre, Ford's Theatre, McCarter Theatre, St. Louis MUNY, Goodspeed, Bucks County Playhouse, Lyric Theater of Oklahoma, TheatreVirginia and others. Skinner has a self- titled solo CD as well as several cast recordings and audio books. Desiree Roots Centeio will play Mame’s bosom buddy, Vera Charles. Centeio was recently seen at Virginia Rep in the summer-hit musical, The Color Purple, in the role of Sofia. Other credits include The Music Man at Virginia Rep and Dessa Rose at Firehouse Theatre Project. She is the recipient of the Theresa Pollack Award for vocal excellence in the arts. Her first Jazz CD, Don’t Ever Stop Dreaming, debuts this month. Jody Ashworth will return to the stage as Beau. He was last seen in The Producers (RTCC Award), Sound of Music and Guys and Dolls at Virginia Rep. Audra Honaker will play Agnes Gooch. Recent Virginia Rep credits include Shrek, Fiddler on the Roof, and Charlotte’s Web. Young Patrick will be played by 6th grader, Brandon McKinney. Brandon made his Virginia Rep debut as Winthrop in The Music Man. Alexander Sapp will play the role of older Patrick. Sapp was last seen in Tartuffe at Virginia Rep, Good People for Cadence Theatre in partnership with Virginia Rep and Richard III for Henley Street/Richmond Shakespeare. Set designer Ron Keller (The Color Purple, To Kill A Mockingbird, White Christmas at Virginia Rep), lighting designer, Lynne M. Hartman (Other Desert Cities, Tartuffe, The Music Man, To Kill A Mockingbird for Virginia Rep), and veteran costume designer, Sue Griffin (The Color Purple, Tartuffe, Fiddler on the Roof), round out the artistic team. Corporate Sponsors Virginia Rep is grateful for the support from our Signature Season Sponsors: Altria and the E. Rhodes and Leona B. Carpenter Foundation. Addition funding is provided by the Shubert Foundation, Windsor Foundation, Virginia Commission for the Arts, the National Endowment for the Arts, The Richmond Times- Dispatch, Richmond.com and Community Idea Stations. Ticket Information Box Office 804-282-2620 www.virginiarep.org Full Price Tickets: $48 - $60 Discounted Group Rates and Rush tickets available. U-Tix for college and high school students $15. Available by phone or in person day of show only. Student ID required. The Sara Belle and Neil November Theatre is equipped with a new state-of the-art induction loop hearing system that is compatible with all telecoil-equipped hearing aids and cochlear implants. A handheld receiver and headphone system is also available free of charge for anyone who is hearing impaired. Valet is available at all performances except the Preview for $8. Free self-park is available at all performances within two blocks of the theatre. Press Kits Available at http://va-rep.org/press.html Pass code accessible Hi Res photos available to media. username = press password = HiRes121 Evening performances at 8:00 p.m. on Friday and Saturday, 7:00 p.m. pm on select Wednesdays and all Thursdays Matinee performances at 2:00 p.m. on Sunday and select Wednesdays and Saturdays Student Matinees Middle and high school matinees will take place on December 11 and 12 at 10:30 a.m. Tickets are $14. Shows include talkback with cast members. Direction & Design Director/Choreographer Patti D’Beck^ Musical Director John Winn Scenic Designer Ron Keller+ Lighting Designer Lynn M. Hartman+ Costume Designer Sue Griffin Stage Manager Christi Spann* Assistant Stage Manager Rick Brandt* Assistant Stage Manager Luke Robinson Cast List Mame Emily Skinner* Vera Desiree Roots Centeio* Beau Jody Ashworth* Agnes Audra Honaker Young Patrick Brandon McKinney Patrick Alexander Sapp Ito Ray Sheen Lindsay Thomas Nowlin Dwight Babcock Andrew C. Boothby Mrs. Upson/Mame US/Ensemble Susan Sanford* Pegeen Libby Schneider Gloria Catherine Walker Mother Burnside Jody Strickler Sally Cato Nicole Oberleitner Mr. Upson/Ensemble Frank Creasy Junior Brent Gallahan Ensemble Anne Rose, Erica Mini, Megan Tatum, Cariel Hughes, Alana Thomas, Mallory Keene, Andrew Reid, Paul S. Major, Aza Raine, Brad Willcuts, Sam Elton, Steven Moeslein, Anthony Cosby-Knowles, Will Meredith, Reed Patterson ^The director and choreographer are members of the Stage Directors and Choreographers Society, a national theatrical labor union. +Member of USA United Scenic Artists: local 829 * Member of Actors’ Equity Association, the union of professional actors and stage managers in the U.S.A. Full bios can be found at www.virginiarep.org. About Virginia Repertory Theatre Virginia Repertory Theatre, located in Richmond, VA, combines the talents and strengths of two nonprofit companies that shared facilities, resources, and management teams for over a decade. Now the heritages of Barksdale Theatre (founded in 1953) and Theatre IV (founded in 1975) live on in their new form, as Central Virginia’s leading professional theater company. Virginia Rep presents national caliber productions of the great dramas, comedies, and musicals as well as classics, contemporary works, and world premieres, always seeking to demonstrate the unique power of theater to engage, enthrall, educate, and inspire. Productions are staged at four distinct venues: the Sara Belle and Neil November Theatre and Theatre Gym at the downtown Virginia Rep Center, Virginia Rep’s Children’s Theatre located at Willow Lawn, and at Hanover Tavern, home to Virginia Rep’s Barksdale Season. .
Recommended publications
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • The Manchurian Candidate (1962) Directed by John Frankenheimer
    Why Don’t You Pass the Time by Playing a Little Solitaire? By Fearless Young Orphan The Manchurian Candidate (1962) Directed by John Frankenheimer I saw it: August 19, 2010 Why haven’t I seen it yet? For the longest time, I didn’t even know what it was supposed to be about, or that it was supposed to be any good. It seemed like one of those movies that is famous for its confusing title. I even saw the 2004 remake first, and then this little beauty turned up on my list of classics. Candidate A platoon of American soldiers stationed in Korea comes under attack. Most of the platoon is rescued by Raymond Shaw (Laurence Harvey), who displays such valiant behavior that he is awarded the Congressional Medal of Honor upon his return. This is good news for his mother, the Mrs. Iselin who is married to Senator Iselin (who, Raymond assures everyone adamantly, is only Raymond’s stepfather). Mrs. Iselin would like her husband to become the Vice President of the United States, and it certainly doesn’t hurt matters to have a hero in the family. Angela Lansbury, icy and quite beautiful, eats this role alive; she may be one of the most evil and frightening characters I’ve ever seen in a film. What is amusing about her is that we know from the moment we hear her speak that she is a villain, long before we know exactly what the hell she’s up to. Her son hates and fears her; he can’t get away from her fast enough.
    [Show full text]
  • A Comedy Revolution Comes to Starlight Indoors This Winter
    FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with James Earl Jones
    Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl​ Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976).
    [Show full text]
  • Westfield Filmmaker Basler Spices Estfield Filmmaker Basler Spices
    Page 20 Thursday, April 11, 2002 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Artist of Pen & Ink By Michelle H. Le Poidevin the Week Father Ozzy Knows Best When It Comes to Acing Cable TV Ratings By MICHELLE H. Le POIDEVIN Specially Written for The Westfield Leader and The Times WWestfieldestfield FilmmakerFilmmaker BaslerBasler SpicesSpices Unless he’s carrying one toward his neighbor’s house because they’re playing their music too loud, Ozzy Osbourne isn’t likely to have any association with a Cleaver on his much ballyhooed MTV program, UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper “The Osbournes.” For the man who proclaims himself the “Prince of UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper (ahem...expletives) Darkness” manages to juggle his bad to the bone By KERRIANNE SPELLMAN CORT For a full description Specially Written for The Westfield Leader and The Times reputation, while doddering around the house, picking up dog drop- of the story, please visit pings and fretting over whether or not he the house can stand another WESTFIELD — Talent and per- www.justaddpepper.com/ sistence have proven to be a winning story. pet. The ironic concoction of these two personas makes the Tuesday combination for one local filmmaker. On Saturday, April night show a winning combo with all generations of viewers. It’s no Peter Paul Basler of Westfield paid 27, Basler’s work wonder that “The his dues like any Osbournes” rule the cable hopeful artist. Years of attending television charts. No- school, training, Robert Redford where else would you see studying abroad a man, who once bit off and working as a the head of a bat, cud- production assis- (1937- ) dling and cooing to a ter- tant on several films all paved the By MICHELLE H.
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Pink Unicorn Program
    M T H A E Y E OUT OF THE BOX 9 P I - S 2 C 5 THEATRICS O , P 2 A 0 L 1 A presents 9 C T O R A L I C E R I P L E Y in S ' G U I L D MUSIC & LYRICS BY STEPHEN SONDHEIM BOOK BY JAMES LAPINE BOOK E L I S E F O R I E R E D I E DIRECTION A M Y E . J O N E S @ootbtheatrics Opening Night: May 15, 2019 The Episcopal Actors' Guild 1 East 29th Street Elizabeth Flemming Ethan Paulini Producing Artistic Director Associate Artistic Director present Alice Ripley* in Out of the Box Theatrics' production of By Elise Forier Edie Technical Design Dialect Coach Costume Design Frank Hartley Rena Cook Hunter Dowell Board Operator Wardrobe Supervisor Joshua Christensen Carrie Greenberg Graphic Design General Management Asst. General Management Gabriella Garcia Maggie Snyder Cara Feuer Press Representative Production Stage Management Ron Lasko Theresa S. Carroll* Directed by AMY E. JONES+ * Actors' Equity OOTB is proud to hire members of + Stage Directors and Association Choreographers Society AUTHOR'S NOTE ELISE FORIER EDIE People often ask me “how much of this play is true?” The answer is, “All of it.” Also, “None of it.” All the events in this play happened to somebody. High school students across the country have been forbidden to start Gay and Straight Alliance clubs. The school picture event mentioned in this play really did happen to a child in Florida. Families across the country are being shunned, harassed and threatened by neighbors, and they suffer for allowing their transgender children to freely express their identities.
    [Show full text]
  • Hw Biography 2021
    HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
    [Show full text]
  • Sample Teaching Artists
    Sample Teaching Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SOME OF OUR PASSPORT TO BROADWAY CREATIVE TEAM STEPHEN BROTEBECK (Choreographer) Mr. Brotebeck is an Associate Professor of Musical Theatre at San Diego State University in the prestigious MFA Musical Theatre program where he has directed and choreographed productions of Leonard Bernstein’s Mass, Company, Enchanted April, The Full Monty, Jesus Christ Superstar, The Drowsy Chaperone (Craig Noel Award Nomination), and On The Eve. Mr. Brotebeck is also the Artistic Director of the Okoboji Summer Theatre in Okoboji, Iowa, where he has directed I Ought To Be In Pictures, A Grand Night For Singing, And The World Goes ‘Round and The Spitfire Grill. On Broadway, Stephen served as the Movement Associate on the Tony® Award winning production of Peter and the Starcatcher and also the Off-Broadway transfer to New World Stages, choreographed by Steven Hoggett. In addition he served as an Assistant Director on the Broadway premiere of Ghost The Musical, directed by Matthew Warchus. As a Director and Choreographer, Stephen’s credits include Enchanted April (Co-Director and Choreographer) at Arena Stage in Washington D.C., My Fair Lady, Camelot and Children of Eden (Associate Director/Choreographer) at The Kennedy Center, and The 2012 and 2013 Great American Songbook Hall of Fame Ceremonies presented by Michael Feinstein, honoring Liza Minnelli, Rita Moreno, Jimmy Webb, Cole Porter, Marilyn and Alan Bergman, Barry Manilow and Frank Sinatra (Director and Choreographer).
    [Show full text]
  • Due to Popular Demand Mame Has Been Extended!
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: May 2, 2012 Due to popular demand Mame has been Extended! - Unprecedented attendance spurs one week extension- - Star of Broadway’s Mamma Mia! Louise Pitre, draws fans from across the U.S. and Canada - EAST HADDAM, CONN., MAY 2, 2012: Goodspeed Musicals, the first two time Tony Award-winning theatre in the country, announced today that the tremendously popular Mame will now to play to enthusiastic audiences for 8 additional performances. This joyful and spirited musical comedy has been extended through July 7, 2012. Mame is sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. “Audiences are falling in love with Auntie Mame and are even coming back a second time with family and friends. We wish we could extend further, but we cannot. Our message to potential visitors? Get your tickets now!” exclaimed Executive Director Michael Price. Performances are Wednesdays at 2 and 7:30 p.m.; Thursdays at 2 and 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 3 and 8 p.m.; and Sundays at 2 p.m. Added performances are: Tuesday, July 3 at 2 and 7:30 p.m.; Wednesday, July 4 at 2 p.m.; Thursday, July 5, at 2 and 7:30 p.m.; Friday, July 6, at 8 p.m.; and Saturday, July 7, at 2 and 6:30 p.m. For a complete schedule and tickets call the Box Office at 860.873.8668, open seven days a week or visit us online at www.goodspeed.org.
    [Show full text]
  • Hugh Bell Archive
    GARTENBERG MEDIA ENTERPRISES representing The Hugh Bell Archive ! Hot Jazz (1952) 143 WEST 96TH STREET, SUITE 7B NEW YORK, NY 10025 Tel. 212.280.8654 Fax. 212.280.8656 Web: www.gartenbergmedia.com The Hugh Bell Archive – History & Objectives Hugh Bell was a renowned art and commercial photographer, who worked in New York City over the course of his entire professional career. Upon his death in 2012, his son-in-law, Richard Martha, was named Executor of the Estate of Hugh Bell. In 2014, a boutique archival firm, Gartenberg Media Enterprises (GME), was engaged on an exclusive basis by the Bell Estate to manage the collection of Hugh Bell’s photographs and to further the artist’s legacy. GME has a successful track record in identifying, organizing, and placing archival collections of motion pictures, photographs, and paper documents with such institutions as the Library of Congress, The Packard Humanities Institute, and Harvard University, as well as with numerous cultural institutions in Europe, the Middle East, and Australia. The Hugh Bell Archive comprises thousands of vintage prints, negatives, transparencies, contact sheets and digital scans. The archive also contains a limited-edition monograph on the artist’s work entitled Between the Raindrops, and numerous publications, tear sheets, and laminated advertisements in which Bell’s artistic and commercial work appeared. The primary objective of GME is to find a suitable archival home for this invaluable archive of unique photographs. Our additional goal is to promote recognition of Hugh Bell’s work through exhibitions and licensing opportunities. We are pleased to make available a selection of Hugh Bell’s photographs for the upcoming exhibition on Jazz and Art at the Cooper Gallery in January 2016.
    [Show full text]