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Wwe Live Comes Back to the Findlay Toyota Center Saturday, September 28, 2019 at 7:30 Pm!
WWE LIVE COMES BACK TO THE FINDLAY TOYOTA CENTER SATURDAY, SEPTEMBER 28, 2019 AT 7:30 PM! WWE LIVE Pre-Sale 7/31 & Public On-Sale this Friday, Aug 2nd Prescott Valley, AZ (July 29, 2019) – WWE LIVE comes back to the Findlay Toyota Center this September on Saturday the 28th at 7:30 PM! Your favorite superstars will take over Prescott Valley for a night of heart-pounding body slams and backbreaking throws. Tickets start at $15 and go on sale Friday, August 2nd at 10 AM. Tickets will be available at the Findlay Toyota Center Box Office and online at Ticketmaster.com. This is a full night of entertainment you won’t want to miss! STREET FIGHT, SETH ROLLINS VS. BARON CORBIN, SMACKDOWN LIVE SPECIAL ATTRACTION, ROMAN REIGNS VS. DANIEL BRYAN W/ ROWAN, RAW WOMEN’S CHAMPIONSHIP TRIPLE THREAT MATCH, RAW WOMEN’S CHAMPION BECKY LYNCH VS. NATALYA VS. NIKKI CROSS PLUS, BRAUN STROWMAN, THE LUCHA HOUSE PARTY, RICOCHET, UNITED STATES CHAMPION AJ STYLES, LACEY EVANS, AND MANY MORE OF YOUR FAVORITE WWE SUPERSTARS! *Card is subject to change Findlay Toyota Center Event Insiders will get to pick the best seats during the pre-sale on Wednesday, 7/31/19 10 am – Thursday, 8/1/19 11:59 pm. Become an insider now and get your code in Wednesday’s email! Sign up now! EVENT INSIDER. Public On-Sale: Friday, Aug 2, 2019, 10:00 am. There will also be WWE experience packages available! #WWEPRESCOTT For those who want a one of a kind experience, there will also be limited WWE Superstar Experience Packages! These packages include items such as premium Ringside Seat, Meet & Greet and Autograph Opportunity with WWE Superstars*, and so much more! These packages and full details will be available on Ticketmaster.com. -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Inglewood's Learn4life Center Helps At-Promise Youth to Get Back on Track
Dr. Maulana Karenga- George J. McKenna III- Larry Aubry, Lying Down Like a Requiem for a Warrior, Hill: Still Having Height, Always Lawrence “Larry” Aubry– A Pointing Upward Champion of the People (See page A-6) (See page A-7) VOL. LXXXVI NO. 21, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, MAY 21, 2020 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 Veteran Sentinel columnist spent decades advocating for civil rights for African Americans BY CORA JACKSON-FOSSETT his passion for social justice was called to action on be- Staff Writer and opportunity to elevate half of Black people. He the topic on a broader scale. had such love and com- LA Sentinel veteran col- He informed thousands passion for Black people umnist, Larry Aubry has of people through his col- and really wanted them to passed. No one can deny umn, “Urban Perspective,” have a better life.” that Larry was an uncom- which ran in the L.A. Senti- The indelible mark promising, relentless, no- nel for nearly 40 years, and that Aubry left was af- holds-barred warrior for through his activism with firmed by the countless social justice. For decades, organizations such as the tributes issued to mark he fought to improve condi- NAACP and the Southern his passing on May 16, at tions for African Americans Christian Leadership Con- the age of 86. L.A. City in Los Angeles, but other ference. -
Tv Programs Sunday, September 1, 2013
TV PROGRAMS SUNDAY, SEPTEMBER 1, 2013 12:50 Street Patrol 14:35 Kickin It 20:00 Parks And Recreation 13:15 Street Patrol 15:00 Kickin It 20:30 The Cleveland Show 13:40 Forensic Detectives 15:25 Kickin It 21:00 The Daily Show 14:30 True Crime With Aphrodite 15:50 Kickin It 21:30 The Colbert Report 03:00 How It’s Made Jones 16:15 Kickin It 22:00 Saturday Night Live 03:25 How It’s Made 15:20 Real Emergency Calls 16:40 Kickin It 23:00 Unsupervised 03:50 How It’s Made 15:45 Who On Earth Did I Marry? 17:05 Randy Cunningham: 9th 23:30 Parks And Recreation 04:15 How It’s Made 16:10 Disappeared Grade Ninja 04:40 How Do They Do It? 17:00 Solved 17:30 Crash & Bernstein 05:05 How Do They Do It? 17:50 Forensic Detectives 17:55 Pair Of Kings 05:30 How Do They Do It? 18:40 True Crime With Aphrodite 18:20 Lab Rats 06:00 How Do They Do It? Jones 18:45 Phineas And Ferb 03:00 Banshee 06:30 How Do They Do It? 19:30 Dr G: Medical Examiner 18:55 Phineas And Ferb 04:00 The Mob Doctor 07:00 Fast N’ Loud 20:20 Nightmare Next Door 19:10 Scaredy Squirrel 05:00 C.S.I. New York 07:50 Fantom Works 21:10 Couples Who Kill 19:35 I’m In The Band 06:00 24 08:40 Driven To Extremes 22:00 Blood Relatives 20:00 Crash & Bernstein 07:00 The Finder 09:30 Gold Divers 22:50 On The Case With Paula Zahn 20:25 Zeke & Luther 08:00 Necessary Roughness 10:20 Deadliest Catch-Up 23:40 LA: City Of Demons 20:50 Randy Cunningham: 9th 09:00 C.S.I. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
2019 CSC Alumni Magazine Winter
Winter 2019 Chadron State magazine Greetings from the graduates prove their worth in the field President By Tena L. Cook Dear Alumni and Friends, Chadron State College has been making a major impact in the region for more than a cen- The summer and fall at Chadron State College are always special times. In addition to summer tury by educating teachers. Often those teach- classes giving students a chance to catch-up or get ahead in their studies, many CSC students ers return to CSC, earn advanced degrees, and succeed on various stages and represent the college well. become administrators. One such example happened in May when a trip to the University of Indiana’s Lilly Library Data from the Nebraska Department of gave Rachel Mitchell of Riverton, Wyoming, an opportunity to view and touch some of the historic Education in 2018-19 shows teachers in the pieces of literature that have shaped the culture of the English-speaking world. The trip to the following counties have earned at least one de- library was part of an independent study course about women traveling. Mitchell was able to hold gree from CSC: Dawes, 73%, Sheridan, 55%, the first bound edition of Shakespeare’s complete works, a cuneiform tablet written in Babylonian, Box Butte, 51%, Scotts Bluff, 49%, Morrill, and the first copies of Arthur Conan Doyle’s Sherlock Holmes. 47%, Banner, 43%, Keya Paha, 43%, Chey- In the fall semester, Mitchell used some of what she learned in the summer as an intern for the enne, 38%, Garden, 38%, Deuel, 37%, Hooker, College Relations’ Department at CSC. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
The Passion of the Superfly
8/27/2015 Koh M/C Journal, Vol. 12, No. 2 (2009) - 'enthuse' "Gently Caress Me, I Love Chris Jericho": Pro Wrestling Fans "Marking Out" http://journal.media-culture.org.au/index.php/mcjournal/article/view/143 Wilson Koh “A bunch of faggots for watching men hug each other in tights.” For the past five Marches, World Wrestling Entertainment (WWE) has produced an awards show which honours its aged former performers, such as Jimmy “Superfly” Snuka and Ricky “The Dragon” Steamboat, as prowrestling Legends. This awards show, according to WWE, is ‘an elegant, emotional, starstudded event that recognizes the in ring achievements of the inductees and offers historical insights into this centuryold sportsentertainment attraction’ (WWE.com, n.p.). In an episodic storyline leading up to the 2009 awards, however, the reallife personal shortcomings of these Legends have been brought to light, and subsequently mocked in oneonone interview segments with WWE’s Superstar of the Year 2008, the dastardly Chris Jericho. Jericho caps off these tirades by physically assaulting the Legends with handy stage props. Significantly, the performances of Jericho and his victims have garnered positive attention not only from mass audiences unaware of backstage happenings in WWE, but also from the informed community of prowrestling fans over at the nihilistic humour website SomethingAwful. During Jericho’s assault on the Legend Jimmy “Superfly” Snuka at the March 02 WWE Raw event, a WWEthemed forum thread on SomethingAwful logged over sixty posts all reiterating variations of ‘gently caress me Jericho is amazing’ (Jerusalem, n.p.). -
SENATE JOINT RESOLUTION 384 by Massey a RESOLUTION to Honor
<BillNo> <Sponsor> SENATE JOINT RESOLUTION 384 By Massey A RESOLUTION to honor Knox County Mayor Glenn Jacobs upon his Kane character being inducted into the World Wrestling Entertainment Hall of Fame. WHEREAS, the members of this General Assembly take great pleasure in recognizing an exceptional public servant who, in a previous career, created and played one of the most dynamic and most popular characters in the history of professional wrestling; and WHEREAS, Knox County Mayor Glenn Jacobs's wrestling persona, Kane, will be inducted into the World Wrestling Entertainment (WWE) Hall of Fame during WrestleMania festivities in Tampa, Florida; and WHEREAS, Kane, or The Big Red Machine, became a popular WWE wrestler from his very first appearance in the squared circle in 1997; after cycling through several characters earlier in his career, Mayor Jacobs assumed the persona of Kane, who was very popular with aficionados and quickly became one of the most iconic figures in professional wrestling history; and WHEREAS, Kane's shocking debut during a match between The Undertaker and Shawn "The Heartbreak Kid" Michaels is considered by many wrestling fans to be the greatest of all time; and WHEREAS, Kane began his career feuding with The Undertaker, his fictional brother and another popular WWE character; their intertwined storyline eventually created a friendship between the two, and they became twelve-time tag-team champions as The Brothers of Destruction; and WHEREAS, Kane also held the WWE Championship, World Heavyweight Championship, and Intercontinental -
The Top 365 Wrestlers of 2019 Is Aj Styles the Best
THE TOP 365 WRESTLERS IS AJ STYLES THE BEST OF 2019 WRESTLER OF THE DECADE? JANUARY 2020 + + INDY INVASION BIG LEAGUES REPORT ISSUE 13 / PRINTED: 12.99$ / DIGITAL: FREE TOO SWEET MAGAZINE ISSUE 13 Mohammad Faizan Founder & Editor in Chief _____________________________________ SENIOR WRITERS.............Nick Whitworth ..........................................Tom Yamamoto ......................................Santos Esquivel Jr SPECIAL CONTRIBUTOR....…Chuck Mambo CONTRIBUTING WRITERS........Matt Taylor ..............................................Antonio Suca ..................................................7_year_ish ARTIST………………………..…ANT_CLEMS_ART PHOTOGRAPHERS………………...…MGM FOTO .........................................Pw_photo2mass ......................................art1029njpwphoto ..................................................dasion_sun ............................................Dragon000stop ............................................@morgunshow ...............................................photosneffect ...........................................jeremybelinfante Content Pg.6……………….……...….TSM 100 Pg.28.………….DECADE AWARDS Pg.29.……………..INDY INVASION Pg.32…………..THE BIG LEAGUES THE THOUGHTS EXPRESSED IN THE MAGAZINE IS OF THE EDITOR, WRITERS, WRESTLERS & ADVERTISERS. THE MAGAZINE IS NOT RELATED TO IT. ANYTHING IN THIS MAGAZINE SHOULD NOT BE REPRODUCED OR COPIED. TSM / SEPT 2019 / 2 TOO SWEET MAGAZINE ISSUE 13 First of all I’ll like to praise the PWI for putting up a 500 list every year, I mean it’s a lot of work. Our team -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
“Smackdown”: a Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling Casey Brandon Hart University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Broadcast and Video Studies Commons, Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Hart, Casey Brandon, "Ideological “Smackdown”: A Textual Analysis of Class, Race and Gender in WWE Televised Professional Wrestling" (2012). Dissertations. 550. https://aquila.usm.edu/dissertations/550 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2012 ABSTRACT IDEOLOGICAL “SMACKDOWN”: A TEXTUAL ANALYSIS OF CLASS, RACE AND GENDER IN WWE TELEVISED PROFESSIONAL WRESTLING by Casey Brandon Hart May 2012 The focus of this study is an in-depth intertextual examination of how the WWE in 2010 and by extension contemporary professional wrestling in general represents a microcosm of modern cultural ideology. The study examines three major areas in which this occurs.