Tangut Character Additions and Glyph Corrections
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Transfer of Buddhism Across Central Asian Networks (7Th to 13Th Centuries)
Transfer of Buddhism Across Central Asian Networks (7th to 13th Centuries) Edited by Carmen Meinert LEIDEN | BOSTON For use by the Author only | © 2016 Koninklijke Brill NV Contents Acknowledgements vii List of Illustrations, Maps and Tables viii General Abbreviations xi Bibliographical Abbreviations xii Notes on Contributors xiv Introduction—Dynamics of Buddhist Transfer in Central Asia 1 Carmen Meinert Changing Political and Religious Contexts in Central Asia on a Micro-Historical Level 1 Changing Relations between Administration, Clergy and Lay People in Eastern Central Asia: A Case Study according to the Dunhuang Manuscripts Referring to the Transition from Tibetan to Local Rule in Dunhuang, 8th–11th Centuries 19 Gertraud Taenzer Textual Transfer 2 Tibetan Buddhism in Central Asia: Geopolitics and Group Dynamics 57 Sam van Schaik 3 The Transmission of Sanskrit Manuscripts from India to Tibet: The Case of a Manuscript Collection in the Possession of Atiśa Dīpaṃkaraśrījñāna (980–1054) 82 Kazuo Kano Visual Transfer 4 The Tibetan Himalayan Style: Considering the Central Asian Connection 121 Linda Lojda, Deborah Klimburg-Salter and Monica Strinu For use by the Author only | © 2016 Koninklijke Brill NV vi contents 5 Origins of the Kashmiri Style in the Western Himalayas: Sculpture of the 7th–11th Centuries 147 Rob Linrothe Transfer Agents 6 Buddhism in the West Uyghur Kingdom and Beyond 191 Jens Wilkens 7 Esoteric Buddhism at the Crossroads: Religious Dynamics at Dunhuang, 9th–10th Centuries 250 Henrik H. Sørensen Bibliography 285 Index 320 For use by the Author only | © 2016 Koninklijke Brill NV Chapter 2 Tibetan Buddhism in Central Asia: Geopolitics and Group Dynamics Sam van Schaik 1 Introduction1 Tibetan Buddhism has played an important role in Asian politics from the 8th century to the present day. -
Iso/Iec Jtc1/Sc2/Wg2 N5064
JTC1/SC2/WG2 N5064 2019-05-27 Universal Multiple-Octet Coded Character Set International Organization for Standardization Organisation Internationale de Normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: Proposal to encode nine Tangut ideographs and six Tangut components Source: Andrew West, Viacheslav Zaytsev (Institute of Oriental Manuscripts, Russian Academy of Sciences), Jia Changye (Ningxia Academy of Social Sciences), Jing Yongshi (Beifang University of Nationalities), Sun Bojun (Institute of Ethnology and Anthropology, Chinese Academy of Social Sciences) Status: Individual Contribution Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2019-05-27 1. Introduction At the Ad hoc meeting on Tangut held at Yinchuan, China in August 2016, under the auspices of the Script Encoding Initiative, Professors Jia Changye and Jing Yongshi reported that they had identified a number of misunified Tangut ideographs (see WG2 N4736; L2/16-243). The ideographs in question each have two unrelated meanings with separate entries in Li Fanwen’s 2008 Tangut-Chinese Dictionary (Xià-Hàn zìdiǎn 夏漢字典), but because they have identical glyphs in Li Fanwen’s dictionary and all other modern sources each of the two meanings were unified as a single encoded character. The recent research by Jia and Jing indicates that there are subtle but systematic glyph differences that distinguish the two readings and meanings of each of these encoded characters, as listed in their Xīxià zìfú jí shǔxìng biāozhù biǎo (cǎogǎo) 西夏字符及属性标注表(草稿) [Table of Xixia Characters with Annotated Properties (Draft)] (August 2016). Their document also identifies five components which should each be disunified into two encoded characters. -
The Etymology of Chinggis Khan's Name in Tangut'
THE ETYMOLOGY OF CHINGGIS KHAN'S NAME IN TANGUT' Ksenia B. Keppíng Chinggis Khan's fate is closely associated with the Tangut State: it is generally accepted that he met his death in the Great State of the \¡Vhite and hfty (= The Great state of Yab-Yum\z (982-1227), in the course of his Tangut campaign n 1226'27, when the once flourishing Tangut State had been completeþ subdued; shortly after it fell into oblivion. But in spite of this, the list of sources written in a variety of languages describ- ing Chinggis Khan's life and his military successes, lacks Tangut material, and this was and still is taken for granted, since it is widely held that Tangut historical records which, no doubt, had been compiled at the Tangut court, perished in the flames of the Mongolian invasion. However it may be' so far therc are no traces of any historical records written in Tangut script. The idea that some Tangut historical figures or figures connected with the Tanguts might appear in non-historical Tangut texts had nevef crossed my mind' That is why the mention of Chinggis Khan (as well as of two mof€ persons - the Tangut heir, the son of the last but one Tangut empefor De-wang, and 'Phags-pa lama3) in one of the Tangut poetic works (a ritual song) at first seemed to np unbelievable. As it proved to be, among Tangut ritual songs ltl4 tçiqs,which came to us in a cursive handwriting on the revefse sides of wood-block print pages, was one' I I would like to rhank my colleague Professor S. -
"Brightening" and the Place of Xixia (Tangut)
1 "Briiighttteniiing" and ttthe plllace of Xiiixiiia (Tanguttt) iiin ttthe Qiiiangiiic branch of Tiiibettto-Burman* James A. Matisoff University of California, Berkeley 1.0 Introduction Xixia (Tangut) is an extinct Tibeto-Burman language, once spoken in the Qinghai/Gansu/Tibetan border region in far western China. Its complex logographic script, invented around A.D. 1036, was the vehicle for a considerable body of literature until it gradually fell out of use after the Mongol conquest in 1223 and the destruction of the Xixia kingdom.1 A very large percentage of the 6000+ characters have been semantically deciphered and phonologically reconstructed, thanks to a Xixia/Chinese glossary, Tibetan transcriptions, and monolingual Xixia dictionaries and rhyme-books. The f«anqi\e method of indicating the pronunciation of Xixia characters was used both via other Xixia characters (in the monolingual dictionaries) and via Chinese characters (in the bilingual glossary Pearl in the Palm, where Chinese characters are also glossed by one or more Xixia ones). Various reconstruction systems have been proposed by scholars, including M.V. Sofronov/K.B. Keping, T. Nishida, Li Fanwen, and Gong Hwang-cherng. This paper relies entirely on the reconstructions of Gong.2 After some initial speculations that Xixia might have belonged to the Loloish group of Tibeto-Burman languages, scholarly opinion has now coalesced behind the geographically plausible opinion that it was a member of the "Qiangic" subgroup of TB. The dozen or so Qiangic languages, spoken in Sichuan Province and adjacent parts of Yunnan, were once among the most obscure in the TB family, loosely lumped together as the languages of the Western Barbarians (Xifan = Hsifan). -
Buddhist Philosophy in Depth, Part 3
WISDOM ACADEMY Buddhist Philosophy in Depth, Part 3 JAY GARFIELD Lessons 6: The Transmission of Buddhism from India to Tibet, and the Shentong-Rangtong Debate Reading: The Crystal Mirror of Philosophical Systems "Introduction to Tibetan Buddhism," pages 71-75 "The Nyingma Tradition," pages 77-84 "The Kagyu Tradition," pages 117-124 "The Sakya Tradition," pages 169-175 "The Geluk Tradition," pages 215-225 CrystalMirror_Cover 2 4/7/17 10:28 AM Page 1 buddhism / tibetan THE LIBRARY OF $59.95US TIBETAN CLASSICS t h e l i b r a r y o f t i b e t a n c l a s s i c s T C! N (1737–1802) was L T C is a among the most cosmopolitan and prolific Tspecial series being developed by e Insti- Tibetan Buddhist masters of the late eighteenth C M P S, by Thuken Losang the crystal tute of Tibetan Classics to make key classical century. Hailing from the “melting pot” Tibetan Chökyi Nyima (1737–1802), is arguably the widest-ranging account of religious Tibetan texts part of the global literary and intel- T mirror of region of Amdo, he was Mongol by heritage and philosophies ever written in pre-modern Tibet. Like most texts on philosophical systems, lectual heritage. Eventually comprising thirty-two educated in Geluk monasteries. roughout his this work covers the major schools of India, both non-Buddhist and Buddhist, but then philosophical large volumes, the collection will contain over two life, he traveled widely in east and inner Asia, goes on to discuss in detail the entire range of Tibetan traditions as well, with separate hundred distinct texts by more than a hundred of spending significant time in Central Tibet, chapters on the Nyingma, Kadam, Kagyü, Shijé, Sakya, Jonang, Geluk, and Bön schools. -
Sir Gerard Clauson and His Skeleton Tangut Dictionary Imre Galambos
Sir Gerard Clauson and his Skeleton Tangut Dictionary Imre Galambos Sir Gerard Leslie Makins Clauson (1891–1974) worked most of his life as a civil servant and conducted academic research in his spare time.1 Only after retiring in 1951 at the age of 60 was he able to devote his full attention to scholarly endeavours, which were primarily focussed on Turkish languages. Thus as a scholar, today he is primarily remembered for his contribution to Turkish studies, and his Etymological Dictionary of Pre-Thirteenth-Century Turkish is still an essential reference tool in the field.2 Yet in addition to his study of Turkish and Mongolian linguistics, he also worked on a number of other Asian languages, including Tangut. Even though his extensive list of publications includes a small number of items related to Tangut studies,3 he devoted an incredible amount of time and effort to studying the language and to compiling a dictionary. He never finished the dictionary but deposited a draft version along with his notes in seven large volumes at the Library of the School of Oriental and African Studies (SOAS), so that they would be available to anyone who wished to study Tangut and perhaps continue his research. Eric Grinstead, who used the dictionary when working on the Tangut manuscripts at the British Museum, called it “a paragon of excellence” in comparison with high level of errors in dictionaries available at the time.4 Indeed, the erudition of Clauson’s dictionary is obvious even upon a cursory look at the manuscript version and had it ever been published, it would have undoubtedly made a major impact on scholarship. -
Written Monuments of the Orient
RUSSIAN ACADEMY OF SCIENCES Institute of Oriental Manuscripts (Asiatic Museum) WRITTEN MONUMENTS OF THE ORIENT VOLUME 6 No. 1 (11) Founded in 2014 Issued biannually 2020 Editors Irina Popova, Institute of Oriental Manuscripts, RAS, St. Petersburg (Editor-in-Chief) Svetlana Anikeeva, Vostochnaya Literatura Publisher, Moscow Tatiana Pang, Institute of Oriental Manuscripts, RAS, St. Petersburg Elena Tanonova, Institute of Oriental Manuscripts, RAS, St. Petersburg Editorial Board Desmond Durkin-Meisterernst, Turfanforschung, BBAW, Berlin Michael Friedrich, Universität Hamburg Yuly Ioannesyan, Institute of Oriental Manuscripts, RAS, St. Petersburg Karashima Seishi, Soka University, Tokyo Aliy Kolesnikov, Institute of Oriental Manuscripts, RAS, St. Petersburg Alexander Kudelin, Institute of World Literature, RAS, Moscow Karine Marandzhyan, Institute of Oriental Manuscripts, RAS, St. Petersburg Nie Hongyin, Beijing Normal University, Sichuan Normal University, Beijing Georges-Jean Pinault, École Pratique des Hautes Études, Paris Stanislav Prozorov, Institute of Oriental Manuscripts, RAS, St. Petersburg Rong Xinjiang, Peking University Nicholas Sims-Williams, University of London Takata Tokio, Kyoto University Stephen F. Teiser, Princeton University Hartmut Walravens, Staatsbibliothek zu Berlin Nataliya Yakhontova, Institute of Oriental Manuscripts, Institute of Oriental RAS, St. Petersburg Manuscripts Peter Zieme, Freie Universität Berlin RAS 2020 WRITTEN MONUMENTS OF THE ORIENT. Vol. 6, No. 1 (11), 2020, p. 2 IN THIS ISSUE Nie Hongyin A Unique -
Areal Script Form Patterns with Chinese Characteristics James Myers
Areal script form patterns with Chinese characteristics James Myers National Chung Cheng University http://personal.ccu.edu.tw/~lngmyers/ To appear in Written Language & Literacy This study was made possible through a grant from Taiwan’s Ministry of Science and Technology (103-2410-H-194-119-MY3). Iwano Mariko helped with katakana and Minju Kim with hangul, while Tsung-Ying Chen, Daniel Harbour, Sven Osterkamp, two anonymous reviewers and the special issue editors provided all sorts of useful suggestions as well. Abstract It has often been claimed that writing systems have formal grammars structurally analogous to those of spoken and signed phonology. This paper demonstrates one consequence of this analogy for Chinese script and the writing systems that it has influenced: as with phonology, areal script patterns include the borrowing of formal regularities, not just of formal elements or interpretive functions. Whether particular formal Chinese script regularities were borrowed, modified, or ignored also turns out not to depend on functional typology (in morphemic/syllabic Tangut script, moraic Japanese katakana, and featural/phonemic/syllabic Korean hangul) but on the benefits of making the borrowing system visually distinct from Chinese, the relative productivity of the regularities within Chinese character grammar, and the level at which the borrowing takes place. Keywords: Chinese characters, Tangut script, Japanese katakana, Korean hangul, writing system grammar, script outer form, areal patterns 1. Areal phonological patterns and areal script patterns Sinoform writing systems look Chinese, even when they are functionally quite different. The visual traits of non-logographic Japanese katakana and Korean hangul are nontrivially like those of logographic Chinese script, as are those of the logographic but structurally unique script of Tangut, an extinct Tibeto-Burman language of what is now north-central China. -
A Study of Tibetan-Chinese Political Relations 1950 ― 2008
Han I:A Study of Tibetan-Chinese Political Relations 1950-2008 A Study of Tibetan-Chinese Political Relations 1950 ― 2008 Han I 1 Introduction Tibet has been occupied by China for over 50 years already, yet no progress has been made on solving the Tibetan problem. On 1 October 2009, China celebrated her nation’s 60th birthday by holding a grand procession and military parade on Tiananmen Square. China’s top leaders highly praised their own achievements at this official function as usual, however, something is amiss in the picture so-called “harmonious society”. Today’s China is, shall we say, a complicated country. A high economic growth rate has continued for two decades, but the closed political system known as “one-party rule” is as authoritarian as before. Actually any organized objection to the Communist Party was ruthlessly extirpated. The event in Tiananmen Square on 4 June 1989 is still clear in people’s memory. Recently the rebellions broke out in Tibet in March 2008 have also underlined the fact that more than a half century of Chinese occupation aren’t working and never successful. Resistance to Chinese rule hasn’t come just from the “Dalai clique”, as Chinese officials put it, but from all 6 million Tibetans. The situation of human rights in Tibet attracted the attention of people all over the world once again. As is generally known, China is the third largest country in the world, after Russia and Canada, and has an area of 9.6 million square kilometers. Only half of China is occupied by Han Chinese; the rest is inhabited by Mongols, Tibetans, Uyghurs and a host of other national minorities who occupy the periphery of China. -
Honours Thesis
The Xixia Writing System Bachelor of Arts Honours Thesis Alan Downes 89253388 Supervisor: Professor Daniel Kane Macquarie University November 26, 2008 Abstract The Xixia were an independent state established during the Song dynasty within the borders of present-day China. They developed a script that rivals Chinese in its complexity. The methods that have been historically used to describe characters are presented. A new method called the recursive radical method is then developed to exactly describe the structure of a Xixia character based on its components. This is then further developed into a transliteration method for the characters. Dictionaries are built up based on this transliteration method. A categorical dictionary for the Xixia characters is also presented. The grammar of the Xixia language is briefly outlined before finishing with an overview of the Xixia research literature. Contents 1 Introduction 3 2 Character Description Methods7 2.1 Radical-Based Systems..................................7 2.2 Four Corners Method..................................8 2.3 Nishida Tatsuo's Structural Approach......................... 12 2.4 Recursive Index for Xixia................................ 13 2.5 Recursive Index for Chinese............................... 20 2.6 Transliteration Scheme.................................. 20 3 Xixia Dictionaries 26 3.1 Categorical Dictionary.................................. 26 3.2 Transliteration Dictionary................................ 26 3.3 Suffix Dictionary..................................... 27 3.4 -
Reading the History of a Tibetan Mahakala Painting: the Nyingma Chod Mandala of Legs Ldan Nagpo Aghora in the Roy Al Ontario Museum
READING THE HISTORY OF A TIBETAN MAHAKALA PAINTING: THE NYINGMA CHOD MANDALA OF LEGS LDAN NAGPO AGHORA IN THE ROY AL ONTARIO MUSEUM A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Sarah Aoife Richardson, B.A. ***** The Ohio State University 2006 Master's Examination Committee: Dr. John C. Huntington edby Dr. Susan Huntington dvisor Graduate Program in History of Art ABSTRACT This thesis presents a detailed study of a large Tibetan painting in the Royal Ontario Museum (ROM) that was collected in 1921 by an Irish fur trader named George Crofts. The painting represents a mandala, a Buddhist meditational diagram, centered on a fierce protector, or dharmapala, known as Mahakala or “Great Black Time” in Sanskrit. The more specific Tibetan form depicted, called Legs Idan Nagpo Aghora, or the “Excellent Black One who is Not Terrible,” is ironically named since the deity is himself very wrathful, as indicated by his bared fangs, bulging red eyes, and flaming hair. His surrounding mandala includes over 100 subsidiary figures, many of whom are indeed as terrifying in appearance as the central figure. There are three primary parts to this study. First, I discuss how the painting came to be in the museum, including the roles played by George Croft s, the collector and Charles Trick Currelly, the museum’s director, and the historical, political, and economic factors that brought about the ROM Himalayan collection. Through this historical focus, it can be seen that the painting is in fact part of a fascinating museological story, revealing details of the formation of the museum’s Asian collections during the tumultuous early Republican era in China. -
Proposal to Encode Obsolete Simplified Chinese Characters Page 1
Proposal to Encode Obsolete Simplified Chinese Characters Page 1 Title: Proposal to Encode Obsolete Simplified Chinese Characters Source: Andrew West Date: 2009-08-01 Contents 1. Introduction ........................................................................................................................................................................ 1 2. First Batch Simplified Characters (1935) ........................................................................................................................ 2 2.1. Background ................................................................................................................................................................... 2 2.2. Table of First Batch Simplified Characters ................................................................................................................... 3 3. Singapore Simplified Characters (1969) ........................................................................................................................ 18 3.1. Background ................................................................................................................................................................. 18 3.2. Table of Singapore Simplifications ............................................................................................................................. 18 4. Second Stage Simplified Characters (1977) ................................................................................................................... 22 4.1.