DOCSLIB.ORG

The Talking Machine World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Talking Machine World 162 THE TALKING MACHINE WORLD Ann.15, 1922 ADVANCE RECORD BULLETINS FOR MAY-(Continued from page 161) Fingida Jose Alojica !lager)(Intro."little Annie Rooney," "On The Rosary (Nevin-Rogers)-Tenor, with Orch. 76016 A'irgencita (little Maiden) Josealolica theBanks oftheWabash," "SweetRosie Ace. Henry Moeller Agua que vario abaio-Couplet ose Mopes O'Grady.'"Lie Rambled," "A Hot Timein YIDDISH RECREATIONS RE1.EASED ON ORDER the Old Town")-Male Quartet with Orchestra, 59503 Zigeklehbt Sam Silberbusch Shannon Four 10 REGAL RECORD CO. Shema Jisroel Sam Silberbusch 4560 Mother Machree (Young.01cottPall)-Tenor with 59504 Prohobyschen (Kamedie Sketsh mit gesang). Orch. William Rodyn 10 9206 Never Mind (Brcau-Sanders)--Fox-trot, Sam SilberbuschSadic aa'achtel Macushla (J. V. Rowe, D. :Shen! urrough) Biltmore Hotel Orchestra Konig LearalsBorder(Kamedie Sketshmit --Tenor with Orch William Rodyn 10 My Mammy Knows (De Costa -Jerome) -Fox-trot, gesang) Sam Silberbuseh-Sadie aa'achtel 4561 The Great Red Moon (Ring -Hager). Zylo Specialty Orchestra ALREADY RELEASED !lager's Orchestra, Ace. by Gounod Quartet 10 9207 Mo-Na-Lu (Louis Brew)-Foxtros. 50954 Old Fashioned Girl- -Fox trot 1.anin's Orch. Valsc Ma Jobe (Wm. J. C. Lewis)--Samphotie Sherbo's Dance Orchestra Blue Bird (Where Are You?)-Fox-trot, Nathan Glantz 10 Babbling Brook (Kendis.Brockman)-M'altz, Broadway Dance Orth. 4562 UncleJosh andtheDentist(CalStewart) Zylo Specialty Orchestra TWO SPECIAI.S -Talking Byron Harlan. Ernest Hare 10 9208 Somewhere in Naples (J. S. Zamecnik)-Fox-trot. 50058-4107 A Flower of Italy-Violin Solo, Village Gossip (Cal Stewart)-Talking, oseph Samuels' Music 'Masters Is !Moskowitz, Byron Harlan, John Riley 10 Colorado and You (khnson-Robison)-Waltz, 1505 Valse (Posthumous)-PianoSoloidore 70005 The ChildPlaid Shawl (Hayncs)-Recorded in osh Samuels Music Masters E. Robot Schmitz Europe by the International Talking Machine 9209 Greenwich Witch (Zez Confrey) (Piano Solo), 50059 1558 Swaying- -Waltz,Piano Solo, Company John :McCormack with Orchion' Vi Palmer ErnestI.. Stevens 4563 Gentle Angels.Pilot Me (J.E. Gould) --Spirit- You Tell'Em Ivories(ZezConfrey)(Piano 8370 Who (BelievedinYou?)-Fox-trot,l'iano ualistic Hymn. Baritone with Orch, Solo) Vi Palmer Solo Henry W. Lange Gene Kenneth Lord 10 SPECIAL CH. -RACIER RELEASE Only a ThinVeilBetweenUs- -Spiritualistic 0210 Mister Gallagher and Mister Shran (Character Ilymn,Baritonewith Orch , Duet) Irving and Jack Kaufman EDISON BLUE AMBEROL Gene Kenneth Lord 10 Just\rgue With an Irishman, Then Kiss Your- self Good -Night Billy West 4494 Blue Danube AValtz-Piano Solo....Walter Chapman PATHE FRERES PHONOGRAPH CO. 4495 House o' Dreams Lewis James EMERSON PHONOGRAPH CO., INC. 4496 Brother Low Down Al Bernard STANDARD VOCALS 4497 Old Pal (Why Don't You Answer Me?)-Violin 20707 The Two Beggars, DANCE Solo Herbert Soman Wallace Brown and George Anderson 10517 By the Sapphire Sea (Ted Snyder)-Fox-trot. 4498 Forgotten 10 Fugene Coates Dream Faces Elliott Shaw 10 Sherbo's Club Dansant Ensemble 4499 Blue Bird Inspiration Imperial 'Marimba Band 20708 Kentucky Babe William Lowe 10 Rabbling Brook (Kendis and Brockman)-Waltz, 4500 Those Days Are Over George Wilton Ballard Nancy Lee William Lowe 10 Green Brothers Novelty Band 4501 Marie-Fox-trot Green Bros. Novelty Band 20709 Barcarolle('Tales of Hoffman"), 10518 Lola Lo (Lange.Klapholz)-Fox-trot, 4502 %%len I Was Twenty-one Glen Ellison Gladys Rice and Nevada Van der Veer 10 California Ramblers 4503 0 Day of Rest and Gladness.. Metropolitan Quartet All Through the Night Lewis James 10 Learning to Love (Ward and Arthur)-Fox-trot. 4504 Thinking of You The Homestead Trio 20710 Silver Threads Among theGold. Glantz and His Orchestra 4505 IAin't Nobody's Darling Byron GHarlan Charles Harrison 10 10519 Curie (from the Musical Production "The Blue 4506 Up in the Clouds (From "Up in the Clouds")- I.Ove's Dream Is O'er. Kitten")-Fox-trot.Eubie Blake and His Orchestra Ifedley Fox-trot Green Bros. Novelty Band Lewis James and Charles Hart 10 jimmy,ILove But You (Trebla and Capie)- ONE NORWEGIAN SELECTION ' SACRED Fox trot Eubie Blake and His Orchestra 9252.15061 Sommersol tie sidste Stund! (Silver Threads 20711 Almost Persuaded Paul Hardy 10 10520 Good-bye. Shanghai (Johnson and Meyer)-Fox- Among the Gold) Carlsten Woll Just as I Am Paul Hardy 10 trot. Glantz and His Orchestra ONE. RUSSIAN SELECTION INSTRUMENTAL My Mammy Knows (De Costa and Jerome)- 11232.15087 Kalinka(RussianFolkSong) Riissliaya 20712 When Shall We Meet Again. Fox-trot Green Brothers' Novelty Band narodnaya piesnia Alexander Sashko Lucas Novelty Quartet 10 10521 Virginia Blues (Fred Meinken)-- Fox-trot, MAY BI.UE AMBEROI. IIITS Selection of South Russian Folk Melodies, Lanin's Southern Serenaders 4532 Blue Danube Blues andKa.lu-a (From "Good Kirilloff's Russian Balalaika Orchestra 10 Doo Dah Blues (Rose and White)-Fox-trot. Morning. Dearie")-Piano Solo Ray Perkins Manhattan Trio 10 Lanin's Southern Serenaders 45.13 VirginiaBlues-Fox-trot.... Broadway Dance Orch. 20713 To a Wild Rose (Violins -Piano), 10522 SoinewhereinNaples(J.S. Zamecnik)-Fox. 4534 Who Believedin You?-Piano Solo, Song ofIndia(Chanson Imbue)(From the trot Joseph Samuels' Music Masters Henry W. l.ange Legend "Sadk.i") (Violins -Piano), Coloradoand You(JohnsonandRobison)- 4535 IAin't Nobody's Darling(Intro.: "Medley of Manhattan Trio 10 Waltz Joseph Samuel? Music Masters College Songs")-Piano Solo Ray Perkins RURAL COMEDY 10523 Greenwich Witch (Zez Confrey)-Piano Solo, 4536 Old Fashioned Girl-Fox trot Lanin's Orch. 20714 Uncle Josh Buys an Automobile (Cal Stewart), Rea Confrey Byron G. Harlan 10 YouTell'EntIvories(ZezConfrey)-Piano OKEH RECORDS Uncle Josh at the Circus (Cal Stewart), Solo Zez Confrey Byron G. Harlan 10 VOCAL 4542 Sweet Cookie (Irwin Le Clerc), POPULAR 10524 Little Grev Sweetheart of Mine (Fred Fisherl- Mamie Smith and Her Jazz Rand 10 20732 Pick Me Up and Lay Me Down in Dear Old Tenor Solo. Orch. Accomp Charles Harrison Oh. Toe (Please Don't Go) (L M. Walker -Larry Dixieland Vernon Dalhart 10 Old Fashioned Girlina Gingham Gown (Al Briers) Mamie Smith and Her Jazz Band 10 Memories of You. Carleton Williams 10 Jolson)-Baritone Solo, Oreh. Accomp. 4543 On the Gin -Gin, Ginny Shore (Leslie -Donaldson) 20733 California Arthur Fields 10 Arthur Fields (Contralto with Orch.) Aileen Stanley 10 Don't Feel Sorry for Me Arthur Fields 10 10525 Ohl You Beautiful Baby (Lewis-Young-Akst)- The Mamma Gone Blues(L.Calvin.j.Clark) 20734 Tell Her at Twilight Flliott Shaw 10 Novelty Song. Oreh. Aceomp Fred Hillebrand 10 (Contralto with Orchestra) Elsie Clark 10 Alabamy Mammy Hart and Shaw Atta Baby! (Tracey and Mohr)-Novelty Song, 4544 Eight Rock Blues (B. Smythc-A. Furlong)-Fox- 20735 Who Tied the Can on the Old Dog's Tail. Orth, Accomp Fred Hillebrand trot Tampa Blue Jazz Band 10 Al Bernard the Wonder Where He Went and When Hurry Back Home (Ben Schwartz)-Fox-trot. You Won't Be Sorry Crescent Trio 10 He's Coming Rack Blues (Little and Lyman)- Tampa Blue Jazz Band 10 DANCE RECORDS Novelty Duet Orch. Accomp.. 4545 After the Rain (A. -G. Shrigley)-Fox trot, 20736 By the Sapphire Sea-Fos-trot. Al Bernard and Ernest Hare Erdody and His Famous Orchestra 10 Hotel Biltmore Orchestra 10 I'llBe Glad to Get Back to My Home Town Just aLittle I.ove Song (Joe Cooler)-Fox-trot, Bygones-Fox trot Hotelltiltmore Orchestra 10 (Tracey and Mohr)-Novelty Song, Orch. Ac - Erdody and His Famous Orchestra 10 20737 Virginia Blues --Fox-trot, comp Billy Jones 4546 She's a Mean Job (Jimmy Selby)-Fox-trot, Jos. Samuels and His Orchestra 10 10527 Blue Bird, Where Are You?(Clarke-Maslof)- - The Original Six 10 I.ittle Girl-Fox-trot Royale Trio ho Tenor Solo. Orch. Aceomp Billy Jones Angel Child (G. Price -A. Silver -B. Davis)-Fox- 20738 Georgia-Fox-trot Drni Parker's Trio 10 Hawaiian Bluebird (Gravel'-Harding)-Tenor trot The OriginalSix 10 Up inthe Clouds-Fox-trot, Solo Vernon Dalhart 4547 My Mammy Knows (H. De Costa.nl. K. Jerome) Casino Dance Orchestra 10 Accomp. by Hawaiian Guitars. Fox trot California Ramblers 10 20739 Lovey Dose (From "Rose of Stamboul")-Fox- Ferera and Franchini MalikMiami Dreams(RichardA.Whiting) trot Casino Dance Orchestra 10 10528 Ave Maria (Gounod)-'Cello Solo,Piano Ac - -Fox-trot California Ramblers 10 Lonesome lips-Fox-trot, Casino Dance Orchestra 10 comp. Laj06 Shuk 4548 Cutk (From "The Blue Kitten") (Rudolf Friml) 20740 By the Old Ohio Shore-Waltz, The Swan (1.eCygne)(SaintSiens)-'Cello -Fox-trot Blue Diamond Dance Orchestra 10 Terrace Waltz Orchestra 10 Solo. Piano Acoomp Lagos Shuk Italy(E.C.Keithley-F. H. Klickmann)-Fox When Sweethearts Waltz (Waltz). trot Markers Orchestra 10 Terrace Waltz Orchestra 10 4549 Lola Lo (A. Lange -E. Klapholz)-Hawaiian Fox- All of these records may be obtained in both Pathe (sap- CONNORIZED MUSIC CO. trot Markers Orchestra 10 phire) and Actuelle (needlecut).The numbers shown arc Don-dahBlues (Fred Rose Eddie White) --Fox- Patin:- numbers.The Actuelle number is the same as the 3065I Wonder Blues (LittleLyman)-Fox-trot, trot Markers Orchestra 10 radii- but prefixed with a cipher, as 0.70707. Bailey's Lucky Seven 4550 The Sheik of Araby (H. B. Smith -F. Wheeler - lick Me Up and Lay Me Down inDear Old Ted Snyder)(Tenor, Ace. by The Orchestra Dixie Land (Kalmar -Ruby)- -Fox-trot, of Araby) Charles Hart 10 GENNETT LATERAL RECORDS Bailey's Lucky Seven Ka143-a(FromtheMusicalComedy."Good 3066 By the Old Ohio Shore (Farl)-Waltz.. -Taylor Trio Morning. Dearie") (Anne Caldwell -Jerome 4833 Dolores Waltz (Waldieufel) Capodiferm's Rand Swance River Moon (Clark)-Waltz. Kern-Tenor,Acc.byHawaiianOrchestra, Blue Danube Waltz (Strauss) Capodiferro's Rand Maus Orchestra Lewis James 10 4834 Pyramids (Polka) (I.iberati)(Cornet Solo with 3067 Rio Nights (Thompson)-Waltz Hawaiian Quartet 4551I Got It.
Load more

Recommended publications
  • Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
    An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E.
    [Show full text]
  • CONSTRUCTING TIN PAN ALLEY 17 M01 GARO3788 05 SE C01.Qxd 5/26/10 4:35 PM Page 18
    M01_GARO3788_05_SE_C01.qxd 5/26/10 4:35 PM Page 15 Constructing Tin Pan 1 Alley: From Minstrelsy to Mass Culture The institution of slavery has been such a defining feature of U.S. history that it is hardly surprising to find the roots of our popular music embedded in this tortured legacy. Indeed, the first indige- nous U.S. popular music to capture the imagination of a broad public, at home and abroad, was blackface minstrelsy, a cultural form involving mostly Northern whites in blackened faces, parodying their perceptions of African American culture. Minstrelsy appeared at a time when songwriting and music publishing were dispersed throughout the country and sound record- The institution of slavery has been ing had not yet been invented. During this period, there was an such a defining feature of U.S. history that it is hardly surprising to find the important geographical pattern in the way music circulated. Concert roots of our popular music embedded music by foreign composers intended for elite U.S. audiences gener- in this tortured legacy. ally played in New York City first and then in other major cities. In contrast, domestic popular music, including minstrel music, was first tested in smaller towns, then went to larger urban areas, and entered New York only after success elsewhere. Songwriting and music publishing were similarly dispersed. New York did not become the nerve center for indigenous popular music until later in the nineteenth century, when the pre- viously scattered conglomeration of songwriters and publishers began to converge on the Broadway and 28th Street section of the city, in an area that came to be called Tin Pan Alley after the tinny output of its upright pianos.
    [Show full text]
  • General Music Responding to and Creating Blues Music—Grade 5
    General Music Creating through Responding Unit Grade 5 Responding to and Creating Blues Music A Curriculum Project of the National Association for Music Education (NAfME) and the Library of Congress of the United States Teaching with Primary Sources ACKNOWLEDGMENTS PERSONNEL, LIBRARY OF CONGRESS GRANT — WRITING RESPONDING UNITS 2018–2019 PROJECT DIRECTOR • Johanna J. Siebert COMPOSITION/THEORY WRITING TEAM • Carolyn Bennett, North Stonington, CT, Team Chair • Terrence E. Bacon, North Chili, NY • Lisa Cookson, Wichita, KS GENERAL MUSIC WRITING TEAM • Wendy Barden, Minnetonka, MN, Team Chair • Steve Kennedy, New Orleans, LA • Richard Maxwell, Phoenix, AZ • Susan Osborn, Bear, DE • David Potter, Lansing, MI • Matt Warren, Webster, NY Special thanks to the Library of Congress for the generous grant on Teaching with Primary Sources (TPS), which made this resource possible. GENERAL MUSIC RESPONDING UNIT | GRADE 5 | NATIONAL ASSOCIATION for MUSIC EDUCATION 2 TABLE OF CONTENTS Overview of NAfME/Library of Congress Responding Units ........... 4 Overview of Grade 5 General Music Unit on Responding to and Creating Blues Music ............................................ 4 Prerequisite Knowledge and Experiences ........................... 5 Instructional Goals ............................................. 5 Embedded Inquiry Model: KWL ................................... 6 National Core Arts Standards in Music (2014) ....................... 7 Formative/Summative Assessments ............................... 9 Library of Congress Resource Links ..............................
    [Show full text]
  • The Steel Guitar in Early Country Music Part Two: Jimjimmiei Er Rooddggerrs ’S Steel Guitarists
    lis 14/04/2013 12:57 Page 1 Chapter Eight: Billy Burkes Revisited The Steel Guitar in Early Country Music Part Two: JimJimmiei eR Rooddggerrs ’s Steel Guitarists This ongoing series of articles—which began in the March 2008 issue—has been examining the ten steel guitarists who recorded with American country mWuislliica pmio nTeheero dore (“Billy”) Bu(1r8k9e7s -1933) between 1928 and 1933. (The first solo “hillbilly music” star, Rodgers did much to popularize the acoustic steel guitar throughJ ohsise tphhir Ktya-aoaniea V Kicatiopro sides including the instrument.) Rodgers’s eighth steel guitarist, (1912-1989) was originally discussed in the September 2008 and March 2009 issues, in connection with Hawaiian steel-player (1896-1964). Hookena-born Kaipo—the third steel guitarist to record with Rodgers—played a west-Dallas supper-club gig with Billy and his middle brother Weldon before meeting Rodgers; Billy and Joe Kaipo continued collaborating when Billy participated in five of Kaipo’s fall 1929 recordings with Rodgers. WNAX radio Yankton Since March 2009, I have continued researching Billy Burkes’s life (particularly his post-Rodgers years) while preparing Burkes-related presentations to give at libraries, museums, and meetings of service-clubs in the eastern part of my home state of South Dakota. (These presentations have centered around a three-month residency Burkes served on in the far-southeastern South Dakota town of , in the late-summer-and-early-fall of 1938.) This installment will correct some of the errors/misstatements inadvertently made about Burkes in the September 2008 and March 2009 issues, plus add some of my newWly-icahcqitua ired information (including—where possible—any Burkes activities related to Hawaiian music).
    [Show full text]
  • MUNI 20071004 – St. Louis Blues C D 1 01 Original Dixieland Jazz Band; Al Bernard-Voc New York, May 25, 1921. 78 Rpm Victor
    MUNI 20071004 – St. Louis Blues C D 1 01 Original Dixieland Jazz Band ; Al Bernard -voc New York, May 25, 1921. 78 rpm Victor 18772 / CD RCA ND 90650 02 Paul Whiteman Orchestra New York, March 29, 1926. 78 rpm Victor / CD RCA 7432 1 35547 2 03 Bessie Smith -voc; Louis Armstrong -co; Fred Longshaw-harmonium New York, January 14, 1925. 78 rpm Columbia / CD Masters of Jazz MJCD 38 04 Louis Armstrong Orchestra Chicago, April 26, 1933. 78 rpm Victor / CD RCA 09026 63694 2 05 Louis Armstrong All Stars ; Velma Middleton -voc July 13, 1954. LP Columbia CL 591 / CD Columbia CK 64925 06 Vincent Lopez and His Casa Lopez Orchestra New York, March 29, 1928 78 rpm Brunswick 20065 / CD MaZe 07 Duke Ellington Orchestra (Warren Mills and His Blue Serenaders), Adelaide Hall -voc New York, December 20, 1928 78 rpm Victor / CD Masters of Jazz MJCD 52 08 Duke Ellington Orchestra New York, September 3, 1946 78 rpm Victor 20-2327 / CD RCA 09026-63386-2 09 Dorsey Brothers’ Orchestra London, July 15, 1930. 78 rpm Decca F.1878 / CD Jazz Oracle BDW 8051 10 Dave Nelson’s Hot Shots , Dave Nelson-voc New York, June 9, 1931. 78 rpm / CD MaZe 0021 11 Art Tatum -solo piano New York, March 21, 1933. 78 rpm Brunswick / CD Affinity AFS 1035-3 12 Django Reinhardt Trio Paris, September 9, 1937 78 rpm Swing 7 / CD Gallery GALE 421 13 Billie Holiday -voc; Benny Carter Orchestra . New York, October 15, 1940. 78 rpm Okeh 6064 / CD Columbia CK 47031 14 Lena Horne -voc, with Henry Levine and the Dixieland Jazz Group of NBC’s Chamber Music Societz of Lower Basin Street New York, June 25, 1941 78 rpm Victor 27542 / CD Recall 15 Peggy Lee -voc; Quincy Jones Orchestra .
    [Show full text]
  • Al Oh a D Re Am
    AAlloohhaa DDrreeaamm March 2007 Vol. 5. Issue 1. Contents 1. ‘Bali Hi’ By Reggie & Rebecca De Roos 2. Contents Page 3. Welcome. The Editor’s usual pleadings for articles, clothing / food etc. 4. Ron Whittaker’s Big Birthday 5. “ “““ 6. The Waikiki Hawaiians 7. ““ “ 8. ““ “ 9. Paul “Bud” Tutmarc Jr. 10. A Mystery solved by Fate :- Arthur Layfield 11. “ “ “ “ “ 12. We Will Remember You Don Ho 13. “ “ “ “ “ “ 14. “ “ “ “ “ “ 15. “ “ “ “ “ “ 16. My Adventures as a Musician :- Mike Broad 17. Santo & Johnny 18. “ “ 19. Basil’s Steelin’ Tricks of the Trade (The Bear Facts) 20. Sleep Walk Tab. 21. “ “ “ 22. Sleep Walk analysis continued ... 23. The Birthday one at Shustoke Sailing Club 24. “ “ “ “ “ “ “ 25. “Sneaky” Pete Kleinow 26. “ “ “ 27. Readers Letters 28. “ “ 29. “ “ 30. Hawaiian Guitarists’ Convention Brecon 2007 All ads and enquiries to :- Pat Henrick Editorial and design:- Subscriptions:- Morgan & Thorne Pat and Basil Henriques U.K. £16:00 per year 286. Lichfield Road Honorary members Europe €25:00 Overseas $35:00 Four Oaks John Marsden (U.K.) Sutton Coldfield (U.S. dollars or equivalent) Pat Jones (Wales.) All include P+P (S+H) Birmingham B74 2UG Keith Grant (Japan) West Midlands. Phone No:- 0182 770 4110. Payment by UK cheque, cash or E Mail:- [email protected] money order payable to:- web page www.waikiki-islanders.com “Pat Henrick” Published in the U.K. by Waikiki Islanders Aloha Dream Magazine Copyright 2007 2 AA LL OO HH AA TO YOU ALL Firstly I must apologise for being late with this issue, as some of you know we have moved house, and as those of you who have done it will know it certainly isn’t an easy thing to do.
    [Show full text]
  • The Choo Choo Jazzers and Similar Groups: a Musical And
    The Choo Choo Jazzers and Similar Groups: A Musical and Discographical Reappraisal, Part Two By Bob Hitchens, with revised discographical information compiled and edited by Mark Berresford Correction to the preamble to Part 1 of this listing. The words “the late” in connection with Johnny Parth should be deleted. Happily Johnny is going well at around 85 years of age. My apologies for the mistake and for any upset caused. Bob H. Please see Part One (VJM 175) for index to abbreviations and reference sources. GLADYS MURRAY, Comedienne Acc. By Kansas Five Clementine Smith (vcl, comb and paper) acc by: poss Bubber Miley (t) unknown (tb) Bob Fuller (cl) Louis Hooper (p) Elmer Snowden (bj) New York, c. November 24, 1924 5740-5 EVERYBODY LOVES MY BABY (Williams - Palmer) Regal 9760-A Rust: LM? or BM,BF,LH,ES. B&GR: LM or BM??,BF,LH,ES. Kidd: u/k,BF,LH,u/k. Miley disco: BM,u/k (tb)BF,LH,ES. Rains: BM. May be pseudonym for Josie Miles. (David Evans, notes to Document DOCD5518) Miley disco emphasises that other commentators have missed the trombone. So did I. I don’t think BM is here but Rains implies that the label states Miley (VJM157). I agree with KBR and feel that this is the same team as the 21 Nov Edisons. JOSIE MILES – JAZZ CASPER Josie Miles, Billy Higgins [Jazz Casper] (vcl duet) acc by: Bubber Miley (t) Louis Hooper (p) Elmer Snowden (bj) New York, c. November 24, 1924 5741-1-2 LET'S AGREE TO DISAGREE (Smith - Durante) Ban 1499-A Rust: BM or LM,LH,ES.
    [Show full text]
  • Bob Wills: the King of Western Swing Contributors Gary Hartman Rush Evans Rush Evans
    et al.: Contents Letter from the Director The beginning of the Fall Wylie Hubbard, have been very successful. Our third CD, which 2002 semester marks the will feature Jerry Jeff Walker, Rosie Flores, The Flatlanders, and third year since the Center others, will be available soon. Proceeds from the CDs have been for Texas Music History vital in helping fund our ongoing educational projects. We are very (formerly the Institute for grateful to the musicians and everyone else who contributed. the History of Texas Music) We are very pleased to be working closely with the Bob Bul- was officially established in lock Texas State History Museum, the Country Music Hall of the History Department at Fame and Museum, and others to help present the “Country Southwest Texas State Music from the Lone Star State” exhibit, which will run through University. During those January 2003. This issue of the Journal of Texas Music History three years, the CTMH has features an in-depth article about the exhibit. I strongly en- compiled an impressive list courage all our readers to visit the Bullock Museum to experi- of accomplishments. ence this wonderful presentation on Texas music history. With the help and I am very grateful to the following people for their hard work support of many good people and businesses throughout the and generous support: Kathryn Ledbetter, Gregg Andrews, Vikki Southwest, we have built a unique and important program Bynum, Jenni Finlay, Dawn Shepler, Ann Marie Ellis, Gene focusing on the preservation and study of the region’s complex Bourgeois, the entire SWT History Department, the CTMH and diverse musical heritage.
    [Show full text]
  • ~ MANY EVENTS in STAGE SETTING ~[I for WOMEN's DAY SATURDAY
    Tuesday-TWICE-A--WEEK-Friday A!'SOCiatcd Students Election Vote for Student Officers Thursday Tbut·sday VOL. :XXVIII. STATE COLLEGE OF WASHINGTON, PULLMAN, WASHINGTGN, TUESDAY, MAY 23, 1922 No. 59 / 4 CONffRENCf GAMES I:~ ·:· ·:· ·:· ·:· + ·~ + + + + : PROMINENT WOMEN ·:· CHINOOK HOURS •!• ~ MANY EVENTS IN STAGE SETTING Holders of Chinook tags A student rece1vmg no REMAIN ON SCHEDUlf :·:· and receipts must claim their :; SPEAK AT CONfERENCfl:~: grade below "B" and not less books this week, since those ·:· -- 1.:. than 40 points shall ha\·e one ..:. 1.:. 0:• remaining at the end of the hour of credit added to the ~[ I fOR WOMEN'S DAY SATURDAY W. S. C. Will Also Play Two Non- ••• ·:· Successful Business Women Tell .:. week will be put on general I • total number of hours for the ... Conference Games With sale. Prep and College Students ·:· semester. The office will be open at of Woman's Field l·r The Program, as Announced Includes Tennis Matches, Track Gonzaga the following hours: Events, Baseball Finals, Archery, Quoits, Volley Ball Games, Tuesday, May 23-9:30- I+ ·:· ·l+ + ·l+ + •l+ + ·:· + + •l+ +t· + •l+ II 12 m ; 1:10-4:45 p. m. 4 I + May Fete and Big D&nce COUGARS NOT OUT OF RACE I~ Wednesday ~ 9:30-12; ·!· STYLE SHOW A FEATURE I::. GRADB POSTALS ·!· 1:10-4:45. ~~ Thursday-9-12; 1:10- + I·:· All students who wish to "THE PINE NEEDLE," WOMEN'S EVERGREEN Huskies Drop in Percentage From I:;: 4:45. ·!· Campus Models Display Garments j•r obtain their grades before the ., APPEARING DURING DURING DAY AS FEATURE Loss of Game to Vandal ·:· Fariday-1:10-4:00 p.m.
    [Show full text]
  • EDDIE LANG – the FORMATIVE YEARS, 1902-1925 by Nick Dellow
    167 Eddie Lang Part One_Layout 1 05/09/2013 12:07 Page 1 EDDIE LANG – THE FORMATIVE YEARS, 1902-1925 By Nick Dellow Jazz musicians who live short lives often leave the deepest impressions. There is something about their immutable youth, echoed through the sound of distant recordings, that encapsulates the spirit of jazz. One thinks of Bix and Bubber, Murray and Teschemacher, and Lang and Christian. Of these, guitarist Eddie Lang left the largest recorded testament, spanning jazz, blues and popular music generally. Whether his guitar was imparting a rich chordal support for other instrumentalists, driving jazz and dance bands with rhythmic propulsion, or providing a sensitive backing for a variety of singers, Lang’s influence was pervasive. Django Reinhardt once said that Eddie Lang helped him to find his own way in music. Like his contemporary Bix Beiderbecke, Lang’s defining role as a musician was acknowledged early on in his career, and has been venerated ever since. As is often the case with musicians who are prolific, there are gaps in our knowledge. This article attempts to address some of these, with particular attention being paid to Lang’s early career. In the second part of the article the Mound City Blue Blowers’ visit to London in 1925 is discussed in detail, and possible recordings that Lang made during the band’s engagement at the Piccadilly Hotel are outlined and assessed. More generally, Lang’s importance as a guitarist is set in context against the background of the guitar’s role in early jazz and dance music.
    [Show full text]
  • The Transformation of the Steel Guitar from Hawaiian Folk Instrument to Popular Music Mainstay
    Across the Pacific: The transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay by R. Guy S. Cundell B Mus (Hons.), Grad Dip Ed A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide April 2014 ii Table of Contents I. List of Music Examples ..................................................................................................... v II. Abstract ......................................................................................................................... vii III. Declaration .................................................................................................................. viii IV. Acknowledgements ....................................................................................................... ix V. Notes on Transcriptions and Tablature ........................................................................... x Introduction ............................................................................................................................... 1 Literature Review ...................................................................................................................... 5 Chapter 1: Origins of the Steel Guitar ....................................................................................... 9 1.1 A Mode of Performance .................................................................................................
    [Show full text]
  • Lo Ha D Re Am
    AAll oo hh aa DDrr ee aa mm April 2018 Vol. 16. Issue 1. C o n t e n t s 1. Cover photo: ‘The Perfect Spot’ by Pete Tillack 2. Contents Page 3. The Editor’s comments and usual apologies 4. Compassion in Action—Jeff Apaka 5. “ “ “ “ 6. “ “ “ “ 7. “ “ “ “ 8. “ “ “ “ 9. Hawaiian Soundies from the 1940’s by alan Morgan 10. “ “ “ “ “ “ “ 11. “ “ “ “ “ “ “ 12. Anthony Lis Analysis of Guy Cundell’s Thesis. Part Six section 2 13. “ “ “ “ “ “ “ “ “ 14. “ “ “ “ “ “ “ “ “ 15. “ “ “ “ “ “ “ “ “ 16. “ “ “ “ “ “ “ “ “ 17. “ “ “ “ “ “ “ “ “ 18. “ “ “ “ “ “ “ “ “ 19. Pioneer of the Hawaiian Guitar in England by Les Cook 20. “ “ “ “ “ “ “ “ 21. “ “ “ “ “ “ “ “ 22. The Arthur Layfield Collection by John Marsden 23. “ “ “ “ “ “ 24. “ “ “ “ “ “ 25. There’s no Steelin’ The Spotlight by Bill Wynne / Santo Farina 26. “ “ “ “ “ “ 27. “ “ “ “ “ “ 28. “ “ “ “ “ “ 29. Readers Letters 30. “ “ 31. Steel Guitar Sounds Slowly Fading away / Barney Isaacs 32. Richard Ho’opi’i / Peter Moon all enquires to :- Editorial and design:- Subscriptions:- per year Pat Henrick ‘aloha Dream’ Pat and Basil Henriques U.K: £20:00 38. Greenacre Park Honorary members :- on-line £8.00 Coton in the Elms Pat Jones (Wales.) Europe: €30:00 Swadlincote DE12 8HB Keith Grant (Portugal) on-line €10.00 Derbyshire --------------------------------- Overseas: $40:00 web address:- Hawaiian Musicologists on-line $15.00 http://www.waikiki-islanders.com John Marsden (U.K.) (U.S. dollars or equivalent) Prof. Anthony Lis (USA) All include P+P (S+H) E Mails :- [email protected] Bill Wynne (USA) ONLY STERLING CHEQUES, [email protected] Bill’s mentioned recordings or UK postal order payable to:- Phone No:- 01283 763399 can be found at his “PaT HENRICK” or Mobile No:- 07800-646-645.
    [Show full text]