Playing by Programming
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Player–Game Interaction and Cognitive Gameplay: a Taxonomic Framework for the Core Mechanic of Videogames
informatics Article Player–Game Interaction and Cognitive Gameplay: A Taxonomic Framework for the Core Mechanic of Videogames Kamran Sedig 1,*, Paul Parsons 2 and Robert Haworth 1 1 Department of Computer Science, Western University, London, ON N6A 3K7, Canada; [email protected] 2 Department of Computer Graphics Technology, Purdue University, West Lafayette, IN 47907, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-519-661-2111 (ext. 86612) Academic Editor: Antony Bryant Received: 19 December 2016; Accepted: 9 January 2017; Published: 13 January 2017 Abstract: Cognitive gameplay—the cognitive dimension of a player’s experience—emerges from the interaction between a player and a game. While its design requires careful consideration, cognitive gameplay can be designed only indirectly via the design of game components. In this paper, we focus on one such component—the core mechanic—which binds a player and game together through the performance of essential interactions. Little extant research has been aimed at developing frameworks to support the design of interactions within the core mechanic with cognitive gameplay in mind. We present a taxonomic framework named INFORM (Interaction desigN For the cORe Mechanic) to address this gap. INFORM employs twelve micro-level elements that collectively give structure to any individual interaction within the core mechanic. We characterize these elements in the context of videogames, and discuss their potential influences on cognitive gameplay. We situate these elements within a broader framework that synthesizes concepts relevant to game design. INFORM is a descriptive framework, and provides a common vocabulary and a set of concepts that designers can use to think systematically about issues related to micro-level interaction design and cognitive gameplay. -
27” 4K Ultra HD Gaming Monitor with Superclear® IPS Technology XG2700-4K
27” 4K Ultra HD Gaming Monitor with SuperClear® IPS Technology XG2700-4K The ViewSonic® XG2700-4K is a 27” 4K Ultra HD LED gaming monitor that delivers stunning definition and color for highly immersive gameplay. With 3840x2160 resolution and SuperClear IPS panel technology, this monitor provides incredibly sharp and detailed visuals. What’s more, gamers are empowered with a wide array of customizable pro-style color settings for the most accurate colors across gaming genres. This incredible alchemy of detail and color are fully realized with VESA Adaptive-Sync technology: a combination that delivers tear-free, picture-perfect gaming every time. A fast 5ms response time and low input lag also provides smooth screen performance free from blurring or ghosting. A Game Mode feature optimizes visuals for FPS, RTS and MOBA, and a black stabilization function helps target enemies lurking in the dark while maintaining rich colors and contrast. With future-proof DisplayPort and HDMI 2.0 to support 4K UHD resolution at 60Hz, this monitor is the pinnacle of detailed gaming, and maximizes the gaming potential of any PC. With unbelievable detail and color, this monitor provides everything needed for total game immersion. Stunning 4K Ultra HD Resolution Displaying more than 8 million pixels with a high pixel density, this 3840x2160 monitor delivers the ultimate in image detail and clarity for stunning, highly immersive gameplay. At 4x more pixels than Full HD resolution, this monitor provides a bigger picture of your gaming world so you can see the entire battlefield in all its glory. SuperClear IPS Panel Technology Enjoy accurate and vivid colors with consistent levels of brightness no matter the vantage point. -
Page 1 Elective Course Description Winter Term 2019 Title
Elective Course Description Winter Term 2019 Title Photogrammetry Cluster Title PO 07 To be filed by focus managers s.u. Cluster Title PO 2012 To be filed by focus managers s.u. Cluster Title PO 2014 Technical Art for Animations and Games To be filed by focus managers s.u. Date of first course F17/103 NN NN event / first 8.11.19 10:oo organizational NN meeting with students*****/ Room kind of room if not Hörsaal Seminarraum Labor indicated above Belegung über OBS WED 30.09.2019 bis 08.10.2019 14:00 Course Data credit points 5 credit points workload/semester 125-150 h presence/week on average** 4 SWS Group size according to cnw Min. size 8 students 15.10.18 – 18.01.19 weekday of course block frequency of course-events weekly bi-weekly blocked prospective timeframe**** Block 1 Block 2 Block 3 x x (Block = 90 min) 8:30 10:15 12:00 Block 4 Block 5 Block 6 x x 14:15 16:00 17:45 course language English x German suitable for students of course/focus DM AG x IMD x MP x SMP IW (BA ) OJ/WJ/OK KM I x Content(s): Design Informatics / Economy / Culture x x (check one or more) Technology Business Time frame in case of blocked event 8.-1o.11. + 22.-23.11.19 10:00 – 17:30 Course Portrait Lecturer(s) Name(s) Ramon Schauer Lecturer(s) email [email protected] Contact Prof. @ fbmd [email protected] Teaching Method lecture lecture + seminar seminar X project X Course Contents Elective Description: Photogrammetry describes a technique which reconstructs 3D models and textures from a series of images. -
Ajinkya Limaye
Ajinkya Limaye (213) 984-8454 | [email protected] | http://www.ajplaysvideogames.com/digitalgames/ SUMMARY Game designer with a passion for systems design and creating compelling narrative experiences, informed by a strong Technical and Storytelling background. PRO FESSIONAL W O R K EXPERIENCE Infinity Ward – Game Designer Call of Duty: 2019 (Unreleased Title) – Coop/Zombies Mode Sep 2017 – present o Designing and providing direction for the following systems – ▪ Crafting & Scavenging systems ▪ Weapon & Equipment systems ▪ Quests & linear narrative experiences ▪ Battle-chatter & Dialogue systems Call of Duty: Infinite Warfare (Core Game + 4 DLCs) – Coop/Zombies Mode Jun 2016 – Sep 2017 o Designed & scripted the development of the VO/Dialogue System o Designed & maintained systems for Weapons and Abilities o Implemented Quests & miscellaneous Puzzle – based systems o Scripted a Stats tracking system to aid map/systems balance o Scripted an Achievements system that checks for relevant Gameplay logic in the Script VM Call of Duty: Infinite Warfare (Core Game) – Multiplayer Mode Jan 2016 – Jun 2016 o Designed & scripted Killstreaks and abilities o Prototyped & providing design for Game modes Project: Tesseract (formerly: Virtual Backlot) – Producer / Researcher Jun 2015 – Jan 2016 Worked with directors like David Lynch to map out production workflows with efficient asset usage for Transmedia Storytelling Designed & Directed a workflow for Video Games as a part of this project that aided production of The Martian: VR Experience SKILLS -
Virtual Reality Video Game Paired with Physical Monocular Blurring As Accessible Therapy for Amblyopia
Virtual Reality Video Game Paired with Physical Monocular Blurring as Accessible Therapy for Amblyopia Ocean Hurd* Sri Kurniawan† Mircea Teodorescu‡ Electrical and Computer Computational Media Electrical and Computer Engineering Department Department Engineering Department University of California, University of California, University of California, Santa Cruz Santa Cruz Santa Cruz ABSTRACT leads to strabismus, an eye misalignment, which is more commonly This paper discusses a virtual reality (VR) therapeutic video game for known as a ”lazy-eye” [8]. treatment of the neurological eye disorder, Amblyopia. Amblyopia The traditional therapy for Amblyopia has been occlusion therapy, is often referred to as lazy eye, and it entails weaker vision in one where one wears an eye-patch over their dominant eye to force their eye due to a poor connection between the eye and the brain. Until brain to use their weak eye to strengthen the neurological connection. recently it was thought to be untreatable in adults, but new research This therapy was only expected to work on children [19]. Therefore, has proven that with consistent therapy even adults can improve children would have had to have been diagnosed at a very young their Amblyopia, especially through perceptual learning and video age, when Amblyopia is more difficult to detect. Although this games. Even so, therapy compliance remains low due to the fact that therapy was found to be low cost, easily accessible, and effective conventional therapies are perceived as either invasive, dull and/or as a permanent treatment, the compliance among Amblyopes is boring. Our game aims to make Amblyopia therapy more immersive, very low [6, 24, 27]. -
Cooperative Gameplay
San Jose State University SJSU ScholarWorks ART 108: Introduction to Games Studies Art and Art History & Design Departments Spring 5-7-2018 Essential Feature - Cooperative Gameplay Thanh Bui San Jose State University Hung Nguyen San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/art108 Part of the Computer Sciences Commons, and the Game Design Commons Recommended Citation Thanh Bui and Hung Nguyen. "Essential Feature - Cooperative Gameplay" ART 108: Introduction to Games Studies (2018). This Final Class Paper is brought to you for free and open access by the Art and Art History & Design Departments at SJSU ScholarWorks. It has been accepted for inclusion in ART 108: Introduction to Games Studies by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Thanh Bui, Hung Nguyen May 7, 2018 Essential Feature - Cooperative Gameplay Although single player and multiplayer is very important in today game, cooperative mode is essential part of a great game. There are a lot of benefits of playing co-op mode in a game such as education and joy. From the beginning of time, human has created many forms of game for entertainment purpose. The global market for U.S. online gaming industry is approximated 1.72 trillion U.S. dollars in 2015 to 2.2 trillion U.S. dollars in 2021, according to statista.com. There are activity games, board games, television games, video games, virtual reality games, and personal computerized games, and online games. Each type of game has a population of fan playing it. In those types, online game holds the largest number of players around the world. -
Into the Cosmos: Board Game Project Blending 4X and Eurogame Styles
Salvation: Into the Cosmos: Board Game Project Blending 4X and Eurogame Styles A Senior Project Presented To: the Faculty of the Liberal Arts and Engineering Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Liberal Arts and Engineering Studies by Zachary Griffith June 2017 © Zachary Griffith 2017 Griffith 1 Table of Contents Introduction .................................................................................................................................................. 2 How to Play................................................................................................................................................... 3 Blending Eurogames and 4X ........................................................................................................................ 3 Eurogames ....................................................................................................................................... 3 4X Strategy ....................................................................................................................................... 4 Putting it All Together ...................................................................................................................... 4 Influences ..................................................................................................................................................... 4 The Game Design Process ........................................................................................................................... -
Beyond Hours of Video Gameplay: Connections Between Verbal Aggressiveness, Genre Preference, and Technology Used
University of Kentucky UKnowledge Communication Faculty Publications Communication 2-19-2021 Beyond Hours of Video Gameplay: Connections Between Verbal Aggressiveness, Genre Preference, and Technology Used William T. Howe University of Kentucky, [email protected] Ioana A. Cionea University of Oklahoma, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/comm_facpub Part of the Communication Technology and New Media Commons, Interpersonal and Small Group Communication Commons, and the Sports Studies Commons Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Repository Citation Howe, William T. and Cionea, Ioana A., "Beyond Hours of Video Gameplay: Connections Between Verbal Aggressiveness, Genre Preference, and Technology Used" (2021). Communication Faculty Publications. 21. https://uknowledge.uky.edu/comm_facpub/21 This Article is brought to you for free and open access by the Communication at UKnowledge. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of UKnowledge. For more information, please contact [email protected]. Beyond Hours of Video Gameplay: Connections Between Verbal Aggressiveness, Genre Preference, and Technology Used Digital Object Identifier (DOI) https://doi.org/10.1016/j.chbr.2021.100063 Notes/Citation Information Published in Computers in Human Behavior Reports, v. 3. © 2021 The Author(s) This is an open access article under the CC BY license (https://creativecommons.org/licenses/by/4.0/). This article is available at UKnowledge: https://uknowledge.uky.edu/comm_facpub/21 Computers in Human Behavior Reports 3 (2021) 100063 Contents lists available at ScienceDirect Computers in Human Behavior Reports journal homepage: www.journals.elsevier.com/computers-in-human-behavior-reports Beyond hours of video gameplay: Connections between verbal aggressiveness, genre preference, and technology used William T. -
Video Gameplay, Personality and Academic Performance
Author's personal copy Computers & Education 58 (2012) 1260–1266 Contents lists available at SciVerse ScienceDirect Computers & Education journal homepage: www.elsevier.com/locate/compedu Video gameplay, personality and academic performance Matthew Ventura*, Valerie Shute, Yoon Jeon Kim Florida State University, 1114 W. Call St., Tallahassee, FL 32306, USA article info abstract Article history: The relationship between video gameplay, video game genre preference, personality, and GPA was Received 14 November 2011 investigated in an online correlational study with university students. In addition to administering self- Received in revised form report measures of GPA and personality, we asked three different questions regarding styles of video 29 November 2011 gameplay. The first asked the average time spent playing video games per week (habitual players), the Accepted 30 November 2011 second asked the total time spent playing favorite video games (selective players), and the third asked the number of different video games played in a year (diverse players). Students who were medium in Keywords: selective player style (spent 11–50 h) had significantly higher GPAs than students low on selective player Interdisciplinary projects – fi Lifelong learning style (spent 0 10 h). Students high on habitual playing style (7 or more hours a week) showed signi - – Media in education cantly lower levels of Conscientiousness compared to students low on habitual playing style (0 1h Multimedia/hypermedia systems a week). Students who were high on the diverse style (i.e., 7 or more games played a year) showed significantly higher Openness scores than students low on the diverse style (0–3 games a year). Finally, several notable relations were found between video game genre preference, GPA, and personality. -
Localization Tools in General Purpose Game Engines: a Systematic Mapping Study
Hindawi International Journal of Computer Games Technology Volume 2021, Article ID 9979657, 15 pages https://doi.org/10.1155/2021/9979657 Review Article Localization Tools in General Purpose Game Engines: A Systematic Mapping Study Marcus Toftedahl Division of Game Development, University of Skövde, Skövde, Sweden Correspondence should be addressed to Marcus Toftedahl; [email protected] Received 31 March 2021; Accepted 5 July 2021; Published 23 July 2021 Academic Editor: Cristian A. Rusu Copyright © 2021 Marcus Toftedahl. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. This paper addresses localization from a game development perspective by studying the state of tool support for a localization work in general purpose game engines. Using a systematic mapping study, the most commonly used game engines and their official tool libraries are studied. The results indicate that even though localization tools exists for the game engines included in the study, the visibility, availability, and functionality differ. Localization tools that are user facing, i.e., used to create localization, are scarce while many are tool facing, i.e., used to import localization kits made outside the production pipeline. 1. Introduction tions or specific corporate entities handling functions such as marketing or distribution. This is not always the case with “The world is full of different markets and cultures and, to indie game development, where Pereira and Bernardes [7] maximize profits™[sic], nowadays games are released in sev- note that the structure of indie development is more flexible, eral languages. -
Criteria for a Gameplay Profile Measure Emmanuel Guardiola, Stéphane Natkin
Player’s model: criteria for a gameplay profile measure Emmanuel Guardiola, Stéphane Natkin To cite this version: Emmanuel Guardiola, Stéphane Natkin. Player’s model: criteria for a gameplay profile measure. 9th International Conference on Entertainment Computing (ICEC), Sep 2010, Seoul, South Korea. pp.366-371, 10.1007/978-3-642-15399-0_39. hal-01059008 HAL Id: hal-01059008 https://hal.inria.fr/hal-01059008 Submitted on 29 Aug 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Player’s model: criteria for a gameplay profile measure Emmanuel Guardiola, Stephane Natkin CEDRIC /CNAM, 292 Rue Saint-Martin 75003 Paris, France [email protected], [email protected] Abstract. Game designers empirically use psychological and sociological player’s model to create the gameplay of their video games. These models are generally implicit and always informal. A formal analysis of the player’s model leads to define efficient player behavior profile. It can have numerous applications, for instance adaptation of the content to the player’s ability and interest. Our work tries to find a rational way to assess Players Styles, concept suggested by Bartle [1] in 1996. -
Irendernode Abstract Public Types Public Member Functions
IRenderNode abstract Represents a rendered object in the world. More... #include <IRenderNode.h> Inherits IShadowCaster. Inherited by IBreakableGlassRenderNode, IBrush, ICharacterRenderNode, ICloudBlockerRenderNode, I DecalRenderNode, IDistanceCloudRenderNode, IFogVolumeRenderNode, IGeomCacheRenderNode, IL ightSource, IParticleEmitter, IRoadRenderNode, IRopeRenderNode, IVegetation, IVoxelObject, and IW aterVolumeRenderNode. Public Types enum EInternalFlags : uint8 { DECAL_OWNER = BIT(0), REQUIRES_NEAREST_CUBEMAP = BIT(1), UPDATE_DE CALS = BIT(2), REQUIRES_FORWARD_RENDERING = BIT(3), WAS_INVISIBLE = BIT(4), WAS_IN_VISAREA = BIT(5), WAS_FARAWAY = BIT(6), H AS_OCCLUSION_PROXY = BIT(7) } enum EGIMode { eGM_None = 0, eGM_StaticVoxelization, eGM_DynamicVoxelization, eGM_HideIfGi IsActive, eGM_AnalyticalProxy_Soft, eGM_AnalyticalProxy_Hard, eGM_AnalytPostOccluder , eGM_IntegrateIntoTerrain } Object can be used by GI system in several ways. More... typedef uint64 RenderFlagsType Public Member Functions virtual bool CanExecuteRenderAsJob () virtual const char * GetName () const =0 Debug info about object. virtual const char * GetEntityClassName () const =0 virtual string GetDebugString (char type=0) const virtual float GetImportance () const virtual void ReleaseNode (bool bImmediate=false) Releases IRenderNode. virtual IRenderNode * Clone () const Confidential. © 2009-2015 Crytek GmbH. All Rights Reserved. Page 1 of 10 virtual void SetMatrix (const Matrix34 &mat) Sets render node transformation matrix. virtual void GetLocalBounds (AABB &bbox) Gets