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A Discourse of Redemption in Three of Kurt Vonnegut's Novels
Tutton Parker 1 What’s in the Potato Barn: A Discourse of Redemption in Three of Kurt Vonnegut’s Novels A Thesis Submitted to The Faculty of the College of Arts and Science in Candidacy for the Degree of Master of Arts and English By Rebecca Tutton Parker April 2018 Tutton Parker 2 Liberty University College of Arts and Sciences Master of Arts in English Student Name: Rebecca Tutton Parker Thesis Chair Date First Reader Date Second Reader Date Tutton Parker 3 Table of Contents Chapter One: Introduction………………………………………………………………………...4 Chapter Two: Redemption in Slaughterhouse-Five and Bluebeard…………………………..…23 Chapter Three: Rabo Karabekian’s Path to Redemption in Breakfast of Champions…………...42 Chapter Four: How Rabo Karabekian Brings Redemption to Kurt Vonnegut…………………..54 Chapter Five: Conclusion………………………………………………………………………..72 Works Cited……………………………………………………………………………………..75 Tutton Parker 4 Chapter One: Introduction The Bluebeard folktale has been recorded since the seventeenth century with historical roots even further back in history. What is most commonly referred to as Bluebeard, however, started as a Mother Goose tale transcribed by Charles Perrault in 1697. The story is about a man with a blue beard who had many wives and told them not to go into a certain room of his castle (Hermansson ix). Inevitably when each wife was given the golden key to the room and a chance alone in the house, she would always open the door and find the dead bodies of past wives. She would then meet her own death at the hands of her husband. According to Casie Hermansson, the tale was very popular in the eighteenth and nineteenth centuries, which spurred many literary figures to adapt it, including James Boswell, Charles Dickens, Herman Melville, and Thomas Carlyle (x). -
Elements of Gallows Humor in Vonnegut's Slaughter House Five
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.41, 2018 Elements of Gallows Humor in Vonnegut's Slaughter House Five Negar Khodabandehloo M.A. Student of Payame Noor University, Arak Branch, Iran Mojgan Eyvazi Assistant professor, English Department,Payam-e-Noor University, Tehran, Iran Abstract This study analyzes the outstanding satirist Kurt Vonnegut's novel Slaughter-house-five to demonstrate how the elements of Gallows Humor are applied to provide a better understanding of the author's worldview and of his narrative process. This is an anti-war book in which Vonnegut has attempted to blend the serious theme with humor. Through the choice of his protagonist- Billy Pilgrim- and the manipulation of black humor, Vonnegut exposes the atrocities of war from a new viewpoint. The focal point is to extract the phrases containing gallows humor, a sort of black humor, to be studied and explained by details, accordingly some literary terms are to be precisely defined and the unique style of writing is indispensable. Keywords: Anti-war, Black Humor, Gallows Humor, Satire, Humor, Vonnegut 1. Introduction Gallows humor is a kind of black humor in which the threatened person witnesses the oppression. As the name represents, the person threatened is implicated with no hope and no way to escape from the disaster. The misfortune is obvious to him, and he prefers joking about it instead of feeling sorrow. This section includes a definition of the gallows humor followed by some examples for more clarifications. In an essay posted on the website of the Philosophy Club, which meets regularly in Santa Monica, CA. -
Being in the Early Novels of Kurt Vonnegut
A MORAL BEING IN AN AESTHETIC WORLD: BEING IN THE EARLY NOVELS OF KURT VONNEGUT BY JAMES HUBBARD A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English May 2015 Winston-Salem, North Carolina Approved By: James Hans, Ph.D., Advisor Barry Maine, Ph.D., Chair Jefferson Holdridge, Ph.D. Table of Contents Table of Contents ii Abstract iii Chapter 1: Introduction 1 Chapter 2: Being Thrown 7 Chapter 3: Being as a Happening of Truth 27 Chapter 4: Projecting the Poetry of Being 47 References 53 Curriculum Vitae 54 ii Abstract In this this paper I will address notions of being in four of Kurt Vonnegut’s novels using Martin Heidegger’s aesthetic phenomenology. The four novels that this paper will address are Player Piano, Sirens of Titan, Slaughterhouse-Five, and Breakfast of Champions. Player Piano and Sirens of Titan are Vonnegut’s first two novels, and they approach being in terms of what Heidegger referred to as “throwness.” These initial inquiries into aspects of existence give way to a fully developed notion of being in Slaughterhouse-Five and Breakfast of Champions. These novels are full aware of themselves has happenings of truth containing something of their author’s own being. Through these happenings, Vonnegut is able to poetically project himself in a way that not only reveals his own being, but also serves as a mirror that can reveal the being of those reflected in it. iii Chapter 1: Introduction Kurt Vonnegut’s literary significance is due, at least in part, to the place that he has carved out for himself in popular culture. -
Portrayal of the American Culture Through Metafiction
DOI: 10.15503/jecs20132-9-15 Journal of Education Culture and Society No. 2_2013 9 Portrayal of the American Culture through Metafiction ABDOLRAZAGH BABAEI [email protected] Universiti Putra Malaysia AMIN TAADOLKHAH [email protected] Tehran Markaz Azad University, Iran Abstract Kurt Vonnegut’s position that artists should be treasured as alarm systems and as bio- logical agents of change comes most pertinent in his two great novels. The selected English novels of the past century – Cat’s Cradle (1963), Slaughterhouse Five (1969), and Breakfast of Champions (1973) – connect the world of ction to the harsh realities of the world via cre- ative meta ctional strategies, making literature an alarm coated with the comforting lies of storytelling. It is meta ction that enables Vonnegut to create different understandings of historical events by writing a kind of literature that combines facts and ction. De ned as a kind of narrative that “self-consciously and systematically draws attention to its status as artefact” meta ction stands against the duplicitous “suspension of disbelief” that is simply an imi- tation and interpretation of presumed realities. As a postmodern mode of writing it opts for an undisguised narration that undermines not only the author’s univocal control over ction but also challenges the established understanding of the ideas. Multidimensional di- splay of events and thoughts by Vonnegut works in direction of meta ction to give readers a self-conscious awareness of what they read. Hiroshima bombing in 1946 and the destruction of Dresden in Germany by allied forces in World War II are the subjects of the selected novels respectively. -
Breakfast of Champions: Or, Goodbye Blue Monday! by Kurt Vonnegut
Breakfast of Champions: or, Goodbye Blue Monday! by Kurt Vonnegut The author questions the condition of modern man in this novel depicting a science fiction writer's struggle to find peace and sanity in the world. Why you'll like it: Darkly humorous. Quirky. Unconventional. About the Author: Kurt Vonnegut is among the few grandmasters of 20th century American letters. He was born in Indianapolis, Indiana, on November 11, 1922. He died from head injuries sustained in a fall on April 11, 2007.(Publisher Provided) Questions for Discussion 1. What do you think about Vonnegut’s style? The drawings, page breaks and self-referential moments are a radical departure from the standard novel. Do they add to the story or detract from it? 2. One theme of Breakfast of Champions is humans as machines. How are people like machines? What are the possible results of such a worldview? Are there any positive aspects to seeing humans as machines? 3. How are machines themselves depicted? How do they make the characters’ lives better or worse? What do they represent? 4. In your opinion, is the narrator racist? Sexist? Homophobic? He points out the racist views of certain characters, recounts instances of violence against women, and shows derogatory views of transvestite and gay characters. How are African Americans depicted? Women? Are their concerns given weight in the context of the narrative? 5. How is advertising used in the story? There are many instances of written advertisements (including the names of the trucks in which Kilgore Trout rides to Midland City) and radio advertisements and the title itself is the slogan of a popular cereal. -
Block Universes and Strange Loop Phenomena In
STRANGE TIME: BLOCK UNIVERSES AND STRANGE LOOP PHENOMENA IN TWO NOVELS BY KURT VONNEGUT by Francis C. Altomare IV A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2010 ACKNOWLEDGEMENTS The author wishes to express his most sincere thanks to those instrumental in the completion of this thesis, especially Dr. Thomas Martin, Dr. Steven Blakemore, and Dr. Don Adams, all of whose comments and guidance were invaluable in its preparation. In addition, he would like to thank Dr. Nicholas Reboli, Dr. Douglas R. Hofstadter, and Dr. Thomas Goodmann for providing crucial inspiration for this project. The support of Joanne Weiner and the author's colleagues at Private Tutoring Services, Inc. is also greatly appreciated. Lastly, the author would like to thank his family for their unyielding support during the completion of this manuscript. iii ABSTRACT Author: Francis C. Altomare IV Title: Strange Time: Block Universes and Strange Loop Phenomena in Two Novels by Kurt Vonnegut Institution: Florida Atlantic University Thesis Advisor: Dr. Thomas L. Martin Degree: Master of Arts Year: 2010 Einsteinian relativity forever altered our understanding of the metaphysics of time. This study considers how this scientific theory affects the formulation of time in postmodern narratives as a necessary step toward understanding the relationship between empirical science and literary art. Two novels by Kurt Vonnegut, The Sirens of Titan and Slaughterhouse-Five, exemplify this synthesis. Close readings of these texts reveal an underlying temporal scheme deeply informed by relativity. -
Slapstick Or Lonesome No More Free
FREE SLAPSTICK OR LONESOME NO MORE PDF Kurt Vonnegut | 170 pages | 24 May 2016 | Vintage Publishing | 9781784870980 | English | London, United Kingdom Slapstick, or Lonesome No More! by Kurt Vonnegut Jr. Slapstick: Or, Lonesome No More! A pseudo-autobiography of how the author imagines his future, Slapstick takes Slapstick or Lonesome No More in an apocalyptic future as Wilbur Daffodil Swain, a former pediatrician and President of the United States, writes a memoir of his life at years old. The story skips around to different periods but is generally told chronologically to explain his current existence in the Empire State Building on the solitary island of Manhattan. Wilbur's childhood is unusual. Born in a set of physically deformed twins, he and his sister Eliza are assumed mentally retarded with short life expectations. Their very wealthy parents fix up an Slapstick or Lonesome No More mansion in Vermont and the locals and a family practitioner care for the children while the parents visit once a year and on birthdays. Wilbur and Eliza quickly educate themselves through the many books in the mansion. While Eliza never grasps reading Slapstick or Lonesome No More writing, she is a creative problem-solver, while Wilbur is very analytical and can read and write. When they are in close proximity to each other, their minds meld to create a 'genius' that becomes the author of several masterpieces of writing and invention. However, they become so consumed by the genius, that they often lose themselves in an incestuous orgy, grasping to get intellectually even closer to each other. -
Download Full Text In
European Proceedings of Social and Behavioural Sciences EpSBS www.europeanproceedings.com e-ISSN: 2357-1330 DOI: 10.15405/epsbs.2020.11.03.68 DCCD 2020 Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding THE HOLY GRAIL AS A DIALOGUE OF STORIES IN THE NOVEL BY KURT VONNEGUT 'BLUEBEARD' Olga I. Nefedova (a)* *Corresponding author (a) Moscow City University, Institute of Foreign Languages, 5B Malyj Kazennyj pereulok, Moscow, Russia, [email protected] Abstract The article is devoted to analyzing a novel by Kurt Vonnegut “Bluebeard” in order to identify some of its allusions and references. The author claims that the text refers to the so-called Matter of Britain, specifically to the adventure of a knight in search of an unreachable sacred object, the Holy Grail. It helps the writer to explore the issues of determining a person’s identity and the purposes of art. The analysis has shown that the main opposition form versus idea reveals itself in the tensions between realism and abstract expressionism in art and between “soul” and “meat” of the main character Rabo Karabekian. The first conflict is tied to the succession of the Fisher King, the keeper of the grail, and his knight: a modernist artist Rabo is a knight for a realist illustrator Dan Gregory and a Fisher King to a popular writer Circe Berman close to social realist philosophy. The second one is connected with his broken communication with people in his life and his quest for belonging and identity. The resolution lies in balance reached through sharing stories about art objects and life experiences. -
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five. -
Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman
RSA Journal 13 21 ROBERTO SERRAI Landscapes of Destruction: Reading Kurt Vonnegut's Breakfast of Champions with an Eye to Walt Whitman In heart, I am an American artist, and I have no guilt... Patti Smith, Babel (1978) Breakfast of Champions, first published in 1973, is probably one of Kurt Vonnegut's most destructive, pessimistic and nihilistic works. Even if we chose to label it a comedy, or a farce, its humor would still be of a very black qual ity.1 Thus, maybe, the book would be more accurately described as a satire verging on tragedy. Vonnegut was not new to the theme of destruction; where the earlier novel Cats Cradle (1963) is a long allegory on power and author ity which ends in catastrophe, Mother Night (1961) and Slaughterhouse-Five (1969) unfold as chronicles of private vicissitudes set against the tragic back drop of a major historical event, World War II. Along with a deep reflection on identity, ambiguity, and the thorny issue of distinguishing innocence from guilt, both share an outright condemnation of war's useless folly and of all the mystifications often concocted to disguise it. In the latter work, remarkably, the horror of the chosen exemplum — the allied firebombing of the German city of Dresden, which in three days (2/13-15/1945) killed more than 135.000 harmless civilians — is so immense to prove basically impossible to represent. Billy Pilgrim, the young American POW most of the book focuses on, takes shelter in a deep underground meat locker "hollowed in living rock" (S5 209) and so is only able to witness the bomb runs' aftermath, the morning when Dresden suddenly "was like the moon" (S5 229). -
Bard Focuses on Genocide in Darfur
May the 21, 2007 Commencement Bard Focuses on Speaker Mayor Genocide in Darfur Bloomberg By Frank Brancely Draws Student Human-rights students, activists, and other attrition.” His essential line of advocacy concerned members of the Bard community were busy on China and its unnecessarily malignant complicity campus during the last week in April when the in the genocide, explicitly highlighting its ongoing Criticism Darfur Action Campaign (DAC)/Students Taking investment of hundreds of millions of dollars into Action Now (STAND), devoted a week to organized the Sudanese government and its oil production one By Jason Mastbaum events that included speakers, a fundraiser and of the primary sources of military income. Reeves Only a day after the news release documentary screenings, all focusing on the advocated that those conscious of Darfur place announcing that New York City Mayor Michael ongoing conflict in the Darfur region of Western pressure on the Chinese government to realize the Bloomberg would be the commencement speaker Sudan where more than an estimated 400,000 contradiction in its Olympic slogan “One World, One this May, a number of Bard students started making innocent people have been killed. Dream” and its support of a government that has their displeasure known. As these students wrote Survivors and Darfuri refugees shared fueled brutal militias to ceaseless slaughter. in a letter to the administration, “We are dismayed, their stories in “Darfur Diaries,” a documentary Actress Mia Farrow, the second-speaker disappointed, and outraged by this prospect.” containing a plea of help, carefully constructed of the week, drew an even greater crowd with her What caused such an immediate, by a trio of filmmakers. -
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 20 | Spring 2015
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 20 | Spring 2015 Title “Being Alive is a Crock of Shit” - Kurt Vonnegut’s Kind Pessimism Author Andrew Hicks Publication FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts Issue Number 20 Issue Date Spring 2015 Publication Date 01/06/2015 Editors Yanbing Er and Sarah Bernstein FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | ISSUE 20 Andrew Hicks 1 “Being Alive is a Crock of Shit” – Kurt Vonnegut’s Kind Pessimism Andrew Hicks University of Bristol Kurt Vonnegut, long considered one of the arch-misanthropes of the American literary canon, could more accurately be said to have only fallen into genuine cynicism at the very end of his life. Before this final despair, however, Vonnegut was a trenchant critic of a variety of aspects of American culture. In The Sirens of Titan (1959) and Slapstick (1976), Vonnegut respectively satirises the self- made myth of the American Dream and tackles the issue of modern loneliness. In both novels, he proposes far more modest but perhaps more achievable and compassionate goals than those promised by American convention – goals that only appear pessimistically limited in light of unrealistic or unfulfilled ideals.