Just for Variety

Total Page:16

File Type:pdf, Size:1020Kb

Just for Variety Won., S#pt. 29, 1975 Film Review New York Film Festival Gets Just for Variety Royal Flash (British—Period Action By ARMY ARCHERD Comedy—DeLuxe Color) OH To A Rocky Start With Twentieth Century-Fox releate, produced by GOOD MORNING: "Every actor should get the chance to work David V Picker, Demi O'Dell Stan Malcolm Mc• with Marlon Brando," volunteers Jack Nicholson, who just costar- Dowell, Alan Bales, Florinda Balkan, Oliver Reed ^Conversation' Screening Directed by Richard Letter Screenplay, George red with him in "Missouri Breaks." "He is the greatest actor. It was MacDonald Fraier, bated on his novel; camera By ADDISON VERRILL easy working with him and the movie will be something very unus• (DeLuxe Color), Geoffrey Uruworth; second unit camera, Peter MacDonald; editor, John Victor ual." Jack admits he and Warren Beatty hoped to make something Smith; muiic. Ken Thome; production design, New York, Sept. 28 — The 13th New York Film Festival laid a unusual with "The Fortune." "I did it because that, too, was adven• Terence Marsh; art direction, Alan Tomkins, sound, mighty egg with Friday night (26) opening at Lincoln Center's Avery Gerry Humphreays, Simon Koye. assistant direc• Fisher Hall. Despite upbeat ticket sales for the entire event, a new turous — but the 'finesse' just didn't work. I'm sad — I had the best tor, Vincent Winter Reviewed at 20th Fox Studios, participation I've ever had in a film on that one, also, the best LA., Sept 23, 1975 MPAA Rating: PG Running streamlined opening night procedure and even a break in the eight- part" . Jack is awaiting word from Brando to star in his (Nichol• time: 98 mm. day run of soggy weather to lift the spirits, fest was fouled in its own Flashman Malcolm McDowell choice of Luchino Visconti's "Conversation Piece" as the first night son's) "Moontrap," to be directed by Nicholson. "I prefer not to Rudi von Sternberg Alan Bates act," he says. What happens to hopes of Bob Evans and Bob Towne Lola Montei Florinda Balkan attraction. It proved an unmitigated disaster, the very word stressed to star Nicholson in a second pic with "Chinatown" character, Har• Otto von Bismarck Oliver Reed by the Times and Post critics. Duchess Irmu Britt Ekland ry Gittes? ... He will do a two-scene role as a labor organizer in Kraft si em Lionel Jeffries But first the good news. With band Dino De Laurentiis in L.A. "The Last Tycoon." Nicholson recommended Sam Spiegel cast Hen• de Gautet Tom Bell what most agree is an especial• It was fortunate that none of ry King as — the director — in the Elia Kazan-directed epic about Sopten Joss Ackland ly interesting slate of films this the "Conversation Piece" prin• Hansen Christopher Cazenove year, the festival is in no box- Hollywood . Gary Grant has his attorneys investigating suits vs. Old Roue ' Roy Kinnear cipals were present. Visconti's office difficulty. Ticket malem People mag and the Associated Press, the former for printing he has Mr. Greig Alastair Sim turgid, badly postsynched (in Headmaster Michael Hordern have been brisk and the major• English) and depressingly pre• false teeth. "I want to get into court and open my mouth," said ity of performances were sold tentious feature sparked au• Grant. And the AP suit involves their quotes from a Red Book yarn "Royal Flash" Is a royal pain. out well before the official open• dience giggles about a half hour (which Grant claims doesn't exist), saying he never loved any of his Richard Lester's formula period ing. into its two-hour-plus running wives. The wire service yarn brought him a flood of international comedy style, as enduring as it A happy change in the open• time. The giggles swelled to fone calls, sezze — none from his ex-wives. Grant recently won $10,- is not particularly endearing, ing night procedure came this roars of laughter and by the time 000 from Esquire for printing his head on a fake body, he gave the achieves its customary levels of year with the streamlinging of Lancaster uttered the line, dough to charity . Last week, after the MGM board meet on the pointless, posturing, cutesy silli• the usually interminable "wel• "Things have turned out far lot, Grant was invited by Frank Rosenfelt and Dan Melnick to visit ness. Malcolm McDowell heads comes" from fest officials and worse than I could have im• the cast as author scrlpter agined, " the house was rife with the giant carousel set of "Logan's Run." When Grant started to reps of N.Y. City government. George MacDonald Eraser's With some bad press notices for derision. leave the set, the 400 extras broke into applause. He still has no plans bohemlan Victorian military this performance at the fest last Walk-Outs to return to acting. officer. David V. Picker and year, Film Society of Lincoln Denis O'Dell produced at There were numerous walk• * * * Center prez Martin E. Segal this outs in the sold-out house and the Twickenham Studios and on year opted not to participate on Bing Crosby's guest on his Christmas show this year will be Fred German locations. Trimmed a film's conclusion was greeted stage, leaving the official fest with boos and catcalls, the likes Astaire, with whom he waxed an album in London. The Crosby clan, couple of reels for the domestic welcome to Film Society Chair• as usual, will also be on hand for the Yule show — this year on market from its London version, of which haven't been heard at a man William F. May, who kept fest opening night in some time. CBS . John Amos, whose contract negotiations delayed his start the 20th Fox release lacks the it mercifully brief. on "Good Times," has been out of the last two segs — because the intangibles that put over the It can be argued that any film For the first time in many by a director of Visconti's sta• story lines didn't involve him, we're told . Jimmy Komack nab• "Musketeer" plx, so outlook seems uneven. years, the fest administration ture deserves a fest slot, bed Tony Orlando to play a Freddie Prinze look-alike guestint in did not extend an invitation to especially one without a U.S. dis- "Chico And The Man." How about a reciprocal visit by Freddie to McDowell, fleeing a bordello the New York Mayor's office to trib, but the choice of Tony's show as his look-alike? . Raquel Welch gets a giant $25,- raid, falls in with Florinda take part in one of the city's big "Conversation Piece" for open• 000 as guestar on McLean Stevenson's NBC spec on which she'll sing Bolkan, playing Lola Montez, in cultural happenings. ing night was especially poor "I Feel Like Making Love," the tune nixed by CBS from her Cher turn alienating Oliver Reed's May's speech of welcome was judgment. guestint . Sonny and Cher's attorney's had their 23d court session Otto von Bismarck. The latter, brief and to the point as he in• Festival opening was fol• with Judge Mario Clinco Friday (26) . Burt Reynolds, directing with accomplice Alan Bates and troduced fest director Richard lowed by the usual party at the Mike Douglas In the latter': dramatic bow. '"Gator," foned from 8a- hit-men Lionel Jeffries and Tom Roud after the screening of New York State Theatre. Fest Bell, force McDowell to imper• Frank Mouris' short film, runs through Oct. 12, when Fran- vannah, Ga., to report Douglas is terrif playing a Governor who sonate a Prussian nobleman for "Coney." would be President. Anyone we know? . Linda (Mrs. By) Wein- cola Truffaut'a "The Story Of purposes of marriage to duch• Roud apologized that no one Adele H ' closes the event. traub wrote "The Family Tree," a half-hour sitcom with music. Mo- ess Britt Ekland. Complex politi• connected with the opening night town's Berry Gordy dug it and now ABC is developing it with 'em as cal, sexual and survival pic was present. That situation a series. Proud husband Sy W. retired from showbiz in 1969 after sel• strategies lurch the plot forward had sparked plenty of back• Two Juves Signed For ling his "Tarzan" pix . Jack Carter played a burlesk comic-mur• through its distressing 98 stairs hustling in the days im• derer in "Ellery Queen" last week and is an agent in this week's minutes. mediately preceding the open• Disney's 'Matecumbe' "Cannon" guestarring Joan Fontaine . Orson Welles is out of "The Films like "Tom Jones," "The ing. Director Visconti was work• Producer Bill Anderson has Big Bus," the pact didn't work out. Too bad — whatta wild role! And Paleface." "Rugglea Of Red ing in Europe and his health signed Johnny Dor an, 13, and they had already made his pajamas . Anne and Kirk Douglas Gap," etc. all managed would probably not have al• Billy Attmore, 10, for the juve lowed him to make the trip any• weekended at the LBJ ranch where he was on an arts panel. He'll be somehow to combine some leads in Walt Disney Prods.' way. Topliner Burt Lancaster "Treasure Of Matecumbe." Pic in Houston Nov. 1 to m.c. the bow of the Summit, an $18,000,000 en• physical visual comedic elements along with was off on location and Silvana stars Peter Ustinov and is tertainment-sports arena. dramaturgy that worked. Mangano would not leave hus• directed by Vincent McEveety. * * * "Royal Flash," however, is For the first time, the Lettermen have booked an opening act — virtual prototype Lester: often and she's Playboy's singing doll Barbi Benton, who bows with em at lavish and/or bizarre sets which Valley Forge .
Recommended publications
  • See It Big! Action Features More Than 30 Action Movie Favorites on the Big
    FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films
    [Show full text]
  • Empireheads to the Florida Estate of Burt Reynolds To
    presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come.
    [Show full text]
  • An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
    An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history.
    [Show full text]
  • Models of Time Travel
    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Transsexuality in Film by Carolyn Kraus
    Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood.
    [Show full text]
  • Debbie Reynolds & Singin' in the Rain at WHBF 2013
    Meet Legendary Actress, Comedienne, Singer, and Dancer And Join Us for a Very Special Park Stage Screening of Singin' in the Rain to Celebrate Reynolds' New Memoir, Unsinkable Including a Park Stage In-Conversation at 5:30 p.m., Book Soup In-Booth Signing at 6:15 p.m., followed by an Open-to the-Public Park Stage Screening at 7:00 p.m. For more information on schedule and start times, please visit WHBF.org for updates. About Debbie Reynolds and Unsinkable The definitive memoir by legendary actress and performer Debbie Reynolds—an entertaining and moving story of enduring friendships and unbreakable family bonds, of hitting bottom and rising to the top again—that offers a unique and deeply personal perspective on Hollywood and its elite, from the glory days of MGM to the present. In the closing pages of her 1988 autobiography Debbie: My Life , Debbie Reynolds wrote about finding her "brave, loyal, and loving" new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she writes, "When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012. To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride." Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades.
    [Show full text]
  • Grand Haunting
    The Independent Voice of Salt Lake Community College FREE Wednesday october 31, 2012 THE Issue 12/ fall '12 GLOBEVisit us online at globeslcc.com Inside: your Globe Halloween hookup - Masks for the Lazy pg. 5 GRAND Visit HAUNTING www. Photo by Trisha Gold globeslcc.com South City theatre a Unexplained events have been known to happen at the Grand Theatre. major controversy when the high anything,” said Rufendr. “There for daily news hotspot for ghostly school closed in 1988, and many are some seats that people won’t sit alumni were heartbroken by the in. When we asked them why, they updates shenanigans decision. have no answer for it. They just In 1992, SLCC finishedwon’t sit there.” Kachina Choate began about five or six years converting the building into the Theater productions create a Staff Reporter ago. Most of the occurrences are college’s new South City Campus lot of energy, and according to reported to have happened in the after years of renovation. paranormal professionals there The “break a leg” phrase is widely theatre’s house. There have been “There are always stories of the are many reasons why places have known as a safe way to wish luck to no backstage sightings, but actors old students who have come back ghosts. an actor, and theatre professionals have reported odd things happing, from the former South High,” “Maybe [the ghost] had some and patrons are commonly known such as a switch suddenly turning Rufendr. “There is a boy and a special connection to [the Grand] as a superstitious lot.
    [Show full text]
  • Don't Let the Truth Be Air-Brushed
    Newsletter December 2016 Don’t let the truth be air-brushed Conferences Where you2017 can see us next? As the old saying goes, ‘a picture various studios until his death Solicitors Group Conferences speaks a thousand words’: and helped him to preserve Date Venue sometimes, however, that’s not memories of his children. 1 - 2 Mar Birmingham enough words to get a full picture. Holiday Inn, He was ultimately reunited with A useful example of this can be Airport his children when they became provided in the story relating to adults but sometimes there is no 7 - 8 Mar Leeds a painting entitled ‘Design for a The Met Hotel such happy ending and children/ Portrait Group’, painted by British family members continue their 4 - 5 Apr London artist Sir Herbert James Gunn Kensington lives unaware of what has (1893-1964) a name that came Conference Hall transpired before them. to our attention when we were 25 - 26 Apr Gateshead/ recently instructed in connection Minimise risk with our Family Newcastle to one of his descendants. Tree Verification Service. Hilton The painting shows three If your client provides you with a 16 - 17 May Manchester family tree in relation to someone The Lowry children relaxing on a summer’s Hotel day, it does little to highlight who has died contact us. If the the underlying tension and the initial information/ family tree Home & Away: turmoil that the artist must have that is correct we will still provide with you all the way felt painting it. you with a report free of charge.
    [Show full text]
  • Lawrence of Arabia
    Berlinale 2009 David Lean Hommage LAWRENCE OF ARABIA LAWRENCE VON ARABIEN LAWRENCE D’ARABIE Maurice Jarre Großbritannien/USA 1962 … ist im Vorspann des Films nur als Komponist aufgeführt, als Dirigent Länge 222 Min. wird Adrian Boult genannt. Tatsächlich Format 70 mm (Super aber führte Maurice Jarre das Orchester Panavision 70, selbst durch die anspruchsvolle Partitur. 1:2.21) Die Arbeit an LAWRENCE OF ARABIA Farbe kostete ihn viel Kraft: „Lean stellte mir das Ultimatum, die Musik in nur sechs Stabliste Wochen zu schreiben. Eine Zeit lang Regie David Lean schlief ich alle zwei bis drei Stunden Buch Robert Bolt, nach nur jeweils zehn Minuten. So konnte den ich Tag und Nacht arbeiten. Nach Be - autobiografischen en digung der Partitur und der Aufnah - Büchern von T. E. me war ich so müde, dass mich Sam Lawrence Spiegel in die Schweiz schickte, damit Kamera Frederick A. Young ich mich richtig erholen konnte.“ Schnitt Anne V. Coates Schnittassistenz Howard Kent Maurice Jarre Ton Paddy … is mentioned in the opening cred- Anthony Quinn, Peter O’Toole, Omar Sharif Foto: Deutsche Kinemathek Cunningham its as the composer only, Adrian Boult Musik Maurice Jarre being credited as conductor. In fact, LAWRENCE VON ARABIEN Arrangements Gerard Schurmann Maurice Jarre himself guided the or - Musikalische chestra through his challenging score. „Eine künstlerische Spitzenleistung. Das Drehbuch (…) hält sich mehr oder Leitung Adrian Boult The work on LAWRENCE OF ARABIA weniger getreu an die eigene Schilderung von Lawrence, seines Triumphes Musik-KoordinationMorris Stoloff was exhausting: “Lean gave me just six als junger englischer Offizier auf seiten der arabischen Freischärler gegen Production Design John Box weeks in which to write the music.
    [Show full text]
  • YVONNE BLAKE Costume Designer
    (3/18/15) YVONNE BLAKE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “THERE BE DRAGONS” Roland Joffe Immi Pictures Wes Bentley Golshifteh Farahani Unax Ugalde “GOYA’S GHOST” Milos Forman The Saul Zaentz Co. Natalie Portman Nomination: Satellite Award Stellan Skarsgard “TIRANTE EL BLANCO” Vicente Aranda Carolina Films (Spain) Giancaro Giannini Future Films (UK) Jane Asher Victoria Abril Leonor Watling Casper Zafer “THE BRIDGE OF SAN LUIS REY Mary McGuckian Pembridge Pictures Robert De Niro Winner: Goya Award for Best Costume Design Kanzaman S.A. Kathy Bates Harvey Keitel “THE RECKONING” Paul McGuigan Renaissance Films Willem Dafoe Paramount Classics Paul Bettany Caroline Wood “CARMEN” Vicente Aranda Star Line Paz Vega Winner: Goya Award for Best Costume Design Leonardo Sbaraglia “JAMES DEAN” Mark Rydell Concourse Prods. James Franco Nomination: Emmy Award for Best Costume Design TNT Michael Moriarty “GAUDI AFTERNOON” Susan Seidelman Lola Films Judy Davis Marcia Gay Harden Juliette Lewis "PRESENCE OF MIND" Antonio Aloy Presence of Mind, LLC. Lauren Bacall Sadie Frost Harvey Keitel "WHAT DREAMS MAY COME" Vincent Ward Interscope/Polygram Robin Williams Barnet Bain Annabella Sciorra Stephen Simon Cuba Gooding, Jr. "CRIME OF THE CENTURY" Mark Rydell HBO Stephen Rea Barbara Broccoli Isabella Rossellini "LOOKING FOR RICHARD" Al Pacino Fox Searchlight Al Pacino (Battle sequences) Kevin Spacey "COMPANY BUSINESS" Nicholas Myer Pathe Screen Ent. Gene Hackman Mikhail Baryshnikov (cont.) SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax:
    [Show full text]
  • Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please See the Back for Attendance Rules and Information
    Anne Gordon Center for Active Adults Movie Schedule February 2020 Wednesdays 2:00 PM—4:00 PM FREE Please see the back for attendance rules and information. Feb 5 Once Upon a Time in Hollywood Com, Drama Rated: R Runtime: 2:41 Starring: Leonardo DiCaprio, Brad Pitt, Burt Reynolds, Margot Robbie, In 1960s Los Angeles, silver screen actor Rick Dalton and his stunt double turned best friend, Cliff Booth, struggle to keep pace with the swiftly evolving entertainment industry. They both work to continue their notoriety while facing the demise of Hollywood's Golden Age. Rated R for Bloody Images, Drug Use, Language, Sexual Situations, and Violence. Feb 12 Judy Drama, Musical Rated: PG-13 Runtime: 1:58 Starring: Renée Zellweger, Finn Wittrock, Rufus Sewell, Jessie Buckley Set in late 1968 and early 1969, Judy Garland stars in a five-week engagement of Talk of the Town in swinging London. Behind the scenes, she battles her own management and prepares to fight her ex-husband in court for custody of their children. Despite this period of her life being tumultuous, Garland is able to find love once again. Rated PG-13 by the Motion Picture Association of America for Language, Substance Abuse, Thematic Elements. Feb 19 The Farewell Com, Drama Rated: PG Runtime: 1:40 Starring: Awkwafina, Zhao Shuzhen, X Mayo, Tzi Ma, Shuzhen Zhou In this funny, heartfelt story, Billi's family returns to China under the guise of a fake wedding to stealthily say goodbye to their beloved matriarch, who is the only person that doesn't know she only has a few weeks to live.
    [Show full text]