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Edwin Kaufman
A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | WINTER 2013/2014 A LIFE CUT SHORT: EDWIN KAUFMAN | ANNUS MIRABILIS: FRANK ORITI| PRODUCTION REPRODUCTION | ARTSCAPE: CRISTY GRAY Cleveland Institute of Art Student Independent Exhibition Feb 14–Mar 15, 2014 cia.edu/sie2014 THANKOn the third Friday in November, galleries YOU of 78th Street Studios offered a spate of noteworthy shows and at- tracted huge crowds. The retrospective of works by the late Randall Tiedman, presented cooperatively by Hilary Gent's Hedge Gallery and William Scheele's Kokoon Arts Gallery, continued to amaze with its moods and diversity. Down the hall and around the corner, Kenneth Paul Lesko Galleries offered new works by Judith Bran- community ı hone your craft ı build your business don, who is working her stormy weather magic larger space ı employment ı money ı insurance than ever. Downstairs, figure drawings by Derek Hess captivated with their emotion and agitated lines while the artist signed books for a long line of fans. Upstairs at Survival Kit, the string quartet Opus 216 and vocal ensemble {re:voice} held rapt a wall-to-wall crowd with the minimalist, morphing sounds of Philip Glass to mark the closing of the exhibit, Human Imprints. Just about every room had people marveling at the art scene in Cleveland: local artists and performers were presenting great work, drawing crowds, building the audience, and making sales. Perhaps we were even surprising ourselves. And in just about every room, someone told me they had taken CAN Journal to another city and showed this magazine to other people in other galleries, with con- GOT SPACE? Go to myCreativeCompass.org sistent amazement: This much art? This many venues? This magazine? This is Cleveland? A tool to directly connect Cleveland-area artists CAN Journal could not be more pleased to be car- 2 with available space and opportunity to grow ried around the country by artists, to play the role of an even stronger region. -
Utilizing Adobe Illustrator's Blend and Transform in Designing Op-Art Items
Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.44, 2016 Utilizing Adobe Illustrator's Blend and Transform in Designing Op-Art Items Randa Darwish Mohamed Assistant Professor in Printing, Publishing and Packaging Dept., Faculty of Applied Arts, Helwan University, Egypt. Abstract Op-Art can strengthen the product image and can combine culture elements which satisfies consumers’ visual requirement. Some applications of op-art are in security prints, fashion design, packaging design, architecture, interior design, publishing media, and printing designs. The problem is the few softwares specialized in Op-Art production. These softwares are based on geometric shapes in creating visual art items. Concerning the wide facilities of blend and transform options and effects in Adobe Illustrator software, many op- art items can be investigated. The goal is to highlight the importance of these tools options and effects and its ease, efficiency, and functionality in designing countless variety of op-art items. The availability, prevalence, and ease of use of the Adobe softwares are very important advantages that encourage designers to use in most of their works. The research aims to design Op-Art items by using Illustrator's blend and transform and utilizing these items in various designs. Keywords: Op-Art, Adobe Illustrator, Blend, Transform, packaging design, Guilloche. 1. Introduction 1.1 Op-Art (1965-70) Op Art can be defined as a type of abstract or concrete art consisting of non-representational geometric shapes which create various types of optical illusion. For instance, when viewed, Op Art pictures may cause the eye to detect a sense of movement (eg. -
1272 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board
1272 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board Meeting November 20, 2014 Trustees Room Louis Stokes Wing 12:00 Noon Present: Mr. Seifullah, Ms. Rodriguez, Mr. Corrigan, Mr. Hairston, Mr. Werner Absent: Ms. Butts, Mr. Parker Ms. Rodriguez called the meeting to order at 12:10 p.m. MINUTES OF REGULAR BOARD MEETING OF Approval of the Minutes 10/16/14; JOINT FINANCE & HUMAN Mr. Hairston moved approval of the minutes for the RESOURCES 10/16/14 Regular Board Meeting; 10/14/14 Joint Finance & COMMITTEE Human Resources Committee Meeting. Ms. Rodriguez MEETING OF seconded the motion, which passed unanimously by roll 10/14/14 call vote. Approved Presentation: An Introduction to the Friends' Planned Advocacy Program Jason Jaffery, Executive Director, Friends of the Cleveland Public Library, stated that the Friends plan for expansion focused on the following areas: (1) Increased Philanthropy; (2) Increased visibility and volunteer opportunities; and (3) Advocacy on behalf of Cleveland Public Library. Mr. Jaffery stated that ultimately, all high-impact organizations bridge the divide between service and advocacy . They become good at both. And the more they serve and advocate, the more they achieve impact. The Friends growth strategy is based on Friends of St. Paul Model. Advocacy is key to their success Last year, they raised three times as much for their library through advocacy efforts as they did through philanthropy. Advocacy became a top priority. There is an opportunity to restore the Public Library Fund that could result in a potential 7 figure impact on the library's budget. 1273 A key success of this initiative is a new staff position: Director Of Programs & Advocacy to play a leadership role in the Restore the PLF campaign and to build an ongoing program to support the library's relationships with public officials. -
Alumni + Friends Newsletter: July 2018 View This Email in Your Browser
Alumni + Friends Newsletter: July 2018 View this email in your browser Alumni + Friends July 2018 Connect with us: FacebookTwitter InstagramPinterest Flickr Tumblr LinkedIn YouTube FRONT International The Cleveland Institute of Art is proud to be a presenting partner for FRONT International: Cleveland Triennial for Contemporary Art, a summer-long exhibition of contemporary art from around the world taking place now through September 30, 2018. CIA is excited to host the Great Lakes Research exhibition, one of the many events that comprise FRONT International. Great Lakes Research is on view through October 7. Also in Cleveland: Have you stopped by CAN Triennial yet? It's full of contemporary art from Northeast Ohio, featuring new discoveries, rising stars, and some of the region's most accomplished artists. The exhibition fills three floors of 78th Street Studios (1305 W. 80th Street, Cleveland) and is on view through July 29. The closing party is Friday, July 27. Zisla legacy shines on through website In the past, it was a brochure. Now, every artist needs a website. To create one for Harold Zisla '50, his daughter, Beverly Zisla Welber, wanted the outcome to reveal her father’s personality as well as his art. “Although every artist is unique, yielding a website with content that no one else’s has, I was looking for a way to capture what made him so unusual,” she said. “Me and My Zisla” became the means to do so. Click here to continue reading. Cleveland: A Cultural Center at Wolfs Gallery Celebrate the community of artists known as the Cleveland School at Cleveland: A Cultural Center, an exhibition at Wolfs Gallery on view through August 31. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
DIRECTOR's REPORT November 20, 2014 Fighting Community
DIRECTOR’S REPORT November 20, 2014 Fighting Community Deficits During the month of October the Library hosted a total of 184 programs. Educational programming and services, not included in the above totals, accounted for approximately 121 adult education classes, and 663 hours of after-school homework help for grades K-8. After-school snacks were served M-Th. at 18 branch locations. Impact 216, the program formerly known as Rocking the 216, held 88 ACT sessions at 4 CPL locations: Eastman, South Brooklyn, Martin Luther King, Jr., and Harvard- Lee. Business Chinese classes continued at Main library and occurred on 8 occasions with an average class size of 23 adult students. Legal Aid @ YourLibrary On Saturday, October 18 the Lorain Branch hosted the Legal Aid @ Your Library clinic. Thirty-three families signed up to receive a free consultation from a volunteer attorney. Student volunteers from four law schools: Case Western University, Carnegie Mellon, Akron University, and Harvard were on hand to conduct intake interviews. Legal Aid had two volunteers providing foreign language interpretation (Spanish, Burmese) serving at least four patron groups. Thirteen lawyers from Jones Day, including the former President of the local Bar Association, met with met with the families over the course of the morning and into the early afternoon. On October 14 the Library partnered with The Foundation Center to present Rising Tide: The Empowerment of Low-Income Women. Rising Tide is a series of multimedia gatherings created to demonstrate how philanthropy accelerates social change and showcases new ways of solving old problems by lifting up social innovators who are changing our region. -
CAN Journal Summer 2015-2
A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | SUMMER 2015 A SLICE OF A TREE | WOOD ENGRAVERS NATIONAL CONFERENCE | CLEVELAND NEIGHBORHOODS | SUMMER FESTIVAL GUIDE Cleveland Institute of Art Creativity Matters Consolidated Ad 2 1 Coming this August The Cleveland Institute of Art, and its public programs, have a brand new home. New Peter B. Lewis Theater for the Cinematheque New Reinberger Gallery for exhibitions New facilities for youth + adult continuing education classes The Cleveland Institute of Art is supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture. Cleveland Institute of Art cia.edu summer 2015 THANKAt any given time the Collective Arts YOUNetwork is a shared labor proposition: our efforts depend on a lot of people pitching in. In the Spring of 2015, we had an unusually large number of projects all happening at once. For any of them to succeed has required a lot of people to go above and beyond the usual call of this collaboration. For people reading this the night of our So You Think BECAUSE CLEVELAND HAS MOMENTUM You CAN Sing karaoke benefit, the first thing that comes to mind is the long list of volunteers who helped make our When people ask whether CAN benefits from No one reading this will be surprised to read that CAN benefit a success. The committee included Karen Petkovic Cuyahoga County’s cigarette tax, what they want to wants you to vote in favor when the renewal of the levy (BAYarts), Hilary Gent (HEDGE Gallery), Nancy Heaton know is whether Collective Arts Network receives an is on the ballot in November. -
1185 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board
1185 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board Meeting December 19, 2013 Trustees Room Louis Stokes Wing 12:00 Noon Present: Mr. Corrigan, Ms. Rodriguez, Mr. Seifullah, Mr. Parker, Mr. Hairston (arrived, 12:24 p.m.), Mr. Werner (arrived, 12:27 p.m.) Absent: Ms. Butts Mr. Corrigan called the meeting to order at 12:13 p.m. Approval of the Minutes MINUTES OF REGULAR BOARD Mr. Seifullah moved approval of the minutes for the MEETING OF 11/21/13 Regular Board Meeting; and the 11/19/13 Finance 11/21/13; FINANCE Committee Meeting. Mr. Parker seconded the motion, COMMITTEE which passed unanimously by roll call vote. MEETING OF 11/19/13 Presentation: Anne Marie Warren, Friends of the Approved Cleveland Public Library Before introducing Anne Marie Warren, Executive Director, Friends of the Cleveland Public Library, Mr. Corrigan stated that he recently attended the Friends Annual Meeting where he and Director Thomas became Ex- Offico board members. Ms. Warren congratulated the Library on the success of the passage of the levy and stated that the Friends was proud to be a partner in that major initiative. Ms. Warren acknowledged that in their 50 year history, the Friends provided $1,000,000 in financial support to the Library and look forward to continuing that support annually. Ms. Warren introduced the following new members of the Friends of the Cleveland Public Library: Aaron O’Brien, Baker & Hostetler LLP and John Siemborski, Ernst & Young. Mr. Corrigan thanked Ms. Warren for her presentation and expressed appreciation to the Friends for their partnership and support. -
Full Spectrum: Paintings, Drawings, and Prints of Julian Stanczak; Wood and Stone Sculptures of Barbara Stanczak
EXHIBITION RESOURCE PACKET Full Spectrum: The Stanczak’s Full Spectrum: Paintings, Drawings, and Prints of Julian Stanczak; Wood and Stone Sculptures of Barbara Stanczak August 17-November 24, 2019 This exhibition is a retrospective of the work of Julian Stanczak and Barbara Stanczak. A retrospective is a look back on events that took place, or works that were produced, in the past. In art specifically, a retrospective exhibition presents works from an extended period of an artists’ activity, in this case, Julian Stanczak’s entire artistic career, from African landscapes to pure geometric abstractions. It’s a “Greatest Hits” album for the artist, but instead of on a playlist it’s hung on a wall. About the Artists: Julian Stanczak (1928-2017) Born in Poland in 1928, Julian Stanczak would face a gulag (Soviet labor camp) where he would lose the use of his right arm to paralysis; travel through modern day Iran, Afghanistan, Pakistan, and India to a Polish refugee camp in Masindi, Uganda where he would begin painting landscapes; relocate to Chekendon Camp outside London, England; and finally settle in the United States, first in Cincinnati, OH and then in Cleveland, OH. His early work of the 1950s and 1960s, inspired by the African landscape and drum music he experienced in Uganda, is realistic and descriptive. In these paintings you can see the shapes that suggest people and places through his use of lines and blending colors. This eventually gave way to complete geometric abstraction under the tutelage of Josef Albers and Conrad Marca-Relli at Yale University. -
The Great Depression the Great Depression of the Thirties Began in the United States with "Black Tuesday." on That Day, October 29, 1929, the Stock Market Crashed
WPA Prints - An Essay The WPA Prints constitute one of the many collections in the Kelvin Smith Library's Special Collections Research Center. This area of the library was specifically designed to provide a protective and controlled environment for rare books, manuscripts, and special collections, which, because of their rarity, value, fragility, ephemeral nature, or because they are part of a distinctive subject or author collection, require special care and handling. Among the Center's holdings, besides rare books, early imprints, and manuscripts, there are separate collections such as the E.J. Bohn papers and the Karal Ann Marling Collection, as well as reference books and bibliographies relating to them. Ernest J. Bohn was an important pioneer — locally, nationally, and internationally — in the field of public housing. In fact, he was directly responsible for the Ohio Public Housing Act, the very first in the nation. When Case art history professor Karal Marling donated her papers to the library, she wished that they join those of Mr. Bohn, who had assisted her research and allowed her free access to the WPA prints and to his entire collection. Mr. Bohn's papers contain records of his participation, as director of the Metropolitan Housing Authority, in the original federal New Deal art programs. On the library website are the Prints from the WPA, beautifully digitized and arranged alphabetically by artist. Additionally, there are two digital exhibits: African American Artists in the WPA Collection and Women Artists in the WPA Collection. Both of these focus on the work of particular artists and provide interesting biographical information on them. -
Cleveland Art School Exhibit Notes Copy
The Cleveland School Watercolor and Clay December 1, 2012 - March 10, 2013 The Cleveland School: Watercolor and Clay Exhibition Essay by William Robinson Northeast Ohio has produced a remarkable tradition of achievement in watercolor painting and ceramics. The artists who created this tradition are often identified as members of the Cleveland School, but that is only a convenient way of referring to a diverse array of painters and craftsmen who were active in a region that stretches out for hundreds of miles until it begins to collide with the cultural orbit of Toledo, Columbus, and Youngstown. The origins of this “school” are sometimes traced to the formation of the Cleveland Art Club in 1876, but artistic activity in the region predates that notable event. Notable artists were resident in Cleveland by at least the 1840s, supplying the growing shipping and industrial center with portraits, city views, and paintings to decorate domestic interiors. As the largest city in the region, Cleveland functioned like a magnet, drawing artists from surrounding communities to its art schools, museums, galleries, and thriving commercial art industries. Guy Cowan moved to Cleveland from East Liverpool, a noted center of pottery production, located on Ohio River, just across the Pennsylvania border. Charles Burchfield came from Salem and Viktor Schreckengost from Sebring, both for the purpose of studying at the Cleveland School of Art. To be sure, the flow of talent and ideas moved in multiple directions. Leading painters in Cleveland, such as Henry Keller and Auguste Biehle, established artists’ colonies in rural areas to west and south. William Sommer, although employed as a commercial lithographer in Cleveland, established a studio-home in the Brandywine Valley that drew other modernists to the country. -
JULIAN STANCZAK | OLD SCHOOL PHOTOGRAPHY | NOADA EXPO | the “PORN” in RUIN PORN | FRANK GREEN Cleveland Institute of Art Reinberger Galleries
A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | SPRING 2013 JULIAN STANCZAK | OLD SCHOOL PHOTOGRAPHY | NOADA EXPO | THE “PORN” IN RUIN PORN | FRANK GREEN Cleveland Institute of Art Reinberger Galleries Mar 29–May 4, 2013 Opening reception Fri Mar 29 6–8pm Beat Zoderer Bill Smith “As he uses vocabularies of historical “Invokes the wonderment of science in a constructivism, his works are reminiscent mad-scientist-tinkering-in-his-lab sort of way.” of the work of Mondrian, van Doesburg —The New York Times or Venet.” —Dominik Mersch Gallery Jenny Perlin Steve Roden “Her films are occasionally deceptively simple. “The unlikely pairing of the conceptual Even occasionally apparently clumsy.” and the tactile.” —International Film Festival Rotterdam —Los Angeles Times Reinberger Galleries Gallery Hours 11141 East Boulevard Mon–Thu 10am–5pm Fri 10am–9pm cia.edu Sat 10am–5pm ART IN NORTHEAST OHIO | SPRING 2013 A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND k A z C n A n St ia nd Jul A arbara B 1 03 | Welcome to CAN Journal 05 | CAN Members Report 38 | Honoring Julian Stanczak at CWRU 38 by Henry Adams ABOVE: (detail) Organic Flow, 42 | All the Rage: Analog Photography 2009, 24” x 24,” by Michael Gill by Julian Stanczak. 44 | The Nine: NOADA Expo, 2013 by Douglas Max Utter 48 | Dirty Art: The Porn in Ruin Porn by Anne Trubek 50 | Frank Greene by Lyz Bly 42 50 53 | ArtFace: Mindy Tousley Photo by Herbert Ascherman Jr. 54 | Events 56 | Members of the Collective Arts Network COVER IMAGE: Passing Contour, 1964, by Julian Stanczak.