CAN-Journal-Spring-2

Total Page:16

File Type:pdf, Size:1020Kb

CAN-Journal-Spring-2 A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | SPRING 2015 CHANGING OF THE GUARDIANS | NEW JULIAN STANCZAK BOOKS | T.R. ERICSSON AT TRANSFORMER | MOSES PEARL AT AAWR | ARTFACE: SHARI WILKINS 2 Cleveland Institute of Art, in collaboration with the Ohio On view: April 2 – May 2, 2015 Advisory Group of the National Museum of Women in Public Opening Reception: the Arts, showcases accomplished women artists and Thursday, April 2, 6–8pm highlights the hurdles that women artists face in this curated exhibition of works by (from left, above) Lauren Panel Discussion with the artists: Yeager, Christi Birchfield, Hildur Ásgeirsdóttir Jónsson, Friday, April 10, 12:15pm Mimi Kato, and Eva Kwong. CIA’s Gund Building 11141 East Boulevard cia.edu/womentowatch Sponsored by: Huntington Bank ideastream spring 2015 Consolidated Ad 1 THANKCAN is proud to present this largest YOU issue ever in con- junction with the opening of the Northern Ohio Illustrators Society’s Best of NOIS exhibit at BAYarts. Thanks to creative Nancy Heaton, Eileen Stockdale, Karen Petkovic, and everyone at BAYarts, and to the artists of NOIS for having What does the visual us along for the ride. minds in This issue marks three full years of CAN Journal as a arts, craft and design quarterly. On this occasion we thank all the people and organizations who brought us this far, including co-founder industrymedicine look like in Liz Maugans and Zygote Press for serving as our fiscal agent for the first year, Wally Lanci and Consolidated Cleveland? Graphics for incredible generosity, beautiful printing, and ongoing support, St. Clair Superior Development Market Perception Employment ImpactCorporation for taking over and continuing as CAN’s fiscal well, for starters... agent, PNC Bank for invaluable support as CAN continues to grow and evolve, all of our advertisers, all of our ever Exporting art is more profitable jobs are accounted for through the total Total economic output of Tax revenue of growing list of member organizations, and all the writers, $2,000 17,844 economic impact of the visual arts, craft Less than $99 $100 - $249 $250 - $499 $500 - $999 $1,000 - $1,999 -$2,999 photographers, artists, and other individuals who make Sales in and design sector. $2.9 billion $273.9 million Cuyahoga 21% 18% 16% 14% 15% 7% 6% CAN the collective voice of the Northeast Ohio art scene. County Direct Jobs 9,707 For every 10 jobs in the visual arts, The printingThe subsectorCollective had Arts the Network greatest overallcontinues economic to grow, and Forming 1% craft and design sector, more than needs constant guidance and advice as we take steps to Indirect Jobs 3% 4,460 8 other jobs exist in other sectors of impactmeet out ofthe all demands the other of categories growth and with sustainability. 71% For legal Sales Cuyahoga County’s economy. Outside of 12% 12% 18% 6% 18% 15% 6% 12% support we are grateful to The Milton A. Kramer Law Cuyahoga Induced Jobs of the total output impact followed by the architecture Cleveland County 3,677 Clinic Center and the Case Western Reserve University $3,000 Over A VISUAL ARTS, CRAFT AND Amount of Money Earned Per Art Display, -$3,999 $5,000 subsectorSchool with 2O%of Law. For of total additional output impact guidance in the sector.and support All Respondents $4,000 -$4,999 Employment Employment along these lines we thank William Busta, Wally Lanci, DESIGN INDUSTRY STUDY Liz Maugans, Nancy Heaton, Brian Friedman, and the declined grew 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% Seemingly small growth amazing Alli Milburn. Percentage of Respondents 31.4% 1.7% outpaced state (decline) WagesAs this issue hits the streets, CAN’s benefit committee and nation (stagnant). 2014 2 from from is planning for another spectacular party that will help us Artists Perceive Significant I do not have 2000-2011 2011-2012 The most well-represented visual arts, craft and design Competition Both Locally enough resources to raise critical funds for continued growth. Thanks to Karen View the full report and case studies promote myself occupationsPetkovic, (commercial Hilary Gent, and industrialJoAnn Dickey, designers; Liz Maugans,and Dan at cultureforward.org and Externally 2% architects)Bush, pay 78th average Street wages Studios, that and are allalmost who twiceare already as helping Stable Sector: high forto allmake industries. So You Think You CAN Sing (May 21, 2015) one STRENGTHS Significant Not significant competition within competition in Employment declined, but Highestof Median the mostWages memorable parties of the year. The capacity and uniqueness of Cleveland’s my medium from within my medium in Finally, thanks to everyone who reads CAN Journal. Cuyahoga County Cuyahoga County its overall share of total Commercial and industrial designers $65,280 arts neighborhoods. 33% 26% employment remained There’s no point in talking about art if there’s no one to Architects, except landscape and naval Innovative collaborations between arts and almost unchanged between listen and see it. $62,890 culture, citizens, local government and Not enough 2006 and 2012. Lowest Median Wages Cleveland MSA Venues in my medium in locations feature EDITOR/PUBLISHER DESIGNERMedian Wage Cuyahoga County Significant competition neighborhood organizations. my medium in Jewelers and precious stone and metal $23,040 $35,070 not actively seeking within my medium from Total Employment Michael Gill JoAnn Dickey Cuyahoga County local artists outside Cuyahoga County Public art spurring community conversations, 7% Merchandise displays and window trimmers $22,970 2% 30% VACD Share of Total Employment SR. ACCOUNT EXECUTIVE CO-FOUNDER redefining community and revitalizing neighborhoods. CarlosMedian E. RamosWage (2012) $0 $10K $20K Liz$30K Maugans $40K $50K $60K Supportive local public policy environment. Learn more about MOCA Cleveland: Tremont: CAN St.Journal Clair Superior: is the quarterly publicationPublic Art: of the Collective Arts Sturdy, Dynamic & Stylish Creative Placekeeping Creative Reuse Placemaking in Action A wide range of artist support services. Regular Customers the impact of Network and has a circulation of 10,000 copies distributed Patrons Only October in more than 200 locations around Cuyahoga County. The Visitors Other Collector Cleveland’s visual CHALLENGES 16% 24% Collective Arts Network is a membership organization serving arts, craft, and29-30, 2014 galleries and art organizations of Northeast Ohio. CAN is Limited consumer base for visual arts products, design industry, supported by Consolidated Graphics, PNC Bank, the George Galleries’ Describe a with multiple venues and events that compete and read storiesat the Global Center for Gund Foundation, the Ohio Arts Council, and all its member Diverse Customer Base Case organizations. Collective Arts Network, C/O St. Clair Superior for the same customers in the region. Art for Decoration Patron/Investor from the field in 20% 20% Health Innovation. Development Corp., 4205 St. Clair Avenue, Cleveland, Ohio Widely dispersed art locations. Strategies aimed at Forming Cleveland. 44103. Online: CANjournal.org. increasing demand should Studies Lack of communication within the sector. take this well-rounded View the complete CONTACT diversity of buyers Occasional Buyer Artist Activists: CAN Journal: Dan Cuffaro: Cleveland CycleWerks: 22% case studies in Heightening Social Awareness Pressing for Change Publisher/Editor:Remaking the Regional [email protected] Economy Starting Up Absence of a clear, collective message about into account the local visual arts, craft and design scene. Forming Cleveland Advertising: [email protected] at cultureforward.org Visibility of the visual arts, craft and design sector both locally and outside of the region. of galleries and shops use the Internet as a digital marketplace Evolving audience and consumer dynamics, including 62% a desire for participation in creation of the art itself. of gallery owners say local art quality 70% has improved over the last 3 years Graphic Design: Maryanne Hiti Design LLC www.cultureforward.org spring 2015 THE CHURCH NEEDS ITS CHOIR As 2015 warms up, the art world in Cleveland is at as well as individual artists. In the run-up to the vote, one of those dynamic times, when a whole lot of arts advocate and public funding champion Barbara things could change. It’s like an ecosystem, with Robinson has reconvened the Arts and Culture Action interdependent species making our culture, and what Committee to raise money and build support. Indians any one of them does affects all the rest. CEO Paul Dolan has joined the effort. Exhibit A is the shifting gallery landscape. In a city In the coming months we will certainly hear from a with scores of active galleries, one retirement wouldn’t range of anti-tax activists. It’s also a challenge that usually deserve a place in this conversation, but the the vote will come after Governor Kasich has stirred retirement this summer of William Busta leaves a up the waters by seeking a $1 per pack increase in the significant hole in the scene: his focus on high quality, state tax on cigarettes to help pay for other tax cuts. new work by artists living in the region is unique. We But the boost that artists give to children, struggling look forward to the roles he’ll play beyond running neighborhoods, and our collective soul is more than his gallery. And we know other galleries will step into worth the effort it will take to win over the naysayers. his big shoes. To say this is important to readers of this magazine is preaching to the choir. But at the risk of pushing Meanwhile, the three nonprofit organizations that the metaphor too far, the church needs its choir now, recognize, honor, and preserve the work of Northeast more than ever. 3 Ohio artists all have new leadership. The Cleveland Arts Prize, Artist Archives of the Western Reserve, You’ll read more about all these stories in this and and ARTneo all named new executive directors late upcoming issues of CAN.
Recommended publications
  • Edwin Kaufman
    A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | WINTER 2013/2014 A LIFE CUT SHORT: EDWIN KAUFMAN | ANNUS MIRABILIS: FRANK ORITI| PRODUCTION REPRODUCTION | ARTSCAPE: CRISTY GRAY Cleveland Institute of Art Student Independent Exhibition Feb 14–Mar 15, 2014 cia.edu/sie2014 THANKOn the third Friday in November, galleries YOU of 78th Street Studios offered a spate of noteworthy shows and at- tracted huge crowds. The retrospective of works by the late Randall Tiedman, presented cooperatively by Hilary Gent's Hedge Gallery and William Scheele's Kokoon Arts Gallery, continued to amaze with its moods and diversity. Down the hall and around the corner, Kenneth Paul Lesko Galleries offered new works by Judith Bran- community ı hone your craft ı build your business don, who is working her stormy weather magic larger space ı employment ı money ı insurance than ever. Downstairs, figure drawings by Derek Hess captivated with their emotion and agitated lines while the artist signed books for a long line of fans. Upstairs at Survival Kit, the string quartet Opus 216 and vocal ensemble {re:voice} held rapt a wall-to-wall crowd with the minimalist, morphing sounds of Philip Glass to mark the closing of the exhibit, Human Imprints. Just about every room had people marveling at the art scene in Cleveland: local artists and performers were presenting great work, drawing crowds, building the audience, and making sales. Perhaps we were even surprising ourselves. And in just about every room, someone told me they had taken CAN Journal to another city and showed this magazine to other people in other galleries, with con- GOT SPACE? Go to myCreativeCompass.org sistent amazement: This much art? This many venues? This magazine? This is Cleveland? A tool to directly connect Cleveland-area artists CAN Journal could not be more pleased to be car- 2 with available space and opportunity to grow ried around the country by artists, to play the role of an even stronger region.
    [Show full text]
  • Utilizing Adobe Illustrator's Blend and Transform in Designing Op-Art Items
    Arts and Design Studies www.iiste.org ISSN 2224-6061 (Paper) ISSN 2225-059X (Online) Vol.44, 2016 Utilizing Adobe Illustrator's Blend and Transform in Designing Op-Art Items Randa Darwish Mohamed Assistant Professor in Printing, Publishing and Packaging Dept., Faculty of Applied Arts, Helwan University, Egypt. Abstract Op-Art can strengthen the product image and can combine culture elements which satisfies consumers’ visual requirement. Some applications of op-art are in security prints, fashion design, packaging design, architecture, interior design, publishing media, and printing designs. The problem is the few softwares specialized in Op-Art production. These softwares are based on geometric shapes in creating visual art items. Concerning the wide facilities of blend and transform options and effects in Adobe Illustrator software, many op- art items can be investigated. The goal is to highlight the importance of these tools options and effects and its ease, efficiency, and functionality in designing countless variety of op-art items. The availability, prevalence, and ease of use of the Adobe softwares are very important advantages that encourage designers to use in most of their works. The research aims to design Op-Art items by using Illustrator's blend and transform and utilizing these items in various designs. Keywords: Op-Art, Adobe Illustrator, Blend, Transform, packaging design, Guilloche. 1. Introduction 1.1 Op-Art (1965-70) Op Art can be defined as a type of abstract or concrete art consisting of non-representational geometric shapes which create various types of optical illusion. For instance, when viewed, Op Art pictures may cause the eye to detect a sense of movement (eg.
    [Show full text]
  • 1272 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board
    1272 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board Meeting November 20, 2014 Trustees Room Louis Stokes Wing 12:00 Noon Present: Mr. Seifullah, Ms. Rodriguez, Mr. Corrigan, Mr. Hairston, Mr. Werner Absent: Ms. Butts, Mr. Parker Ms. Rodriguez called the meeting to order at 12:10 p.m. MINUTES OF REGULAR BOARD MEETING OF Approval of the Minutes 10/16/14; JOINT FINANCE & HUMAN Mr. Hairston moved approval of the minutes for the RESOURCES 10/16/14 Regular Board Meeting; 10/14/14 Joint Finance & COMMITTEE Human Resources Committee Meeting. Ms. Rodriguez MEETING OF seconded the motion, which passed unanimously by roll 10/14/14 call vote. Approved Presentation: An Introduction to the Friends' Planned Advocacy Program Jason Jaffery, Executive Director, Friends of the Cleveland Public Library, stated that the Friends plan for expansion focused on the following areas: (1) Increased Philanthropy; (2) Increased visibility and volunteer opportunities; and (3) Advocacy on behalf of Cleveland Public Library. Mr. Jaffery stated that ultimately, all high-impact organizations bridge the divide between service and advocacy . They become good at both. And the more they serve and advocate, the more they achieve impact. The Friends growth strategy is based on Friends of St. Paul Model. Advocacy is key to their success Last year, they raised three times as much for their library through advocacy efforts as they did through philanthropy. Advocacy became a top priority. There is an opportunity to restore the Public Library Fund that could result in a potential 7 figure impact on the library's budget. 1273 A key success of this initiative is a new staff position: Director Of Programs & Advocacy to play a leadership role in the Restore the PLF campaign and to build an ongoing program to support the library's relationships with public officials.
    [Show full text]
  • Alumni + Friends Newsletter: July 2018 View This Email in Your Browser
    Alumni + Friends Newsletter: July 2018 View this email in your browser Alumni + Friends July 2018 Connect with us: FacebookTwitter InstagramPinterest Flickr Tumblr LinkedIn YouTube FRONT International The Cleveland Institute of Art is proud to be a presenting partner for FRONT International: Cleveland Triennial for Contemporary Art, a summer-long exhibition of contemporary art from around the world taking place now through September 30, 2018. CIA is excited to host the Great Lakes Research exhibition, one of the many events that comprise FRONT International. Great Lakes Research is on view through October 7. Also in Cleveland: Have you stopped by CAN Triennial yet? It's full of contemporary art from Northeast Ohio, featuring new discoveries, rising stars, and some of the region's most accomplished artists. The exhibition fills three floors of 78th Street Studios (1305 W. 80th Street, Cleveland) and is on view through July 29. The closing party is Friday, July 27. Zisla legacy shines on through website In the past, it was a brochure. Now, every artist needs a website. To create one for Harold Zisla '50, his daughter, Beverly Zisla Welber, wanted the outcome to reveal her father’s personality as well as his art. “Although every artist is unique, yielding a website with content that no one else’s has, I was looking for a way to capture what made him so unusual,” she said. “Me and My Zisla” became the means to do so. Click here to continue reading. Cleveland: A Cultural Center at Wolfs Gallery Celebrate the community of artists known as the Cleveland School at Cleveland: A Cultural Center, an exhibition at Wolfs Gallery on view through August 31.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • DIRECTOR's REPORT November 20, 2014 Fighting Community
    DIRECTOR’S REPORT November 20, 2014 Fighting Community Deficits During the month of October the Library hosted a total of 184 programs. Educational programming and services, not included in the above totals, accounted for approximately 121 adult education classes, and 663 hours of after-school homework help for grades K-8. After-school snacks were served M-Th. at 18 branch locations. Impact 216, the program formerly known as Rocking the 216, held 88 ACT sessions at 4 CPL locations: Eastman, South Brooklyn, Martin Luther King, Jr., and Harvard- Lee. Business Chinese classes continued at Main library and occurred on 8 occasions with an average class size of 23 adult students. Legal Aid @ YourLibrary On Saturday, October 18 the Lorain Branch hosted the Legal Aid @ Your Library clinic. Thirty-three families signed up to receive a free consultation from a volunteer attorney. Student volunteers from four law schools: Case Western University, Carnegie Mellon, Akron University, and Harvard were on hand to conduct intake interviews. Legal Aid had two volunteers providing foreign language interpretation (Spanish, Burmese) serving at least four patron groups. Thirteen lawyers from Jones Day, including the former President of the local Bar Association, met with met with the families over the course of the morning and into the early afternoon. On October 14 the Library partnered with The Foundation Center to present Rising Tide: The Empowerment of Low-Income Women. Rising Tide is a series of multimedia gatherings created to demonstrate how philanthropy accelerates social change and showcases new ways of solving old problems by lifting up social innovators who are changing our region.
    [Show full text]
  • CAN Journal Summer 2015-2
    A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | SUMMER 2015 A SLICE OF A TREE | WOOD ENGRAVERS NATIONAL CONFERENCE | CLEVELAND NEIGHBORHOODS | SUMMER FESTIVAL GUIDE Cleveland Institute of Art Creativity Matters Consolidated Ad 2 1 Coming this August The Cleveland Institute of Art, and its public programs, have a brand new home. New Peter B. Lewis Theater for the Cinematheque New Reinberger Gallery for exhibitions New facilities for youth + adult continuing education classes The Cleveland Institute of Art is supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture. Cleveland Institute of Art cia.edu summer 2015 THANKAt any given time the Collective Arts YOUNetwork is a shared labor proposition: our efforts depend on a lot of people pitching in. In the Spring of 2015, we had an unusually large number of projects all happening at once. For any of them to succeed has required a lot of people to go above and beyond the usual call of this collaboration. For people reading this the night of our So You Think BECAUSE CLEVELAND HAS MOMENTUM You CAN Sing karaoke benefit, the first thing that comes to mind is the long list of volunteers who helped make our When people ask whether CAN benefits from No one reading this will be surprised to read that CAN benefit a success. The committee included Karen Petkovic Cuyahoga County’s cigarette tax, what they want to wants you to vote in favor when the renewal of the levy (BAYarts), Hilary Gent (HEDGE Gallery), Nancy Heaton know is whether Collective Arts Network receives an is on the ballot in November.
    [Show full text]
  • 1185 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board
    1185 CLEVELAND PUBLIC LIBRARY Minutes of the Regular Board Meeting December 19, 2013 Trustees Room Louis Stokes Wing 12:00 Noon Present: Mr. Corrigan, Ms. Rodriguez, Mr. Seifullah, Mr. Parker, Mr. Hairston (arrived, 12:24 p.m.), Mr. Werner (arrived, 12:27 p.m.) Absent: Ms. Butts Mr. Corrigan called the meeting to order at 12:13 p.m. Approval of the Minutes MINUTES OF REGULAR BOARD Mr. Seifullah moved approval of the minutes for the MEETING OF 11/21/13 Regular Board Meeting; and the 11/19/13 Finance 11/21/13; FINANCE Committee Meeting. Mr. Parker seconded the motion, COMMITTEE which passed unanimously by roll call vote. MEETING OF 11/19/13 Presentation: Anne Marie Warren, Friends of the Approved Cleveland Public Library Before introducing Anne Marie Warren, Executive Director, Friends of the Cleveland Public Library, Mr. Corrigan stated that he recently attended the Friends Annual Meeting where he and Director Thomas became Ex- Offico board members. Ms. Warren congratulated the Library on the success of the passage of the levy and stated that the Friends was proud to be a partner in that major initiative. Ms. Warren acknowledged that in their 50 year history, the Friends provided $1,000,000 in financial support to the Library and look forward to continuing that support annually. Ms. Warren introduced the following new members of the Friends of the Cleveland Public Library: Aaron O’Brien, Baker & Hostetler LLP and John Siemborski, Ernst & Young. Mr. Corrigan thanked Ms. Warren for her presentation and expressed appreciation to the Friends for their partnership and support.
    [Show full text]
  • Full Spectrum: Paintings, Drawings, and Prints of Julian Stanczak; Wood and Stone Sculptures of Barbara Stanczak
    EXHIBITION RESOURCE PACKET Full Spectrum: The Stanczak’s Full Spectrum: Paintings, Drawings, and Prints of Julian Stanczak; Wood and Stone Sculptures of Barbara Stanczak August 17-November 24, 2019 This exhibition is a retrospective of the work of Julian Stanczak and Barbara Stanczak. A retrospective is a look back on events that took place, or works that were produced, in the past. In art specifically, a retrospective exhibition presents works from an extended period of an artists’ activity, in this case, Julian Stanczak’s entire artistic career, from African landscapes to pure geometric abstractions. It’s a “Greatest Hits” album for the artist, but instead of on a playlist it’s hung on a wall. About the Artists: Julian Stanczak (1928-2017) Born in Poland in 1928, Julian Stanczak would face a gulag (Soviet labor camp) where he would lose the use of his right arm to paralysis; travel through modern day Iran, Afghanistan, Pakistan, and India to a Polish refugee camp in Masindi, Uganda where he would begin painting landscapes; relocate to Chekendon Camp outside London, England; and finally settle in the United States, first in Cincinnati, OH and then in Cleveland, OH. His early work of the 1950s and 1960s, inspired by the African landscape and drum music he experienced in Uganda, is realistic and descriptive. In these paintings you can see the shapes that suggest people and places through his use of lines and blending colors. This eventually gave way to complete geometric abstraction under the tutelage of Josef Albers and Conrad Marca-Relli at Yale University.
    [Show full text]
  • The Great Depression the Great Depression of the Thirties Began in the United States with "Black Tuesday." on That Day, October 29, 1929, the Stock Market Crashed
    WPA Prints - An Essay The WPA Prints constitute one of the many collections in the Kelvin Smith Library's Special Collections Research Center. This area of the library was specifically designed to provide a protective and controlled environment for rare books, manuscripts, and special collections, which, because of their rarity, value, fragility, ephemeral nature, or because they are part of a distinctive subject or author collection, require special care and handling. Among the Center's holdings, besides rare books, early imprints, and manuscripts, there are separate collections such as the E.J. Bohn papers and the Karal Ann Marling Collection, as well as reference books and bibliographies relating to them. Ernest J. Bohn was an important pioneer — locally, nationally, and internationally — in the field of public housing. In fact, he was directly responsible for the Ohio Public Housing Act, the very first in the nation. When Case art history professor Karal Marling donated her papers to the library, she wished that they join those of Mr. Bohn, who had assisted her research and allowed her free access to the WPA prints and to his entire collection. Mr. Bohn's papers contain records of his participation, as director of the Metropolitan Housing Authority, in the original federal New Deal art programs. On the library website are the Prints from the WPA, beautifully digitized and arranged alphabetically by artist. Additionally, there are two digital exhibits: African American Artists in the WPA Collection and Women Artists in the WPA Collection. Both of these focus on the work of particular artists and provide interesting biographical information on them.
    [Show full text]
  • Cleveland Art School Exhibit Notes Copy
    The Cleveland School Watercolor and Clay December 1, 2012 - March 10, 2013 The Cleveland School: Watercolor and Clay Exhibition Essay by William Robinson Northeast Ohio has produced a remarkable tradition of achievement in watercolor painting and ceramics. The artists who created this tradition are often identified as members of the Cleveland School, but that is only a convenient way of referring to a diverse array of painters and craftsmen who were active in a region that stretches out for hundreds of miles until it begins to collide with the cultural orbit of Toledo, Columbus, and Youngstown. The origins of this “school” are sometimes traced to the formation of the Cleveland Art Club in 1876, but artistic activity in the region predates that notable event. Notable artists were resident in Cleveland by at least the 1840s, supplying the growing shipping and industrial center with portraits, city views, and paintings to decorate domestic interiors. As the largest city in the region, Cleveland functioned like a magnet, drawing artists from surrounding communities to its art schools, museums, galleries, and thriving commercial art industries. Guy Cowan moved to Cleveland from East Liverpool, a noted center of pottery production, located on Ohio River, just across the Pennsylvania border. Charles Burchfield came from Salem and Viktor Schreckengost from Sebring, both for the purpose of studying at the Cleveland School of Art. To be sure, the flow of talent and ideas moved in multiple directions. Leading painters in Cleveland, such as Henry Keller and Auguste Biehle, established artists’ colonies in rural areas to west and south. William Sommer, although employed as a commercial lithographer in Cleveland, established a studio-home in the Brandywine Valley that drew other modernists to the country.
    [Show full text]
  • JULIAN STANCZAK | OLD SCHOOL PHOTOGRAPHY | NOADA EXPO | the “PORN” in RUIN PORN | FRANK GREEN Cleveland Institute of Art Reinberger Galleries
    A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND ART IN NORTHEAST OHIO | SPRING 2013 JULIAN STANCZAK | OLD SCHOOL PHOTOGRAPHY | NOADA EXPO | THE “PORN” IN RUIN PORN | FRANK GREEN Cleveland Institute of Art Reinberger Galleries Mar 29–May 4, 2013 Opening reception Fri Mar 29 6–8pm Beat Zoderer Bill Smith “As he uses vocabularies of historical “Invokes the wonderment of science in a constructivism, his works are reminiscent mad-scientist-tinkering-in-his-lab sort of way.” of the work of Mondrian, van Doesburg —The New York Times or Venet.” —Dominik Mersch Gallery Jenny Perlin Steve Roden “Her films are occasionally deceptively simple. “The unlikely pairing of the conceptual Even occasionally apparently clumsy.” and the tactile.” —International Film Festival Rotterdam —Los Angeles Times Reinberger Galleries Gallery Hours 11141 East Boulevard Mon–Thu 10am–5pm Fri 10am–9pm cia.edu Sat 10am–5pm ART IN NORTHEAST OHIO | SPRING 2013 A PUBLICATION OF THE COLLECTIVE ARTS NETWORK | CLEVELAND k A z C n A n St ia nd Jul A arbara B 1 03 | Welcome to CAN Journal 05 | CAN Members Report 38 | Honoring Julian Stanczak at CWRU 38 by Henry Adams ABOVE: (detail) Organic Flow, 42 | All the Rage: Analog Photography 2009, 24” x 24,” by Michael Gill by Julian Stanczak. 44 | The Nine: NOADA Expo, 2013 by Douglas Max Utter 48 | Dirty Art: The Porn in Ruin Porn by Anne Trubek 50 | Frank Greene by Lyz Bly 42 50 53 | ArtFace: Mindy Tousley Photo by Herbert Ascherman Jr. 54 | Events 56 | Members of the Collective Arts Network COVER IMAGE: Passing Contour, 1964, by Julian Stanczak.
    [Show full text]