Preston E. Pierce Ontario County Historical Society
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United States Navy and World War I: 1914–1922
Cover: During World War I, convoys carried almost two million men to Europe. In this 1920 oil painting “A Fast Convoy” by Burnell Poole, the destroyer USS Allen (DD-66) is shown escorting USS Leviathan (SP-1326). Throughout the course of the war, Leviathan transported more than 98,000 troops. Naval History and Heritage Command 1 United States Navy and World War I: 1914–1922 Frank A. Blazich Jr., PhD Naval History and Heritage Command Introduction This document is intended to provide readers with a chronological progression of the activities of the United States Navy and its involvement with World War I as an outside observer, active participant, and victor engaged in the war’s lingering effects in the postwar period. The document is not a comprehensive timeline of every action, policy decision, or ship movement. What is provided is a glimpse into how the 20th century’s first global conflict influenced the Navy and its evolution throughout the conflict and the immediate aftermath. The source base is predominately composed of the published records of the Navy and the primary materials gathered under the supervision of Captain Dudley Knox in the Historical Section in the Office of Naval Records and Library. A thorough chronology remains to be written on the Navy’s actions in regard to World War I. The nationality of all vessels, unless otherwise listed, is the United States. All errors and omissions are solely those of the author. Table of Contents 1914..................................................................................................................................................1 -
The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
My Blue to Gold Liaison Booklet
BLUE to GOLD LIAISON HANDBOOK 1 This booklet is dedicated to all the Blue to Gold Liaisons who do all they can to Honor and Remember Our Fallen Heroes and their Families. It is said, “a man hasn’t died as long as he is remembered.” Photo Credits: Front Cover: BSM of the High Country NC-10—Boone, NC; Back Top: BSM of the High Country NC-10—Boone, NC; Back Bottom: Blue Star Mothers of Fredericksburg VA4. 2 BLUE TO GOLD PROGRAM After the September 11 terrorist attack on American soil and impending War on the horizon, fear and sorrow entered the hearts of Blue Star Mothers. Memories of the Vietnam War surfaced. Determined not to let our Nation mar the sacrifice of the Warrior or the family left behind, the Blue to Gold program was borne out of honor, love, and respect. In military tradition, when a man or woman enters the Armed Forces of the United States of America, pledging to defend America with their life a Blue Star Banner may be displayed by their family. The Red border of the Banner represents the blood shed by past Warriors in defending our Nation. The field of White symbolizes the purity of Spirit – the price of Peace that only a Warrior understands. The Blue Star signifies loyalty, honor, and duty entrusted in our Defenders. If Fate causes the death of a defender, a smaller Gold Star for Valor and Sacrifice is placed over the Blue Star. The border of Blue is a constant reminder the Warrior and family will always be remembered and honored by the brothers and sisters who lived to tell the tale. -
Human Rights and History a Challenge for Education
edited by Rainer Huhle HUMAN RIGHTS AND HISTORY A CHALLENGE FOR EDUCATION edited by Rainer Huhle H UMAN The Universal Declaration of Human Rights and the Genocide Convention of 1948 were promulgated as an unequivocal R response to the crimes committed under National Socialism. Human rights thus served as a universal response to concrete IGHTS historical experiences of injustice, which remains valid to the present day. As such, the Universal Declaration and the Genocide Convention serve as a key link between human rights education and historical learning. AND This volume elucidates the debates surrounding the historical development of human rights after 1945. The authors exam- H ine a number of specific human rights, including the prohibition of discrimination, freedom of opinion, the right to asylum ISTORY and the prohibition of slavery and forced labor, to consider how different historical experiences and legal traditions shaped their formulation. Through the examples of Latin America and the former Soviet Union, they explore the connections · A CHALLENGE FOR EDUCATION between human rights movements and human rights education. Finally, they address current challenges in human rights education to elucidate the role of historical experience in education. ISBN-13: 978-3-9810631-9-6 © Foundation “Remembrance, Responsibility and Future” Stiftung “Erinnerung, Verantwortung und Zukunft” Lindenstraße 20–25 10969 Berlin Germany Tel +49 (0) 30 25 92 97- 0 Fax +49 (0) 30 25 92 -11 [email protected] www.stiftung-evz.de Editor: Rainer Huhle Translation and Revision: Patricia Szobar Coordination: Christa Meyer Proofreading: Julia Brooks and Steffi Arendsee Typesetting and Design: dakato…design. David Sernau Printing: FATA Morgana Verlag ISBN-13: 978-3-9810631-9-6 Berlin, February 2010 Photo Credits: Cover page, left: Stèphane Hessel at the conference “Rights, that make us Human Beings” in Nuremberg, November 2008. -
KEYSTONE VIEW COMPANY. World War I Stereographic Library, 1918-1921
KEYSTONE VIEW COMPANY. World War I stereographic library, 1918-1921 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Keystone View Company. Title: World War I stereographic library, 1918-1921 Call Number: Manuscript Collection No. 1030 Extent: 2.25 linear ft. (3 boxes) Abstract: Black and white stereoscopic photographs produced by the Keystone View Company depicting various World War I scenes between 1918 and 1921 including battlefields, soldiers and activities on the homefront. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Source Unknown. Citation [after identification of item(s)], World War I stereographic library, Manuscript, Archives and Rare Book Library, Emory University. Processing Processed by Erica Bruchko, November 11, 2005. This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. If you are concerned about language used in this finding aid, please contact us at [email protected]. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. World War I stereographic library, 1918-1921 Manuscript Collection No. 1030 Collection Description Biographical Note The Keystone View Company was founded in 1892 by B. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
War Diary of CL 57 U.S.S. Montpelier, September, 1942-December, 1945 United States Navy
Bangor Public Library Bangor Community: Digital Commons@bpl World War Regimental Histories World War Collections 1945 War diary of CL 57 U.S.S. Montpelier, September, 1942-December, 1945 United States Navy Follow this and additional works at: http://digicom.bpl.lib.me.us/ww_reg_his Recommended Citation United States Navy, "War diary of CL 57 U.S.S. Montpelier, September, 1942-December, 1945" (1945). World War Regimental Histories. 175. http://digicom.bpl.lib.me.us/ww_reg_his/175 This Book is brought to you for free and open access by the World War Collections at Bangor Community: Digital Commons@bpl. It has been accepted for inclusion in World War Regimental Histories by an authorized administrator of Bangor Community: Digital Commons@bpl. For more information, please contact [email protected]. PUBLISHED DECEMBER, 1945 CAPT. W. A. GORRY, USN, Commanding COMDR. R. A. MITCHELL, USN, Exec. Officer Co. Editors LIEUT . .J. B. CRALLE, II, USNR ENs . .J. R. CHADWICK, USNH Photographs By I WoRTHINGTON, C. L., PhoM 2/c, USNR TRIPP, W. W., PboM 3/ c, USNR BERERS, M. L., PhoM 1/c, USNR STEVENSON, D. L., S l / c, USNR ENs . .J . R. CHADWICK, USNR Special Contributors: BEESON, S lie, USNR LIEUT. CoMDR. R. W. FooTI-IORAP, USNR LIEUT. G. w. HESSER, USNR ' FOREWORD This so-called War Diary is an honest attempt to record a brief chapter in the young life of a gallant ship. No effort has been made to glamourize her deeds; no claim has been made that she fought the war single-handed; no single incident or group has been intentionally empha sized or omitted. -
Of 4 Sb118/1920 BLUE STAR FAMILY LICENSE PLATE SB
BLUE STAR FAMILY LICENSE PLATE S.B. 118: ANALYSIS AS ENACTED Senate Bill 118 (as enacted) PUBLIC ACT 51 of 2020 Sponsor: Senator Kevin Daley Senate Committee: Families, Seniors and Veterans House Committee: Military, Veterans and Homeland Security Ways and Means Date Completed: 3- 20-20 RATIONALE The Michigan Vehicle Code provides for a number of special license plates honoring military service members, veterans of declared wars or conflicts, veterans who were wounded or killed while serving in the United States Armed Forces, Purple Heart recipients, and former prisoners of war, among others (see BACKGROUND for a complete list of the military-related special plates offered by the Secretary of State). The Code allows a member of a "Gold Star Family" to apply for a special Gold Star Family registration plate (which is available to a person who has had an immediate family member die while serving in the U.S. Armed Forces if the immediate family member meets the eligibility criteria prescribed under Federal law for a Gold Star Lapel Button). However, the State did not offer a plate for an individual who has an immediate family member currently serving in the U.S. Armed Forces. Many observed that family members of an enlistee also feel the effects of the enlistment. In an effort to recognize those who have family members serving in the military, it was suggested that such a plate be created. CONTENT The bill amended the Michigan Vehicle Code to permit a Blue Star Family member to apply to the Secretary of State for a "Blue Star Family" special registration plate. -
History of the Early Development of Electroencephalography and Clinical Neurophysiology at the Montreal Neurological Institute: the First 25 Years 1939-1964
LE JOURNAL CANADIEN DES SCIENCES NEUROLOGIQUES HISTORICAL INTRODUCTION History of the Early Development of Electroencephalography and Clinical Neurophysiology at the Montreal Neurological Institute: The First 25 Years 1939-1964 Herbert H. Jasper Since I have always considered the EEG department to be a Army, and Naval Medical research where they have been kept in clinical branch of the Department of Neurophysiology (not their archives. Neurosurgery) I shall be speaking of the Departments of The second 25 years was guided by Peter Gloor who will no Neurophysiology and Electroencephalography as one in my his doubt be able to review the highlights of his years at the helm, torical introduction. which has only recently been taken over by Luis-Felipe We have always had a fine collaboration with neurosurgeons Quesney. in both the Neurophysiology and EEG laboratories. Many have been fellows in these laboratories at sometime during their The First EEG Laboratories at Brown University graduate work and training at the MNI. In fact I have found that It was in the year 1933 that I returned from a two year neurosurgeons make very good neurophysiologists and have Rockefeller Fellowship in Paris to establish a clinical and made important contributions to research in these departments, experimental EEG laboratory at the Bradley Hospital of Brown as well as in the operating room where we have been able to University in Providence, Rhode Island, with the aid of a grant carry out some remarkable electrophysiological studies of the from the Rockefeller Foundation. Our first electroencephalo human brain. Most important was the collaboration with Dr. -
The Long Island Historical Journal
THE LONG ISLAND HISTORICAL JOURNAL United States Army Barracks at Camp Upton, Yaphank, New York c. 1917 Fall 2003/ Spring 2004 Volume 16, Nos. 1-2 Starting from fish-shape Paumanok where I was born… Walt Whitman Fall 2003/ Spring 2004 Volume 16, Numbers 1-2 Published by the Department of History and The Center for Regional Policy Studies Stony Brook University Copyright 2004 by the Long Island Historical Journal ISSN 0898-7084 All rights reserved Articles appearing in this journal are abstracted and indexed in Historical Abstracts and America: History and Life The editors gratefully acknowledge the support of the Office of the Provost and of the Dean of Social and Behavioral Science, Stony Brook University (SBU). We thank the Center for Excellence and Innovation in Education, SBU, and the Long Island Studies Council for their generous assistance. We appreciate the unstinting cooperation of Ned C. Landsman, Chair, Department of History, SBU, and of past chairpersons Gary J. Marker, Wilbur R. Miller, and Joel T. Rosenthal. The work and support of Ms. Susan Grumet of the SBU History Department has been indispensable. Beginning this year the Center for Regional Policy Studies at SBU became co-publisher of the Long Island Historical Journal. Continued publication would not have been possible without this support. The editors thank Dr. Lee E. Koppelman, Executive Director, and Ms. Edy Jones, Ms. Jennifer Jones, and Ms. Melissa Jones, of the Center’s staff. Special thanks to former editor Marsha Hamilton for the continuous help and guidance she has provided to the new editor. The Long Island Historical Journal is published annually in the spring. -
Vexillum, March 2018, No. 1
Research and news of the North American Vexillological Association March 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Mars 2018 1 INSIDE Page Editor’s Note 2 President’s Column 3 2017 NAVA Membership Map 3 Steamboat’s a-Comin’: Flags Used Incorporating NAVA News and Flag Research Quarterly Afloat in the Nineteenth Century 4 The Mississippi Identity: Summary of an Academic Project in Flag Design 11 Flag Heritage Foundation: Japanese Heraldry and Heraldic Flags 12 Regional Groups Report: PFA and VAST 12 • Grants Committee Report • Letters • New Flags • Projected Publication Schedule 13 11 Oh Say, Can You See...? 14 Captain William Driver Award Guidelines 16 Treasurer’s Report 16 Flags for the Fallen 18 Annual Meeting Notice, Call for Papers 24 18 4 2 | March 2018 • Vexillum No. 1 March / Mars 2018 Issue 1 / Numéro 1 Editor's Note | Note de la rédaction Dear Reader: No. 1 Welcome to the first edition of Vexillum. Please allow me to explain its origins and our Research and news of the North American plans for it. Vexillological Association / Recherche et NAVA has a long history of publishing for its members and others interested in vexill- nouvelles de l’Association nord-américaine ological matters. NAVA News began in 1967 as a newsletter about association affairs, and de vexillologie. Published quarterly / Publié later expanded its coverage to include reprints of newspaper articles about flags and original quatre fois par an. research papers. Raven has delivered twenty-four volumes of peer-reviewed vexillological Please submit correspondence and research since 1994. In 2013, Flag Research Quarterly was launched to provide a forum for submissions to / Veuillez envoyer toute correspondance à l’adresse suivante: amply illustrated, shorter research articles.