DOCSLIB.ORG

Leon Levy BAM Digital Archive

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Leon Levy BAM Digital Archive It \-45t A MNGIC (x34- Z-AUBEjk" °I.E1 Nert)rel .1- .._ , .-----N.....-,,--- J. --- sip v C, st 4 .:1'.1 *IP I 1 11111M- 'MN H__ te,"" ',owe bast° m B M ti 17,0110 I rioliN 0 II VII11"" V aXr. 96.1A .00i. 60. V:01030.) ttit N tin CM ettUt.nAtagittest .Your money grows like magic at the THE DIMEDIME SAYINGS BANK OF NEW YORK MEMBER FDIC MANHATTAN DOWNTOWN BROOKLYN BENSONHURST FLATBUSH CONEY ISLAND KINGS PLAZA VALLEY STREAM MASSAPEOUA HUNTINGTON STATION Brooklyn Academy of Music 1 fq71,-F. 00,3S Program A Tuesday, October 19, 1976 (7:30pm)/Opera House Saturday, Oct. 23, 1976 (8:00pm)/Opera House Sunday, Oct. 24, 1976 (2:00pm)/Opera House Sunday, Oct. 24, 1976 (8:00pm)/Opera House *T. I '.w Pennsylvania Ballet Artists Brian Andrew Barry Leon Dana Arey Sherry Lowenthal *Alba Calzada Michelle Lucci Marcia Darhower James Mercer William De Gregory Adam Miller Gregory Drotar Melissa Mitchell Viorica Ene Edward Myers Jeffrey Gribler Anya Patton Tamara Hadley Melissa Podcasy Mark Hochman Robin Preiss Linda Karash Constance Ross David Kloss Barbara Sandonato Dane LaFontsee Janek Schergen Missy Yancey *on leave of absence Guest Artists Burton Taylor Martine van Hamel Courtesy of American Ballet Theatre I 477 Director Aritstic Director Barbara Weisberger Benjamin Harkarvy 7- 7 General Manager HAVE Timothy Duncan Artistic Administrator Lighting Designer YOU Richard Carter David K.H. Elliott Ballet Masters BEEN Fiona Fuerstner William Thompson THERE Robert Rodham Music Director LATELY Maurice Kaplow with The Pennsylvania Orchestra r CONCERTO BAROCCO choreography George Balanchine music Johann Sebastian Bach Concerto in D minor for The best time Two Violins and Orchestra lighting Nicholas Cernovitch to buy, a Set to the Bach Concerto in D minor for Two Violins and Orchestra, Balanchine's Concerto Barocco was first presented on the Hunter College stage in New York, May 29, 1940 by the New York City Ballet precursor, American Ballet. This tpnmelocaion Balanchine opus highlighted the first program presented by the Pennsylvania Ballet on a suburban estate outside Philadelphia in the summer of 1963. Elsa Nilsson violin Akiko Sankonju violin before October 19 and 24m Michelle Lucci Gregory Drotar Dana Arey it mes a Viorica Ene, Tamara Hadley, Melissa Mitchell, Sherry Lowenthal Anya Patton, Melissa Podcasy, Robin Preiss, Missy Yancey prime location. October 23 and 24e Martine van Hamel Gregory Drotar Marcia Darhower Dana Arey, Tamara Hadley, Linda Karash, Sherry Lowenthal Anya Patton, Melissa Podcasy, Robin Preiss, Missy Yancey Intermission gmnt Street garern I El 1 CINDERELLA #5 Brooklyn Union Gas - t WilliamsFburgh Savings Bank . 1.1.0217 '7 ;VONSORS /OW John Melvin Assoc the entertainment 6-9 Cline Good. Open 7 Days a `Week, The St.Felix Street Serving <lynch 6-5 Dinner Brownstone Restoration 5-7 rani cytreet, (Tinder the `Bridge) adjacent to Brooklyn, Njw Tort the Brooklyn Academy of Music. Reservations: 875-6953 OBrooklyn Union Gas -V/ (Major Credit Cards accepted ow-Mont SWEET AGONY The place choreography Gene Hill Sagan music R ichie Havens End of the Seasons to come... Jimi Hendrix Machine Gun costume design Gene Hill Sagan and for low-cost, Berta Kwartacz lighting David K.H. Elliott high-quality Barbara Sandonato Gregory Drotar David Kloss family protection! (October 24m) (October 19, 23, 24e) Viorica Ene Sherry Lowenthal Melissa Mitchell Melissa Podcasy Robin Preiss Missy Yancey The William DeGregory Mark Hochman Barry Leon Williamsburgh Savings Intermission Bank FOUR MEN WAITING Incorporated 1851 choreography Benjamin Harkarvy music Camille Saint-Saens Brooklyn Offices: Fantasie for Harp and Violin 1 Hanson Place at Flatbush Ave., Opus 124 Brooklyn, N.Y. 11243 175 Broadway at Driggs Ave., Brooklyn, N.Y. 11211 costume design Malcolm McCormack 86th St. and 23rd Ave., Brooklyn, N.Y. 11214 lighting design David K.H. Elliott Starrett City Office: Corner of Pennsylvania Ave. and Twin Pines Drive, Brooklyn, N.Y. 11207 Michelle Lucci Tamara Hadley Marcia Darhower 23, 24m) Nassau Offices: (Oct. 19, 24e) (Oct. Hempstead Turnpike at Center Lane, Barbara Sandonato Levittown, N.Y. 11756 Dane LaFontsee David Kloss 682 Dogwood Ave., Franklin Square, N.Y. 11010 Brian Andrew (Oct. 19, 24e) (Oct. 23, 24m) Suffolk Office: James Mercer Janek Schergen Walt Whitman Shopping Center, Huntington Station, N.Y. 11746 Queens Offices: Intermission 63rd Drive at Saunders St., Rego Park, N.Y. 11374 136-65 Roosevelt Avenue, Flushing, N.Y. 11354 107-15 Continental Ave., Forest Hills, N.Y. 11375 Manhattan Offices: 74 Wall St. at Pearl St., New York, N.Y. 10005 345 East 86th St., New York, N.Y. 10028 Est.1879.A visit to Gage & Tollner is a nostalgic trip into the past. For we are one of the last of the Inquire about great original Gay 90s eating houses. Today, we are a landmark. Our elegant dining room still echoes with the gaiety of the "good old days." Our menu still draws patrons from near and far to savor what many call the best American-style Savings Bank cooking in the country. And the service continues to reflect the hospitality of that bygone era. At Gage & Tollner, the art of making patrons happy has never been lost. It's how we came to fame. Life Insurance GAGE&TOLLNER Brooklyn's Landmark Seafood & Steak House (Est. 1879). 372 Fulton Street (nr. Boro Hall). at any office Please call for reservations 876-5181. Amex, Diners, Mastercharge. The without very famous restaurant obligation! in Brooklyn. NEXT AT BAM UNDER THE SUN Tarack Chamber Ensemble Margo Sappington October 22 choreography and scenario music Michael Kamen BAM's Chamber Music Series set design Robert Mitchell October 23, 24 costume design Willa Kim lighting David K.H. Elliott Fires of London Peter Maxwell Davies, director This work is inspired not only by Alexander Calder's mobiles, October 27 but also by his circus, his mechanized sculpture, his toys and above all by his sense of humor. It is a fairy tale, a fantasy, Brooklyn Philharmonia which follows the adventures of Corolla, the Sun Child, and Alicia de Larrocha, piano her hypnotic attraction to the Fantasy Family of the beautiful October 29-31 Etincelle, Queen of the Mobiles. Fires of London Peter Maxwell Davies, director November 3 Corolla Michelle Lucci (Oct. 19, 23, 24e) Margalit Dance Company Tamara Hadley November 5-7 (Oct. 24m) Chamber Music Her Pal Jeffrey Gribler November 6,7 The Fantasy Family The Plough and the Stars Melissa Mitchell Mark Hochman with Siobahn McKenna and Cyril Cusak Robin Preiss Barry Leon November 16-28 Missy Yancey Janek Schergen Brooklyn Philharmonia Etincelle Barbara Sandonato American Masters November 19 Her Ambience Brian Andrew In My Father's Time Gregory Drotar Eamon Kelly with James Mercer November 30-December 5 Edward Myers Her Consort William DeGregory Brooklyn a reasonable alternative Gaslight Reality 78 7th Avenue/622-5572 Klahr Reality 112 Court Street/624-6084 Specializing in brownstones, townhouses and apartments in historic downtown Brooklyn areas. Many houses from $35,000 and up, on restored and partially restored blocks. Financing available Manhattan Bus Service Express buses from Manhattan leave BAM immediately after this performance from the Lafayette Avenue entrance. Fare is $1.00 and exact change is required. The East Side bus will make stops along Third Avenue at St. Mark's Place, 14th, 23rd, 34th, 42nd, 59th, eamperdown 72nd, 79th and 86th Streets. The West Side bus will 847 Union St Elm make stops at Sixth Avenue at 8th Street, along Eighth 42nd Street, Columbus Off 7th Ave. in Park Slope Avenue at 14th, 23rd, 34th, and Circle, and along Broadway at 72nd, 79th, and 86th The Daily News says we're one of the best! Streets. Find out for yourself. Come for dinner--before or after the show (served 5 to midnight Bus service to BAM is also available one hour before Street Tues.-Sat., Sun. 4 to 11). curtain time from Columbus Circle, and 59th minutes before curtain -or Brunch before a Sunday matinee (11-2) and Lexington Avenue, and 40 from Astor Place and Sheridan Square. Express buses Reservations recommended (212) 638-0860 will run for all performances of the Pennsylvania Ballet and the Abbey Theatre. The Brooklyn Academy of Music wishes to thank the follow- Staff for the Pennsylvania Ballet ing corporations, foundations, and private individuals who, through their leadership and support help to make these pro- Production Stage Manager Jane Clegg grams possible. If you would like information on how you can Director of Public Relations please contact join this growing list of community leaders, our and Audience Development David C. Speedie Office. Planning Assistant Manager Judith Von Scheven Contributors Production Staff & Straus J. M. Kaplan Fund, Inc. Abraham Assistant Stage Manager Lawrence E. Sterner ACE Sound Rental Company Kinney Systems, Inc. Allied Audio, Inc. I. Stanley Kriegel & Co., Inc Master Carpenter Fronk Quinlan American Airlines Paul A. Lepercq Master Electrician George W. Parker Ameropa Travel, Inc. Lincoln Savings Bank Anchor Savings Bank Loews Theatres Fund Asst. Master Electrician J.J. McIntyre Vincent Astor Foundation Manufacturers Hanover Trust Co. Costume Supervisor F. Huntington Parker Bankers Trust Company Martin Foundation, Inc. Barclays Bank International- Andrew W. Mellon Foundation Wardrobe Mistress Lillian Avery Ltd. Metropolitan Life Insurance Co. Booth Ferris Foundation Mobil Foundation, Inc. The Brooklyn Savings Bank Morgan Guaranty Trust Co. - The Brooklyn Union Gas Co. of N.Y. Foundation CBS Foundation Henry and Lucy Moses Fund, Inc. Music Staff Chase Manhattan Bank Nathan's Famous Chemical Bank New York Community Trust Citibank New York Post Foundation, Inc. Assistant Conductor and Citicorp Leasing, Inc. New York Telephone Company Charles Cohn Foundation Edward John Noble Foundation Orchestra Librarian Daniel Forlano Cullen & Dykman Joseph M. Patterson- Concert Master Geoffrey Michaels Foundation Marie Christophe DeMenil Charitable Personnel Manager Marian Head Dime Savings Bank of N.Y.
Load more

Recommended publications
  • Text Pages Layout MCBEAN.Indd
    Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous.
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
    Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends
    [Show full text]
  • Frank Grace – Interview Transcript
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Frank Grace – interview transcript Interviewer: Clare Brewer 8 December 2008 Theatre goer. Anna Lucasta; Windsor Rep; The Gioconda Smile; September Tide; The Second Mrs Tanqueray; Oklahoma; Annie Get your Gun; Shakespeare; The Old Vic; Peter Brook; Olivier; Amateur Theatre; Woolford; Look back In Anger; Encore; Theatre Cruelty; Roots; Tis Pity She’s a Whore; A View From the Bridge; Censorship; Theatre Clubs; The Bald Prima Donna; Oh What a Lovely War; Arthur Miller. This transcript has been edited by the interviewee and thus differs in places from the recording. CB: How did you first become interested in theatre? FG: I suppose through [act]ing at school, but in terms of any serious theatre going I suppose it goes back to the late 1940’s... interestingly enough, when I re-looked at the [programmes] that I have got, the first play that I saw [in] the West End was most unusual for the late 1940’s, it was a play called Anna Lucasta,an American play; what was unusual for the 1940s was that it was an all black cast. CB: Really… FG: And it was about a prostitute and my parents took me [laughs] and I think they must have been slightly worried because I was fourteen at the time and it was one of my first experiences. But that was not typical of the first sort of phase of my theatre-going between that moment in 1949 and about 1951 I suppose and [after where] something dramatic begins to happen, I think.
    [Show full text]
  • Venustheatre
    VENUSTHEATRE Dear Member of the Press: Thank you so much for coverage of The Speed Twins by Maureen Chadwick. I wanted to cast two women who were over 60 to play Ollie and Queenie. And, I'm so glad I was able to do that. This year, it's been really important for me to embrace comedy as much as possible. I feel like we all probably need to laugh in this crazy political climate. Because I thought we were losing this space I thought that this show may be the last for me and for Venus. It turns out the new landlord has invited us to stay and so, the future for Venus is looking bright. There are stacks of plays waiting to be read and I look forward to spending the summer planning the rest of the year here at Venus. This play is a homage, in some ways, to The Killing of Sister George. I found that script in the mid-nineties when it was already over 30 years old and I remember exploring it and being transformed by the archetypes of female characters. To now be producing Maureen's play is quite an honor. She was there! She was at the Gateway. She is such an impressive writer and this whole experience has been very dierent for Venus, and incredibly rewarding. I hope you enjoy the show. All Best, Deborah Randall Venus Theatre *********************************************** ABOUT THE PLAYWRIGHT PERFORMANCES: receives about 200 play submissions and chooses four to produce in the calendar year ahead. Each VENUSTHEATRE Maureen Chadwick is the creator and writer of a wide range of award-winning, critically acclaimed and May 3 - 27, 2018 production gets 20 performances.
    [Show full text]
  • SHIRCORE Jenny
    McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Macbeth in World Cinema: Selected Film and Tv Adaptations
    International Journal of English and Literature (IJEL) ISSN 2249-6912 Vol. 3, Issue 1, Mar 2013, 179-188 © TJPRC Pvt. Ltd. MACBETH IN WORLD CINEMA: SELECTED FILM AND TV ADAPTATIONS RITU MOHAN 1 & MAHESH KUMAR ARORA 2 1Ph.D. Scholar, Department of Management and Humanities, Sant Longowal Institute of Engineering and Technology, Longowal, Punjab, India 2Associate Professor, Department of Management and Humanities, Sant Longowal Institute of Engineering and Technology, Longowal, Punjab, India ABSTRACT In the rich history of Shakespearean translation/transcreation/appropriation in world, Macbeth occupies an important place. Macbeth has found a long and productive life on Celluloid. The themes of this Bard’s play work in almost any genre, in any decade of any generation, and will continue to find their home on stage, in film, literature, and beyond. Macbeth can well be said to be one of Shakespeare’s most performed play and has enchanted theatre personalities and film makers. Much like other Shakespearean works, it holds within itself the most valuable quality of timelessness and volatility because of which the play can be reproduced in any regional background and also in any period of time. More than the localization of plot and character, it is in the cinematic visualization of Shakespeare’s imagery that a creative coalescence of the Shakespearean, along with the ‘local’ occurs. The present paper seeks to offer some notable (it is too difficult to document and discuss all) adaptations of Macbeth . The focus would be to provide introductory information- name of the film, country, language, year of release, the director, star-cast and the critical reception of the adaptation among audiences.
    [Show full text]
  • Theatre Archive Project Archive
    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
    [Show full text]
  • Download Lot Details
    Printed Books, Maps & Documents, Vinyl Records & CDs (AUG21) Wed, 11th Aug 2021 Lot 149 Estimate: £200 - £300 + Fees Theatrical Autographs. A large collection of approx. 200 signed theatre flyers, 1990s/2000s Theatrical Autographs. A large collection of approximately 200 mostly multi-signed theatre flyers and programmes for productions mostly at the Theatre Royal Bath, Royal Shakespeare Company, Stratford-upon-Avon, circa 1990s/2000s, virtually all obtained by the vendor in person, autographs include Daryl Hannah, Lauren Bacall, Dorothy Tutin, Maureen Lippman, Maggie Smith, Ian Richardson, Timothy West, Neil Pearson, Emilia Fox, Felicity Kendal, Tony Slattery, Geraldine McEwan, John Nettleton, Hinge and Bracket, Edward Fox, Susannah York, Dennis Waterman, Prunella Scales, Alison Steadman, Peter Bowles, Jane Asher, Richard Briers, David Soul, Stephanie Beacham, Raquel Welch, Patrick Mellor, Adam Faith, Britt Eckland, Paul Nicholas, Charlton Heston, Corinne Redgrave, Nigel Davenport, Joss Ackland, Gene Wilder, Liza Goddard, Steven Berkoff, Gerald Scarfe, Nigel Havers, George Cole, Penelope Keith, Richard Todd, Alan Bates, Juliet Stevenson, Patricia Hodge, Christopher Timothy, Alan Price, Rosemary Leach, Harold Pinter, Gemma Jones, Nigel Hawthorne, Rula Lenska, Leo McKern, Ian McDiarmid, Leslie Ash, Patrick Stewart, Michael Sheen, David Suchet, Omar Sharif, Roy Barraclough, Tom Conti, Elaine Paige, Sian Phillips, Barbara Windsor, Zoe Wanamaker, Nigel Terry, James Bolam, Derek Jacobi, Patricia Routledge & Clive Swift, Nigel Planer, Neil Morrisey, James Aubrey, Jenny Seagrove, Rufus Sewell, Imogen Stubbs, Samantha Bond, Susan Hampshire, Paul Eddington, Brian Glover, Robert Hardy, Andrew Sachs, Pete Postlethwaite, Ronald Pickup, et al., mostly in clip frames (but easily removed), plus a small group of signed photographs including Twiggy, Judge Reinhold, Kenneth Branagh (as Henry V), Bob Hope, Charlton Heston, Beryl Reid, Frank Langella and Dinah Sheridan Qty: approx.
    [Show full text]
  • Chicago Shakespeare Theater Is Chicago’S Professional Theater Dedicated Timeline 12 to the Works of William Shakespeare
    TABLE OF CONTENTS Preface 1 Art That Lives 2 Bard’s Bio 3 The First Folio 4 Shakespeare’s England 4 The English Renaissance Theater 6 Barbara Gaines Criss Henderson Courtyard-style Theater 8 Artistic Director Executive Director On the Road: A Brief History of Touring Shakespeare 9 Chicago Shakespeare Theater is Chicago’s professional theater dedicated Timeline 12 to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. Shakespeare’s “Macbeth” In its Elizabethan-style courtyard theater, 500 seats on three levels wrap around a deep thrust stage—with only nine rows separating the farthest Dramatis Personae 14 seat from the stage. Chicago Shakespeare also features a flexible 180-seat The Story 15 black box studio theater, a Teacher Resource Center, and a Shakespeare Act-by-Act Synopsis 15 specialty bookstall. Something Borrowed, Something New: Shakespeare’s Sources 17 Now in its twenty-eighth season, the Theater has produced nearly the entire 1606 and All That 18 Shakespeare canon: All’s Well That Ends Well, Antony and Cleopatra, Shakespeare, Tragedy and Us 20 As You Like It, The Comedy of Errors, Cymbeline, Hamlet, Henry IV A Scholar’s Perspective: Hereafter 21 Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius What the Critics Say 23 Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure Why Teach Macbeth? 34 for Measure, The Merchant of Venice, The Merry Wives of Windsor, A Midsummer Night’s Dream, Much Ado About Nothing, Othello, Pericles, A Play Comes to Life Richard II, Richard III, Romeo and Juliet, The Taming of the Shrew, A Look Back at Macbeth in Performance 38 The Tempest, Timon of Athens, Troilus and Cressida, Twelfth Night, Dueling Macbeths Erupt in Riots! 42 The Two Gentlemen of Verona, The Two Noble Kinsmen, and The A Conversation with the Director 43 Winter’s Tale.
    [Show full text]
  • Summer 2017 Newsletter
    OURMISSION Cedar Hill Cemetery Foundation is committed to preserving, protecting and promoting in perpetuity the art, culture, history and natural beauty of Hartford’s nationally-recognized Cedar Hill Cemetery. As advocates of one of America’s most distinguished rural cemeteries, Cedar Hill Cemetery Foundation serves to provide an unexpected experience to all who visit. Through continuous restoration and preservation of Cedar Hill’s grounds, and through fundraising efforts, the Foundation actively ensures that the stories of history, nature and culture at Cedar Hill Cemetery are, and remain to be, alive and well. 453 Fairfield Avenue • Hartford, CT 06114 Phone: 860.956.3311 • Fax: 860.956.3997 cedarhillfoundation.org Support Cedar Hill Cemetery Foundation Thank you to everyone who has donated To support Cedar Hill Cemetery to our Annual Giving Campaign thus far. Foundation, please send contributions to: Your generosity supports our efforts to preserve, protect and promote our Cedar Hill Cemetery Foundation nationally-recognized cemetery. 453 Fairfield Avenue Hartford, CT 06114 There is still time to support the Foundation for the 2017 fiscal year. To restrict your contribution, please Giving opportunities include: identify what your gift is restricted for on the memo line. Gifts made in memory of • Making an unrestricted gift that results someone will be recognized in Cedar Hill’s in becoming a member of CHCF; Book of Remembrance located in Northam Memorial Chapel. • Making a restricted contribution that supports a project of importance to you, Contributions made by September 30th such as the Tree or Monument Funds; will be recognized in the Foundation’s next Annual Report.
    [Show full text]