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Australian Indigenous Virtual Heritage
1 Australian Aboriginal Virtual Heritage A philosophical and technical foundation for using new media hardware and software technologies to preserve, protect and present Aboriginal cultural heritage and knowledge. Protecting, preserving and promoting Aboriginal arts, cultures, heritage and knowledge using 3D virtual technologies. Submitted in fulfilment of the requirements for the degree of Master of Arts (Research), Creative Industries Faculty, Queensland University of Technology, 2014 Image 1 - This virtual screen shot is from Vincent’s World and represents a re-create of a view and path (Songline) around the base of the Tombs in the Mt Moffatt Section of Carnarvon Gorge. This document meets the requirements of a presentation of thesis by published as specified in Section 123 of the Queensland University of Technology MOPP. 2 Keywords Australia, Aboriginal Australia, Aboriginal Virtual Heritage, Aboriginal Digital Heritage, Indigenous history, arts and culture, virtual technologies, virtual reality, digital knowledge management, virtual culture, digital culture, digital mapping, spatial knowledge management, spatial systems 3 Abstract Cultural knowledge is a central tenant of identity for Aboriginal people and it is vitally important that the preservation of heritage values happens. Digital Songlines is a project that seeks to achieve this and was initiated as a way to develop the tools for recording cultural heritage knowledge in a 3D virtual environment. Following the delivery of a number of pilots the plan is to develop the software as a tool and creative process that anyone can use to record tangible and intangible natural and cultural heritage knowledge and to record the special significance of this knowledge as determined by the traditional owners. -
Winhec Journal
WINHEC JOURNAL Special Issue INDIGENOUS VOICES: INDIGENOUS CULTURAL LEADERSHIP Issue 1, NOVEMBER 2019 World Indigenous Nations Higher Education Consortium (WINHEC) Navajo Technical University, P.O. Box 849, Crownpoint, New Mexico 87313; Ph: 505.786.4112. Website: www.winhec.org Copyright © 2019 Copyright to the Papers in this Journal reside at all times with the named author/s and if noted their community/family/society. The author/s assigned to WINHEC a non-exclusive license to publish the documents in this Journal and to publish this document in full on the World Wide Web at www.win-hec.org.au. Further use of this document shall be restricted to personal use and in courses of instruction provided that the article is used in full and this copyright statement is reproduced. Any other usage is prohibited, without the express permission of the authors. ISSN: 1177 - 1364 ON-LINE ISSN: 1177 - 6641 Editor-in-Chief Paul Whitinui (Ngā Puhi, Te Aupōuri, Ngāti Kurī, Pākehā) – The School of Exercise Science, Physical and Health Education, University of Victoria, BC, Canada [email protected] Art Work The cover of this WINHEC Journal displays the S’YEWE legend pole designed and carved by Charles W. Elliot (TEMOSEN), Tsartlip, Coast Salish. The history pole was first raised in 1990 to mark the Learned Societies conference at the University of Victoria. Due to water damage the pole was taken down for repairs and over time was fully restored. On September 12, 2017 the pole was rededicated in a ceremony and as part of the University of Victoria Indigenous week of welcome. -
Brisbane Writers Festival 2021 Program.Pdf
where stories live 7–9 May 2021 | State Library of Queensland | Book now bwf.org.au Brisbane Writers Festival 2021 Partners Government Partners Major Partner Funding Partner Home of Brisbane Writers Festival Hospitality Partners Media Partner Program Partners Inala Wangarra | Griffith Review | Copyright Agency | Institute of Professional Editors Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australian Council, its arts funding and advisory body. 2 Contents 6 8 9 14 Tickets Booking Special Saturday Information Events Events 19 20 24 32 Sunday Timetable Online Events Events Events for writers 34 36 42 Love YA Getting to BWF Team the Festival and Board Join the conversation #BWF21 3 Brisbane Writers Festival 2021 Minister's CEO statement statement The Brisbane Writers Festival is back in. Back Our stories are the in after a challenging year most powerful thing in which we were unable about us, so it is with to hold onsite, in person great anticipation that events. We are back in the Brisbane Writers with a great program of Festival returns in authors, poets, artists and 2021 for its 59th thinkers. We are back in year. This is one of with stories that speak Queensland’s longest running festivals, which to our past, present and future. -
Report on the Inquiry Into the Australian Film and Television Industry
The Parliament of the Commonwealth of Australia Report on the inquiry into the Australian film and television industry House of Representatives Standing Committee on Communications and the Arts December 2017 Canberra © Commonwealth of Australia 2017 ISBN 978-1-74366-715-6 (Printed version) ISBN 978-1-74366-716-3 (HTML version) This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Australia License. The details of this licence are available on the Creative Commons website: http://creativecommons.org/licenses/by-nc-nd/3.0/au/. Chair’s foreword The Australian film and television industry plays an important role in telling the stories that help to foster our cultural identity and also makes a significant economic contribution to the nation. There are however significant technological changes and other issues impacting on its future growth and sustainability. On-demand platforms such as Amazon and Netflix have transformed the way Australians access their screen content. Cinema and television are no longer as dominant due to this audience disruption although they remain an important part of this industry. This inquiry was a timely examination of the policy settings that underpin our domestic screen industry including tax incentives and Australian content quotas. Direct funding by Screen Australia, international co-production treaties, and the foreign actor certification scheme were also reviewed. The committee has made 13 recommendations to government to help secure the future growth and sustainability of Australia’s screen industry. Tax offsets The current tax incentives for film and television were devised 10 years ago and include the producer, location and post, digital and visual effects (PDV) offsets. -
The Myth of Certainty and the Matrix of Uncertainty: Five Contemporary Australian Novels Confront History
The Myth of Certainty and the Matrix of Uncertainty: Five Contemporary Australian Novels Confront History by Charles Scott Nesbitt A dissertation submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Auburn, Alabama August 7, 2021 Keywords: Historiographic Metafiction, British Literature, Contemporary British and Antipodean Novels, Australia, Postmodernism, Postcolonialism Copyright 2021 by Charles Scott Nesbitt Approved by Dr. Jon Bolton, Chair, Department of English Dr. Alicia Carroll, Department of English Dr. Ernest L. Gibson III, Department of English Dr. Chris Keirstead, Department of English Dr. Rupali Mishra, Department of History Abstract The intersection of postcolonialism and historiographic metafiction can be seen in novels written over the last several decades by British and Antipodean authors concerning the British colonial era in Australia and its aftermath. Novels from this sub-group of writers of historiographic metafiction fit both Linda Hutcheon’s description of historiographic metafiction and some of the concerns of postcolonial writers and theorists, as they revisit the colonial era and critique or reassess the historiographic writings that helped galvanize pro-colonial perspectives and marginalize and dehumanize the Indigenous communities there. While there is much scholarship on historiographic metafiction and postcolonialism, this volume focuses on the specific nexus of those two concepts and its coalescence in contemporary Australian novels of the colonial and postcolonial experience. The novels covered in this volume—by Peter Carey, Matthew Kneale, Rachel Leary, Richard Flanagan, and Alexis Wright—share an interest in 19th Century Australia, the violence and injustice that were an inescapable part of the foundation of the country during that period, and the potential dubiousness of historical documentation. -
This Thesis Is Submitted to Charles Sturt University in Accordance with the Requirements for the Doctor of Philosophy Melissa Bo
This thesis is submitted to Charles Sturt University in accordance with the requirements for the Doctor of Philosophy Melissa Boyes – Bachelor of Arts (Hons) Folklore in Contemporary Australian Literature: Baba Yaga as guardian and mentor in antipodean narratives November 2019 Supervisors Dr Lachlan Brown Dr Ruth Bacchus 1 Table of Contents Certificate of Authorship .................................................................................................................... 3 Acknowledgements ............................................................................................................................. 4 Abstract ............................................................................................................................................... 5 Gaps in Knowledge and Significance ................................................................................................. 7 Part 1: Creative Artefact ......................................................................................................................... 8 Cellophane .......................................................................................................................................... 8 The Muses of Cellophane ............................................................................................................... 9 Page of Pentacles .......................................................................................................................... 60 The Land of Milk and Honey ..................................................................................................... -
Download IJAS 2017-18
of Volume 9 2017-18 I J A S UGC Centre for Australian and New Zealand Studies Himachal Pradesh University, Shimla 2017-18 IJAS is an interdisciplinary journal published annually by the Centre for Australian and New Zealand Studies, Himachal Pradesh University, Shimla (under UGC Area Study Programme). ISSN: 2229-7863 A Peer Reviewed Journal Editor Neelima Kanwar Published by UGC Centre for Australian and New Zealand Studies Himachal Pradesh University, Shimla 171 005 India Printed at New Era Graphics Shimla 171 002 India Annual Subscription Institution: Rs. 200/- Aus $ 20 US $ 15 Individual: Rs. 150/- Aus $ 15 US $ 10 Bank Drafts should be in the name of UGC Centre for Australian and New Zealand Studies, Himachal Pradesh University, Shimla. I J AVolumeS 9 2017-18 Indian Journal of Australian Studies EDITOR Neelima Kanwar UGC Centre for Australian and New Zealand Studies Himachal Pradesh University, Shimla Editorial Advisory Board CONTENTS From the Editor 5 Dennis Haskell Kirsty Murray Winthrop Professor of English & Creative Writer Past into Present: Finding a Place in Contemporary Australia 7 Cultural Studies & 14 Salisbury Ave, Ivanhoe for a Memoir About Colonial India Chair, Literature Board of Australia Melbourne Council of Arts Virginia Jealous University of Western Australia Bhim S. Dahiya Perth Former Vice Chancellor Shimla Street Cobbler 17 Kurukshetra University Suneeta Peres da Costa Richard Nile Kurukshetra Professor of Australian Studies & Director, Research Institute for Media, Creative Arts P.V. Rao Where Do We Belong Now'? -
Download Our 2020 Trade Catalogue (PDF, 6.1MB)
2020 ABORIGINAL STUDIES PRESS Forthcoming titles and selected backlist ABORIGINAL STUDIES PRESS ABORIGINAL STUDIES PRESS (ASP) Rights ASP is Australia’s leading publisher of Australian Indigenous ASP holds world rights for many of its titles. Direct all rights studies. We have an eye for identifying compelling and enquiries to: Director, Aboriginal Studies Press, AIATSIS, GPO award-winning narratives that capture the unique heritage Box 553, Canberra ACT 2601, [email protected] or visit and diverse lives of Australia’s first peoples. We pride PubMatch. ourselves on our ethical publishing that provides readers Free resources with a rich understanding of Aboriginal and Torres Strait Islander peoples’ histories and cultures. Tertiary educators: Inspection/review copies are available for educators on request and our tertiary catalogue is a ASP has approximately 120 titles available and produces valuable free resource that supports tertiary educators. It is on average six new titles annually. They include a range of free to download from the ASP Educational Resourses web academic disciplines, as well as general-interest books like page and is updated regularly. auto/biography and life stories, history and children’s books. School educators: Teachers’ notes are available for titles We particularly encourage Aboriginal and Torres Strait marked with an asterisk (*). You can download these free Islander authors and the AIATSIS-sponsored Stanner Award resources from the ASP Educational Resourses web page. supports this work. Our books are authored by Indigenous people, some are collaborations between Indigenous Website: The Little Red Yellow Black Teachers Resources and non-Indigenous writers, others are written by non- web page complements our bestselling book, The Little Indigenous people. -
The Representation of Australian Cultural Identity in the French Translations of Crime Fiction Novels by Richard Flanagan and Philip Mclaren
THE PERILS OF TRANSLATION: The Representation of Australian Cultural Identity in the French Translations of Crime Fiction Novels by Richard Flanagan and Philip McLaren Sarah Margaret Anne Reed Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy October 2015 Department of French Studies School of Humanities The University of Adelaide TABLE OF CONTENTS Abstract ..................................................................................................................................... 5 Declaration ................................................................................................................................ 7 Acknowledgments .................................................................................................................... 9 Abbreviations .......................................................................................................................... 11 INTRODUCTION.............................................................................................................. 13 PART I CHAPTER 1: AUSTRALIAN CULTURAL IDENTITY .................................. 37 Culture and Cultural Identity .......................................................................... 37 Australian Cultural Identity ............................................................................ 42 Translating Australian Cultural Identity ......................................................... 47 CHAPTER 2: THE FORTUNES OF AUSTRALIAN CRIME FICTION IN FRANCE ................................................................................................. -
Ethical Research of Geological Events with First Nations Peoples
TEACHER GUIDE YEAR 7 GEOGRAPHY – COLLECTING, RECORDING, EVALUATING AND REPRESENTING Ethical research of geological events with First Nations Peoples Warning – Aboriginal and Torres Strait Islander teachers and students are advised that this curriculum resource may contain images, voices or names of deceased people. COPY 11 YEAR 7 GEOGRAPHY – COLLECTING, RECORDING, EVALUATING ACARA code: ACHGS048 AND REPRESENTING Ethical research of geological events with First Nations Peoples Australian Curriculum Link HASS/Geography/Year 7/Geographical Inquiry and Skills/Collecting, Recording, Evaluating and Representing/ACHGS048 Australian Curriculum Content Description Evaluate sources for their reliability and usefulness and select, collect and record relevant geographical data and information, using ethical protocols, from appropriate primary and secondary sources. Australian Curriculum Elaboration Applying ethical research methods, including the use of protocols for consultation with Aboriginal and Torres Strait Islander communities. Essential question How are researchers working ethically with First Nations Peoples to find out more about Australia’s geological past? Australians Together Learning Framework Tells Australia’s narrative through the lens of 5 Key Ideas that inform teachers and students about Aboriginal and Torres Strait Islander perspectives. Injustice from the impact A past that shapes our story What’s it got to do with me? Everyone has culture. Steps we can take to build of colonisation as a nation Know about your culture and a brighter future Students will explore why value the cultures of others Students will recognise the pain Students will critically engage Aboriginal and Torres Strait Students will gain an and disadvantage many with Australia’s stories and Islander histories and cultures are Students will learn more about understanding that a brighter First Nations people experience, understand the impact our relevant to them today. -
Adult Dyslexic Books Bestsellers 2019
Adult Best-Sellers Title: Scrublands Author: Chris Hammer ISBN: 9781525290169 Retail Price: 59.99 AUD Pages: 588 Publication Date: 10/08/2018 Category: FICTION / General BISAC: FIC000000 Format: [Dyslexic Edition] Original Publisher: Allen & Unwin Book Publishers About the Book: In an isolated country town brought to its knees by endless drought, a charismatic and dedicated young priest calmly opens fire on his congregation, killing five parishioners before being shot dead himself. A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspa- per reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage. Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal. Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay bur- ied. A compulsive thriller that will haunt you long after you have turned the final page. -
Native Title in Australia and South Africa: a Search for Something That Lasts
University of Miami International and Comparative Law Review Volume 22 Issue 2 Volume 22 Issue 2 (Spring 2015) Article 6 5-1-2015 Native Title in Australia and South Africa: A Search for Something That Lasts Justin Hunter Follow this and additional works at: https://repository.law.miami.edu/umiclr Part of the Comparative and Foreign Law Commons, Law and Race Commons, and the Law and Society Commons Recommended Citation Justin Hunter, Native Title in Australia and South Africa: A Search for Something That Lasts, 22 U. Miami Int’l & Comp. L. Rev. 233 (2015) Available at: https://repository.law.miami.edu/umiclr/vol22/iss2/6 This Article is brought to you for free and open access by the Journals at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in University of Miami International and Comparative Law Review by an authorized editor of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. NATIVE TITLE IN AUSTRALIA AND SOUTH AFRICA: A SEARCH FOR SOMETHING THAT LASTS Justin Hunter* I. INTRODUCTION. ............................... ....... 233 A. AUSTRALIA ......................................... 234 B. SOUTH AFRICA.. .................................. 235 II. PART 1: THE HISTORY AND STATUS OF INDIGENOUS LAND RIGHTS IN AUSTRALIA AND SOUTH AFRICA ................... ..... 236 A. AUSTRALIA ......................................... 236 B. SOUTH AFRICA.. .................................. 244 i. COLONIAL AND APARTHEID PERIODS......................244 ii. POST-APARTHEID PERIOD.......................247 III. PART II: THE NEXT STEPS FOR AUSTRALIA AND SOUTH AFRICA TO PROVIDE BETTER RESTITUTION FOR NATIVES .... ...... 252 A. AUSTRALIA ......................................... 252 B. SOUTH AFRICA.. .................................. 255 IV. PART III: THE COUNTRY PROVIDING THE BEST DIRECTION FOR NATIVES ...............................