DOCSLIB.ORG

Wwe Annual Report 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wwe Annual Report 2014 WWE ANNUAL REPORT 2014 WWE 1241 EAST MAIN STREET, STAMFORD, CT 06902 BOARD OF DIRECTORS TRANSFER AGENT, DIVIDEND PAYING AGENT AND REGISTRAR Vincent K. McMahon Chairman of the Board American Stock Transfer & Trust Company, LLC and Chief Executive Officer 6201 15th Avenue Brooklyn, NY 11219 Stephanie McMahon 800.937.5449 Chief Brand Officer Paul Levesque Executive Vice President INDEPENDENT REGISTERED Talent, Live Events and Creative PUBLIC ACCOUNTING FIRM Stuart U. Goldfarb Co-Founder & Partner Deloitte & Touche LLP Melo7 Tech Partners, LLC 695 E. Main Street Stamford, CT 06901 Patricia A. Gottesman 203.708.4000 Former President and Chief Executive Officer Crimson Hexagon CORPORATE HEADQUARTERS David Kenin Former Executive Vice President of Programming 1241 East Main Street Crown Media United States, LLC P.O. Box 1241 Stamford, CT 06902 Laureen Ong 203.352.8600 Former President Travel Channel LLC Joseph H. Perkins TO OUR SHAREHOLDERS Former President, Communications Consultants, Inc. WWE had a remarkable year in 2014, characterized by extraordinary achievements. We generated Robyn W. Peterson SHAREHOLDER record revenue of more than $540 million, with nearly 25% from outside the U.S. We launched INFORMATION Chief Technology Officer WWE Network, which surpassed 1 million subscribers within 11 months, and with its success blazed Mashable Inc. Our stock is listed for trading on the a new trail in the media industry. We also renegotiated key television distribution agreements that New York Stock Exchange under will increase our rights fees by approximately $100 million from 2014 to 2018. These historic business Frank A. Riddick, III the ticker symbol WWE. For investor accomplishments are the outcome of a clear global strategy to distribute our content across new Chief Executive Officer information, please visit our website platforms and to realize much greater value from that content. at corporate.wwe.com or write to Shale - Inland Group LLC Corporate Headquarters, As we initiated a business transformation to drive long-term earnings growth, our 2014 OIBDA results Attention: Investor Relations Jeffrey R. Speed exceeded our most recent public guidance. Given that we are in the early stages of this transformation, or call 203-352-8600. our stock price showed increased volatility. WWE stock reached an all-time high, declined 26% over the Former Executive Vice President ____________________________ year, and in 2015 has increased 33% through February. and Chief Financial Officer Six Flags, Inc. All WWE programming, talent names, Importantly, we believe that we have reached a financial inflection point and are entering 2015 images, likenesses, slogans, wrestling with building momentum and significant opportunities ahead. Our strategy takes advantage of moves, trademarks, logos and key media and consumer trends, such as increasing broadband penetration and growing copyrights are the exclusive property of WWE and its subsidiaries. All other consumption of streaming video, and leverages the global strength of our brands and the trademarks, logos and copyrights are commitment of our management team. We are executing well and innovating faster than ever. the property of their respective owners. We are confident that we have the right strategy to generate meaningful growth and build © 2015 WWE. All Rights Reserved. shareholder value. BLAZING NEW TRAILS: WWE NETWORK In February 2014, we launched WWE Network, which features our 12 live pay-per-view events, original series, reality shows, documentaries, classic matches and more than 2,000 video-on-demand titles. Significant accomplishments in terms of content development, technology and design allowed us to bring our content direct to consumers. Reflecting WWE’s leadership, other major entertainment franchises like CBS, HBO and Nickelodeon followed suit, announcing plans to also bring their content direct to consumers. To grow WWE Network, we are focused on executing a five-part strategy, including entering new geographies, expanding distribution platforms, creating new content, developing new features, and implementing high-impact customer acquisition and marketing programs. “ It’s a new era for broadcast content and Vincent K. McMahon is leading the way. – Bill Simmons, ESPN ” We made the network available in more than 170 countries and territories, entered a partnership with Rogers Communications to facilitate distribution in Canada, and launched the network in the U.K., which almost overnight became our second-largest market globally. We also reached an agreement with OSN, the leading Pay-TV network in the Middle East and North Africa, to distribute WWE Network as a premium linear channel in this region. Within one year, we achieved distribution in all of WWE’s major markets with just a few current exceptions, such as India, China, and Germany. WWE Network now has subscribers spanning the globe from the U.K., Australia and South Africa to Tonga, Madagascar and Timor-Leste among many other countries. Consistent with evolving trends in video consumption, we secured distribution across a wide array of platforms, including gaming consoles, streaming devices, and smart TVs. Our content is, of course, the most important element of our strategy. We brought our pay-per-view events, including WrestleMania, to the network for no additional charge. In addition to these events, the network’s programming schedule has been highlighted by first-run, exclusive original content, such as WWE NXT Live!, an in-ring show featuring our emerging talent, live interviews with Stone Cold Steve Austin, and The Monday Night War, which provides a documentary-style look at some of the greatest moments in WWE history. These programs have been among the most watched on the network. To enhance our subscribers’ entertainment experience, we have increased the network’s video- on-demand library to nearly 3,000 hours and rolled out new “resume play” and “watch list” features across all WWE Network platforms. Over the coming year, we expect to expand our original programming with more exclusive live specials with sought after interviewees, talk shows, animation, and short-form content. Reflecting management’s belief in the broad appeal of WWE Network content, we introduced a simplified price plan at $9.99 per month with no commitment (cancel at anytime) and implemented successful promotional free trials in November 2014 and February 2015. Importantly, as WWE Network’s subscriber base has grown, the network continues to cultivate a high level of satisfaction and subscriber engagement. Viewer data indicates that, on average over 2014, close to 90% of subscribers access WWE Network at least once per week and 90% of subscribers are satisfied with WWE Network. In our view, WWE Network provides a global platform with unprecedented consumer value. We believe the results could be transformational for both WWE’s business model and financial performance. IS THE #1 SPORTS CHANNEL ON DRIVING GROWTH: ESCALATION OF GLOBAL TV RIGHTS FEES The strengthening of WWE’s content distribution agreements is another of WWE’s primary long-term growth drivers. Through 2014, WWE finalized television distribution agreements in the U.S., U.K., India, Canada, Thailand, Mexico and UAE. These seven key agreements with 4 billion video views account for television revenue that is expected to increase from approximately $130 million MORE THAN in 2014 to approximately $235 million in 2018. As such, over the period from 2014 to ® 2018, these deals provide over $100 million of contractual revenue growth subject only to counterparty risk. The significant increase in rights fees demonstrates, in our view, that WWE programs possess the attributes that networks value most: live (DVR-proof) content, built-in audience, high viewership and significant first-run hours. The $100 million of revenue growth from these agreements is more than WWE’s total revenue growth over the 450 past four years. Million COMBINED SOCIAL MEDIA FOLLOWERS The WWE App has reached 17 Million Downloads we expect to expand our original programming with more exclusive live specials BRAND STRENGTH AND ENGAGEMENT with sought after interviewees, talk shows, animation, and short-form content. The success of WWE’s growth initiatives ultimately derives Reflecting management’s belief in the broad appeal of WWE Network content, we MOST VALUABLE from WWE’s key strengths including our powerful brands, SPORTS BRANDS introduced a simplified price plan at $9.99 per month with no commitment (cancel at strong competitive position, robust content offerings, and large FORBES anytime) and implemented successful promotional free trials in November 2014 and addressable global market. WWE cultivates a passionate, global, February 2015. Importantly, as WWE Network’s subscriber base has grown, the network multi-generational audience. Measures such as the magnitude 1. Super Bowl continues to cultivate a high level of satisfaction and subscriber engagement. Viewer data of our digital and social media presence, the top ratings of our 2. Summer Olympic Games indicates that, on average over 2014, close to 90% of subscribers access WWE Network programs and our dominance in several consumer product at least once per week and 90% of subscribers are satisfied with WWE Network. categories all reflect WWE’s tremendous global appeal and 3. Winter Olympic Games strong competitive position. Over the past year, WWE generated In our view, WWE Network provides a global platform with unprecedented consumer value. 4. FIFA World Cup approximately
Load more

Recommended publications
  • Then Now Forever
    THEN NOW FOREVER TO OUR SHAREHOLDERS he first few months of 2014 have been T characterized by some remarkable achievements for WWE. We launched WWE Network and announced the renewal of key television agreements in the U.K. and Thailand. These business developments represent historic milestones in our effort to realize greater value from our content and to transform our business. As we prepare for the 30th anniversary of our premiere event, WrestleMania, we look forward to celebrating our enduring legacy and ushering in a new era as we blaze new trails in the media industry. During the past year, as we prepared to transform our business, we invested in content production and talent, produced new programming and entered partnerships that enhanced our brand strength. Our 2013 OIBDA results were consistent with management expectations and guidance. We continue to believe that the creation of WWE Network and the renegotiation of key global content agreements will enable us to double or triple our 2012 OIBDA of $63 million by 2015. In 2013, our potential was echoed in the equity markets, where our stock price more than doubled. WWE’s total shareholder return of WrestleMania 29 broke the record for MetLife 116% (including a $36 million dividend payout) Stadium’s highest-grossing entertainment event. exceeded the majority of our entertainment peers and key market benchmarks, such as the S&P 500 and the Russell 2000. BLAZING NEW TRAILS: WWE NETWORK Creating new programs and distributing all of our content in ways that optimize value is our most important strategic imperative. In January 2014, we announced the launch of WWE Network, the first-ever 24/7 streaming network, which represents a key pillar of our plan to drive significant earnings growth.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Number CALL No. 2012 M 345 7500 M 733 12 Years a Slave M 672 13
    Title Number CALL No. 2012 M 345 7500 M 733 12 Years a Slave M 672 13 GOING ON 30 M 089 13 Going on 30 M 343 17 Again M 344 2 Guns M 594 21 (2008) M 346 21 GRAMS M 145 22 Jump Street (2014) M 797 24 : SEASON 8 : THE FINAL SEASON M 532 S.8.1-6 300: Rise of an Empire (2014) M 692 47 Ronin M 664 5 CHILDREN AND IT M 155 50 FIRST DATES M 083 500 Days of Summer (2009) M 801 5huck : The Complete Third Season Disc 1-5 M 357 S.3.1-5 7 SECONDS M 124 A CALL No. A BUG'S LIFE M 239 A Cinderella story M 436 A GOOD DAY TO DIE HARD M 559 A HOME AT THE END ON THE WORLD M 221 A Million Ways to Die in the West (2014) M 731 A RIVER RUNS THROUGH IT M 493 A SOUND OF THUNDER M 193 A Team : Extended Cut - Metalpak M 348 A TIME TO KILL M 016 A VERY LONG ENGAGEMENT M 206 A Walk to Remenber M 347 ABOUT SCHMIDT M 036 About Time M 582 After Earth M 599 AFTERSHOCK M 033 AILAN & PREDATOR M 165 AIR FORCE ONE M 478 ALFIE M 208 Alice in Wonderland M 309 ALIEN M 060 ALIEN 2 M 061 ALIEN 3 M 062 ALIEN RESURRECTION M 063 All Is Lost (2013) M 679 ALL THE KING'S MEN M 224 Alvin and The Chipmunks 1 & 2 M 295 American Battleship M 434 AMERICAN BUFFALO M 001 AMERICAN HISTORY X M 005 American Hustle M 666 American Sniper (2014) M 866 AN IN CONVENIENT TRUTH M 238 AN UNFINISHED LIFE M 189 ANACONDA M 085 ANACONDAS 2 M 140 ANCIENT ROME : THE RISE AND PALL OF AN EMPIRE M 269 ANGELA'S A SHES M 009 ANIMAL WINTER GAMES M 259 ANIMALS ARE BEAUTIFUL PEOPLE M 109 ANIMALS THE INSIDE STORY M 502 Annabelle (I) (2014) M 815 Any Day Now M 585 ANY GIVEN SUNDAY M 037 ARGO M 513 ARMAGEDDON M 161 Arrow (2012– ) M 740 Asteroid vs.
    [Show full text]
  • Fall 2020Fall 2020
    HarE JoHn HarE Students dressed is a freelance illustrator and in deep-sea diving graphic designer who works on Field Trip suits travel to the a range of projects. He lives in ocean deep in a yellow Gladstone, Missouri, with his submarine school bus. wife and two children. When they get there, they are introduced to creatures like T PRAISE FOR Field Trip to the Moon o luminescent squids and giant T he isopods, and discover an old ocean deep shipwreck. But when it’s time to return to the submarine bus, one student lingers to take a photo of a treasure chest and A Junior Library Guild Selection falls into a deep ravine. Luckily, A School Library Journal Best Book of the Year the child is entertained by a The Horn Book Fanfare List mysterious sea creature until ★ “Hare’s picture book debut is a winner . being retrieved by the teacher. A beautifully done wordless story about BOOKS FERGUSON MARGARET In his follow-up to Field Trip to a field trip to the moon with a sweet and funny alien encounter.”—School Library the Moon, John Hare’s rich, Journal, starred review atmospheric art in this wordless “[An] auspicious debut presents a world picture book invites children where a yellow crayon box shines Holiday House to imagine themselves in the like a beacon.”—Booklist story—a story full of surprises. MARGARET FERGUSON BOOKS BOOKS FOR YOUNG PEOPLE US $17.99$17.99 / CAN / CAN $23.99 $23.99 ISBN: 978-0-8234-4630-8 Holiday House Publishing, Inc. 5 1 7 9 9 HolidayHouse.com EAN Fall 2020 Printed in China 9 780823 446308 0408 Reinforced Illustration © 2020 by John Hare from Field Trip to the Ocean Deep HOLIDAY HOUSE Apples Gail Gibbons Summary Find out where your favorite crunchy, refreshing fruit comes from in this snack-sized book.
    [Show full text]
  • The Poetry of Rita Dove
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Liste Des Chaines /Filmes/Vods/Series
    Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Colonne1 Tunisia 1 Tunisia 2 Tunisia Nat 3 Elhiwar Ettounsi ATTESSIA Nessma Hannibal Telvza Tv Al Janoubia Tunisna MTunisia Sahel TV Al Mustakillah Zitouna Al Insen Carthage TV AR-MECCA CANAL ALGERIE ENTV Algeria 3 AR-Algerie-Tamazight-tv4 TV5 Samira Echorouk Echourouk News Echorouk Benna Ennahar Elheddaf Dzair Dzair News Numidia News El Djazairia 1 EL BILAD Beur Fadjr Bahia Berbere Al Magharibia 1 AlaoulaInterHD ALAoulaInter AR-AlAoula-Layoune Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com 2M Maroc Arryadia AR-Arrabiaa AlMaghrebia Assadissa Maroc Tamazight AR-Medi-1_TV AR-MBC1_HD AR-MBC_1 AR-MBC_2 AR-MBC2_HD AR-MBC_4 AR-MBC4_HD AR-MBC-MAX AR-MBC_MAX-HD AR-MBC-Action AR-MBC_Action-HD AR-MBC-DRAMA AR-MBC_Drama-HD AR-MBC_MASR AR-MBC-masr2 AR-MBC_Bollywood-HD AR-MBC_Bollywood AR-Rotana_Cinema-HD AR-Rotana-Cinema-EGY AR-Rotana-Cinema-KSA AR-Rotana_Aflam AR-Rotana_Masria-HD AR-Rotana-Masriya AR-Rotana-Clip AR-Rotana_Music-HD AR-Rotana-Music AR-Rotana-Khalijiya HD AR-Rotana-Khalijiya AR-Rotana_Classic-HD AR-Rotana-Classic AR-ART_Aflam_1 AR-ART_Aflam-2 AR-ART_Cinema AR-ART_Hekayat-1 AR-ART_Hekayat-2 AR-BeIn_Movies1_HD AR-BeIn_Movies2_HD AR-BeIn_Movies3_HD AR-BeIn_Movies4_HD Ar-Bein-Gourmet Ar-Bein-Junior Liste des Chaines /Filmes/VODs/Series www.laboutiqueiptv.com Ar-BeinDrama AR-StarCinema-1 AR-StarCinema-2 AR-Toktok_Cima AR-Cima AR-AL-SHASHA-CINEMA AR-4G-AFLAM AR-4G-CIMA AR-4G-CLASSIC AR-4G-DRAMA AR-4G-FILM AR-CINEMA-1 AR-CINEMA-2 AR-CIMA-TUBE AR-CINEMA-TUBE AR-Darbaka-Aflam
    [Show full text]
  • Vol. 8 No. 1 Jul-Dic 2014
    Extraprensa. Cultura e comunicação na América Latina (vol. 8 no. 1 jul-dic 2014) Titulo Centro de Estudos Latino Americanos sobre Cultura e Comunicação - Autor(es) CELACC/ECA/USP - Co; São Paulo Lugar Centro de Estudos Latino Americanos sobre Cultura e Comunicação - Editorial/Editor CELACC/ECA/USP 2014 Fecha Colección Medios audiovisuales; Comunicación; Cultura; Jóvenes; Identidad; Educación; Arte; Temas Publicidad; América Latina; Revista Tipo de documento "http://biblioteca.clacso.org/Brasil/eca-usp-celacc/20200730040043/8-1-2014.pdf" URL Reconocimiento-No Comercial-Sin Derivadas CC BY-NC-ND Licencia http://creativecommons.org/licenses/by-nc-nd/2.0/deed.es Segui buscando en la Red de Bibliotecas Virtuales de CLACSO http://biblioteca.clacso.org Consejo Latinoamericano de Ciencias Sociales (CLACSO) Conselho Latino-americano de Ciências Sociais (CLACSO) Latin American Council of Social Sciences (CLACSO) www.clacso.org artigos AGENDA E OPORTUNIDADE POLÍTICA NA CONCEPÇÃO DA LEI DE MEIOS AUDIOVISUAIS NA ARGENTINA Eduardo Covalesky Dias Mestrando em Comunicação pela UFPR. Integrante do Grupo de Pesquisa Estudos da Imagem. Lattes: lattes.cnpq.br/8847717587283755 E-mail: [email protected]. João Somma Neto Doutor em Jornalismo pela USP. Professor do Programa de Pós-Graduação em Comunicação pela UFPR. E-mail: [email protected]. Resumo Analisa-se a atuação da Coalición por una Radiodifusión Democrática na construção da agenda pública e midiática para implantar a Lei de Meios Audiovisuais na Argentina, baseado nos estudos de construção de agenda (Cobb, Ross & Ross, 1976) e de oportunidade política (Kingdon, 2003). Palavras-chave: comunicação; política; construção de agenda; oportunidade política Abstract We analyze the action of Coalición por una Radiodifusión Democrática in the public and mediatic agenda building to implement Audiovisual Media Law in Argentina, based on studies of agenda building and policy window, from Cobb, Ross & Ross (1976) and Kingdon (2003).
    [Show full text]
  • To Download The
    FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined Wellness Plans Extended Hours Multiple Locations www.forevervets.com4 x 2” ad Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! December 3 - 9, 2020 Sample sale: INSIDE: Offering: 1/2 off Hydrafacials Venus Legacy What’s new on • Treatments Netflix, Hulu & • BOTOX Call for details Amazon Prime • DYSPORT Pages 3, 17 & 22 • RF Microneedling • Body Contouring • B12 Complex • Lipolean Injections • Colorscience Products • Alastin Skincare Judge him if you must: Bryan Cranston Get Skinny with it! (904) 999-0977 plays a troubled ‘Your Honor’ www.SkinnyJax.comwww.SkinnyJax.com Bryan Cranston stars in the Showtime drama series “Your Honor,” premiering Sunday. 1361 13th Ave., Ste.1 x140 5” ad Jacksonville Beach NowTOP 7 is REASONS a great timeTO LIST to YOUR HOMEIt will WITH provide KATHLEEN your home: FLORYAN List Your Home for Sale • YOUComplimentary ALWAYS coverage RECEIVE: while the home is listed 1) MY UNDIVIDED ATTENTION – • An edge in the local market Kathleen Floryan LIST IT becauseno delegating buyers toprefer a “team to purchase member” a Broker Associate home2) A that FREE a HOMEseller stands SELLER behind WARRANTY • whileReduced Listed post-sale for Sale liability with [email protected] UNDER CONTRACT - DAY 1 ListSecure® 904-687-5146 WITH ME! 3) A FREE IN-HOME STAGING https://www.kathleenfloryan.exprealty.com PROFESSIONAL Evaluation BK3167010 I will provide you a FREE https://expressoffers.com/exp/kathleen-floryan 4) ACCESS to my Preferred Professional America’s Preferred Services List Ask me how to get cash offers on your home! 5) AHome 75 Point SELLERS Warranty CHECKLIST for for Preparing Your Home for Sale 6) ALWAYSyour Professionalhome when Photography we put– 3D, Drone, Floor Plans & More 7) Ait Comprehensive on the market.
    [Show full text]
  • The Missing Reform: Strengthening Rule of Law in Mexico
    The Missing Reform: Strengthening the Rule of Law in Mexico EDITED BY VIRIDIANA RÍOS AND DUNCAN WOOD The Missing Reform: Strengthening the Rule of Law in Mexico EDITED BY VIRIDIANA RÍOS AND DUNCAN WOOD Producing a book like this is always a team effort and, in addition to the individual chapter authors, we would especially like to thank the Mexico Institute and Wilson Center team who gave so many hours to edit, design, and produce this book. In particular, we would like to mention Angela Robertson, Kathy Butterfield, and Lucy Conger for their dedication as well as their professional skill. Woodrow Wilson International Center for Scholars. One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW, Washington, DC 20004-3027 www.wilsoncenter.org Woodrow Wilson International Center for Scholars ISBN 978-1-938027-76-5 Table of Contents ACKNOWLEDGEMENTS INTRODUCTION / 1 SECTION 1 / 18 Corruption / 18 The Justice System / 44 Democracy and Rule of Law / 78 Business Community / 102 Public Opinion / 124 Media and the Press / 152 SECTION 2 / 182 Education / 182 Transparency / 188 Competition / 196 Crime Prevention / 202 Civil Society / 208 Congress and Political Parties / 214 Energy / 224 Land Tenure / 232 Anticorruption Legislation / 240 Police Forces / 246 Acknowledgements This book collects the intelligence, commitment, and support of many. It comprises the research, ideas and hopes of one of the most talented pools of Mexican professionals who day-to-day, in different spheres, work to strengthen rule of law in their own country. Collaborating with them has been among the highest honors of my career. I cannot thank them enough for believing in this project.
    [Show full text]
  • Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v
    [Show full text]
  • The Complete Poetry of James Hearst
    The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.
    [Show full text]
  • Instructions
    MY DETAILS My Name: Jong B. Mobile No.: 0917-5877-393 Movie Library Count: 8,600 Titles / Movies Total Capacity : 36 TB Updated as of: December 30, 2014 Email Add.: jongb61yahoo.com Website: www.jongb11.weebly.com Sulit Acct.: www.jongb11.olx.ph Location Add.: Bago Bantay, QC. (Near SM North, LRT Roosevelt/Munoz Station & Congressional Drive Capacity & Loadable/Free Space Table Drive Capacity Loadable Space Est. No. of Movies/Titles 320 Gig 298 Gig 35+ Movies 500 Gig 462 Gig 70+ Movies 1 TB 931 Gig 120+ Movies 1.5 TB 1,396 Gig 210+ Movies 2 TB 1,860 Gig 300+ Movies 3 TB 2,740 Gig 410+ Movies 4 TB 3,640 Gig 510+ Movies Note: 1. 1st Come 1st Serve Policy 2. Number of Movies/Titles may vary depends on your selections 3. SD = Standard definition Instructions: 1. Please observe the Drive Capacity & Loadable/Free Space Table above 2. Mark your preferred titles with letter "X" only on the first column 3. Please do not make any modification on the list. 3. If you're done with your selections please email to [email protected] together with the confirmaton of your order. 4. Pls. refer to my location map under Contact Us of my website YOUR MOVIE SELECTIONS SUMMARY Categories No. of titles/items Total File Size Selected (In Gig.) Movies (2013 & Older) 0 0 2014 0 0 3D 0 0 Animations 0 0 Cartoon 0 0 TV Series 0 0 Korean Drama 0 0 Documentaries 0 0 Concerts 0 0 Entertainment 0 0 Music Video 0 0 HD Music 0 0 Sports 0 0 Adult 0 0 Tagalog 0 0 Must not be over than OVERALL TOTAL 0 0 the Loadable Space Other details: 1.
    [Show full text]