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Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1. -
FOR IMMEDIATE RELEASE: August 25, 2016 Skirball Cultural Center
FOR IMMEDIATE RELEASE: August 25, 2016 Media Contacts: Laura B. Cohen, LC Media for the Skirball, (310) 867-3897, [email protected] David Monnich, LC Media for the Skirball, (210) 422-1764, [email protected] Mia Cariño, Skirball Cultural Center, (310) 440-4544, [email protected] Skirball Cultural Center presents Israeli folk electronic trio A-WA Sisters Tair, Liron, and Tagel Haim combine their magical voices and timeless Yemenite folk songs with modern electronic beats for an exhilarating live show “[A-WA] take the Arabic-language songs of their heritage and recast them for the 21st-century dance floor.”—NPR Sunday, September 25, 2016, 8:00 p.m. $25 Premium (mezzanine seating) | $18 General (standing room only) FREE parking Tickets available on site, online at skirball.org, or by phone at (877) SCC-4TIX Photo courtesy of the artist LOS ANGELES, CA—The Skirball Cultural Center presents a live performance by Israeli folk electronic trio A-WA on Sunday, September 25, at 8:00 p.m. A-WA (pronounced Ay-wa) is a band formed by three sisters who grew up in the small desert village of Shaharut in the southern Israeli Arava Valley. With enchanting voices and natural groove, the sisters combine Yemenite folk singing and electronic dance music. This past June, Rolling Stone named A-WA as one of the “10 New Artists You Need to Know.” The grandchildren of Yemenite Jews who immigrated to Israel in the late 1940s, A-WA takes a modern, dance-friendly approach to their ancestral folk music by blending it with hip-hop beats and catchy harmonies. -
KILBI-19 Booklet.Pdf
a6_singine_nb.pdf 1 20.02.19 10:18 Gut macht ihr was für die Jungen in Schweiz ist zu einem wunderbar Düdingen, sagte der Coiffeur im Mai farbigen Durcheinander geworden. 1997 zu meinem unbedeutenden aber Verrückt sein zählt nicht nur zu den deutlichen Versuch im Wind ein Plakat Sorgen. In Vor oder nur Orten und zu kleben. Die Frisur ist immer noch Städten im ganzen Land. keine. Heute wird das Brot in die Bä ckerei geliefert, den zehnten Kaffee Die Kilbi dauert drei Tage. Um her gibt es an der Tankstelle umsonst, und auszufinden was ihr dabei passiert, an den Konzerten von morgen spielt weshalb sie schön ist oder nicht, das Alter und das Gestern keine Rolle. braucht man ebenso lange. Haupt Wir fördern wie damals immer noch sache man hört ab und zu. In jedem gerne und deutlich das Nebeneinan Tempo klingt etwas anderes. Anein der anders. andergereiht gelesen sind es einfach Namen. Leicht übereinandergelegt, Wenn die Kilbi zusammenzählt, wieviel ist es ein Programm, ein Festival, die Bier während den ersten 30 Sekun Hoffnung auf popmusikalische Dra den an Punkkonzerten getrunken, wie men und nicht Likes. Die Wende Mai. viele Küsse an Konzerten von Queer* Jazzement bien ce Guin. Echt. Für uns rapperinnen sozial mediatisiert oder und jetzt. verschickt, wieviele Erinnerungen im Dritten Drittel von genialen Im pro Sind die Chancen und Gefahren der rchestern gelöscht oder wieviele neue künstlichen Intelligenz die Zukunft Moves zu Rave Jazz, Footwork, Soul oder einfach Spiegel der Vergan und African Beats erfunden wurden, genheit? Ich verstehe keine Bedie ist es Zeit um zu merken, dass es gar nungsanleitungen und kann sie nicht nicht geht. -
Womadelaide 1992 – 2016 Artists Listed by Year/Festival
WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble -
PERSEPHONE a Musical Allegory for the Stage by David Hoffman
PERSEPHONE A Musical Allegory for the Stage By David Hoffman In Concert Performance www.PersephoneOnStage.com July 21, 2010 The Great Room The Alliance of Resident Theaters South Oxford Space This particular story was so important to all of those ancient Greek and Roman dumbbells of whom Ms. Wafers was so dismissive, that they made it the centerpiece, the very gospel, of their most important religious ceremonies – the Mysteries of Demeter at Eleusis – which were held outside of Athens for at least 2,000 years. The initiates at these ceremonies, who included every important classical philosopher, artist, and playwright, and every Roman Emperor until the rise of Christianity, were taught this story, and used it to guide them to a secret truth that they thought to be crucial to their successful entry into the afterlife. What, exactly, this secret was has remained secret (a fact that, itself, is remarkable considering the prolific literary output of those 2,000 years of initiates), but there are layers of importance, and of metaphor in the story that we can find without too much digging. One comes when we analyze Persephone’s motivations: why does she eat the damned pomegranate (literally, the pomegranate of the damned) in the first place? All the retellings of this story suggest that it is that conscious decision, not her initial abduction, that ties her forever to the world of the dead. She chooses to be there, for at least part of the year – to be the wife of this awful god who has abducted her. His approach was god-awful, for sure, but he is the second most powerful person in the universe, and he sees her not as a little girl but as his queen. -
Musicians and Writers. Pickles and Puppets. Noshing and Shmoozing
Musicians and writers. Pickles and puppets. Noshing JEWISH ARTS and shmoozing. What’s going to move you this Spring? COLLABORATIVE WELCOME Tradition meets innovation. Matzah balls collide with molecular gastronomy. Modern dancers leap to electrified ancient melodies. After 3,500 years of wandering through deserts and sailing across oceans, Jewish culture is about to embark on another journey with the launch of the Jewish Arts Collaborative. Whether in the shtetl or in the suburbs, the Jewish people have inhaled the cultures of the world, mixed them with our unique perspectives, and exhaled something beautiful. Our mission – and passion – is sharing that beauty, in its many forms and styles, with you. From Austrian silent movies to Yemenite rock’n’roll, from Shylock’s Venice to Sholom Aleichem’s Lower East Side, you’ll find surprises, inspiration, and just plain fun in our inaugural season. So get off your tuchus already and get some tickets. We’ll see you soon. Laura Mandel Joey Baron Executive Director Artistic Director HOW TO GET TICKETS MAJOR SPONSORS ABOUT US ONLINE: The Jewish Arts Collaborative is a bold new initiative to infuse Jewish arts and culture into our community. The Collaborative Visit jartsboston.org brings together the Boston Jewish Music Festival and the New At only $2-5 per ticket, we are doing our Center for Arts and Culture, in partnership with an array of Boston’s cultural and Jewish organizations. Simply put, the best to keep service fees to a minimum. Collaborative brings the art to the Jewish and the Jewish to the art. BY PHONE: Call Ovation Tickets, 24/7, at 866.811.4111 The Collaborative is the product of extensive conversations and planning by local Jewish cultural leaders. -
Summer 2010 Events Guide
Summer 2010 A 10-acre public trust powered by the creative cultures of Canada and the world. Events Guide harbourfrontcentre.com 416-973-4000 235 Queens Quay West, Toronto, Canada Government Site Partners Government Programming Partners Government Programming Partners Corporate Site Partners Corporate Site Partner Major Partners Major Partners Official Hotel Media Partners Most events FREE! There’s so much to do this What’s the Big IDEA? On any given day, there are dozens of ideas to explore at Harbourfront Centre, summer across a broad range of artistic disciplines and cultural programmes. Our curators have an eye for original trends and connections in contemporary at Harbourfront Centre culture – and they want you to see what they see. Music. Film. Dance. Food. Camps. Sailing. Often, we observe a recurring idea emerging across various disciplines and events. We call this the “Big IDEA” and present it for you to consider as part of your Harbourfront Centre experience. It’s our way of highlighting Tour the globe during our World Routes just one of the many ideas you'll find here year-round. free summer weekend festivals. This summer, the Big IDEA is “globalocal.” To read more about it, see page 4. Catch a film under the stars as part of our If you’re struck by a particular idea you see in our programming or if you’d Free Flicks series. like to send us your reactions to our Big IDEA, we’d love to hear from you! Email [email protected] or tweet @HarbourfrontTO with Inspire your kids through one of our fantastic #whatsthebigidea Summer Camps. -
Israeli Hip Hop
Educator’s Guide Israeli Hip Hop In this video, Chloé jumps headfirst into the world of Israeli hip hop. Focusing on three different hip hop groups with three opposing ideologies, we learn about the diversity of Israelis through their music, as well as the tensions within Israeli society. With the group Hadag Nachash advocating for social justice, Subliminal advocating nationalism, and Tamer Nafar advocating for the Arab community, hip hop is a powerful tool for social change among Israelis of varying backgrounds. Link to video: https://youtu.be/DyyB8svGy_k Further Reading 1. Gwilym Mumford, “Israeli hip-hop, a political tool for a divided country” https://www.theguardian.com/music/2014/dec/12/israel-hip-hop-system-ali-kaf e-shahor-hazak 2. Liana Satenstein, “Eden Dersso Is the Changing Face of Tel Aviv’s Hip Hop Scene” https://www.vogue.com/vogueworld/article/eden-dersso-israeli-ethiopian-rapper -tel-aviv 3. Rebecca Stadlen Amir, “Meet Zoolod, a Jewish and Arab Israeli hip-hop duo” https://www.israel21c.org/meet-zoolod-a-jewish-and-arab-israeli-hip-hop-duo/ 4. Interview: Sha’anan Streett (Hadag Nachash) https://www.thejc.com/culture/interviews/interview-sha-anan-streett-1.16519 5. Israel Story Podcast, “39: Mixtape Part IV - War, Peace and Bumper Stickers” https://israelstory.org/episode/39-mixtape-part-iv-war-peace-bumper-stickers/ 6. Shirat Hasticker, NCSY Education https://staff.ncsy.org/education/education/material/gQB7gWN24s/shirat-hastic ker-jsu/ Review - Did the students understand the material? 1. What was the name of rapper Tamer Nafar’s Palestinian-Israeli rap group: a. -
Current, October 29, 2012
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 10-29-2012 Current, October 29, 2012 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, October 29, 2012" (2012). Current (2010s). 121. https://irl.umsl.edu/current2010s/121 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. October 29, 2012 Vol. 46 Issue 1390 Last week’s poll question: IsDo it you inappropriate feel like you'll be forvoting adults more tofor the candidatewear costumes you support or the againstfor hisHalloween? opponent in the SHOWDOWN upcoming election? Results: Mitt Romney challenger 80% No, as long as vs. MILLENIUM For theyou’re greater wearing pants. champion good 50% For the lesser evil 50% Barack Obama 20% Yes. Now get off my lawn! Be heard in this week’s poll at Thisthecurrent-online.com week’s poll question: Tuesday Whatever will you do Who will win the with yourself once the Nov. elections are over? 2012 ultimate title? Be heard in this week’s 6 poll by weighing in at: thecurrent-online.com of Presidential Voter’s Guide on page 7 Missouri Voter’s Guide on pages 8-9 What do you plan on doing for Halloween? Axe murderer demands candy CATE MARQUIS Editor-in-Chief It was hard to say who was having more fun: the little kids in costume going from car trunk to car trunk collecting Halloween candy or the students dressed up in costumes handing out the candy and enjoying watching the cute little goblins having such a great time. -
Los Caparos Israeli Reggae Scene About Los Caparos
• Rare fusion of Russian, Middle Eastern reggae and ska • Key players of the vibrant Los Caparos Israeli reggae scene About Los Caparos • Los Caparos is a key player on the vibrant Israeli reggae, ska and world music scene. • Their unique sound is based on dub, reggae, ska and jungle tunes flavoured by Russian temperament and the Israeli sun. • Songs from both of their albums got heavy radio play on major local radios • Their songs have been placed in national mobile ads and Israeli TV Shows • Their two albums “Rasta Vasily” and “Living in a Movie” has been produced by Ben Hendler from Balkan Beat Box About Los Caparos Live • Played key reggae and world music festivals around Europe: Mighty Sounds, Fête de la Musique • Successfully toured in Germany, Russia, Ukraine, Czech Republic and France • Opened for Gogol Bordello, Emir Kusturica, The Skatalites • Biggest show to date: 250.000 people at “From Russia with Love” Festival Photo: Guy Prives Los Caparos Live Los Caparos Live Videos Live at the Container, Jaffa Port Album Launch Party at the Barby, Tel Aviv Single Launch Party at the Barby, Tel Aviv Album Launch Party at the Barby, Tel Aviv Los Caparos 2nd Album Release: 10th Jan 2013 • Their 2nd album is out with 12 new songs in Hebrew, English, Russian and even Spanish, produced by Ben Hendler (Balkan Beat Box) • Singles “Ashir” and “Lo Kone” have been in “A” rotation on biggest local radios • The album got finished with massive support from their fans via a successful crowd-funding campaign and been featured dozens of times on national radio and television channels • Singles: Click • Preview of the new album: Click Los Caparos Videos Title: CCCP (2009) Title: Show me your Love (2015) Album: Rasta Vasily Single Dir.: Tomer Rubens Dir.: Adam Kube Title: Ashir (2012) Album: Haim Beseret Title: Alya (2014) Animation by Olga Goltser Single Dir.: Amit Kaminer Title: Haim Beseret (2012) Title: Lo Kone ft. -
Exploring Balkanology in South African Popular Culture
‘Hopa!’: Exploring Balkanology in South African Popular culture By Zinaida Mhlongo A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements of the degree of Master of Music. Johannesburg, July 2013 i Declaration I declare that this study is my own original work. Where use is made of the work of others it is indicated and acknowledged by means of complete references. It is submitted for the degree of Master of Music at the University of the Witwatersrand, Johannesburg, South Africa. It has not been submitted before for any other degree or examination in any other university. ___________________________ Johannesburg, 22 March 2013 ii ACKNOWLEDGEMENTS I never quite imagined my Balkanology project would be as rewarding as it was. As a musician and an individual, it has brought me home, to the Balkans, through music and beautiful memories. I have to thank a few people for this: the Wits Music Department for their encouragement, and Dr Grant Olwage and Dr Susan Harrop-Allin for their amazing research course. Susan, I simply could not have written my thesis without your guidance; Prof. Malcolm Nay, for believing in me; Eugenie Chopin, for working hard on my singing voice and for your incredible patience and knowledge. iii ABSTRACT This thesis is a study of a popular music culture in South Africa called Balkanology. The research examines Balkanology as a club culture, explores its constituent elements, documents and then interprets Balkanology as a musical scene in South Africa. I examine Balkanology, its complexities and its social relevance, practices and processes.