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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Lesson Plans and Resources for There There by Tommy Orange
Lesson Plans and Resources for There There by Tommy Orange Table of Contents 1. Overview and Essential Questions 2. In-Class Introduction 3. Common Core Standards Alignment 4. Reader Response Questions 5. Literary Log Prompts + Worksheets 6. Suggested Analytical Assessments 7. Suggested Creative Assessments 8. Online Resources 9. Print Resources - “How to Talk to Each Other When There’s So Little Common Ground” by Tommy Orange - Book Review from The New York Times - Book Review from Tribes.org - Interview with Tommy Orange from Powell’s Book Blog These resources are all available, both separately and together, at www.freelibrary.org/onebook Please send any comments or feedback about these resources to [email protected]. OVERVIEW AND ESSENTIAL QUESTIONS The materials in this unit plan are meant to be flexible and easy to adapt to your own classroom. Each chapter has discussion questions provided in a later section. Through reading the book and completing any of the suggested activities, students can achieve any number of the following understandings: - A person’s identity does not form automatically – it must be cultivated. - Trauma is intergenerational -- hardship is often passed down through families. - A physical place can both define and destroy an individual. Students should be introduced to the following key questions as they begin reading. They can be discussed both in universal terms and in relation to specific characters in the book: Universal - How has your family cultivated your identity? How have you cultivated it yourself? -
A Stylistic Study of Figurative Language in Katy Perry's
A STYLISTIC STUDY OF FIGURATIVE LANGUAGE IN KATY PERRY’S SONG LYRICS FROM WITNESS ALBUM A Thesis Submitted to Faculty of Adab and Humanities In Partial Fulfillment of the Requirements for the Degree of Strata One Alfi Syahrina NIM. 11150260000086 ENGLISH LITERATURE DEPARTMENT FACULTY OF ADAB AND HUMANITIES UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ABSTRACT Alfi Syahrina, A Stylistic Study of Figurative Language in Katy Perry’s Song Lyrics from Witness Album. Thesis: English Literature Department, Faculty of Adab and Humanities, Universitas Islam Negeri Syarif Hidayatullah Jakarta, 2019. This research is aimed at taking comprehensive understanding regarding the type of figurative language within the song lyrics in Katy Perry’s Witness (2017) album to know what her perspectives about her country (USA) especially after the 2016 election. After understanding the type of figurative language, it is then related and connected to the idea of the author. The utilized theories in this research are stylistics by Geoffrey Leech and Mick Short and figurative language by Laurence Perrine. This study uses qualitative method and content analysis approach since the object of the analysis is formed as song lyrics. Adopting the Perrine’s theory of figurative language, it is discovered that there are only seven of twelve types of figurative language i.e. simile, metaphor, personification, metonymy, symbol, hyperbole, and irony. Metaphor mostly dominates in the song lyrics with its total eight times (29,63%) of occurrence. After finding the type of figurative language, the researcher relates the meaning of figurative language to the context in the data. Hence, it is discovered that the author’s political perspective and women empowerment in metaphor which dominates the type of figurative language. -
Guest Host: Macklemore Show Date: Weekend of December 2-3, 2017 Hour One Opening Billboard: None Seg
Show Code: #17-49 INTERNATIONAL Guest Host: Macklemore Show Date: Weekend of December 2-3, 2017 Hour One Opening Billboard: None Seg. 1 Content: #40 “THAT'S WHAT I LIKE” – Bruno Mars #39 “LOVE'S JUST A FEELING” – Lindsey Stirling f/Rooty #38 “DESPACITO” – Luis Fonsi & Daddy Yankee f/Justin Bieber Outcue: JINGLE OUT Segment Time: 11:27 Local Break 2:00 Seg. 2 Content: #37 “WORST IN ME” – Julia Michaels Extra: “ANIMALS” – Maroon 5 #36 “SAY YOU WON'T LET GO” – James Arthur #35 “TOO MUCH TO ASK” – Niall Horan #34 “DON'T TAKE THE MONEY” – Bleachers Outcue: JINGLE OUT Segment Time: 18:51 Local Break 2:00 Seg. 3 Content: #33 “IT AIN’T ME” – Kygo X Selena Gomez Extra: “SET FIRE TO THE RAIN” – Adele #32 “RICH LOVE” – OneRepublic f/SeeB #31 “BODY LIKE A BACK ROAD” – Sam Hunt Outcue: JINGLE OUT Segment Time: 15:00 Local Break 1:00 Seg. 4 ***This is an optional cut - Stations can opt to drop song for local inventory*** Content: AT40 Extra: “THRIFT SHOP” – Macklemore & Ryan Lewis f/Wanz Outcue: “…big it got.” (sfx) Segment Time: 4:25 Hour 1 Total Time: 49:43 END OF HOUR ONE Show Code: #17-49 INTERNATIONAL Show Date: Weekend of December 2-3, 2017 Hour Two Opening Billboard: None Seg. 1 Content: #30 “1-800-273-8255” – Logic f/Alessia Cara & Khalid #29 “SHAPE OF YOU” – Ed Sheeran #28 “NO PROMISES” – Cheat Codes f/Demi Lovato On The Verge: “ONE MORE LIGHT” – Linkin Park Outcue: JINGLE OUT Segment Time: 17:53 Local Break 2:00 Seg. -
Short Stories]
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1999 Riparia| [Short stories] Danis Banks The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Banks, Danis, "Riparia| [Short stories]" (1999). Graduate Student Theses, Dissertations, & Professional Papers. 3447. https://scholarworks.umt.edu/etd/3447 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. M I llMliw Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission /<? ^ Author's Signature. Date (7, Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. RIPARIA by Danis Banks B.A. Brown University, 1993 presented in partial fulfillment of the requirements for the degree of Master of Fine Arts The University of Montana 1999 Approved by: Chairperson Dean, Graduate School S-l 7-<7? Date UMI Number: EP34091 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. -
ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
The Knowledge-Knower Structures Used in the Assessment of Graphic Design Practical Work in a Multi-Campus Context
The knowledge-knower structures used in the assessment of graphic design practical work in a multi-campus context. A thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY of RHODES UNIVERSITY by SUSAN LOUISE GILOI November 2015 Abstract This case study explicates the knowledge-knower structures that are valued in the assessment of Graphic Design (GD) practical work in a multi-campus Private Higher Education (PHE) context. Assessment, which provides the measure for student success and progression, plays a significant role in Higher Education (HE). It is acknowledged that, in addition to increased pressure on educators to deliver high pass and throughput rates, there is often scrutiny of their assessment practice to ensure that it is fair, reliable, valid and transparent. The aspects of reliability and validity are particularly significant in for-profit private higher education institutions, where a strong focus on efficiency may result in added scrutiny of assessment practices. Although the assessment of GD practical work exemplifies these pressures and objectives, its characteristics and practices set it apart from many of the more standard forms of assessment found in HE. Not only is GD practical work predominantly visual rather than text-based, but complex achievements and tacit knowledge are assessed. This form of assessment traditionally relies on panel or group marking by connoisseurs who consider what is commonly termed ‘person’, ‘process’ and ‘product’ when making value judgements. Therefore, in GD assessment knowledge, the design product, the graphic designer and what the graphic designer does may all be valued. GD assessment, where outcomes are not easily stated, relies on the tacit expertise of assessors and can often be perceived to be subjective and unreliable. -
Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel - -
Katy Perry's Witness
CONCERTS Copyright Lighting &Sound America January 2018 http://www.lightingandsoundamerica.com/LSA.html 60 • January 2018 • Lighting &Sound America I Witne ss Katy Perry’s Witness: The Tour has all the grand gestures any good diva expects By: Sharon Stancavage The illumination of the flying star is controlled via 12 RC4 Wireless RC4Magic S3 2.4 SX DMXio-HG transceivers. n a l p a aty Perry’s Witness: The Tour is the result of a pen to paper and saying, ‘I want an eye on the screen, K d d long collaborative process. Perry takes a very because we’re about witnessing, and being a witness to o T k © : active role, gathering inspiration from fashion something’,” states Perry’s producer/lighting designer Baz s o t o shows, sculptures, theatre, opera, and other sources. “At Halpin, of Silent House Productions. Once Perry deter - h P l l A the end of all of those discussions, we had Katy taking mined the direction, scenic designer Es Devlin came back lightingandsoundamerica.com • December 2017 • 61 CONCERTS Marchwinski and Gnagey used the XYZ positioning feature in the grandMA2 for special focus positions. with sketches. Halpin adds: “Katy looked at it and said: leads to a stylized B stage. Halpin adds: “There is an ‘That’s what we want,’ and then we began the process of island stage that we call teardrop stage; it is a bit isolated, putting a show together.” Halpin asked longtime collabora - at stage right of center, about 30' from the main stage. It’s tors Ashley Evans and Antony Ginandjar, of the Squared used during the flying section.” It’s where Perry lands after Division, to come onboard as creative directors and chore - her journey—via a Tait Navigator controller automation ographers, completing the creative team. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
270 Songs, 17.5 Hours, 1.62 GB Page 1 of 8 Name BPM Genre Rating
Page 1 of 8 WCS 270 songs, 17.5 hours, 1.62 GB Name BPM Genre Rating Artist Album Year Freezing 76 Pop Music Mozella Belle Isle (Deluxe… 2010 Thinking Out Loud 79 Pop Ballad Ed Sheeran x 2014 I'm So Miserable 83 Country Billy Ray Cyrus Some Gave All 1992 Too Darn Hot (RAC Mix) 83 R&B Ella Fitzgerald Verve Remixed: T… 2013 Feelin' Love 83 Blues Paula Cole City of Angels OST 1998 I'm Not the Only One 83 Pop Ballad Sam Smith In the Lonely Hou… 2014 Free 84 R&B Haley Reinhart Listen Up! 2012 Stompa 84 Alt Pop Serena Ryder Harmony 2012 Treat You Better 84 Pop Music Shawn Mendes Illuminate 2016 Heartbreak Road 85 Blues Rock Colin James Hearts on Fire 2015 Shape of My Heart 85 Rock Ballad Theory of a Deadman Shape of My Hear… 2017 Gold 86 Pop Music Kiiara low kii savage - EP 2015 I'm the Only One 87 Blues Rock Melissa Etheridge Yes I Am 1993 Rude Boy 87 Pop Music Rihanna Rated R 2009 Then 88 Pop Music Anne-Marie Speak Your Mind 2017 Can't Stay Alone Tonight 88 Pop-Rock Elton John The Diving Board… 2013 Vinyl (Remix) 88 Jazz-Pop Euge Groove feat. x-t.o.p. Sax S Euge Groove 2000 Wake Up Screaming 88 Country Gary Allan Used Heart For Sale 2000 Anything's Possible 88 R&B Jonny Lang Turn Around 2006 Slow Hands 88 Pop Music Niall Horan Slow Hands - Sin… 2017 Touch Of Heaven 88 Pop-Rock Richard Marx Flesh & Bone 1997 Forever Drunk 89 R&B Miss Li Beats & Bruises 2011 Let's Get Back To Bed Boy 89 R&B Sarah Connor Green Eyed Soul 2002 I Can't Stand the Rain 89 Pop-Soul Seal Soul 2008 Happy 90 R&B Ashanti Ashanti 2002 Mood For Luv 90 R&B B.B. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay