Awaken Your Senses with Sarah Blasko and Orchestra Live at QPAC

Total Page:16

File Type:pdf, Size:1020Kb

Awaken Your Senses with Sarah Blasko and Orchestra Live at QPAC 12 November 2012 Awaken your senses with Sarah Blasko and Orchestra live at QPAC ARIA award winning songstress Sarah Blasko will awaken your senses when she performs on the Concert Hall stage, Queensland Performing Arts Centre (QPAC) backed by a full orchestra on Saturday 9 February 2013. Not one to ever shy away from breaking new ground, Blasko is taking to the Concert Hall stage accompanied by the lush sounds of the Queensland Pops Orchestra, to perform songs from her new album I Awake, as well as selected hits from her previous repertoire. For her fourth studio album I Awake, Blasko took on the role of producer, recording in Stockholm, Sweden and in Sofia, Bulgaria with the 52-piece Bulgarian Symphony Orchestra. Already acclaimed by critics as her masterpiece, I Awake is a grand statement from one of the country’s most unique and respected artists. Blasko stated that at times she thought this record would kill her. “I wanted to go all the way with this record, it seemed right. I spent the first half of 2011 in a house in Brighton, England alone with my thoughts & memories, haunted & unsettled. “I chose to produce it myself. I chose an orchestra, an avalanche of sound, soaring & shrieking, simple and striking to send you tumbling. I do hope it makes you feel something”, said Blasko. Having won two ARIAs for Best Female and Best Pop Album, plus triple j’s J Award for Australian Album of the Year, Blasko has also been nominated for a further 14 ARIAs (including two for Album of The Year) and shortlisted for two Australian Music Prizes and another J Award. Touring with Sarah Blasko as her special guest on the ‘I Awake’ National Tour is Joe Mckee. Best known for his previous work with West Australian band Snowman, McKee’s debut solo album ‘Burning Boy’ has him standing out on his own. Garnering critical acclaim from the likes of Rolling Stone and The Australian with his hypnotising baritone and sparsely intricate detail, Joe McKee will captivate audiences this February. Don’t miss what is sure to be a beautiful cacophony of song and orchestral sound that is sure to awaken all of your senses. To book go to qpac.com.au or call 136 246. “…a defining, unsettling masterpiece” Rolling Stone: ★★★★, “…an album that confirms further Blasko’s status as a great Australian talent. The Australian: ★★★★½ Cont… ...2 “…a purer, darker and more learned side to the Sydney songstress… This is unpolluted and sincere” Triple J Mag: ★★★★★★★★,, "It’s beautiful, strange and as fragile as a nervous breakdown…” Faster Louder: ★★★★★★★★,, 'A moody and delicately beautiful album’ YEN MAGAZINE QPAC in association with Triple J and Street Press Australia presents Sarah Blasko with Orchestra When: 9 February 2013 Where: Concert Hall, QPAC, Cultural Centre, South Bank, Brisbane Tickets*: $69 to $89 Bookings: qpac.com.au or 136 246 *Ticket price includes GST and Booking Fee. Please note transaction fees may apply. To download a high resolution colour image click here For further information, images or interviews please contact: Inga Tracey, Publicity Coordinator, QPAC [email protected] / 07 3840 7984 / 0478 406 459 .
Recommended publications
  • 0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / Media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed
    Case Report 1 Case Number 0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed ISSUES RAISED 2.4 - Sex/sexuality/nudity S/S/N - general DESCRIPTION OF THE ADVERTISEMENT The ‘I Touch Myself’ project features 10 iconic Australian female artists, together singing Chrissy Amphlett’s well-known song from the 1990s, ‘I Touch Myself’. The aim of the campaign is to honour Chrissy Amphlett’s memory following her tragic death from breast cancer in 2013, and to transform the song into an anthem for breast cancer awareness. THE COMPLAINT A sample of comments which the complainant/s made regarding this advertisement included the following: I find it offensive. THE ADVERTISER’S RESPONSE Comments which the advertiser made in response to the complainant/s regarding this advertisement include the following: We acknowledge receipt of your letter enclosing a copy of the complaint received by the Advertising Standards Bureau in relation to the #itouchmyself breast cancer awareness campaign (complaint reference number 0195/14). We are deeply disappointed that this campaign has caused offence to a member of the community. In our view, however, the content of the campaign is clearly in line with prevailing community standards, and moreover, it carries an important public health awareness message that may ultimately save lives. It is in this context that we provide the following responses to the ASB’s queries. Comprehensive comments in relation to the complaint (taking into account the need to address all aspects of the advertising codes) Background As noted above, the #itouchmyself campaign carries a serious and important public health message about breast cancer awareness.
    [Show full text]
  • SYDNEY OPERA HOUSE PRESENTS a Festival Celebrating the Art Of
    SYDNEY OPERA HOUSE PRESENTS A festival celebrating the art of graphic storytelling, illustration, comics, animation and music MONDAY 28 SEPTEMBER, SATURDAY 10 & SUNDAY 11 OCTOBER SYDNEY OPERA HOUSE A festival of graphic storytelling, animation and music featuring: Mad Max: Fury Road - Creating the Apocalypse - George Miller, Brendan McCarthy and Nico Lathouris in conversation; Kevin Smith's Superhero Multiverse with special guest Jason Mewes; Sarah Blasko - Eternal Return Album Preview with Commissioned Visuals by Mike Daly; Ólafur Arnalds + visuals by Máni Sigfússon with 13-piece chamber orchestra and new arrangements by Viktor Orri Árnason; The Walking Dead: Season 6 Premiere – FREE SCREENING FREE TALKS from Brendan McCarthy, Nicola Scott, Animal Logic, Brendan Fletcher, Simon Rippingale and Erica Harrison; FREE SCREENINGS of Warren Ellis’ Captured Ghosts, The Mindscape of Alan Moore, She Makes Comics and Future Shock! 2000 AD; A Cautionary Tail and Oscar Wilde’s The Nightingale & The Rose “The smartest, wisest, most cutting edge festival and celebration of narrative literature and its intersection with culture in the world.” NEIL GAIMAN The Sydney Opera House today announced the program for the fifth GRAPHIC festival, taking place on Monday 28 September and Saturday 10 – Sunday 11 October. Featuring the exclusive commissions, world and Australian premieres that the festival has become synonymous with, this year GRAPHIC will also host ten free film screenings and talks from the most exciting storytellers in print, pixel and pop, on the stages and foyers of the Sydney Opera House. GRAPHIC co-curator and Sydney Opera House Head of Contemporary Music Ben Marshall said, “Sydney Opera House presents Graphic in order to celebrate the high artistic beats in forms of modern storytelling that are often ignored in traditional arts conversations and yet are capable of greatness.
    [Show full text]
  • AUSTRALIAN SINGLES REPORT 19Th December, 2016 Compiled by the Music Network© FREE SIGN UP
    AUSTRALIAN SINGLES REPORT 19th December, 2016 Compiled by The Music Network© FREE SIGN UP ARTIST TOP 50 Combines airplay, downloads & streams #1 SINGLE ACROSS AUSTRALIA Starboy 1 The Weeknd | UMA starboy Rockabye The Weeknd ft. Daft Punk | UMA 2 Clean Bandit | WMA Say You Won't Let Go 3 James Arthur | SME Riding the year out at #1 on the Artist Top 50 is The Weeknd’s undeniable hit Starboy ft. Daft Punk. Black Beatles Overtaking Clean Bandit’s Rockabye ft. Sean Paul & Anne-Marie which now sits at #2, Starboy has 4 Rae Sremmurd | UMA stuck it out and finally taken the crown. Vying for #1 since the very first issue of the Australian Singles Scars to your beautiful Report and published Artist Top 50, Starboy’s peak at #1 isn’t as clear cut as previous chart toppers. 5 Alessia Cara | UMA Capsize The biggest push for Starboy has always come from Spotify. Now on its eighth week topping the 6 Frenship | SME streaming service’s Australian chart, the rest of the music platforms have finally followed suit.Starboy Don't Wanna Know 7 Maroon 5 | UMA holds its peak at #2 on the iTunes chart as well as the Hot 100. With no shared #1 across either Starvi n g platforms, it’s been given a rare opportunity to rise. 8 Hailee Steinfeld | UMA Last week’s #1, Rockabye, is still #1 on the iTunes chart and #2 on Spotify, but has dropped to #5 on after the afterparty 9 Charli XCX | WMA the Hot 100. It’s still unclear whether there will be one definitive ‘summer anthem’ that makes itself Catch 22 known over the Christmas break.
    [Show full text]
  • Moby,Gotye, Boy&Bear and Australia's Music Elite Join
    December 5, 2011 MOBY,GOTYE, BOY&BEAR AND AUSTRALIA’S MUSIC ELITE JOIN FORCES WITH GPY&R SYDNEY IN MASSIVE BUSINESS DRIVE FOR VINNIES George Patterson Y&R Sydney has developed a multi-platform campaign for Vinnies designed to drive foot traffic through the charity’s 253 stores across NSW. It’s called Signed Finds and works on a very basic principle. Leading local and international music artists* have autographed and donated pre-loved, personal items that will be hidden in Vinnies outlets throughout the state. The fans of these bands (numbering in the millions) will receive hints about the shirts’ whereabouts through a dedicated Facebook page and then hit the stores to find them. They might not find the shirt first time, but they’ll likely walk out with some other Vinnies classic. Says ECD Julian Watt, “It’s a highly creative business initiative, and exactly the sort of thinking we’re pushing in the agency. Everyone wins. One of those self perpetuating ideas.” Luke Simkins, senior creative at GPY&R and long-time Vinnies shopper said, “Signed Finds is one of those creative perfect storms. “Recording artists get to do something cool for their fans and fans can get their hands on an amazing piece of memorabilia - all while helping people in need.” Julie McDonald, Community and Corporate Relations Manager for Vinnies said, “We’re delighted and honoured to be working with George Patterson Y&R on such an exciting project. “It’s a win-win situation for everyone involved because by shopping or donating to Vinnies, you are directly supporting the most marginalised and disadvantaged people in our community,” Julie added.
    [Show full text]
  • The Queensland Music Awards Launch New Emerging Artist of the Year Award for 2020 Plus $24,000 Songwriting Prize
    FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 Amy Shark, 2019 Queensland Music Awards Performing Artist. Image by Bianca Holderness. The Queensland Music Awards launch new Emerging Artist Of The Year Award for 2020 plus $24,000 Songwriting Prize The 2020 Queensland Music Awards (QMAs), produced by QMusic and taking place on Tuesday 3 March 2020 at The Fortitude Music Hall, has unveiled an exciting new Major Award category with the Emerging Artist Of The Year Award. Open to all early-career Queensland musicians, entries are open now and close midnight, Thursday 24 October 2019. The Emerging Artist Of The Year Award will recognise the valuable contributions made by Queensland’s newest musicians. Artists with up to five years professional songwriting experience and with a modest body of artistic work will be automatically eligible for the Major Award on submission to a self-nominating category. The winner of the Emerging Artist of the Year will receive a Noisegate Producer Package valued at $2905. FOR IMMEDIATE RELEASE MONDAY OCTOBER 21, 2019 They will also receive a one-on-one session with a leading booking agent, manager and publicist as well as a QMusic one-on-one session and an invitation to attend the 2020 Amplify Songwriting Retreat. (Ts&Cs) “QMusic has introduced the Emerging Artist of the Year Award to showcase our commitment to supporting and developing emerging artists in our local music industry,” said QMusic CEO and QMAs Executive Producer Angela Samut. “We support the careers of artists at every stage in their careers and with this new Emerging Award, we endeavour to identity new and exciting talent in Queensland and to be able to work with them in putting in place career pathways to help them achieve success.
    [Show full text]
  • Womadelaide 1992 – 2016 Artists Listed by Year/Festival
    WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble
    [Show full text]
  • Indigo FM Playlist 9.0 600 Songs, 1.5 Days, 4.76 GB
    Page 1 of 11 Indigo FM Playlist 9.0 600 songs, 1.5 days, 4.76 GB Name Time Album Artist 1 Trak 3:34 A A 2 Tell It Like It Is 3:08 Soul Box Aaron Neville 3 She Likes Rock 'n' Roll 3:53 Black Ice AC/DC 4 What Do You Do For Money Honey 3:35 Bonfire (Back in Black- Remastered) AC/DC 5 I Want Your Love 3:30 All Day Venus Adalita 6 Someone Like You 3:17 Adrian Duffy and the Mayo Bothers 7 Push Those Keys 3:06 Adrian Duffy and the Mayo Bothers 8 Pretty Pictures 3:34 triple j Unearthed Aela Kae 9 Dulcimer Stomp/The Other Side 4:59 Pump Aerosmith 10 Mali Cuba 5:38 Afrocubismo AfroCubism 11 Guantanamera 4:05 Afrocubismo AfroCubism 12 Weighing The Promises 3:06 You Go Your Way, I'll Go Mine Ainslie Wills 13 Just for me 3:50 Al Green 14 Don't Wanna Fight 3:53 Sound & Color Alabama Shakes 15 Ouagadougou Boogie 4:38 Abundance Alasdair Fraser 16 The Kelburn Brewer 4:59 Abundance Alasdair Fraser 17 Imagining My Man 5:51 Party Aldous Harding 18 Horizon 4:10 Party Aldous Harding 19 The Rifle 2:44 Word-Issue 46-Dec 2006 Alela Diane 20 Let's Go Out 3:11 triple j Unearthed Alex Lahey 21 You Don't Think You Like People Like Me 3:47 triple j Unearthed Alex Lahey 22 Already Home 3:32 triple j Unearthed Alex the Astronaut 23 Rockstar City 3:32 triple j Unearthed Alex the Astronaut 24 Tidal Wave 3:47 triple j Unearthed Alexander Biggs 25 On The Move To Chakino 3:19 On The Move To Chakino Alexander Tafintsev 26 Blood 4:33 Ab-Ep Ali Barter 27 Hypercolour 3:29 Ab-Ep Ali Barter 28 School's Out 3:31 The Definitive Alice Cooper Alice Cooper 29 Department Of Youth 3:20
    [Show full text]
  • Annual Report 2017
    CONTENTS President’s Report 4 Treasurer’s Report 6 CEO’s Report 8 QMusic Program Report 10 QMusic Management Committee 16 QMusic Staff 19 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Notes to the Financial Statements 25 Australia T (07) 3257 0013 Statement by Members of the Committee 30 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS 2017 ANNUAL REPORT 3 PRESIDENT’S REPORT Like the wider music industry, QMusic has known its share of challenging times in more than two decades in existence. Those times have helped to place the positive moments into perspective. And 2017 will go down as a strong year for QMusic.
    [Show full text]
  • 2012/2013 Annual Report
    Adelaide Festival Centre Annual Report 2012/13 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 www.adelaidefestivalcentre.com.au ABN: 90940 220 425 ISBN: 978-0-9807040-6-8 TABLE OF CONTENTS INTRODUCTION ............................................................................................................................................. 4 Our Purpose............................................................................................................................................... 4 CHAIRMAN’S REPORT ................................................................................................................................... 6 CHIEF EXECUTIVE OFFICER AND ARTISTIC DIRECTOR’S REPORT .................................................................. 8 CORPORATE GOVERNANCE ........................................................................................................................ 11 Organisation Context .............................................................................................................................. 11 Organisation Chart .................................................................................................................................. 12 Adelaide Festival Centre Trust and Committees ..................................................................................... 12 The Objectives of Adelaide Festival Centre Trust ...............................................................................
    [Show full text]
  • October 10 2018
    INAUGURAL CEREMONY October 10 2018 “I know that there are vast numbers of men who support woman and huge numbers of women who want more so together let’s create the mother of all paradigm shifts.” Jenny Morris Chrissy Amphlett PHOTOGRAPHER: TONY MOTT 2 1 “I know that there are vast numbers of men who support woman and huge numbers of women who want more so together let’s create the mother of all paradigm shifts.” Jenny Morris Chrissy Amphlett PHOTOGRAPHER: TONY MOTT 2 1 A FEW WORDS Message From AWMA Founding Director Message from the Premier & Ministers & Executive Producer It is our great pleasure to welcome you to the first Australian Women in Music Awards. VICKI GORDON We’re proud that Queensland is the inaugural home to this phenomenal program. The Queensland Government is committed to promoting the work of women in all fields, including the arts, and positions of leadership. We have pledged to appoint 50 per cent women to government boards by 2020, because we know that companies This evening we will make Australian music history. that appoint more women do better. The inaugural Australian Women in Music Awards is the result of many Australian women contribute a great deal to the country’s contemporary music industry, and yet only one in five voices and many visions coming together, all of whom refuse to allow registered songwriters and composers in our nation are women. Women also represent almost half of all Australians women’s contribution in the Australian Music Industry to be sidelined with a music qualification, and yet hold only one in four senior roles in our key music industry organisations.
    [Show full text]
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]
  • Hottest 100 2012 Tracks
    45 - Gaslight Anthem, The Anxiety - Ladyhawke 1991 - Azealia Banks Anyone But Me - Jessica Cerro & It Was You - How To Dress Well Apocalypse Dreams - Tame Impala 1000 Answers - Hives, The Archangel - Chet Faker 3,6,9 - Cat Power Archipelago - Miike Snow 3x3 - Bloc Party Around My Way (Freedom Ain't Free) - Lupe 50 Years - Medics, The Fiasco A Change Is Gonna Come {ft. Radical Artificial Nocturne - Metric Son/Nooky/Sky'High} {Like A Version} - Atlas - Parkway Drive Herd, The Awake - Electric Guest A Maker Of My Time - Paper Kites, The Away Frm U - Oberhofer A New Feeling - Alphabet Botanical B3 - Placebo A Night And A Day - Pepe Deluxe Babel - Mumford & Sons A Simple Answer - Grizzly Bear Baby's On Fire - Die Antwoord A Wake {ft. Evan Roman} - Macklemore & Back Of Your Neck - Howler Ryan Lewis Back To The Grave - Howler A.O. - Presets, The Backseat Freestyle - Kendrick Lamar About To Die - Dirty Projectors Bad Girls - M.I.A. Above The Water - Art Of Sleeping Bad Insect - Ultraista Acapulco - Salvadors, The Bad Reality - Stonefield Accident Murderers {ft. Rick Ross} - Nas Bad Taste Blues, Pt. 1 - Ball Park Music Affection - Crystal Castles Bad Taste Blues, Pt. 2 - Ball Park Music Afghan Hound - Manor Bad Thing - King Tuff Again {ft. Sinden} - Elizabeth Rose Baguette? - Tyler Touche Alice - Dick Diver Bait And Switch - Shins, The Alive {ft. The Good Natured} - Adrian Lux Baiya - Delphic All About To Change - Patrick James Bangarang {ft. Sirah} - Skrillex All Eyes - Hunting Grounds Barely Standing - Diplo All For One - Alpine Barkhammer -
    [Show full text]