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Rokdim-Nirkoda” #99 Is Before You in the Customary Printed Format
Dear Readers, “Rokdim-Nirkoda” #99 is before you in the customary printed format. We are making great strides in our efforts to transition to digital media while simultaneously working to obtain the funding מגזין לריקודי עם ומחול .to continue publishing printed issues With all due respect to the internet age – there is still a cultural and historical value to publishing a printed edition and having the presence of a printed publication in libraries and on your shelves. עמותת ארגון המדריכים Yaron Meishar We are grateful to those individuals who have donated funds to enable והיוצרים לריקודי עם financial the encourage We editions. printed recent of publication the support of our readers to help ensure the printing of future issues. This summer there will be two major dance festivals taking place Magazine No. 99 | July 2018 | 30 NIS in Israel: the Karmiel Festival and the Ashdod Festival. For both, we wish and hope for their great success, cooperation and mutual YOAV ASHRIEL: Rebellious, Innovative, enrichment. Breaks New Ground Thank you Avi Levy and the Ashdod Festival for your cooperation 44 David Ben-Asher and your use of “Rokdim-Nirkoda” as a platform to reach you – the Translation: readers. Thank you very much! Ruth Schoenberg and Shani Karni Aduculesi Ruth Goodman Israeli folk dances are danced all over the world; it is important for us to know and read about what is happening in this field in every The Light Within DanCE place and country and we are inviting you, the readers and instructors, 39 The “Hora Or” Group to submit articles about the background, past and present, of Israeli folk Eti Arieli dance as it is reflected in the city and country in which you are active. -
DAVID-HARTMAN-Edited.Pdf
Passover, Rabbi Prof. David Hartman wrote in 2010, is meant to celebrate and sustain our deep yearning for freedom, not necessarily to show that God can change the order of the universe. Passover is a holiday that inculcates the belief that man will overcome oppression, that freedom will reign throughout the world. The faith that tyranny will ultimately be vanquished is deeply embedded in the significance of Passover. By DAVID HARTMAN 1931-2013 …Coupled with the concerns about food, Passover suggests a supernatural model of redemption, which posits that God will break into history and save us just as He did during the Exodus from Egypt. Rather than give weight to our own personal will, responsibility and moral agency, this theological worldview says that the best we can hope for is that God will look down and have mercy on us. It is a way of understanding the holiday that positions us as passive and patient, waiting for an interventionist God to rescue us from our galut (Def: Jewish Diaspora) realities. Does this truly reflect what Passover is about? A memory of miracles? An obsession with rituals? Whatever happened to the dramatic, overarching themes of freedom from oppression, self-governance, and spiritual rebirth? In search of a little religious sobriety, I recently began revisiting the work of Mordechai Kaplan, the great 20th century Jewish thinker and founder of the Reconstructionist movement. The crucial question for Kaplan is how do the commandments percolate into the lifestream of the Jewish people? How do the rituals shape us ethically? How do the mitzvot propel us to become full human beings and reach our powers of ethical personality? In other words, how does Judaism impact us in the quest for human self-realization? Kaplan’s philosophy grew out of his quest to understand how the Jewish people created patterns of living with the potential to redeem us from selfishness, narcissism, cruelty, and open us to a world of holiness. -
Annual Report 2012
SHaloM HartMan Institute 2 012 ANNUAL REPORT תשעב - תשעג SHaloM HartMan Institute 2 012 ANNUAL REPORT ANNUAL REPORT 2 012 Developing Transformative Ideas: Kogod Research Center for Contemporary Jewish Thought 11 Research Teams 12 Center Fellows 14 iEngage: The Engaging Israel Project at the Shalom Hartman Institute 15 Beit Midrash Leadership Programs 19 Department of Publications 20 Annual Conferences 23 Public Study Opportunities 25 Strengthening Israeli-Jewish Identity: Center for Israeli-Jewish Identity 27 Be’eri Program for Jewish-Israeli Identity Education 28 Lev Aharon Program for Senior Army Officers 31 Model Orthodox High Schools 32 Hartman Conference for a Jewish-Democratic Israel 34 Improving North American Judaism Through Ideas: Shalom Hartman Institute of North America 37 Horizontal Approach: National Cohorts 39 Vertical Regional Presence: The City Model 43 SHI North America Methodology: Collaboration 46 The Hartman Community 47 Financials 2012 48 Board of Directors 50 ] From the President As I look back at 2012, I can do so only through the prism of my father’s illness and subsequent death in February 2013. The death of a founder can create many challenges for an institution. Given my father’s protracted illness, the Institute went through a leadership transition many years ago, and so the general state of the Institute is strong. Our programs in Israel and in North America are widely recognized as innovative and cutting-edge, and both reach and affect more people than ever before; the quality of our faculty and research and ideas instead of crisis and tragedy? are internationally recognized, and they Well, that’s iEngage. -
Disordered Love: a Pesach Reader
Disordered Love: A Pesach Reader 18forty.org/articles/disordered-love-a-pesach-reader By: Yehuda Fogel For many people, and even more lecturers, the Seder night is a night of order. Many have the tradition to sing the order of the Seder, in what may offer its own slightly delightful commentary on life: order and discipline are not always poetic, but every once and a while we are able to make order itself sing. As Rabbi Avraham Yiztchak Kook put it: “Just as there are laws to poetry, there is poetry to laws.” This is one truth we discover on the Seder night. 1/3 But another truth we discover is that even within order, there is disorder. For all the talk of the order of the Seder night, there is a certain chaotic structure baked into the Haggadah itself. The sages argue about the construction of the text, and in our attempt to honor all perspectives, we are left with a complex, multi-layered Haggadah, one that shifts back and forth and back again from slavery to freedom to slavery to freedom. Some seek to dispel the anxiety of this disorder, with beautiful maps and guidelines to the order within it all. Yet others sip their wine and dribble Matzoh crumbs and wipe away wine stains from their pillow cases with a smile on their face. We support both (we really do!). In Rachel Sharansky Danziger’s words, at Tablet: We start the storytelling part of the Seder conventionally enough, with the words, “This is the bread of destitution that our ancestors ate in the land of Egypt.” But before we have time to settle into a third-person account of our ancestors’ story, we are made to say, “We were slaves to Pharaoh in the land of Egypt” in the first person. -
Law(S) and Identities
August 2011, Hebrew University, Jerusalem Law(s) and Identities Photo Assignment Professor Shauna Van Praagh Faculty of Law, McGill University 1 Daniella Zlotnik & Chiara Fish (Photo taken in the Negev, August 2011.) When we see people we often try to identify them as individuals or categorize them as members of a group. The individuals in this photo may or may not “belong” in this desert landscape. On the surface it is impossible to tell. They may or may not be connected by some group affiliation. Which one? An individual’s identity is far too complex and multi-layered for anyone but the individual to understand, assuming they can recognize themselves. לרוב, כשאנו רואים אנשים, אנו מנסים לזהות אותם כיחידים או כחברים בקבוצה. באשר ליחיד בתמונה זו, לא ברור אם הוא אכן ''שייך'' לנוף המדברי. במבט ראשון, נדמה כי זה בלתי אפשרי לדעת. יתכן והוא שייך או מקושר לקבוצה כלשהי, אך איזו? נראה כי זהותו של היחיד היא בעלת רבדים רבים ומורכבת מכדי שמישהו יבין אותה על כל פניה. ויותר מכך, נראה כי גם עבור היחיד עצמו, ההבנה וההכרה בזהותו אינן ברורות מאליה: על היחיד לזהות את עצמו קודם. 2 This photo presents the ''Tentifada'' in the immigrant neighbourhoods of south Tel- Aviv. In setting up the tent, the excluded and somewhat invisible inhabitants of south Tel-Aviv joined the country-wide struggle for social justice. Their tent does more than symbolize their 'Israeli' identity – it creates a platform to express their unique cultural and economic needs, within the greater struggle. Hearing the refugee speak of this protest was especially inspiring. -
Mahzor - Fourth Edition.Indb 1 18-08-29 11:38 Mahzor
Mahzor - Fourth Edition.indb 1 18-08-29 11:38 Mahzor. Hadesh. Yameinu RENEW OUR DAYS A Prayer-Cycle for Days of Awe Edited and translated by Rabbi Ron Aigen Mahzor - Fourth Edition.indb 3 18-08-29 11:38 Acknowledgments and copyrights may be found on page x, which constitutes an extension of the copyright page. Copyright © !""# by Ronald Aigen Second Printing, !""# $ird Printing, !""% Fourth Printing, !"&' Original papercuts by Diane Palley copyright © !""#, Diane Palley Page Designer: Associès Libres Formatting: English and Transliteration by Associès Libres, Hebrew by Resolvis Cover Design: Jonathan Kremer Printed in Canada ISBN "-$%$%$!&-'-" For further information, please contact: Congregation Dorshei Emet Kehillah Synagogue #( Cleve Rd #!"" Mason Farm Road Hampstead, Quebec Chapel Hill, CANADA NC !&)#* H'X #A% USA Fax: ()#*) *(%-)**! ($#$) $*!-($#* www.dorshei-emet.org www.kehillahsynagogue.org Mahzor - Fourth Edition.indb 4 18-08-29 11:38 Mahzor - Fourth Edition.indb 6 18-08-29 11:38 ILLUSTRATIONS V’AL ROSHI SHECHINAT EL / AND ABOVE MY HEAD THE PRESENCE OF GOD vi KOL HANSHEMAH T’HALLEL YA / LET EVERYTHING THAT HAS BREATH PRAISE YOU xxii BE-ḤOKHMAH POTE‘AḤ SHE‘ARIM / WITH WISDOM YOU OPEN GATEWAYS 8 ELOHAI NESHAMAH / THE SOUL YOU HAVE GIVEN ME IS PURE 70 HALLELUJAH 94 ZOKHREINU LE-ḤAYYIM / REMEMBER US FOR LIFE 128 ‘AKEDAT YITZḤAK / THE BINDING OF ISAAC 182 MALKHUYOT, ZIKHRONOT, SHOFAROT / POWER, MEMORY, VISION 258 TASHLIKH / CASTING 332 KOL NIDREI / ALL VOWS 374 KI HINNEI KA-ḤOMER / LIKE CLAY IN THE HAND OF THE POTIER 388 AVINU MALKEINU -
00 Primeras Paginas Rha5
RHA, Vol. 5, Núm. 5 (2007), 137-148 ISSN 1697-3305 NON-ASHKENAZIC JEWRY AS THE GROUND OF CONTEMPORARY ISRAELI MULTICULTURALISM Zvi Zohar* Recibido: 4 Septiembre 2007 / Revisado: 2 Octubre 2007 / Aceptado: 20 Octubre 2007 1. HISTORICAL AND CULTURAL Sephardic rabbinic authorities branded this deve - BACKGROUND lopment as illegitimate. Later, they realized that In the wake of the Expulsion from Spain not only was such opposition futile, but that many (1492), Sephardic1 Jews gradually settled as Sepharadim were in fact purchasing meat from refugees in many lands, primarily – in areas under Ashkenazic shehita. Thereafter, the Sephardic rab- Ottoman rule. One of these was the Holy Land, bis concentrated on de-legitimizing consumption Eretz Israel, whose Jewish inhabitants until that of such meat by Sepharadim; by and large, this time were mostly indigenous Musta’arabim2. For a campaign also failed, since the “Ashkenazic” pro- variety of reasons, the Musta’arabim gradually duce was less expensive. Ashkenazic influence upon became assimilated to the culture of the Sephardic Sepharadim manifested itself also in other aspects newcomers. From the 16th to the 19th centuries, the of traditional Jewish life – such as recitation of ri - dominant (‘hegemonic’) culture of Jews in Eretz tual benedictions by women, and the adoption by Israel (henceforth: EI) was Sephardic. However, certain Sephardic rabbis of ultra-Orthodox rejec- beginning in the late 18th century, and especially tionism towards, e.g., secular studies. during and after the brief Egyptian rule (1831 In the instances discussed above, various ethni - –1840), increased Jewish immigration from cally Jewish sub-groups interacted and influenced Eastern Europe, North Africa and the Middle East each-other with regard to varieties of Jewish cultu - led to the establishment of non-Sephardic commu- ral norms. -
1 Beginning the Conversation
NOTES 1 Beginning the Conversation 1. Jacob Katz, Exclusiveness and Tolerance: Jewish-Gentile Relations in Medieval and Modern Times (New York: Schocken, 1969). 2. John Micklethwait, “In God’s Name: A Special Report on Religion and Public Life,” The Economist, London November 3–9, 2007. 3. Mark Lila, “Earthly Powers,” NYT, April 2, 2006. 4. When we mention the clash of civilizations, we think of either the Spengler battle, or a more benign interplay between cultures in individual lives. For the Spengler battle, see Samuel P. Huntington, The Clash of Civilizations and the Remaking of World Order (New York: Simon & Schuster, 1996). For a more benign interplay in individual lives, see Thomas L. Friedman, The Lexus and the Olive Tree (New York: Farrar, Straus, Giroux, 1999). 5. Micklethwait, “In God’s Name.” 6. Robert Wuthnow, America and the Challenges of Religious Diversity (Princeton, NJ: Princeton University Press, 2005). “Interview with Robert Wuthnow” Religion and Ethics Newsweekly April 26, 2002. Episode no. 534 http://www.pbs.org/wnet/religionandethics/week534/ rwuthnow.html 7. Wuthnow, America and the Challenges of Religious Diversity, 291. 8. Eric Sharpe, “Dialogue,” in Mircea Eliade and Charles J. Adams, The Encyclopedia of Religion, first edition, volume 4 (New York: Macmillan, 1987), 345–8. 9. Archbishop Michael L. Fitzgerald and John Borelli, Interfaith Dialogue: A Catholic View (London: SPCK, 2006). 10. Lily Edelman, Face to Face: A Primer in Dialogue (Washington, DC: B’nai B’rith, Adult Jewish Education, 1967). 11. Ben Zion Bokser, Judaism and the Christian Predicament (New York: Knopf, 1967), 5, 11. 12. Ibid., 375. -
Rewriting the Haggadah: Judaism for Those Who Hold Food Close
Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Rewriting the Haggadah: Judaism for Those Who Hold Food Close Rose Noël Wax Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Food Studies Commons, Jewish Studies Commons, and the Social and Cultural Anthropology Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Wax, Rose Noël, "Rewriting the Haggadah: Judaism for Those Who Hold Food Close" (2020). Senior Projects Spring 2020. 176. https://digitalcommons.bard.edu/senproj_s2020/176 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Rewriting the Haggadah: Judaism for Those Who Hold Food Close Senior Project Submitted to The Division of Social Studies of Bard College by Rose Noël Wax Annandale-on-Hudson, New York May 2020 Acknowledgements Thank you to my parents for teaching me to be strong in my convictions. Thank you to all of the grandparents and great-grandparents I never knew for forging new identities in a country entirely foreign to them. -
Letters to Sir Moses Montefiore, 1839 RUTH KARK
Agricultural land in Palestine: Letters to Sir Moses Montefiore, 1839 RUTH KARK Letters on the subject of land and agriculture, written by the Jews of Safed, Tiberias, Acre, Haifa, Jerusalem and Hebron to Sir Moses Monteflore during his second visit to Palestine in 1839, have been dealt with by various authors. Some have seen them in the context of the history of themovement for Jewish national revival and the 'Hibbat Zion' movement, or of European concepts about 'the restoration of the Jews'.1 Others have used them as sources for the study of the history of Jewish settlement in Palestine and of the attempts of Jews to engage in productive occupations there.2 Most authors, however, did not study the documents themselves very carefully. A more detailed examina? tion was published by Israel Bartal.3 The present paper focuses on the availability of land and agricultural activity in Palestine during the period of the Egyptian occupation (1831-41). It is based on a close study of the original manuscripts of the letters, and forms part of a broader study on changes in the pattern of land ownership in Palestine between 1800 and 1917, and their effecton settlement. The letters4 represent a rich, but barely tapped resource relating to the Egyptian administration, and to the historical geography and economic history of the Middle East and Palestine. They contain information on the period preceding the Egyptian occupation as well as on the period of occupation itself, and include references to the state of security (looting and banditry, for example), the treatment of minorities, taxation, local rulers, public health (epidemics) and natural disasters (earthquakes). -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
The Iconic Maxwell House Haggadah, from 1932 to Mrs
CULTURAL HISTORY IN THE SUPERMARKET: THE ICONIC MAXWELL HOUSE HAGGADAH, FROM 1932 TO MRS. MAISEL By Peter Levitan From “The Global Haggadah” by Peter Levitan The iconic Maxwell House Haggadah was first introduced by the Maxwell House company in 1932. It is the best known and most widely used Haggadah both among American Jews and throughout the world, with over 50 million copies in print, and one million copies being distributed in 2006 alone. But how did this cultural icon come to be? The Maxwell House Haggadah was conceived as part of a marketing campaign for Maxwell House’s coffee aimed at Jews. During the 1920’s, Maxwell House found that its large base of Jewish customers weren’t buying their coffee during Passover, under the mistaken notion that coffee beans are kitniyot – a legume or bean that is not kosher for Passover for Ashkenazic Jews, then the overwhelming majority of American Jews. Jewish grocery stores would put away coffee with the chametz under the mistaken assumption that coffee beans were kitniyot, when in fact they are botanically a fruit. In 1923, the company got Joseph Jacobs, an advertising manager for the Forverts, to run an ad assuring readers that Maxwell House coffee was kosher for Passover, based on a certification that Jacobs obtained from an obscure Lower East Side rabbi certifying that coffee was fine to serve following the Seder dinner. In 1932, Jacobs, who had now established his own advertising firm that specialized in marketing to Jewish consumers, convinced Maxwell House to print and distribute its own haggadah and distribute copies in-store with the purchase of its coffee.