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2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Unlversiv Micrijfilms Intemationéü 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the fîlm along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the Him is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been fîlmed, you will And a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a defînite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
European Modernism and the Resident Theatre Movement: The
European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Thomas E Postlewait, Chair Sarah Bryant-Bertail Stefka G Mihaylova Program Authorized to Offer Degree: School of Drama © Copyright 2013 Sarah Guthu University of Washington Abstract European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970 Sarah Guthu Chair of the Supervisory Committee: Dr. Thomas E Postlewait School of Drama This dissertation offers a cultural history of the arrival of the second wave of European modernist drama in America in the postwar period, 1950-1970. European modernist drama developed in two qualitatively distinct stages, and these two stages subsequently arrived in the United States in two distinct waves. The first stage of European modernist drama, characterized predominantly by the genres of naturalism and realism, emerged in Europe during the four decades from the 1890s to the 1920s. This first wave of European modernism reached the United States in the late 1910s and throughout the 1920s, coming to prominence through productions in New York City. The second stage of European modernism dates from 1930 through the 1960s and is characterized predominantly by the absurdist and epic genres. Unlike the first wave, the dramas of the second wave of European modernism were not first produced in New York. Instead, these plays were often given their premieres in smaller cities across the United States: San Francisco, Seattle, Cleveland, Hartford, Boston, and New Haven, in the regional theatres which were rapidly proliferating across the United States. -
I!Iec - T the EMPORIA STATE
I!iEc - t THE EMPORIA STATE I -1 Jip~SAS"+ 0 s-c,11111 11111 C RESEARCH [ :I;$ 4 STUDIES I2t* 1063 &-< 0 THE GRADUATE PUBLICATION OF THE EMPORIA KANSAS STATE COLLEGE Brock Pemberton: Broadway Producer CHARLES R. HILL 7heCitporia StateRed endStudied EMPORIA KANSAS STATE COLLEGE EMPORIA, KANSAS 66801 A Brock Pemberton: Broadway Producer BY CHARLES R. HILL Volume XXIII Spring, 1975 Number 4 THE EMPORIA STATE RESEARCH STUDIES is published quarterly by The School of Graduate and Professional Studies of the Emporia Kansas State College, 1200 Commercial St., Emporia, Kansas, 66801. Entered as second-class matter September 16, 1952, at the post office at Emporia, Kansas, under the act of August 24, 1912. Postage paid at Emporia, Kansas. EMPORIA KANSAS STATE COLLEGE EMPORIA, KANSAS JOHN E. VISSER President of the CoUege SCHOOL OF GRADUATE AND PROFESSIONAL STUDIES HAROLD DURST, Dean EDITORIAL BOARD WILLIAMH. SEILER,Professor of Histmy and Chairmun of Division of Social Sciences CHARLESE. WALTON,Profeswr of English. and Chairman of Department GREEND. WYRICK,Professor of English Editor of this Issue: GREEND. WYRICK Papers published in this periodical are written by faculty members of the Emporia Kansas State College and by either undergraduate or graduate students whose studies are conducted in residence under the supervision of a faculty member of the college. "Statement required by the Act of October, 1962; Section 4369, Title 39, United States Code, showing Ownership, Management and Circula- tion." The Emporia State Reaarch Studies is published quarterly. Eldi- torial Office and Publication Office at 1200 Commercial Street, Ehporia, Kansas. (66801). The Research St&- is edited and published by the l3nporia Kamas State College, Emporia, Kansas. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Papers of Clare Boothe Luce [Finding Aid]. Library of Congress. [PDF
Clare Boothe Luce A Register of Her Papers in the Library of Congress Prepared by Nan Thompson Ernst with the assistance of Joseph K. Brooks, Paul Colton, Patricia Craig, Michael W. Giese, Patrick Holyfield, Lisa Madison, Margaret Martin, Brian McGuire, Scott McLemee, Susie H. Moody, John Monagle, Andrew M. Passett, Thelma Queen, Sara Schoo and Robert A. Vietrogoski Manuscript Division, Library of Congress Washington, D.C. 2003 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2003 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms003044 Latest revision: 2008 July Collection Summary Title: Papers of Clare Boothe Luce Span Dates: 1862-1988 Bulk Dates: (bulk 1930-1987) ID No.: MSS30759 Creator: Luce, Clare Boothe, 1903-1987 Extent: 460,000 items; 796 containers plus 11 oversize, 1 classified, 1 top secret; 319 linear feet; 41 microfilm reels Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Journalist, playwright, magazine editor, U.S. representative from Connecticut, and U.S. ambassador to Italy. Family papers, correspondence, literary files, congressional and ambassadorial files, speech files, scrapbooks, and other papers documenting Luce's personal and public life as a journalist, playwright, politician, member of Congress, ambassador, and government official. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Personal Names Barrie, Michael--Correspondence. Baruch, Bernard M. -
William A. Brady: Theatre Entrepreneur
WILLIAM A. BRADY: THEATRE ENTREPRENEUR By NEVIS EZELLE HAGLER, JR, A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 *J^-J UNIVERSITY OF FLORIDA 5185 3 1262 08552 ACKNOWLEDGEMENTS I wish to express rny appreciation to the research staff and director of the Theatre Collection at the Lincoln Center Library of the Performing Arts and to Mr. Louis Rachow, of the Players Club, for their valuable assistance and guidance. Special appreciation is extended to two of the theatre's most gracious actresses, Miss Helen Kayes and Miss Madge Kennedy, for their recollec- tions, assistance, and time. My gratitude is also ex- tended to Dr. Richard L. Green, Dr. Clyde G. Sumpter, Dr. Sidney Homan, and Dr. Norman Markel, for their aid in reading the study and offering valuable criticism, A special note of appreciation is due Dr. L. L. Zimmerman, the chairman of this work, for his encourage- ment, criticism, and, most importantly, for his friendship, PREFACE During his lifetime, William A. Brady was one of the most active and successful producers in the American theatre. Since his death, in 1950, his reputation has faded into relative obscurity. No study of his career has been made, and he is mentioned only briefly and with- out regularity in works dealing with the American theatre of the first half of the twentieth century. This study will examine his life and career as a theatrical producer in order to demonstrate the ways in which Brady's career exemplified certain aspects of the early twentieth century American theatre. -
THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom)
THE NAFF COLLECTION (Location: Range 4, Section 5 – NR Workroom) The Naff Collection is an accumulation of programs, autographed photographs, posters, folders, booklets, announcements and a few other items which tell the story of professional theater in Nashville between the years 1900 and 1960. This material was collected by the late Mrs. L. C. Naff during the period in which she served as secretary to the Rice Bureau and later as manager of the Ryman Auditorium. She bequeathed the collection to Francis Robinson, assistant manager of the Metropolitan Opera, who began his career as an usher at the Ryman. On March 27, 1967, Mr. Robinson made the formal presentation of the collection to the Public Library of Nashville and Davidson County, Charles C. Trabue, chairman of the board, and Marshall Stewart, chief librarian. The public was invited to this ceremony at which the collection was on display. The materials had been listed by chronological periods and arranged by Ann Dorsey, head of the reference department, Edward Durham and Terry Hudson. After the material had remained on exhibit for one month, it was packed for storage. In January 1971, it was decided that the collection should be classified and indexed so that it might be more readily available to researchers and other interested parties. The holdings in the Naff Collection have been classified as follows: NAFF COLLECTION CLASSIFICATIONS Advertising Announcements Descriptive Folders Letters and Telegrams Librettos Newspaper Clippings Photographs Posters Programs: Concerts Dances Lectures Miscellaneous Musical Comedies Operas Operettas Orchestras Plays Recitals Souvenirs Variety Realia Scripts Souvenir Booklets The subject headings of the various collections will most likely lead to desired information, particularly if the medium of a performer is known. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
1937-05-27 [P C-3]
Disney SUly a travel PIERCE HALL PLAYERS Symphony, film the gay French return* for a Keith’s New Film entitled farce, Farce "Norwegian Sketches" are the A short repeat engagement. This one open* Conference Between Scenes TO PRESENT “HOLIDAY” subjects. The feature Is 40 min- Opening utes of Saturday, not up-to-the-minute news flashes today. Not an as seen by roving cameramen. Inspiring Item Philip Barry’s Play to Close Suc- Tomorrow cessful Season for Group Columbia—"A Star Is Bom,” that fine technicolor tale of Hollywood life, TRANS-LUX Alan June Mowbray Adds to 2 and 3. returns for another week. Janet Laughs “As Good as New Filins at Gay- THE CORONATION WITH the production of Appear nor, Fredric March, Adolphe Menjou | Jttilip Jm» And Latest News but It’s Just a . and Lionel Stander are the stars. Married,” Mostly Holly- Barry'* ‘’Holiday,’* June 2 apd 3, Downtown Cinema the Pierce Hall will draw to a Players Belaseo—"Carnival In wood Marital close one Flanders," Battle. of their most successful Theaters. jkshor^ubjectsI£sJ seasons in many years. by ROBERT fe. PHILLIPS, Jr. TrTH "Holiday” is the story of*a lad Off the Moon,” a sledge hammer and cold chisel In hand, an energetic chan \ \ who believes that what you have is musical that advance reports hurrowlng his way through the of \/\/ underpinning R-K-O-Keith’s less important than what you make indicate Is a pleasant one. Cast yesterday during the second show. It is V V flri to be hoped of it and the difficulties he has when EARLE—“Turntopped by Charlie Ruggles In- thathe was digging for gold, and most fervently prayed that he he falls in love with the daughter cludes Eleanore Whitney, Johnny thC at present on at that display theater is not apt to of a man who believes Downs, Ben Blue, Kenny Phil prove a bonanza SmTafor its exhibitors. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.