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Victorian / Planning / Environmental / Law / Association / Volume 105
victorian / planningrevue / environmental / law / association / volume 105 October 2018 Contents President 3 The housing problem 18 Editorial Licence 4 YPG 2017 Award: Affordable housing study 20 The Minister for Planning 5 Automated vehicles: another inconvenient truth 12 Shadow Minister for Planning 10 Paul Jerome Awards 6 Car congestion in Melbourne: VCAT decisions 41 Heritage fabricated 46 VEPLA Conference Justice Michelle Quigley QC 28 Peter Mares 33 Rosy Batty 36 Gideon Haigh 39 Places Box Hill: ‘don’t box me in!’ 15 Rory’s ramble 53 Covenants continued 49 Unlocking significant social effects 55 Planning Xchange 52 Sound bites 44 Stonnington; managing a city in two parts 22 The Business Tribunal Talk 17 Creating a city of 20 minute neighbourhoods 8 The Fast Lane – Parking changes VC148 48 Seminars Commercial 3 – a new zone for EPA Act changes 50 mixed use and creative industries 24 David Davis breakfast 58 YPG: ideas for the future 59 Cover photo: The VPELA conference witnessed some amazing sessions and speakers. The cover depicts L-R Tamara Brezzi, President VPELA, Michael Deidun, Conference Convenor with Rosie Batty, Peter Mares, Author “No Place Like Home – Repairing Australia’s Housing crisis”, Devo aka the Ratio Gang, costume winners of the Gala and Gideon Haigh, Journalist & sporting commentator. Newsletter editor: VPELA Bernard McNamara PO Box 1291 Camberwell 3124 M: 0418 326 447 www.vpela.org.au E: [email protected] E: [email protected] T: 9699 7025 T: 9813 2801 2 / VPELA Revue October 2018 The President Dorothy’s dream Tamara Brezzi President, VPELA At the conclusion of the Hollywood classic, The Wizard of Oz, It would not be in his nature to simply identify and then moan Dorothy famously slips in to her sparkly shoes, clicks her heels, about a problem without offering an intelligent, comprehensive, and whispers repeatedly “There’s no place like home” in an well thought through solution. -
Free Dubstep Drum Kit Samples
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Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways. -
Bass in Your Face: a Case-Study Exploration of Networked Culture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Bass in Your Face: A Case-Study Exploration of Networked Culture Samantha Phyllis Kretmar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/237 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BASS IN YOUR FACE: A CASE-STUDY EXPLORATION OF NETWORKED CULTURE by SAMANTHA P. KRETMAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2014 © 2014 SAMANTHA P. KRETMAR All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Matthew K. Gold Date Thesis Advisor Matthew K. Gold Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract BASS IN YOUR FACE: A CASE STUDY EXPLORATION OF NETWORKED CULTURE by Samantha P. Kretmar Adviser: Professor Matthew K. Gold Using dubstep DJ Bassnectar as a case-study example, this thesis explores the impact of social networks and mobile connectivity. As evidenced by Bassnectar’s digitally based approach to experiencing, distributing, and consuming music, these developments have contributed to the shift to a new model I describe as Networked Culture.