No-Man Days in the Trees Mp3, Flac, Wma

No-Man Days In The Trees mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Days In The Trees Country: UK Released: 1991 Style: Leftfield, Ambient MP3 version RAR size: 1644 mb FLAC version RAR size: 1803 mb WMA version RAR size: 1109 mb Rating: 4.8 Votes: 703 Other Formats: WAV ADX WMA AAC MMF FLAC VQF Tracklist 1 Mahler 6:27 2 Ives 3:19 3 Bartok 6:19 4 Reich 2:34 Companies, etc. Phonographic Copyright (p) – One Little Indian Ltd. Copyright (c) – One Little Indian Ltd. Manufactured By – MPO Credits Design [Cover] – Me Company, Tim Bowness Performer – Ben Coleman, Tim Bowness Performer, Producer, Engineer – Steven Wilson Photography By – Max Hunn Written-By – Fenton* (tracks: 1, 2), Wilson*, Bowness* (tracks: 1, 3) Notes "The ascent to your heaven; spending days in the trees…" Produced and engineered in England. ℗ & © 1991 One Little Indian Records Ltd. Made in France Barcode and Other Identifiers Barcode (Printed): 5 016958 010324 > Barcode (Scanned): 5016958010324 Matrix / Runout: 57 TPCD 7 MPO 02 @@@ Other versions Category Artist Title (Format) Label Category Country Year COCY-5157 No-Man Days In The Trees (CD, EP) One Little Indian COCY-5157 Japan 1992 Days In The Trees (12", Promo, 57tp12 No-Man One Little Indian 57tp12 UK 1991 W/Lbl) 57TP12 No-Man Days In The Trees (12", EP) One Little Indian 57TP12 UK 1991 Comments about Days In The Trees - No-Man Gerceytone Surprised there's no comment for this. Great single. And I'm not usually a fan of this band. Related Music albums to Days In The Trees by No-Man White Wives - Indian Summer, Indian Summer No-Man - All The Blue Changes - An Anthology 1988-2003 Black Indian - Indian Finitribe - Ace Love Deuce HK119 - PMU Björk - Hunter Eg & Alice - Indian No-Man - Schoolyard Ghosts.

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Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
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No-Man Housewives Hooked on Heroin Mp3, Flac, Wma
No-Man Housewives Hooked On Heroin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Housewives Hooked On Heroin Country: UK Released: 1996 Style: Leftfield, Abstract MP3 version RAR size: 1758 mb FLAC version RAR size: 1228 mb WMA version RAR size: 1396 mb Rating: 4.7 Votes: 861 Other Formats: FLAC MP1 ASF ADX AA APE VOC Tracklist 1 Housewives Hooked On Heroin 4:39 2 Hit The Celling 3:05 3 Housewives Hooked On Methadone (Scanner Mix) 6:06 4 Urban Disco 3:17 5 Where I'm Calling From 3:40 Companies, etc. Phonographic Copyright (p) – 3rd Stone Records Ltd. Copyright (c) – 3rd Stone Records Ltd. Published By – Copyright Control Published By – Hit & Run Music (Publishing) Ltd. Distributed By – Vital Pressed By – Technicolor Credits Design – Bill Smith Studio Electronics [Soundscapes] – Robert Fripp (tracks: 5) Instruments – Steven Wilson Trumpet – Ian Carr (tracks: 5) Vocals – Tim Bowness Written-By, Performer, Producer – No-Man Barcode and Other Identifiers Barcode: 5023693002651> Matrix / Runout: C1357 STONE 026 CD 02 1:0 Technicolor Mastering SID Code: IFPI L122 Mould SID Code: ifpi 2311 Other versions Category Artist Title (Format) Label Category Country Year Housewives Hooked On Heroin (CD, stone 026CD No-Man 3rd Stone stone 026CD UK 1996 EP) Housewives Hooked On Heroin (CD, hi-art 12 No-Man Hidden Art hi-art 12 UK 2004 EP, RE) Related Music albums to Housewives Hooked On Heroin by No-Man Clarence Carter - Hooked On Love The Housewives - Getaway Louis Clark Conducting The Royal Philharmonic Orchestra - Hooked On Tchaikovsky David Oliver - Housewives Are People Too The Royal Philharmonic Orchestra, Louis Clark - The Very Best Of Hooked On Classics Julia Stone - By The Horns Dr.
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Tim Bowness – Flowers at the Scene
Tim Bowness – Flowers At The Scene (42:57, CD, Digital, InsideOut Music / Sony Music, 2019) Zwar wird dieses Album unter dem Namen Tim Bowness veröffentlicht, letztendlich stecken dahinter als Produzententeam aber no-man, sprich dies ist die erste Zusammenarbeit von Tim Bowness und Steven Wilson seit knapp einer Dekade. Doch damit nicht genug, wie bei den letzten Tim Bowness-Veröffentlichungen waren wiederum jede Menge namhafte Gastmusiker bei diesem stilistisch vielschichtigen Album beteiligt, wie z.B. Peter Hammill (VdGG), Andy Partridge (ex- XTC), Kevin Godley (u.a. 10cc, Godley & Creme), Colin Edwin (u.a. O.R.k., Porcupine Tree), Jim Matheos (Fates Warning, OSI) oder David Longdon (Big Big Train). Dennoch tragen die elf regulären Tracks dieses Albums unverkennbar die Handschrift von Tim Bowness, fügen sich die Gastauftritte fast schon unauffällig, bei genauem Hinhören dennoch prägnant ein. Die Unverkennbarkeit liegt natürlich in erster Linie an dem sonoren Timbre des Sängers und Multi- Instrumentalisten. Gleichzeitig setzt er, wie von seinen letzten Soloalben gewohnt, auf ein sehr breites musikalisches und stilistisches Spektrum. Da ist Platz für anspruchsvollen, dennoch melodischen Art Rock, findet man balladesken, ambitionierten Pop, aber auch ausschweifende, verträumte Klangräume mit gelegentlicher Dramatik, über dem immer die leicht traurige Melancholie des Briten schwebt. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Waren auf dem Vorgänger „Lost In The Ghost Light“ einige ausschweifende Kompositionen jenseits der 8 Minuten zu hören, ist auf „Flowers At The Scene“ alles wesentlich konzentrierter, meist im drei- bis vierminütigen Bereich angesiedelt.
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Slap Magazine Issue 91 (May 2019)
Issue 91 May2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Where does the time go? It’s May already, my favourite month, and it’s the time of year we get to find out who will be headlining all the big festivals we have to look forward to. This year's top announcement has to be from Nozstock with Sleaford Mods and I for one can’t wait. We continue with our festival preview features this month, with a look forward to Wychwood and Mostly Jazz, Funk & Soul festivals as well as the brand new Stroud Steampunk festival. There are festivals happening locally throughout May 2019 May - take a look at page 54 for a full list in our region, with something for everyone Our cover features the Malvern-based charity ‘Rock SLAP MAGAZINE Around the Hills’ who have created an interactive exhibition Unit 3a, Lowesmoor Wharf, celebrating the story of rock, punk and progressive rock at the Winter Gardens from 1961 to 1990. The exhibition Worcester WR1 2RS features images of over 400 posters, tickets, flyers and Telephone: 01905 26660 fanzines as well as recorded memories from audience [email protected] members, musicians and promoters who were all part of the EDITORIAL Malvern Winter Gardens story.
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OSI Blood Mp3, Flac, Wma
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Tuesday the Sky – the Blurred Horizon
Tuesday The Sky – The Blurred Horizon (46:30, Vinyl, CD, Digital, Metal Blade Records, 2021) Jim Matheos, Gavin Harrison & Tim Bowness. Was wie die nächste Supergroup des Progressive Rock klingen mag, ist in Wahrheit die Besetzung des neuesten Solo- Albums des Fates Warning- Gitarristen. Es ist bereits seine zweite Scheibe unter dem Namen Tuesday The Sky. Doch widmet sich Matheos mit diesem Projekt nicht etwa progressiven Tönen, sondern einer entspannenden Mischung aus Ambient, Electronica und Post Rock. Harrison und Bowness mögen auf den ersten Blick vielleicht nicht als die beste Wahl für diese Art von Musik erscheinen, doch das Ergebnis ist mehr als überzeugend. Besser jedenfalls als „Drift“ (2017), Mateos erster Ausflug in diese verträumten musikalischen Gefilde, bei welchem er noch von Genre-Größe Lloyd Hanney (God Is An Astronaut) und Sängerin Anna Lynne William unterstützt worden war. Natürlich ist Jim Matheos‚ Handschrift auch bei „The Blurred Horizon“ nicht zu leugnen, doch mit seiner Hauptband Fates Warning oder der Musik des Duos Arch/Matheos haben Tuesday The Sky eigentlich keinerlei Parallelen. Denn „The Blurred Horizon“ ist gefühlvoll, zart und leise, ja beinahe zerbrechlich. Dass Sigur Rós, Explosions In The Sky und die schottischen Elektronik-Zauberer von Boards of Canada als Mateos‚ Haupteinflüsse genannt werden, ist dabei unüberhörbar. Tim Bowness tritt übrigens nur beim gelungenen Abschlussstück des Albums in Erscheinung, nämlich ‚Everything Is Free‘, dem Cover eines Liedes des Country-Duos Gillian Welch & David Rawlings. Trotzdem muss man bei „The Blurred Horizon“ nicht wirklich von einem Instrumental-Album sprechen, denn irgendwie ist es Mateos‚ Gitarre, die mit ihren Leitmelodien den Gesang der anderen Stücke zu übernehmen scheint.
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Ika Ko * S E Dagg Rs M I * Gow *Ha Wna Oof Ia N Irls * C St Sti * Hi La Ce *
SENTIREASCOLTAREDIGital MAGAZINE ottoBRE N. 48 da e Vigo * Mika Ab M s * ik e o c * S la i P lv h e g r i D H * a g s t g l e i t r s S l * a M t s a y e r S C h * i s * l r G i o G w n n a i s v * i H V a * f w o n o a r y T + Volcano!, Final Fantasy, Attimonelli, Women, Karl Blau, Donovan, Kubrick, Kagel, Blitzen Tapper, Gang Gang Dance, Department of Eagles, Vandervelde, Blake/e/e/e, One Little Plane, Antolini 4 NEWS 6 TURN ON WWW.AUDIOGLOBE.IT VOLCANO!, FINAL FANTASY, ATTIMONELLI..... VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] 22 TUNE IN THE MATTHEW HERBERT KARL BLAU, WOMEN, ANTOLINI PARENTHETICAL GIRLS BIG BAND "Entanglements" 34 DroP OUT "There's Me and There's You" INTERSTELLAR TECHNODRIVE, THE SMELL CD/LP Tomlab CD !K7 Terzo album per il Il nuovo scintillante gruppo di Portland disco di MATTHEW 56 RECENSIONI guidato dal carismati- HERBERT “There’s MATT ELLIOTT, DEAD SCIENCE, EL GUINCHO, LOS UPDATES...... co cantante androgino Me and There’s You” ZAC PENNINGTON. è la più seducente, so- “ENTAGL EMENT S”, ﬁsticata e sovversiva 121 WE ARE DEMO inizialmente concepi- collezione di canzoni di to come seguito or- protesta mai registrate chestrale del debutto dal Nostro. Realizzato (((GRRRLS))), gioca fra con la collaborazione 123 REARVIEW Mirror il sentimentalismo ed dei migliori musicisti DONOVAN il pop orchestrale di Jazz inglesi, il disco è Van Dyke Parks, Scott il sequel dell’acclamato Walker, Jack Nitzsche “Goodbye Swingtime”.
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DVD #1 1. 2Cellos
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Tim Bowness – Lost in the Ghost Light
Tim Bowness – Lost In The Ghost Light (43:32, CD, InsideOut / Sony Music, 2017) Tim Bowness zum Vierten. Mit dem Vorgänger „Stupid Things That Mean The World“ erreichte der Brite mit der markanten Stimme die Top 10 der offiziellen britischen Rock Charts, nun legt er mit seinem Konzeptalbum „Lost In The Ghost Light“ ein weiteres, ambitioniertes Werk vor. Gemixt und gemastered hat es sein No-Man Kompagnon Steven Wilson. Inhaltlich wird hier eine interessante Thematik aufgegriffen: Es geht um die Reflektionen eines fiktionalen Classic-Rock- Musikers über seinen Anspruch an sich selbst, über Ambitionen, Kommerz und das Familienleben abseits des Starseins, sowie um die Angst vor jüngeren, wesentlich vitaleren Künstlern. Nicht nur Bowness‚ vokale Eigenständigkeit bleibt nachhaltig hängen, auch namhafte Musiker machen dieses Album zum Hörgenuss. Die Kernband besteht aus Stephen Bennett (Henry Fool, No-Man), Colin Edwin (Porcupine Tree), Bruce Soord (The Pineapple Thief, Katatonia), Hux Nettermalm (Paatos) und Andrew Booker (Sanguine Hum, No-Man). Hinzu kommen Gastbeiträge unter anderem von Kit Watkins (Happy The Man, Camel), Steve Bingham (No-Man), David Rhodes (Peter Gabriel, Kate Bush) und Ian Anderson (Jethro Tull), die sich aber allesamt dem Gesamtkontext unterordnen und keineswegs als prägnante Solisten zu vernehmen sind. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Ein Großteil der Titel ist auf ruhigem, elegischen Terrain angesiedelt.
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Tom Jennings
VARIANT • VOLUME 2 NUMBER 20 • SUMMER 2004 • PAGE 9 Dancehall Dreams Tom Jennings Anyone keeping an eye on patterns of youth style in Britain over the last ten years cannot fail to Notes have been struck by the increasing profile of 1. A relatively downtempo drum & bass derivative focusing on dance Black music and its spinoffs in the media, adver- rather than, say, the manic raves of junglism, or avant garde taste tising, fashion and leisure sectors, and, indeed, in and pretensions to being ‘the new jazz’. Note that UK garage is pri- marily a southern British phenomenon with sparse interest else- spoken idiom and worldviews. Current styles where. were to some extent carried in from America with hip-hop—now by far the biggest-selling popular 2. A US euphemism coined to avoid all reference to race and class; the more forthright British ‘Music of Black Origins’ (MOBO) being ques- music genre in the world—and have blended with tionable for, among other reasons, seeming somewhat backward-look- local vernaculars, steadily spreading into and ing as well as racially essentialist. irrevocably changing all youth cultural fields. The 3. A comprehensive analysis of which can be found in Lynne Segal & most obvious marker of the strength of influence Mary McIntosh (eds.), Sex Exposed: Sexuality and the Pornography is the degree of commercial appropriation—where Debate (Virago, 1992). all manner of celebrities have scrambled to affili- 4. For varying blends of intelligence, self-possession and conformity to ate; pop superstars copy the format to bolster sexual objectification, see, for instance, current young UK urban their street-cred; and any number of crassly manu- artists Floetry, Ms Dynamite, Jamelia and Mis-teeq; as against pure factured boy/girl band and pop idol-type embar- product like Sugababes, Girls Aloud, Liberty X, etc.
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