Juliane Witzke
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Diplomarbeit
Diplomarbeit Titel der Diplomarbeit „Der Rückzug ins Private in den Kurzgeschichten Judith Hermanns“ Verfasserin Sara Schausberger angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 332 Studienrichtung lt. Studienblatt: Deutsche Philologie Betreuerin: Ao. Univ.-Prof. Mag. Dr. Pia Janke Danksagung Ohne die Unterstützung zahlreicher Menschen hätte diese Arbeit nicht fertig gestellt werden können. Mein Dank gilt insbesondere: Ao. Univ.-Prof. Mag. Dr. Pia Janke für die engagierte Betreuung. Meinen Eltern Monica Almqvist und Klaus Schausberger für alles. Den Familien Almqvist, Möller und Schausberger. Meinem Bruder Thomas Steinschauer. Meinen Korrekturleserinnen Hannah Mayr und Flora Schausberger. Anna Ellmer fürs ganz genau lesen. Lena Strouhal und Mona El Khalaf für die zahlreichen Gespräche. Und Greta Egle für die letzten Monate. 1 Einleitung 1 1.1 Forschungsinteresse und Fragestellung der Arbeit 1 1.2 Aufbau der Arbeit 5 2 Das Private in der deutschsprachigen Kurzgeschichte und in der angloamerikanischen Short Story 7 2.1 Die Geschichte der deutschsprachigen Kurzgeschichte 7 2.2 Das Private in der Kurzgeschichte und in der Short Story 11 3 Der Kontext von Judith Hermanns SchreiBen 19 4 Das Prinzip der Auslassung 25 4.1 Die Auslassung von Politik - Eine Literatur ohne politisches Interesse 29 4.2 Die Auslassung von Geschichte - Keine Kriegsgeschichte, keine DDR, kein Mauerfall 34 4.3 Das Aussparen existenzieller Probleme 39 4.4 Die Kurzgeschichte als Spiegelung des sozialgeschichtlichen Erfahrungsraums 43 4.5 Kälte, Schnee und Winter als Metapher für eine vereinsamte Gesellschaft 46 5 SelBstBezügliche Erzählstrategien 51 5.1 Das Ich im Zentrum 58 5.2 Das Ich im Spiegel als Exempel für selbstbezügliche Erzählstrategien 60 5.3 Handlungszentrum Innenraum 63 5.3.1 Das Desinteresse an der Außenwelt 67 5.3.2 Indifferente Innenwelten 71 5.3.3 Entwicklungslosigkeit 73 5.4 Der Begriff der Generation. -
Judith Hermanns Karakterer; Identitetsdannelse Og Oppløsning I Senmoderne Samfunn Og Postmodernistisk Prosa
Judith Hermanns karakterer; identitetsdannelse og oppløsning i senmoderne samfunn og postmodernistisk prosa Masteroppgave i Allmenn litteraturvitenskap av Natalja Olstad Veileder: Drude von der Fehr Høsten 2009 Institutt for litteratur, områdestudier og europeiske språk ved Det humanistiske fakultet, Universitetet i Oslo 1 Takksigelser Takk til Drude von der Fehr for veiledning og til Steinar Finnebraaten for innspill og tålmodighet. En stor takk til mine foreldre Ole Håkon og Tamara Olstad for finansiell støtte gjennom min studietid. 2 Sammendrag ”-Glück ist immer der Moment davor. Die Sekunde vor dem Moment, in dem ich eigentlich glücklich sein sollte, in dieser Sekunde bin ich glücklich und weiss es nicht. Ich habe schon viele Menschen verraten, glaube ich. Und ich finde es schön, Dinge wegen meines Äusseren zu erreichen.” (Judith Hermann. 2008, Sommerhaus, später : 158) Jeg vil i denne oppgaven fordype meg i Judith Hermanns noveller, hentet fra debutsamlingen Sommerhaus, später fra 1998 1, og oppfølgeren Nichts als Gespenster utgitt i 2003 2. Judith Hermann som er født i 1970, i tidligere Vest-Berlin, har mastergrad i tysk og filosofi. Hun ble akseptert ved Berliner Journalistenschule , og dro under utdannelsen til New York hvor hun skrev for den tyskspråklige avisa Aufbau. I USA begynte hennes arbeid med de første skjønnlitterære tekstene. Tilbake i Berlin jobbet hun en kort stund som free-lance journalist før hun mottok Alfred- Döblin -stipendet fra Akademie der Künste i 1997. I 1998 debuterte Hermann med novellesamlingen Sommerhaus, später som består av ni korte tekster. Samlingen høstet strålende kritikker og flere litterære priser, deriblant den prestisjetunge Kleist-prisen. Den ble oversatt til 17 språk og fikk enorm mediedekning i Tyskland. -
Collecting to the Core — Gegenwartsromane, Contemporary German-Language Novels
Against the Grain Manuscript 8447 Collecting to the Core — Gegenwartsromane, Contemporary German-Language Novels Heidi Madden Anne Doherty Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Interview — Theodore Pappas from page 46 Collecting to the Core — seconds. That’s why verified, reliable, curated Gegenwartsromane, Contemporary content like that offered by Britannica is only growing in importance in an age of fake news German-Language Novels and misinformation. That’s why an increasing number of companies (and the ministries of ed- by Heidi Madden (Librarian for Western European Studies, Duke University; ucation of countries around the world) want to Germanic Languages and Literature Subject Editor, Resources for College Libraries) partner with Britannica, because they realize <[email protected]> the importance of reliable information and the companies that produce it. Column Editor: Anne Doherty (Resources for College Libraries Project Editor, ATG: However, you still do some print CHOICE/ACRL) <[email protected]> publishing. We noticed that Britannica’s 250th anniversary collector’s edition — your final yearbook — is a print product. In fact, Column Editor’s Note: The “Collecting popular attention with her book Feuchtgebiete / you are listed as the author. Can you tell us to the Core” column highlights monographic Wetlands (2008), but she is not (yet) considered about that project? works that are essential to the academic li- a core author. Similarly, Jenny Erpenbeck (b. -
Sayaka Oki Doshisha University, Kyoto, Japan
International Multidisciplinary Research Journal - ISSN 2424-7073 Gender & Women’s Studies - Volume 1, Issue No.1 (July 2019): Pages 51-55 ©ICRD Publication Seeing the Body in Karen Duve’s This Is Not a Love Song Sayaka Oki Doshisha University, Kyoto, Japan Abstract Karen Duve’s novel This Is Not a Love Song is named after a song by Public Image Ltd whose lead singer was Johnny Rotten. It develops intertextual elements related to canonical literature as well as popular culture. The final scene in the novel where Anne and Peter stare at each other in Peter’s home is based on a scene from Goethe’s The Sorrows of Young Werther (1774). Duve’s novel describes this literary scene in connection with the 1996 UEFA European Football Championship in which the English footballer Gareth Southgate famously missed a penalty1. This is an example of the way in which the novel is constructed of a mosaic of high and low cultural citations2. The aim of this literary structure is to overcome a gendered dichotomy. This literary approach shows the influence of Leslie A. Fiedler’s essay Cross the Border—Close the Gap3 (1972), which had a big impact on contemporary literature of the 21st century in Germany. The present study analyzes Karen Duve’s novel, focusing on the aspect of considering gender gaps from post-feminist critical discussions of “bodies and seeing.” It should be asked how the image of Anne’s body is created and in which ways female subjectivity is established in the novel. In this context, it should be especially pointed out that Duve’s novel describes this condition from a humorous literary perspective, in contrast to Goethe’s Werther that has a tragic ending. -
Lars Richter
Echoes and Oscillations: Poetics, Public Intellectualism, and Contemporary Literature in the Work of Juli Zeh by Lars Richter A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Germanic Languages, Literatures and Linguistics Department of Modern Languages and Cultural Studies University of Alberta © Lars Richter, 2016 Abstract Since the publication of her debut novel in 2001, German author Juli Zeh has established herself as an important figure within the landscape of contemporary German-language literature. Echoes and Oscillations: Poetics, Public Intellectualism, and Contemporary Literature in the Work of Juli Zeh examines the work of Juli Zeh with respect to how her poetological positions, her work as a public intellectual and the incorporation of modes of realistic writing in her narratives result in an interplay between diegetic and non-diegetic realities that, in turn, have an impact on the question of what role literature can play in the present cultural landscape of Germany and beyond. Through the analysis of Zeh’s poetological writings and her work as public intellectual, Echoes and Oscillations defines Zeh as a politically committed author who revives the long- standing model of author as public intellectual and transports it into the twenty-first century. The analysis of selected novels with respect to echoes of traditions of realistic writing from German literary history leads to a re-conceptualization of the term ‘contemporary German-language literature.’ Exemplified through Zeh’s texts, the dissertation proposes a model that regards contemporary literature as being embedded in, being mindful of, and commenting on their time via the tight interconnection between sociopolitical discourses and her fictional and nonfictional work.