The Rastafarians' Linguistic Response to Societal Oppression
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A Deductive Thematic Analysis of Jamaican Maroons
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Sinclair-Maragh, Gaunette; Simpson, Shaniel Bernard Article — Published Version Heritage tourism and ethnic identity: A deductive thematic analysis of Jamaican Maroons Journal of Tourism, Heritage & Services Marketing Suggested Citation: Sinclair-Maragh, Gaunette; Simpson, Shaniel Bernard (2021) : Heritage tourism and ethnic identity: A deductive thematic analysis of Jamaican Maroons, Journal of Tourism, Heritage & Services Marketing, ISSN 2529-1947, International Hellenic University, Thessaloniki, Vol. 7, Iss. 1, pp. 64-75, http://dx.doi.org/10.5281/zenodo.4521331 , https://www.jthsm.gr/?page_id=5317 This Version is available at: http://hdl.handle.net/10419/230516 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ www.econstor.eu Journal of Tourism, Heritage & Services Marketing, Vol. -
Reggae På Jamaica– En Oversigt
Reggae på Jamaica – en oversigt Indhold Jamaica ...................................................................................................1 Reggae-musikken ..................................................................................1 Ska ........................................................................................................1 Rock Steady .........................................................................................2 Reggae ..................................................................................................2 Bob Marley .......................................................................................3 Roots reggae og rasta ..........................................................................4 Dub, sound systems og toasting .........................................................5 Two-tone og ska-punk .........................................................................5 Litteratur ................................................................................................5 Jamaica Jamaica er en ø i Caribien syd for Cuba; den er ¼ så stor som Danmark og der bor ca. 2,9 mill. men- nesker (2012), ca. 90% er efterkommere af slaver. Slaveriet blev afskaffet i 1835. Der var en oprinde- lig indiansk befolkning, da Columbus opdagede øen i 1494, men den blev hurtigt udryddet. Først var Jamaica en spansk koloni, derefter engelsk indtil selvstændigheden i 1962. Reggae-musikken Ska Skamusikken var en musik og -dansestil, der kom frem i starten af 1960’erne og som var inspireret -
Shilliam, Robbie. "Dread Love: Reggae, Rastafari, Redemption." the Black Pacific: Anti- Colonial Struggles and Oceanic Connections
Shilliam, Robbie. "Dread Love: Reggae, RasTafari, Redemption." The Black Pacific: Anti- Colonial Struggles and Oceanic Connections. London: Bloomsbury Academic, 2015. 109–130. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781474218788.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 11:28 UTC. Copyright © Robbie Shilliam 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Dread Love: Reggae, RasTafari, Redemption Introduction Over the last 40 years roots reggae music has been the key medium for the dissemination of the RasTafari message from Jamaica to the world. Aotearoa NZ is no exception to this trend wherein the direct action message that Bob Marley preached to ‘get up stand up’ supported the radical engagements in the public sphere prompted by Black Power.1 In many ways, Marley’s message and demeanour vindicated the radical oppositional strategies that activists had deployed against the Babylon system in contradistinction to the Te Aute Old Boy tradition of tactful engagement. No surprise, then, that roots reggae was sometimes met with consternation by elders, although much of the issue revolved specifically around the smoking of Marijuana, the wisdom weed.2 Yet some activists and gang members paid closer attention to the trans- mission, through the music, of a faith cultivated in the Caribbean, which professed Ethiopia as the root and Haile Selassie I as the agent of redemption. And they decided to make it their faith too. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Negotiating Gender and Spirituality in Literary Representations of Rastafari
Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of -
Scientific Evidence of Diets for Weight Loss
Nutrition 69 (2020) 110549 Contents lists available at ScienceDirect Nutrition journal homepage: www.nutritionjrnl.com Scientific evidence of diets for weight loss: Different macronutrient composition, intermittent fasting, and popular diets Rachel Freire Ph.D. * Mucosal Immunology and Biology Research Center and Center for Celiac Research and Treatment, Department of Pediatrics, Massachusetts General Hospital, and Harvard Medical School, Boston, Massachusetts, USA ARTICLE INFO ABSTRACT Article History: New dietary strategies have been created to treat overweight and obesity and have become popular and widely adopted. Nonetheless, they are mainly based on personal impressions and reports published in books and magazines, rather than on scientific evidence. Animal models and human clinical trials have been Keywords: employed to study changes in body composition and metabolic outcomes to determine the most effective Obesity diet. However, the studies present many limitations and should be carefully analyzed. The aim of this review Weight-loss was to discuss the scientific evidence of three categories of diets for weight loss. There is no one most effec- Popular diets tive diet to promote weight loss. In the short term, high-protein, low-carbohydrate diets and intermittent Fasting Macronutrient fasting are suggested to promote greater weight loss and could be adopted as a jumpstart. However, owing to adverse effects, caution is required. In the long term, current evidence indicates that different diets pro- moted similar weight loss and adherence to diets will predict their success. Finally, it is fundamental to adopt a diet that creates a negative energy balance and focuses on good food quality to promote health. © 2019 Elsevier Inc. -
C a L L a L O O
C A L L A L O O WHAT WE MEAN WHEN WE SAY ‘CREOLE’ An Interview with Salikoko S. Mufwene by Michael Collins Salikoko S. Mufwene is an internationally renowned theorist of language evolution, language contact, and sociolinguistics, among other subjects. He sat for the following interview on April 7 and April 8, 2003, during a visit he paid to Texas A & M University in College Station to lecture on controversies surrounding Ebonics. Mufwene’s ability to dazzle audiences was just as evident in Texas as it had been in the city-state of Singapore, where I first heard him lecture. His ability was indeed already apparent early in his life in Congo: Robert Chaudenson of the Université d’Aix-en-Provence reports that in 1973 “Mufwene received a License en Philosophie et Lettres (with a major in English Philology) from the National University of Zaire at Lubumbashi (with Highest Honors). The same year he also obtained his Agrégation d’enseignement moyen du degré supérieur (with Honors). Let me comment a bit on the significance of these diplomas, especially for readers who are not familiar with (post)colonial Africa. That the young Salikoko, born in Mbaya-Lareme, would find himself twenty years later in Lubumbashi at the University, with not one but two diplomas, should in itself count as an obvious sign of intellectual excellence for anyone who is in any way familiar with the Congo of that era. Salikoko must have seriously distinguished himself among his peers: at that time, overly limited opportunities and a brutally elitist educational system did entail fierce competition.” For the rest of Chaudenson’s remarks, and for further information on Mufwene, see http://humanities.uchicago.edu/faculty/mufwene/index.html. -
Language Variation and Ethnicity in a Multicultural East London Secondary School
Language Variation and Ethnicity in a Multicultural East London Secondary School Shivonne Marie Gates Queen Mary, University of London April 2019 Abstract Multicultural London English (MLE) has been described as a new multiethnolect borne out of indirect language contact among ethnically-diverse adolescent friendship groups (Cheshire et al. 2011). Evidence of ethnic stratification was also found: for example, “non-Anglo” boys were more likely to use innovative MLE diphthong variants than other (male and female) participants. However, the data analysed by Cheshire and colleagues has limited ethnographic information and as such the role that ethnicity plays in language change and variation in London remains unclear. This is not dissimilar to other work on multiethnolects, which presents an orientation to a multiethnic identity as more salient than different ethnic identities (e.g. Freywald et al. 2011). This thesis therefore examines language variation in a different MLE-speaking adolescent community to shed light on the dynamics of ethnicity in a multicultural context. Data were gathered through a 12-month ethnography of a Year Ten (14-15 years old) cohort at Riverton, a multi-ethnic secondary school in Newham, East London, and include field notes and interviews with 27 students (19 girls, 8 boys). A full multivariate analysis of the face and price vowels alongside a quantitative description of individual linguistic repertoires sheds light on MLE’s status as the new London vernacular. Building on the findings of Cheshire et al. (2011), the present study suggests that language variation by ethnicity can have social meaning in multi-ethnic communities. There are apparent ethnolinguistic repertoires: ethnic minority boys use more advanced vowel realisations alongside high rates of DH-stopping, and the more innovative was/were levelling system. -
Rastalogy in Tarrus Riley's “Love Created I”
Rastalogy in Tarrus Riley’s “Love Created I” Darren J. N. Middleton Texas Christian University f art is the engine that powers religion’s vehicle, then reggae music is the 740hp V12 underneath the hood of I the Rastafari. Not all reggae music advances this movement’s message, which may best be seen as an anticolonial theo-psychology of black somebodiness, but much reggae does, and this is because the Honorable Robert Nesta Marley OM, aka Tuff Gong, took the message as well as the medium and left the Rastafari’s track marks throughout the world.1 Scholars have been analyzing such impressions for years, certainly since the melanoma-ravaged Marley transitioned on May 11, 1981 at age 36. Marley was gone too soon.2 And although “such a man cannot be erased from the mind,” as Jamaican Prime Minister Edward Seaga said at Marley’s funeral, less sanguine critics left others thinking that Marley’s demise caused reggae music’s engine to cough, splutter, and then die.3 Commentators were somewhat justified in this initial assessment. In the two decades after Marley’s tragic death, for example, reggae music appeared to abandon its roots, taking on a more synthesized feel, leading to electronic subgenres such as 1 This is the basic thesis of Carolyn Cooper, editor, Global Reggae (Kingston, Jamaica: Canoe Press, 2012). In addition, see Kevin Macdonald’s recent biopic, Marley (Los Angeles, CA: Magonlia Home Entertainment, 2012). DVD. 2 See, for example, Noel Leo Erskine, From Garvey to Marley: Rastafari Theology (Gainesville, FL: University Press of Florida, 2004); Dean MacNeil, The Bible and Bob Marley: Half the Story Has Never Been Told (Eugene, OR: Cascade Books, 2013); and, Roger Steffens, So Much Things to Say: The Oral History of Bob Marley, with an introduction by Linton Kwesi Johnson (New York and London: W.W. -
Relation Between a Health-Conscious Diet and Blood Lipids
European Journal of Clinical Nutrition (2001) 55, 887–895 ß 2001 Nature Publishing Group All rights reserved 0954–3007/01 $15.00 www.nature.com/ejcn Original Communication Giessen Wholesome Nutrition Study: relation between a health-conscious diet and blood lipids I Hoffmann1,2*, MJ Groeneveld1, H Boeing3, C Koebnick4, S Golf 5, N Katz5 and C Leitzmann1 1Institute of Nutrition Science, University of Giessen, Germany; 2National Research Centre for Nutrition, Karlsruhe, Germany; 3German Institute for Nutrition Research, Potsdam-Rehbru¨cke, Germany; 4Department of Medical Informatics, Biometry and Epidemiology, University of Erlangen-Nuremberg, Germany; and 5Institute of Clinical Chemistry, Department of Medicine, University of Giessen, Germany Objective: To study in humans the relationship between a diet consistent with most of the current recommenda- tions for the prevention of nutrition-related diseases (Wholesome Nutrition) and the blood lipid profile (total cholesterol, LDL-, HDL-cholesterol, LDL=HDL-ratio, triglycerides). Design: Cross-sectional study with two diet groups. Setting: Former West Germany. Subjects: Healthy women (n ¼ 243, aged 25 – 65 y) adhering to Wholesome Nutrition for at least 5 y (subdivided into 111 ovo-lacto vegetarians and 132 low-meat eaters) and an according control group of 175 women eating an average German mixed diet. They were all recruited through an advertisement campaign and selected on the basis of their food consumption. Results: Considering potential confounders, the Wholesome Nutrition subgroups had higher HDL-cholesterol levels than the control group. No differences were observed for total cholesterol and LDL-cholesterol. For LDL=HDL-ratio and triglycerides the effect of diet was dependent on interaction terms. -
The True Story of Rastafari Lucy Mckeon
The True Story of Rastafari Lucy McKeon A mural of Leonard Howell in Tredegar Park, near where the first Rastafari community was formed in the 1930s, Spanish Town, Jamaica, January 4, 2014 In the postcard view of Jamaica, Bob Marley casts a long shadow. Though he’s been dead for thirty-five years, the legendary reggae musician is easily the most recognizable Jamaican in the world—the primary figure in a global brand often associated with protest music, laid-back, “One Love” positivity, and a pot-smoking counterculture. And since Marley was an adherent of Rastafari, the social and spiritual movement that began in this Caribbean island nation in the 1930s, his music—and reggae more generally—have in many ways come to be synonymous with Rastafari in the popular imagination. For Jamaica’s leaders, Rastafari has been an important aspect of the country’s global brand. Struggling with sky-high unemployment, vast inequality, and extreme poverty (crippling debt burdens from IMF agreements haven’t helped the situation), they have relied on Brand Jamaica—the government’s explicit marketing push, beginning in the 1960s—to attract tourist dollars and foreign investment to the island. The government-backed tourist industry has long encouraged visitors to Come to Jamaica and feel all right; and in 2015, the country decriminalized marijuana— creating a further draw for foreigners seeking an authentic Jamaican experience. The Jamaica Property Office (JIPO), part of the government’s larger Jamaican Promotions Agency (JAMPRO), works to protect the country’s name and trademarks from registration by outside entities with no connection to Jamaican goods and 2 services. -
Bob Marley Background Informations
Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; .