Is Wrong Life All That Is Possible? Adorno and Aquinas on Ethics Benjamin Hampshire

Total Page:16

File Type:pdf, Size:1020Kb

Is Wrong Life All That Is Possible? Adorno and Aquinas on Ethics Benjamin Hampshire Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2014 Is Wrong Life All That Is Possible? Adorno and Aquinas on Ethics Benjamin Hampshire Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Hampshire, B. (2014). Is Wrong Life All That Is Possible? Adorno and Aquinas on Ethics (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/623 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. IS WRONG LIFE ALL THAT IS POSSIBLE? ADORNO AND AQUINAS ON ETHICS A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Benjamin L. Hampshire December 2014 Copyright by Benjamin L. Hampshire 2014 IS WRONG LIFE ALL THAT IS POSSIBLE? ADORNO AND AQUINAS ON ETHICS By Benjamin L. Hampshire Approved December 4, 2014. __________________________________ __________________________________ Dr. James Swindal Dr. Thérèse Bonin Professor of Philosophy Associate Professor of Philosophy (Committee Chair) (Committee Member) __________________________________ __________________________________ Dr. Lambert Zuidervaart Dr. Ronald Polansky Professor of Philosophy Chair, Department of Philosophy (Committee Member) Professor of Philosophy __________________________________ Dr. James Swindal Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT IS WRONG LIFE ALL THAT IS POSSIBLE? ADORNO AND AQUINAS ON ETHICS By Benjamin L. Hampshire December 2014 Dissertation supervised by Dr. James Swindal. Theodor Adorno’s ethical thought is encapsulated in his famous aphorism “Wrong life cannot be lived rightly.” This dissertation explicates this alarming declaration, revealing the metaphysical, epistemological, and anthropological analyses that place Adorno’s ethical thought into this intractable predicament. I argue that Adorno’s ethical thought, while of absolute importance and worthy of consideration, can be moved forward through an engagement with the ethical thought of Thomas Aquinas, toward the possibility of right life. iv DEDICATION For Jill v ACKNOWLEDGEMENT I would like to first acknowledge and thank God, Who somehow worked through this broken vessel to bring this dissertation to a completion. To Jill, my wife, please know that I am forever grateful for your undeserved support, patience, and love. To my children, Marie, Leo, Clare, and Cecilia, I thank you for your love and prayers through these years. I especially thank Dr. James Swindal for sharing with me his intellect, knowledge, wisdom, guidance, support, and patience, without which this dissertation would have been completely impossible. I also thank Dr. Thérèse Bonin and Dr. Lambert Zuidervaart for their critical and valuable evaluations that significantly improved this dissertation. vi TABLE OF CONTENTS Page Abstract …………………………………………………………………………………..iv Dedication ………………………………………………………………………………...v Acknowledgement ……………………….........................................................................vi Introduction …………………………………………………………………………….viii Chapter 1: Wrong Life …………………………………………………………………....1 Chapter 2: Adorno’s Critiques of Ethical Theory ……………………………………….61 Chapter 3: Adorno’s Ethical Theory …………………………………………………….74 Chapter 4: Thomas Aquinas and Moving Adorno Forward …………………………...107 Conclusion ……………………………………………………………………………..144 Bibliography …………………………………………………………………………...151 vii Introduction The post-World War II world of late capitalism presents unique ethical challenges: from genocide and weapons of mass destruction to consumerism and escapism. As such, the ethical landscape is different than those encountered by previous generations. Theodor W. Adorno (1903-1969), the preeminent member of the first generation of the Critical Theorists of the Frankfort School, engaged the contemporary ethical situation on a scale and with a potency few other contemporary theorists have attempted. Though only a handful of Adorno’s works are explicitly ethical, as noted Adorno scholar J.M. Bernstein has stated, those who read Adorno “are inevitably struck by how everything he wrote was infused with a stringent and commanding ethical intensity.”1 Therefore, in the search for the philosophical and ethical tools to confront and address this new situation, Theodor Adorno is a crucial philosopher to engage. Adorno has a particular, and perhaps idiosyncratic, take on the unique ethical landscape of late capitalist society. As one who thinks dialectically, his interpretations and approaches to problems can be just as complicated, varied, and paradoxical as the problems themselves. This is a strength in that it does not pretend to any simple analysis of complex conditions and speaks to an honesty in Adorno’s thought often lacking in many critiques of capitalism, the Enlightenment, and Modernity. In Adorno’s attempts to theorize the innumerable developments of contemporary capitalist society and ethically attend to them, Adorno employs his own materialist 1 J.M. Bernstein, Adorno: Disenchantment and Ethics, (Cambridge: Cambridge University Press, 2001), xi. viii critique2 (inspired by Karl Marx) of society and ethics, engages various historical ethical theories, and indicates an ethical vision of his own. Chapters 1-3 will expound on these three themes in Adorno’s thought. Chapter 1 elucidates Adorno’s assessment of the ethical situation and the ethical problem(s) of his contemporary European/North American society. Adorno’s statement that “wrong life cannot be lived rightly” encapsulates his position on the possibility of moral living under contemporary conditions and Chapter 1 explores and explicates how and why Adorno comes to this conclusion with regard to these conditions. Among the paths Adorno takes to this conclusion are his critique of the Enlightenment and Modernity and their relation to domination, the practical antinomies encountered under current social conditions, and the vacuous and heteronomous character of contemporary “living.”3 This lack of autonomy is developed further in Adorno’s theory of nature, that both first nature and second nature are influenced, formed, and transformed by social and historical factors, such as the capitalist exchange principle, to the degree that they often become ideological. Adorno concludes that the contemporary social context is so totalizing in its wrongness that it is inescapable and unable to be transcended either theoretically or practically. As such, within this contemporary social context we cannot live ethically, for anything we do implicates ourselves in the affirmation and maintaining of society as presently constituted. 2 Adorno’s method is variously termed immanent critique, constellations, and negative dialectics. The similarities and differences between these become apparent as they are expounded in the subsequent chapters. 3 The epigraph for Minima Moralia is “Life does not live.” Theodor Adorno, Minima Moralia, trans. E. F. N. Jephcott, (London: Verso, 1974), 19. ix Faced with this intractable problem, and due to his materialist commitments, Adorno, as Chapter 2 explains, develops a moral and ethical philosophy of critique instead of constructing a full-blown ethical system like those of previous German (and other) thinkers. In order to attempt to formulate an ethics capable of addressing the contemporary situation, Adorno turns to a critique of traditional moral theories, particularly that of Immanuel Kant. Through immanent critique and exposing the historically mediated character of Kant’s moral thought, Adorno exposes its inadequacies and ideological character. Though Adorno does make some critical remarks about virtue theory, they do not make a significant contribution to his overall ethical project. With his pessimistic assessment of the contemporary ethical situation and the inadequacy of Kant’s moral thought and virtue theory, Adorno is compelled to develop a moral theory able to address contemporary ethical problems that avoids the defects of Kantian moral theory and virtue theory and is consistent with his materialism and dialectical method. Accordingly, as Chapter 3 depicts, Adorno’s ethical theory emerges as negative, diffuse, and fragmented. As such, it is able to avoid the pitfalls of other moral conceptions and participation in and perpetuating the wrongness of late capitalist society. However, Adorno’s ethical thought reveals that steering a course that avoids these and also remains relevant and retains moral force and resonance proves problematic and precarious, if not impossible. The question to be posed to Adorno, and which Thomas Aquinas will help answer, is if the attempt to live wrong life less wrongly is all that is truly possible. Adorno’s critique of moral theory and negative imperatives may indeed be all that can be proposed under contemporary social conditions. However, because he is too x quickly dismissive of the ethical thought of Thomas Aquinas, virtue theory, and the eudaemonist ethical tradition, it is necessary to engage Adorno with it to discover if it can throw any new light on, or perhaps even solve, the problems to which Adorno calls attention. I argue that the ethical thought of Thomas Aquinas more adequately addresses some of the apparently
Recommended publications
  • The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
    DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W.
    [Show full text]
  • Art As a Form of Negative Dialectics: 'Theory' in Adorno's Aesthetic Theory Author(S): WILLIAM D
    Art as a Form of Negative Dialectics: 'Theory' in Adorno's Aesthetic Theory Author(s): WILLIAM D. MELANEY Reviewed work(s): Source: The Journal of Speculative Philosophy, New Series, Vol. 11, No. 1 (1997), pp. 40-52 Published by: Penn State University Press Stable URL: http://www.jstor.org/stable/25670205 . Accessed: 10/12/2011 23:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Penn State University Press is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Speculative Philosophy. http://www.jstor.org WILLIAM D. MELANEY Art as a Form ofNegative Dialectics: Theory' inAdorno's Aesthetic Theory Adorno's dialectical approach to aesthetics is inseparable from his concep as a tion of art socially and historically consequential source of truth.None theless, his dialectical approach to aesthetics is perhaps understood better in terms of his monumental work, Aesthetic Theory (1984), which attempts to relate the speculative tradition in philosophical aesthetics to the situation of art in twentieth-century society, than in terms of purely theoretical claims. In an effort to clarify his aesthetic position, I hope to demonstrate both that Adorno embraces theKantian thesis concerning art's autonomy and that he criticizes transcendental philosophy.
    [Show full text]
  • CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
    CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction
    [Show full text]
  • Hegel: Three Studies I Theodor W
    Hegel Three Studies · I Hegel Three Studies Theodor W. Adorno. translated by Shierry Weber Nicholsen with an introduction by Shierry Weber Nicholsen and Jeremy]. Shapiro \\Imi\�\\�\i\il\"t�m .� . 39001101483082 The MIT Press, Cambridge, Massachusetts, and London, England ·" '.�. This edition © 1993 Massachusetts Institute of Technology This work originally appeared in German under the title Drei Studien zu Hegel, © 1963, 1971 Suhrkamp Verlag, Frankfurt am Main, Germany. All rights reserved. No part of this book may be reproduced in any fo rm or by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. This book was set in Baskerville by The Maple-Vail Book Manufacturing Group and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Adorno, Theodor W., 1903-1969. [Drei Studien zu Hegel. English] Hegel: three studies I Theodor W. Adorno ; translated by Shierry Weber Nicholsen ; with an introduction by Shierry Weber Nicholsen and Jeremy J. Shapiro. p. cm.-(Studies in contemporary German social thought) Translation of: Drei Studien zu Hegel. Includes bibliographical references and index. ISBN 0-262-01131-X 1. Hegel, Georg Wilhelm Friedrich, 1770- 1831. 1. Title. 11. Series. B2948.A3213 1993 193----dc20 92-23161 CIP ..�. •. , ......... ..,..·...",...,..'''_''e ... • 11�. I },i . :-::" 7.�� <,f,' · '�: · : :-:- ;;· �:<" For Karl Heinz Haag 337389 Contents Introduction by Shierry Weber Nicholsen and IX Jeremy J. Shapiro Preface XXXv A Note on the Text xxxvii Editorial Remarks from the German Edition XXXIX Aspects of Hegel's Philosophy 1 The Experiential Content of Hegel's Philosophy 53 Skoteinos, or How to Read Hegel 89 Notes 149 Name Index 159 Introduction Shierry Weber Nicholsen Jeremy J.
    [Show full text]
  • Habermas's Politics of Rational Freedom: Navigating the History Of
    This is a repository copy of Habermas’s politics of rational freedom: Navigating the history of philosophy between faith and knowledge. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/162100/ Version: Accepted Version Article: Verovšek, P.J. (2020) Habermas’s politics of rational freedom: Navigating the history of philosophy between faith and knowledge. Analyse & Kritik, 42 (1). pp. 191-218. ISSN 0171-5860 https://doi.org/10.1515/auk-2020-0008 © 2020 Walter de Gruyter GmbH. This is an author-produced version of a paper subsequently published in Analyse and Kritik. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Habermas’s Politics of Rational Freedom: Navigating the History of Philosophy between Faith and Knowledge* Peter J. Verovšek† Department of Politics & International Relations University of Sheffield Elmfield, Northumberland Road Sheffield, S10 2TU United Kingdom [email protected] ABSTRACT Despite his hostility to religion in his early career, since the turn of the century Habermas has devoted his research to the relationship between faith and knowledge.
    [Show full text]
  • MARXISM and the ENGELS PARADOX Jeff Coulter Introduction
    MARXISM AND THE ENGELS PARADOX Jeff Coulter Introduction FOR MARXIST philosophy, in so far as it still forms an independent reflection upon the concepts that inform a Marxist practice, dialectics involves the conscious interception of the object in its process of developmentY1where the object is man's production of history. The ultimate possibility of human self-liberation is grounded in the postu- late that man is a world-producing being. For Hegel, from whom Marx derived the dialectic, philosophy remained a speculative affair, a set of ideas remote from human praxis. Marx sought to actualize the philosophical interception as a practical interception, to abolish concretely the historical alienation of man from his species nature, an alienation viewed speculatively by the Helgelians. In the practical abolition of historical alienation, philosophy as the expression of abstract propositions pertaining to the human condition would also be abolished. In the formulation adduced by Friedrich Engels, however, dialectics are situated prior to the anthropological dimension. A set of static tenets drawn from Hegelian metaphysics, they are "located" in physi- cal nature. It is the purpose of this paper to investigate what Gustav Wetter has described as "the curse put upon the dialectic by its trans- ference to the realm of Nat~re."~ This problem has been discussed before by non-Marxist writers.' The main reason for the present approach is that it endeavours to assess the relationship of Marxism to science from within a Marxist perspective, and it further attempts to demonstrate some of the con- sequences for Marxist philosophy that arise out of a commitment to what I term the "Engels paradox".
    [Show full text]
  • No Happiness Without Fetishism«
    HMINISJ INlfnrnf JAJIONS Of lHfUDOH AOOHNO rnnrnBYH[Nf[ H[O[Hl[ THfPfNNSYlYANIA STAHUNIYfBSllY PHm UNIYfBSllYPAHK, PfNNSYlYANIA Chapters 3 and 4 were originally published in the journal New German Critique. "Adorno's Siren Song" by Rebecca Comay appeared in New German Critique 81 (2000): 21-48. "A Feminine Dialectic of Enlightenment? Adorno and Horkheimer Revisited" by Andrew Hewitt appeared in New German Critique 56 (1992): 143-70. Reprinted with permission. Library of Congress Cataloging-in-Publication Data Feminist interpretations of Theodor Adorno / edited by Renee Heberle. p. cm.-(Re-reading the canon) Includes bibliographical references (p. ) and index. ISBN 0-271-02879-3 (cloth: alk. paper) ISBN 0-271-02880-7 (pbk.: alk. paper) 1. Adorno, Theodor W., 1903-1969. 2. Feminist theory. I. Heberle, Renee, 1962-. II. Series. B3199.A34F46 2006 193-dc22 2006001243 Copyright © 2006 The Pennsylvania State University All rights reserved Printed in the United States of America Published by The Pennsylvania State University Press, University Park, PA 16802-1003 The Pennsylvania State University Press is a member of the Association of American University Presses. It is the policy of The Pennsylvania State University Press to use acid-free paper. This book is printed on Natures Natural, containing 50% post-consumer waste, and meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Material, ANSI Z39.48-1992. 5 "No Happiness Without Fetishism" Minima Moraliaas Ars Amandi Eva Geulen Theodor Adamo's greatest success is a book on failure, in which he fa­ mously decreed that "there is no right life in the wrong one." 1 Numerous formulations play on Minima Moralia'spervasive theme of inevitable fail­ ure.
    [Show full text]
  • The Ethical Turn Among Many Adornian Critical Theorists Address This Lacuna
    2008 SYMPOSIUM BOOK AWARD WINNER ETHICAL TURNS: ADORNO DEFENDED AGAINST HIS DEVOTEES1 Lambert Zuidervaart (Institute for Christian Studies and University of Toronto) This essay examines the nexus of politics and ethics in Theo- dor W. Adorno’s thought. First, the essay takes issue with em- phatic ethical readings of Adorno that overlook both the so- cietal reach and the inherent limitations to his politics. These limitations arise from his neglecting questions of collective agency and societal normativity. Then, the essay shows that such neglect creates problems for Adorno’s moral philosophy. It concludes by suggesting that to do justice to the insights in Adorno’s thought a democratic politics of global transforma- tion is required. 1 Much of this paper derives from Chapter 6, ―Ethical Turns‖ in Lambert Zuidervaart, So- cial Philosophy after Adorno (Cambridge: Cambridge University Press, 2007),155–81. Ethical Turns 23 “Wrong Life Cannot Be Lived Rightly”2 Student activists in the 1960s who had absorbed Adorno‘s critique of ―the administered world‖ became impatient with his apparent lack of po- litical alternatives. They asked, in effect, ―What is to be done?‖ Accord- ing to Adorno‘s social philosophy, however, V. I. Lenin‘s famous ques- tion can no longer be posed in the same way. That is one of the sobering lessons to be retained by a social philosophy after Adorno. Yet, the ques- tion will not disappear so long as one thinks that society as a whole needs to be transformed. When Adorno said that wrong life cannot be lived rightly he did not mean that relatively good actions and dispositions are impossible.
    [Show full text]
  • Remarks on the Riddle-Character of Art and Metaphysical Experience
    REMARKS ON THE RIDDLE-CHARACTER OF ART AND METAPHYSICAL EXPERIENCE Observaciones sobre el carácter enigmático del arte y la experiencia metafísica HENRY W. PICKFORD* [email protected] Fecha de recepción: 14 de abril de 2020 Fecha de aceptación: 17 de septiembre de 2020 ABSTRACT This essay attempts through extended textual exegesis to clarify two funda- mental concepts in late Adorno’s metaphysical and philosophical-aesthetic writings respectively: “metaphysical experience” and the “riddle-character” of art. The first part of the essay explores how in Negative Dialectics Adorno reworks certain Kantian themes to provide an account of metaphysical expe- rience as the exercise of the mind’s capacity for thinking beyond the im- manently given that brings happiness despite failing to attain the absolute. The second part of the essay interprets concepts from Aesthetic Theory and related writings, including the internal/external, performative/cognitive pers- pectives on the artwork, and its similarity to language, to show how the riddle-character of art elicits an experience similar to metaphysical experience, in that it demonstrates the ability of mind to reach beyond its cognitive self- limitations into a response-dependent objectivity with utopian implications. Keywords: Theodor W. Adorno, metaphysics, philosophical aesthetics, expe- rience, Kant. RESUMEN A través de una extensa exégesis textual, este ensayo pretende clarificar dos conceptos en los escritos tardíos de Adorno sobre metafísica y estética filosó- fica: "experiencia metafísica" y "carácter enigmático". La primera parte del en- sayo explora cómo Adorno reelabora ciertos temas kantianos en Dialéctica ne- gativa con miras a ofrecer una explicación de la experiencia metafísica como el ejercicio de la capacidad de pensar más allá de lo inmanentemente dado, que proporciona felicidad pese a no lograr alcanzar el absoluto.
    [Show full text]
  • Subjectivity and Critique : a Study of the Paradigm Shift in Critical Theory.”
    “Subjectivity and Critique : A Study of the Paradigm Shift in Critical Theory.” by Alexander Reynolds A thesis submitted for the degree of Doctor of Philosophy in the Government Department of the London School of Economics, February 1995. UMI Number: U079B09 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U079B09 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 F 720 2_ 2 Abstract of thesis. The German social-philosophical tradition of Critical Theory has recently undergone what its current practitioners have themselves described as a “paradigm shift”. Writers like Jurgen Habermas and Kari-Otto Apel are today attempting to reformulate the socially-critica! insights of Max Horkheimer and Theodor Adorno in new terms. Where Horkheimer and Adorno had tried to articulate their critique of existing social relations in a language of “subjectivity” and “objectivity” drawn largely from the classical German philosophical tradition, Habermas and Apel are trying to formulate an - ostensibly - similar critique in a language of “a priori intersubjectivity” drawn from the “ordinary language” and “speech-act" theory which has emerged since the Second World War in the Anglo-American philosophical sphere.
    [Show full text]
  • Plotinus on Self
    PLOTINUS ON SELF Plotinus, the founder of the Neoplatonic school of philosophy, conceptualises two different notions of self (or ‘us’): the corporeal and the rational. Personality and imperfection mark the former, while goodness and a striving for understanding mark the latter. Dr Remes grounds the two selfhoods in deep-seated Platonic ontologi- cal commitments, following their manifestations, interrelations and sometimes uneasy coexistence in philosophical psychology, emotional therapy and ethics. Plotinus’ interest lies in what it means for a human being to be a temporal and a corporeal thing, yet capable of abstract and impartial reasoning, of self-government and perhaps even invulnera- bility. The book argues that this involves a philosophically problematic rupture within humanity which is, however, alleviated by the psycho- logical similarities and points of contact between the two aspects of the self. The purpose of life is the cultivation of the latter aspect, the true self. pauliina remes is a lecturer and postdoctoral researcher in the Department of Philosophy at Uppsala University and the University of Helsinki. PLOTINUS ON SELF The Philosophy of the ‘We’ PAULIINA REMES cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521867290 C Pauliina Remes 2007 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
    [Show full text]
  • Climate Change and Cultural Transformation
    Climate Change and Cultural Transformation Chapter 10 THE ONE TASTE UNIVERSE: ON NONDUALITY It is because everyone under Heaven recognises beauty as beauty that the idea of ugliness exists. Lao Tzu Behold but One in all things; it is the second that leads you astray. Kabir The problem is not so much that we are driven to dichotomy, but that we impose incorrect or misleading divisions by two upon the world’s complexity. Stephen Jay Gould Time’s Arrow, Time’s Cycle The French poet, Guillaume Apollinaire, wrote that Picasso, as a foremost artistic exemplar of modernity, “aggressively interrogated the universe”. Commenting on Apollinaire’s view the cultural historian, Peter Conrad, adds: “The universe has come to expect such testing inquisitions; it is regularly taken apart and pieced together in a revised form by its human inventors”. 1 “Interrogating the universe” might equally be the watchword of modern science. But, as it takes the universe apart - and, in doing so, collects huge quantities of information - it has struggled to put it together again in a way that makes any ultimate sense. What characterises the modern age - and now “the information age” more than ever – is this contrast between the endless accumulation of detail about the world - along with the profusion of knowledge it brings - and its inability to give it any existential meaning. Science, for all its hypothesising, is a quantifying project. It counts things. It measures the universe, and proceeds as if on the assumption that the world, and everything in it, is finite and therefore capable of measurement.
    [Show full text]