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MCOM 419: Popular Culture and Mass Communication Spring 2016 Tuesdays and Thursdays, 9-10:15 A.M., UC323
MCOM 419: Popular Culture and Mass Communication Spring 2016 Tuesdays and Thursdays, 9-10:15 a.m., UC323. Professor Drew Morton E-mail: [email protected] Office Hours: Monday and Wednesday, 10-12 p.m., UC228 COURSE DESCRIPTION AND STUDENT LEARNING OUTCOMES: This course focuses on the theories of media studies that have broadened the scope of the field in the past thirty years. Topics and authors include: comics studies (Scott McCloud), fan culture (Henry Jenkins), gender (Lynn Spigel), new media (Lev Manovich), race (Aniko Bodrogkozy, Herman Gray), and television (John Caldwell, Raymond Williams). Before the conclusion of this course, students should be able to: 1. Exhibit an understanding of the cultural developments that have driven the evolution of American comics (mastery will be assessed by the objective midterm and short response papers). 2. Exhibit an understanding of the industrial structures that have defined the history of American comics (mastery will be assessed by the objective midterm). 3. Exhibit an understanding of the terminology and theories that help us analyze American comics as a cultural artifact and as a work of art (mastery will be assessed by classroom participation and short response papers). REQUIRED TEXTS/MATERIALS: McCloud, Scott. Understanding Comics: The Invisible Art (William Morrow, 1994). Moore, Alan. Watchmen (DC Comics, 2014). Sabin, Roger. Comics, Comix, and Graphic Novels: A History of Comic Art (Phaidon, 2001). Spiegelman, Art. Maus I and II: A Survivor’s Tale (Pantheon, 1986 and 1992). Additional readings will be distributed via photocopy, PDF, or e-mail. Students will also need to have Netflix, Hulu, and/or Amazon to stream certain video titles on their own. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
A DANGEROUS METHOD a Sony Pictures Classics Presentation a Jeremy Thomas Production
MOVIE REVIEW Afr J Psychiatry 2012;15:363 A DANGEROUS METHOD A Sony Pictures Classics Presentation A Jeremy Thomas Production. Directed by David Cronenberg Film reviewed by Franco P. Visser As a clinician I always found psychoanalysis and considers the volumes of ethical rules and psychoanalytic theory to be boring, too intellectual regulations that govern our clinical practice. Jung and overly intense. Except for the occasional was a married man with children at the time. As if Freudian slip, transference encountered in therapy, this was not transgression enough, Jung also the odd dream analysis around the dinner table or became Spielrein’s advisor on her dissertation in discussing the taboos of adult sexuality I rarely her studies as a psychotherapist. After Jung’s venture out into the field of classic psychoanalysis. attempts to re-establish the boundaries of the I have come to realise that my stance towards doctor-patient relationship with Spielrein, she psychoanalysis mainly has to do with a lack of reacts negatively and contacts Freud, confessing knowledge and specialist training on my part in everything about her relationship with Jung to him. this area of psychology. I will also not deny that I Freud in turn uses the information that Spielrein find some of the aspects of Sigmund Freud’s provided in pressuring Jung into accepting his theory and methods highly intriguing and at times views and methods on the psychological a spark of curiosity makes me jump into the pool functioning of humans, and it is not long before the of psychoanalysis and psychoanalytic theory and two great minds part ways in addition to Spielrein ‘swim’ around a bit – mainly by means of reading or surfing the going her own way. -
Sabina Spielrein
1 Sabina Spielrein A Life and Legacy Explored There is no death in remembrance. —Kathleen Kent, The Heretic’s Daughter abina Spielrein (often transliterated as Shpilrein or Spilrein) was born on SNovember 7, 1885, in Rostov-on-Don, Russia, into a Jewish family of seven: one sister, Emily; three brothers, Jan, Isaac, and Emil; and a businessman father, Nikolai Spielrein, and his wife, Eva. Spielrein was highly encouraged in her education and, unlike many young girls at the time, was afforded lessons in Warsaw, though her youth is often characterized as a troubled one, a time when her mother was emotionally unavailable and her father exerted immense authority over the household.1 However, Spielrein was a bright and intelligent child, and as a budding scientist, she kept liquids in jars expecting “the big creation” to take place in her near future.2 Remembering her early desire to create life, Spielrein once noted: “I was an alchemist.”3 Sadly, the death of Emily, who died at six years old, sent Spielrein into a dizzying confrontation with mortality at the tender age of fifteen. This loss, coupled with confusing abuse at the hands of her father—dis- cussed in the next chapter—spun her into a period of turmoil for which she was institutionalized. In August 1904, at age nineteen, she was sent to the Burghölzli Clinic in Zurich, Switzerland, where she became a patient of a then twenty-nine-year-old and married Dr. Carl Jung. She was to be one of his 9 © 2017 State University of New York Press, Albany 10 Sabina Spielrein first patients, subsequently diagnosed with “hysteria” and exhibiting symptoms of extreme emotional duress, such as screaming, repetitively sticking out her tongue, and shaking.4 She was a guinea pig for a new “talking cure,” based on free association, dream interpretation, and talk therapy, as innovated by Dr. -
Carl Gustav Jung's Pivotal Encounter with Sigmund Freud During Their Journey to America
Swiss American Historical Society Review Volume 54 Number 2 Article 4 6-2018 The Psychological Odyssey of 1909: Carl Gustav Jung's Pivotal Encounter with Sigmund Freud during their Journey to America William E. Herman Axel Fair-Schulz Follow this and additional works at: https://scholarsarchive.byu.edu/sahs_review Part of the European History Commons, and the European Languages and Societies Commons Recommended Citation Herman, William E. and Fair-Schulz, Axel (2018) "The Psychological Odyssey of 1909: Carl Gustav Jung's Pivotal Encounter with Sigmund Freud during their Journey to America," Swiss American Historical Society Review: Vol. 54 : No. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/sahs_review/vol54/iss2/4 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Swiss American Historical Society Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Herman and Fair-Schulz: The Psychological Odyssey of 1909: The Psychological Odyssey of 1909: Carl Gustav Jung's Pivotal Encounter with Sigmund Freud during their Journey to America by William E. Herman and Axel Fair-Schulz The year 1909 proved decisive for our relationship. - Carl Gustav Jung's autobiography. Memories, Dreams, Reflections (1961) M any volumes in the scholarly literature explore the complex evolution of the relationship between Carl Gustav Jung and Sigmund Freud as well as the eventual split between these two influential contributors to psychoanalytic thought and more generally to the field of psychology and other academic fields/professions. The events that transpired during the seven-week journey from Europe to America and back in the autumn of 1909 would serve as a catalyst to not only re-direct the lives of Jung and Freud along different paths, but also re-shape the roadmap of psychoanalytic thinking, clinical applications, and psychology. -
Primary Sources
1 Works Cited Primary Sources "Code of the Comics Magazine Association Inc." Comics Magazine Association Inc., www.visitthecapitol.gov/exhibitions/artifact/code-comics-magazine-association-america- inc-1954. Accessed 20 Oct. 2019. This website contains photo slides which provided me with pictures of the Comics Code Authority pamphlet (the barrier itself), the senate hearings, and copies of the two letters written by Robert Meridian (the child) and Eugenia Y. Genovar (the parent). I was able to deepen my understanding about the range of perspectives taking a hand in this conversation, therefore adding complexity to the topic itself. Crotty, Rob. "The Congressional Archives NARA Unit Preserves History of Legislation in the House, Senate." The Congressional Archives NARA Unit Preserves History of Legislation in House, Senate, U.S. National Archives and Records Administration, 2009, www.archives.gov/publications/prologue/2009/fall/congressional.html. Accessed 15 Oct. 2019. This is a website which contains photographs from the Subcommittee of Juvenile Delinquency. This was used in the Senate Hearings tab, and provided details to how this testimony was “the nail to the coffin”\s his testimony provoked the committee to justify their suspicions and overall view on the subject matter, to recommend censorship on comic books. 2 “Eisenhower and McCarthy.” PBS, Public Broadcasting Service, www.pbs.org/wgbh/americanexperience/features/eisenhower-politics/.. This website provided a photograph of Joseph Mccarthy, so readers can tie a face to the name repeated throughout the tab of Mccarthyism and the Second Red Scare “Grand Comics Database.” Grand Comics Database, Grand Comics Database, www.comics.org/. This was a database that provided all of the comic book covers in the website. -
Welcome to Online Office Hours!
Welcome to Online Office Hours! We’ll get started at 2PM ET Library of Congress Online Office Hours Welcome! We’re glad you’re here! Use the chat box to introduce yourselves. Let us know: Your first name Where you’re joining us from Grade level(s) and subject(s) you teach “Challenges to the Comics Code Authority” and a Glimpse into the Library’s Comic Arts Collection Martha Kennedy Curator of Popular & Applied Graphic Art, Library of Congress Prints and Photographs Division Richard D. Deverell PhD Candidate, Department of History, SUNY Buffalo Library of Congress Swann Foundation Fellow, 2019-2020 Brought to you by the Library’s Learning and Innovation Office and the Library’s Prints & Photographs Division in collaboration with the Swann Foundation for Caricature and Cartoon Comic Arts Collections at the Library of Congress Prints and Photographs Division holds multiple collections of original art for comics within its holdings of an estimated 129,000 original cartoon drawings and prints, including: • Swann Collection of Caricature and Cartoon • 400+ records for comic strips; 20+ comic book page drawings • Cartoon Drawings • 400+ records for comic strips; 50+ records for comic book page drawings • Wood Collection of Cartoon and Caricature Drawings • 200+ digitized comic strips to date Serials & Government Publications Division holds the largest publicly accessible collection of comic books in the United States: over 12,000 titles in all, totaling more than 140,000 issues. (Completing a Comic Book Request form is required for use of the collection.) From “Comic Art” Exhibition press release, 2019 Related Resources on the Library’s Website Selected Library of Congress exhibitions online that feature comics: • Comic Art: 120 Years of Panels and Pages • Drawn to Purpose: American Women Illustrators and Cartoonists • Cartoon America [Selections from the Art Wood Collection] Other Library of Congress freely accessible digital collections containing comics: • Webcomics Web Archive • Focuses specifically on comics created for the web. -
Comic Books, Dr. Wertham, and the Villains of Forensic Psychiatry
ANALYSIS AND COMMENTARY Comic Books, Dr. Wertham, and the Villains of Forensic Psychiatry Ryan Chaloner Winton Hall, MD, and Susan Hatters Friedman, MD Comic books have been part of popular culture since the 1930s. Social activists quickly became con- cerned about the risk that comic books posed for youth, including that their content was a cause of juvenile delinquency. Dr. Fredric Wertham, a forensic psychiatrist, led efforts to protect society’s chil- dren from comic books, culminating in multiple publications, symposia, and testimony before a Senate subcommittee on juvenile delinquency in 1954. During the course of his activities, and quite possibly as a backlash, comics started to represent psychiatrists and particularly forensic psychiatrists as evil, clue- less, and narcissistic characters (e.g., Dr. Hugo Strange went from being a mad scientist to a mad psychi- atrist). Clinical forensic psychiatrists who were not necessarily evil were often portrayed as inept regarding rehabilitation. There are very few positive portrayals of forensic psychiatrists in the comic book universe, and when they do occur, they often have severe character flaws or a checkered history. These negative characterizations are woven into the fabric of contemporary comic book characters, whether represented in comic books or other media offshoots such as films and television. J Am Acad Psychiatry Law 48:536–44, 2020. DOI:10.29158/JAAPL.200041-20 Key words: comics; Fredric Wertham; forensic psychiatry; moral panic; popular culture; stigma Comic books in their current form came into exis- perceived harms of comic books was Dr. Fredric tence around 1935, with the superhero genre being Wertham.1–7 The intention of this article is to firmly established in 1939 with the introduction of a describe how Dr. -
Petitioners, Respondents. AMICUS
No.No. 080808-08---1448144814481448 I N THE ___________________ ARNOLD SCHWARZENEGGER, IN HIS OFFICIAL CAPACITY AS GOVERNOR OF THE STATE OF CALIFORNIA, ET AL., Petitioners, v. ENTERTAINMENT MERCHANTS ASSOCIATION, ET AL., Respondents. ___________________ On Writ of Certiorari to the United States Court of Appeals for the NinthNinthNinth Circuit ___________________ BRIEF OF AMICUSAMICUSAMICUS CURIAE COMIC BOOK LEGAL DEFENSE FUND IN SUPPORT OF RESPONDENTS ___________________ Robert Corn-Revere Counsel of Record Ronald G. London DAVIS WRIGHT TREMAINE LLP 1919 Pennsylvania Avenue, N.W. Suite 800 Washington, D.C. 20006 (202) 973-4200 [email protected] Counsel for Amicus Curiae September 17, 2010 LEGAL PRINTERS LLC, Washington DC ! 202-747-2400 ! legalprinters.com i TABLE OF CONTENTS TABLE OF AUTHORITIES ...................................... iii INTRODUCTION ........................................................1 INTEREST OF AMICUS CURIAE .............................2 SUMMARY OF ARGUMENT .....................................3 ARGUMENT ................................................................5 I. A HISTORY OF CENSORSHIP ARISING FROM SUCCESSIVE MORAL PANICS EXPLAINS THE DEVELOPMENT AND IMPORTANCE OF STRICT FIRST AMENDMENT SCRUTINY ...........................5 A. Censorship and Cycles of Outrage ........5 B. From Sin to “Science” and Back Again ....................................................16 C. Restricting Speech Under the First Amendment Requires More Than the Government’s Moral Certainty .....24 D. Censorship of the Past -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Fredric Wertham: the Man Who Nearly Shut Down the Comic-Book
Click here for Full Issue of EIR Volume 21, Number 46, November 18, 1994 Fredric Wertham.: the lIlan who nearly shut down the cOlIlic-book industry by Richard Welsh Fredric Wertham (1905-81), author of the article on page 37, role in his later downfall). The Kinsey Report, which was was the moral and intellectual leader of a campaign, which Playboy publisher Hugh Hefner's launching pad, was re began in 1948, to eliminate what he called "the curse of leased in the "good old anti-communist days" of 1948. the comic book." The campaign culminated in 1954 with Indeed Playboy and the comics were one and the same hearings before the Senate Subcommittee on Juvenile Delin nested institution. The first comic books, in the mid-1930s, quency, release of Wertham's book Seduction of the Inno were put out by the same publishers as were then pioneering cent, a national boycott of crime and horror comics, and the newsprint pornography; as Wertham notes, the distribution near-bankrupting of the industry. Many states and municipal methods were also the same: "Display these magazines, or ities passed laws prohibiting sale and/or display of crime and else." In 1956, Mad magazine founder Harvey Kurtzman left horror comics to children. the comics- and Mad-publisher EC to start his own new To this day, publishers and devotees of this breed of magazine, invited and bankrolled by none other than Hugh comics have not forgiven Wertham, and issue diatribes Hefner. Do you object to the casual, cynical violence and against him. misogyny of "private eye" Mike Hammer? Micky Spillane Wertham had a passion and lifelong commitment to the got his start writing comics.