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Contemporary Art Museum St. Louis Magazine 2019–20

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Contemporary Art Museum St. Louis Magazine 2019–20 Contemporary Art Museum St. Louis Contemporary Contemporary Art Museum St. Louis 3750 Washington Blvd St. Louis, MO 63108 314.535.4660 | camstl.org Mesh 1 Mesh 2019–20 Mesh Mesh 2019–20 Contemporary Art Museum St. Louis Magazine 2019–20 Front cover Inside front cover Christine Corday: RELATIVE POINTS, Guan Xiao, 7th February, 2002, JAVA STORM, still (detail), 2018. installation view, Contemporary Art Museum St. Louis, Single-channel video (color, sound), 3 hours. Edition 1/5 + 1 AP. January 18–April 21, 2019. Photo: Dusty Kessler. Courtesy the artist; Kraupa-Tuskany Zeidler, Berlin; and Antenna 02 Board of Directors Space, Shanghai. Letter from the Director The Contemporary Art Museum St. Louis (CAM) works to enrich lives through About experiences with contemporary art. Focused on a dynamic array of changing exhibitions, CAM contributes to the global and local cultural landscape. CAM CAM is a site for discovery, free and open to all. New and Now 03 Visitor Grams The Contemporary Art Museum St. Louis Corday; Alexis Cossé and Erik Karanik; Antonio 04 @CAM is a nonprofit, tax-exempt organization. Generous loans of artwork to CAM exhibitions Douthit-Boyd; William Downs; Evntiv; John 2 Exhibitions, programs, and general provided by 1301PE, Los Angeles; Dr. Daniel and Alison Ferring; Bruce Franks Jr.; Jordan 08 Artists Work Here 1 operations are funded through contributions S. Berger; Dr. Anita Blanchard and Martin Mesh Gaunce; Michael Gillespie; Granite City Art and Mesh 2019–20 Mesh Contents from generous individuals, foundations, H. Nesbitt; Columbus Museum of Art; Design District; Trenton Doyle Hancock; Nicole 10 Teen Profile: Mya Stevens corporations, and DOCUMENT, Chicago; Joshua Friedman; Sibylle Hudson; Grand Center, Inc.; John Grapperhaus; public funders. Friche and Daniel Quiles; Kenneth Goldberg; Jeff Hartz; Institute of Modern Art, Brisbane; Jan and Ronald Greenberg; James C. Jamieson Stanya Kahn; Glenn Kaino; KDHX; Rachel 11 ArtReach General operating support is provided by Arts III; Kraupa-Tuskany Zeidler, Berlin; Robert Lippmann; Meridith McKinley; Paul Henry and Education Council; Emerson; Missouri Lococo; Mark McDonald and Dwayne Resnick; McMahill; Adam Martinez; Jesse Mendica; Year Ahead 12 CAM in the Community Arts Council, a state agency; Missouri Cultural Metro Pictures, New York; Marianne Boesky Andrew Millner; George Murello; Museum Trust; Novus International; Regional Arts Gallery, New York and Aspen; Massimo De of Contemporary Art Denver; Neo Muyanga; Commission; Trio Foundation of St. Louis; Wells Carlo, Milan/London/Hong Kong; Monique Casey O’Callaghan; Olive + Oak; Jack Palmer; 14 Fall 2019 Fargo Advisors; Whitaker Foundation; and Meloche Gallery, Chicago; Sandler Hudson Sarah Paulsen; Christopher Powers; Pulitzer the Board of Directors and members of the Gallery, Atlanta; Tanya Leighton, Berlin; and team Arts Foundation; Mike Randolph; Pedro Reyes; 15 Who belongs? Contemporary Art Museum St. Louis. (gallery, inc),w Vielmetter Los Angeles. Saint Louis Art Museum; Paul Mpagi Sepuya; St. Louis American; Stephanie Syjuco Support for CAM’s exhibition program is Support for CAM’s learning and engagement St. Louis International Film Festival; Year in Review provided by Barrett Barrera Projects; Susan programs is provided by Bayer Fund; Elissa and St. Louis Post-Dispatch; St. Louis Public Radio; 17 Traces of Language: Barrett and Chris Poehler; Naomi Beckwith; Paul Cahn; Crawford Taylor Foundation; Dana Tef Poe; Hank Willis Thomas; Trailnet; Nicola 28 Exhibition Highlights Bethany Collins Dr. Daniel S. Berger; Heiji and Brian Black; Brown Charitable Trust, U.S. Bank, Trustee; Tyson; Urban Chestnut Brewing Company; Danish Arts Foundation; Divided City, an urban The DeWitt and Caroline Van Evera Foundation; Vashon High School; Rebecca Wanzo; 32 Program Highlights humanities initiative funded by the Andrew Edward Jones; Employees Community Fund of Washington University in St. Louis; Jennifer 19 Spring 2020 W. Mellon Foundation, a joint project of the Boeing St. Louis; West; Wendy White; Witte de With Center for Center for the Humanities and the Sam Fox The Heart of Neiman Marcus Foundation Fund; Contemporary Art, Rotterdam; Tim Youd; and 21 Working with Scraps: 36 Special Events School, College of Architecture and Urban Incarnate Word Foundation; Maritz; Norman K. Brenna Youngblood. Design at Washington University St. Louis; Probstein Charitable Fund; Derek Fordjour 38 Impact by the Numbers DOCUMENT, Chicago; Elizabeth Firestone The Strive Fund; William A. Kerr Foundation; Print: The Advertisers Printing Company Graham Foundation; EXPO Chicago; Hedy Terry D. Weiss, MD, Youth Endowment Fund; Advertising: Lynn Pollak 22 Summer 2020 Fischer and Randy Shull; Christy and Bill and Wells Fargo Advisors. 40 Annual Giving 2018-19 Gautreaux; Kenneth Goldberg; Jan and Ronald Greenberg; James C. Jamieson III; Thomas Special thanks to Alexis Adler; Angad Arts 23 Postcards from St. Louis: 42 Annual Report 2018-19 Lavin; National Endowment for the Arts; Penny Hotel; Art in America; Barrett Barrera Projects; Great Rivers Biennial Pennington and Michael Fidler; Nancy and John Baugh; Bengelina Hospitality Group; Fred Poses; Robert Lehman Foundation; Robert Katherine Bernhardt; Sanford Biggers; Mapplethorpe Foundation; Ann Ruwitch and BlackPuffin Art Consulting; Brass Taxes; 25 Cultivating Equity: John Fox Arnold; Alexandria and Peter Strelow; Nichole Bridges; Nora Burnett Abrams; Ebony G. Patterson Hunt R. Tackbary; team (gallery, inc.); Cannon Design; Geoff Chadsey; Chisenhale Vielmetter Los Angeles; and the Whitaker Gallery, London; Bethany Collins; Claudia Foundation. Comte; Contemporary Productions; Christine 43 CAM People 60 Visitor & Member Information Trio Foundation Crawford W H I T A K E R F O U N D A T I O N Taylor Foundation Alexis M. Cossé Gary Krosch Emeritus Audiences capture CAM on Instagram. Chair Phyllis Langsdorf Barbara Z. Cook Follow and tag us at @camstl. Paul Cambridge Hedwig Lee Charles Cook Board Secretary Judith W. Levy Terrance J. Good Visitor Jacob W. Reby Susan McCollum Joan Goodson Treasurer Margaret McDonald Marylen Mann of Directors Emily Rauh Pulitzer Isabelle Montupet Bradley Bailey Julian Schuster Donna Moog Susan Barrett Rex A. Sinquefield Ann R. Ruwitch 2019–20 Grams Dorte Bjerregaard Amy Soper JiaMin Dierberg Andrew Srenco John Ferring Michael Staenberg Shereen Fischer Donald Suggs Rodney B. Hare Kate Warne Joseph R. Herman Pat Whitaker 3 2 Terry Hoffmann Jackie Yoon Nancy Kranzberg Visitor Grams Visitor Mesh 2019–20 Mesh Letter from the Director Lisa Melandri. Photo: Joel Conner. Joel Photo: Melandri. Lisa Dear Friends, CAM is a place that matters. I see how it matters In the pages that follow, you’ll learn about the months every day. ahead. Site-specific installations, paintings, prints, photography, video, and sculpture by Stephanie Syjuco, I loved the weekday morning when visitors were Bethany Collins, Jonathas de Andrade, Derek Fordjour, Liz encouraged to make charcoal sketches of the art on view Johnson Artur, Ebony G. Patterson, and the Great Rivers for our inaugural Drawing from Observation program. Biennial-award winners Kahlil Robert Irving, Tim Portlock, Nearly every week bus loads of schoolchildren tour the and Rachel Youn. exhibitions—all the tours enlivened by discussion. I’ve seen and heard visitors express their amazement at the Which loops us back to our beginnings. The first Great quality of the photographic portraits Vashon High Rivers Biennial was planned in 2003, the year CAM first students made, displayed on our mezzanine. Every day I opened its doors, with the Gateway Foundation providing witnessed people rushing to embrace, literally, Christine essential support from then to now and into the future. Corday’s sculptures, accepting our invitation to “please This is just one example of the extraordinary support, touch the art.” Such moments matter long into the life of generosity, and care CAM has received from so many an individual and into the life of a city. organizations and individuals since our beginnings and throughout these fifteen years. Support such as this I recognize how we matter as each year our exhibitions makes us confident as we plan toward our future, as we appeal to wider and more diverse audiences. Jean-Michel continue to be a place that matters to more people, in Basquiat was a fall blockbuster. Visitors allowed more ways, in the many years to come. themselves to be immersed in Guan Xiao’s video montage, Weather Forecast. We’ve been honored to see our exhibitions travel to other venues: Amy Sherald, Sanford Biggers, and Paul Mpagi Sepuya have all gone on to thrill audiences across the country. I see CAM matter on an international scale; Lawrence Abu Hamdan: Earwitness Theatre was co-organized with museums in England, Lisa Melandri Netherlands, and Australia, and is now a finalist for the Executive Director prestigious Turner Prize. In Print Sanford Biggers Shop CAM Sanford Biggers Sanford CAM’s shop is more than a place to buy merchandise; CAM publications document our landmark exhibitions and it’s a gallery of its own. While browsing the curated space add to the discourse on contemporary art. Amy Sherald, you find t-shirts, totes, jewelry, cards, and more, designed the first monograph on the Michelle Obama portrait by visiting and local artists. Throughout the year we artist, is currently in its second printing. Sanford Biggers Contemporary Art Museum St. Louis Contemporary invite artists to create one-of-a-kind items, including the documents the
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