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Spring 2021 H Volume 25 No
Spring 2021 H Volume 25 No. 1 2021 Virtual Homes Tour Premieres June 17! reservation Austin’s 2021 Virtual Ticket buyers will experience the living Homes Tour, “Rogers-Washington- history of one of East Austin’s most Holy Cross: Black Heritage, Living intact historic neighborhoods through History,” will premiere on Thursday, interviews with longtime residents and Virtual Homes Tour June 17 at 7:00 pm CST. This year’s homeowners, historic documentation, Thursday, June 17, 2021 virtual tour will feature the incredible and rich videography. Viewers will 7PM premiere, followed by Q&A postwar homes and histories of East also hear from architectural historian Austin’s Rogers-Washington-Holy Dr. Tara Dudley on the works of $20/PA members $25/Non-members Cross Historic District, Austin’s first architect John S. Chase, FAIA, whose historic district celebrating Black early career was forged through heritage. The 45-minute video will be personal connection to Rogers- Tickets on sale at followed by a live Q&A session via Washington-Holy Cross and whose preservationaustin.org Zoom. work has left an indelible mark on the historic district. Continued on page 3 PA Welcomes Meghan King 2020-2021 Board of Directors W e’re delighted to welcome Meghan King, our new Programs and Outreach Planner! H EXECUTIVE COMMITEE H Meghan came on board in Decem- Clayton Bullock, President Melissa Barry, VP ber 2020 as Preservation Austin’s Allen Wise, President-Elect Linda Y. Jackson, VP third full-time staff member. Clay Cary, Treasurer Christina Randle, Secretary Hailing from Canada, Meghan Lori Martin, Immediate Past President attributes her lifelong love for H DIRECTORS H American architectural heritage Katie Carmichael Harmony Grogan Kelley McClure to her childhood summers spent travelling the United States visiting Miriam Conner Patrick Johnson Alyson McGee Frank Lloyd Wright sites with her father. -
The Architecture of Excess
The Architecture of Excess Image Fabrication between Spectacle and Anaesthesia A Master’s Thesis for the Degree Master of Arts (Two Years) in Visual Culture Andrei Deacu Spring semester 2012 Supervisor: Anders Michelsen Andrei Deacu Title and subtitle: The Architecture of Excess: Image Fabrication between Spectacle and Anaesthesia Author: Andrei Deacu Supervisor: Anders Michelsen Division of Art History and Visual Studies Abstract This thesis explores the interplay between the architectural image and its collective meaning in the contemporary society. It starts from a wonder around the capacity of architectural project The Cloud towers, created by the widely known architectural company MVRDV, to ignite fervent reactions caused by its resemblance to the image of the World Trade Centre Towers exploding. While questioning the detachment of architectural image from content, the first part of this thesis discusses the changes brought into the image-meaning relation in the spectacle society in postmodernism, using concepts as simulacra and anaesthesia as key vectors. In the second part of the thesis, the architectural simulacrum is explored through the cases of Dubai as urbanscape and The Jewish Museum Berlin as monument. The final part of the thesis concludes while using the case study of The Cloud project, and hints towards the ambivalence of image-content detachment and the possibility of architectural images to become social commentaries. 2 Andrei Deacu Table of contents 1. Introduction 1a. The problem 4 1b. Relevance of the subject 4 1c. Theoretical foundation and structure 5 2. From Spectacle to Anaesthesia 2a. The Architectural Image as the Expression of Society 7 2b. The Simulacrum 10 2c. -
MECCA: Cosmopolis in the Desert
MECCA: Cosmopolis in the Desert THE HOLY CITY: ARCHITECTURE AND URBAN LIFE IN THE SHADOW OF GOD Salma Damluji Introduction In 1993, I was asked to head the project for documenting of The Holy Mosques of Makkah and Madinah Extension. The project was based at Areen Design, London, the architectural office associate of the Saudi Bin Ladin Group. Completed in Summer 1994, the research and documentation was published in 1998.1 Several factors contributed to the complexity of the task that was closely associated with the completion of the Second Saudi Extension that commenced in 1989 and was completed in 1991. Foremost was the nature of the design and construction processes taking place and an alienated attempt at reinventing “Islamic Architecture”. This was fundamentally superficial and the architecture weak, verging on vulgar. The constant dilemma, or enigma, lay in the actual project: a most challenging architectural venture, symbolic and equally honourable, providing the historic occasion for a significant architectural statement. The rendering, it soon became apparent, was unworthy of the edifice and its historical or architectural connotations. In brief an architectural icon, the heart of Islam, was to be determined by contractors. The assigned team of architects and engineers responsible were intellectually removed and ill equipped, both from cultural knowledge, design qualification or the level of speciality required to deal with this immense, sensitive and architecturally foreboding task. The Beirut based engineering firm, Dar al Handasah, was originally granted the contract and commenced the job. We have no information on whether the latter hired specialised architects or conducted any research to consolidate their design. -
Metals in Construction Fall 2010 2 CONTENTS EDITOR’S NOTE FALL 10 Transparency by Design
PRSRT STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK METALS IN CONSTRUCTION THE ORNAMENTAL METAL INSTITUTE OF NEW YORK PAID 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA FALL 10 ROCKEFELLER UNIVERSITY COLLABORATIVE RESEARCH CENTER / 200 FIFTH AVENUE / RESCUE COMPANY 3 / COLUMBIA UNIVERSITY NORTHWEST CORNER BUILDING FACADE / COLUMBIA UNIVERSITY NORTHWEST CORNER BUILDING STRUCTURE/ MILSTEIN FAMILY HEART CENTER / GATEWAY CENTER AT BRONX PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK TERMINAL MARKET / MEDGAR EVERS COLLEGE ACADEMIC BUILDING 1 1 Metals in Construction Fall 2010 2 CONTENTS EDITOR’S NOTE FALL 10 Transparency by design 1 FOR A NUMBER OF YEARS but painterly fashion achieve a EDITOR’S NOTE now, the ads we place in industry transparency that reveals the 2 publications have featured the structure, enticing people to look ROCKEFELLER UNIVERSITY slogan Transforming design at, not through, the wall system. COLLABORATIVE into reality. It is meant as an Developments in coatings, light RESEARCH CENTER expression distinguishing the role modulating treatments on glass, our industry plays from that of as well as sun screening devices, 10 200 FIFTH AVENUE the designer in creating the built lead to an energy responsive cli- environment. Design aspirations mate wall concept in the Milstein 16 need applicable building technol- Family Heart Center. There the RESCUE COMPANY 3 ogies for successful realization, designer’s goal was to bring the and new concepts must foster outdoors in, to aid in instilling 22 even newer technologies in order hope in those facing life-threat- COLUMBIA UNIVERSITY NORTHWEST CORNER to be realized. -
The Constructed Environment
Sixth International Conference on The Constructed Environment 2–4 APRIL 2016 | UNIVERSITY OF ARIZONA | TUCSON, USA | CONSTRUCTEDENVIRONMENT.COM Sixth International Conference on The Constructed Environment The University of Arizona | Tucson, USA | 2-4 April 2016 www.constructedenvironment.com www.facebook.com/ConstructedEnvironment @theconstructed | #ICCE16 International Conference on the Constructed Environment www.constructedenvironment.com First published in 2016 in Champaign, Illinois, USA by Common Ground Publishing, LLC www.commongroundpublishing.com © 2016 Common Ground Publishing All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. Common Ground Publishing may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. By attending this conference, you consent and hereby grant permission to Common Ground to use pictures which may contain your appearance at this event. Designed by Ebony Jackson Cover image by Phillip Kalantzis-Cope The Constructed Environment constructedenvironment.com Dear Constructed Environment Conference Delegates, Welcome to Tucson and to the Sixth International Conference the Constructed Environment. The Constructed Environment Knowledge Community—its conference, journal, and book imprint—was created to explore human configurations of the environment and the interactions among the constructed, social, and natural environments. Founded in 2010, the Inaugural International Conference on the Constructed Environment was held at the Fondazione Querini Stampalia in Venice, Italy, alongside the 12th Venice Architecture Biennale. -
The Icon Project: Architecture, Cities and Capitalist Globalization: Introduction
Leslie Sklair The icon project: architecture, cities and capitalist globalization: introduction Book section (Accepted version) Original citation: Sklair, Leslie (2017) The icon project: architecture, cities and capitalist globalization. Oxford University Press, Oxon, UK. ISBN 9780190464189 © 2017 The Author This version available at: http://eprints.lse.ac.uk/71859/ Available in LSE Research Online: April 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. THE ICON PROJECT architecture, cities, and capitalist globalization LESLIE SKLAIR OUP UNCORRECTED PROOF – REVISES, Thu Dec 08 2016, NEWGEN Introduction Never before in the history of human society has the capacity to produce and deliver goods and services been so efficient and so enormous, thanks to the electronic revolution that started in the 1960s and the global logistics revolution made possible by the advent of the shipping container. -
Architectsnewsr 4.6.2004
THE ARCHITECTSNEWSR 4.6.2004 NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 collaborative team of MOHSEN MOSTAFAVI VOTED OUT OF Rotterdam-based MVRDV, CO HIS JOB AS CHAIR OF THE 04 Boston-based StoSS ARCHITECTURAL ASSOCIATION CHRISTO AND Landscape Urbanism, and LU New York's Leeser I— JEANNE-CLAUDE Architecture. The team PLAY TO A squeezed its buildings on o Wanted: o HOME CROWD a small corner of the site, raising the village's density above Manhattan's average 08 while halving the size of the New Chair THE SHAKEDOWN city grid. Twelve 450-foot ON OTHER towers taper and tilt to open Last month, the chairman of the Architectural up views, and sometimes Association (AA), Mohsen Mostafavi, was OLYMPIC 2012 connect or "kiss" at their voted out of his job leading London's presti• BIDS pinnacles. In their scheme, gious school, putting yet another of the FINALISTS UNVEIL DESIGNS FOR the remainder of the site world's top architectural education jobs on 14 OLYMPIC VILLAGE becomes an expansive urban the market. The overthrow came at the regu• ANOTHER beach. Thomas Leeser lar five-year review meeting in which the chair explained, "We wanted to must be ratified by the school community. FILIAL FILM VILLAGE VANGUARDS create a super-dense New Mostafavi has been in the position for ten York condition, rather than years and is widely credited for stabilizing the 16 NYC2012 unveiled the five Hunters Point. Mayor a 'towers in the park' or school, particularly its business footing. SHOPTALK: finalist design.s for its pro• Michael R. -
Hidden Cities: Reinventing the Non-Space Between Street and Subway
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Hidden Cities: Reinventing The Non-Space Between Street And Subway Jae Min Lee University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, and the Urban Studies and Planning Commons Recommended Citation Lee, Jae Min, "Hidden Cities: Reinventing The Non-Space Between Street And Subway" (2018). Publicly Accessible Penn Dissertations. 2984. https://repository.upenn.edu/edissertations/2984 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2984 For more information, please contact [email protected]. Hidden Cities: Reinventing The Non-Space Between Street And Subway Abstract The connections leading to underground transit lines have not received the attention given to public spaces above ground. Considered to be merely infrastructure, the design and planning of these underground passageways has been dominated by engineering and capital investment principles, with little attention to place-making. This underground transportation area, often dismissed as “non-space,” is a by-product of high-density transit-oriented development, and becomes increasingly valuable and complex as cities become larger and denser. This dissertation explores the design of five of these hidden cities where there has been a serious effort to make them into desirable public spaces. Over thirty-two million urbanites navigate these underground labyrinths in New York City, Hong Kong, London, Moscow, and Paris every day. These in-between spaces have evolved from simple stairwells to networked corridors, to transit concourses, to transit malls, and to the financial engines for affordable public transit. -
Today's News - Friday, February 1, 2008 Zandberg Pays Tribute to the Man Behind Jerusalem's Municipal Master Plan
Home Yesterday's News Calendar Contact Us Subscribe Advertise Today's News - Friday, February 1, 2008 Zandberg pays tribute to the man behind Jerusalem's municipal master plan. -- Icon-bashing kind of day: Prince Charles rants against the latest rash of carbuncles leaving cities with "pockmarked" skylines (architects disagree). -- Glancey couldn't agree more: "aggressive 'icons' are the 4x4s of the architectural world." -- Boddy chimes in with a call for less talk about "icons and more of architectural competitions, public debate, and design reputations that are earned." -- London's massive Crossrail plans in need of a design champion. -- Meanwhile, "an architectural icon" rises in the Philippines. -- Explaining 10 myths of urban design. -- Dublin's newest suburb: €1.2 billion Adamstown Centre. -- Russell will surely ruffle some feathers re: visitors' center for Maya Lin's Vietnam Memorial: "intentions are honorable" but "inane." -- It looks like Gap's Fisher just might get his museum in the Presidio. -- From both sides of the Big Pond: AIA and RIBA both petition government to tackle climate change. -- With Super Bowl Sunday upon us, it was hard to choose which sports story to run re: Eisenman cheering for his home team. -- In India, a growing number of design awards is good, but not without shortcomings. -- AIA Young Architects Award winners will find out, we suppose. -- So can you: Call for entries: Financial Times and Urban Land Institute team up for Sustainable Cities Award; and AIA Committee on Design 2008 International Ideas Competition. -- Atlanta's "City of the Future" competition winner dealt with drought and sprawl. -- Weekend diversions: Merkel says Saarinen show at Cranbrook depicts "an architect way ahead of his time." -- PLANetizen's pick of top 10 planning books. -
Seventh International Conference on the Constructed Environment
Seventh International Conference on The Constructed Environment 25–26 MAY 2017 | CRACOW UNIVERSITY OF TECHNOLOGY | CRAKOW, POLAND CONSTRUCTEDENVIRONMENT.COM Seventh International Conference on The Constructed Environment 25–26 May 2017 Faculty of Architecture, Cracow University of Technology, held at the International Cultural Centre Krakow, Poland www.constructedenvironment.com www.facebook.com/ConstructedEnvironment www.pk.edu.pl www.krakow.pl/biznes @theconstructed | #ICCE17 Seventh International Conference on the Constructed Environment www.constructedenvironment.com First published in 2017 in Champaign, Illinois, USA by Common Ground Research Networks www.cgnetworks.org © 2017 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. Common Ground Research Networks may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. By attending this conference, you consent and hereby grant permission to Common Ground to use pictures which may contain your appearance at this event. Designed by Ebony Jackson Cover image by Phillip Kalantzis-Cope The Constructed Environment constructedenvironment.com Dear Constructed Environment Delegates, Welcome to Krakow and to the Seventh International Conference on the Constructed Environment. Founded in 2010, the Constructed Environment Research Network—its conference, journal, and book imprint—is brought together by exploring human configurations of the environment and the interactions among the constructed, social, and natural environments. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB Control No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Armstrong Rubber Company Building__________________________ Other names/site number: _Pirelli Building____________________________________ Name of related multiple property listing: __N/A_________________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _500 Sargent Drive____________________________________________ City or town: _New Haven_______ State: _CT_ _______ County: _New Haven________ Not For Publication: Vicinity: _____________________________________ _______________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation -
Michael A. Speaks CV
MICHAEL A. SPEAKS EDUCATION Duke University, GPL, Ph.D., 1993 Dissertation: “Architectural Ideologies: Modern, Postmodern and Deconstructive” Director: Fredric Jameson University oF Mississippi, B.A., 1983 ACADEMIC POSITIONS Syracuse University Dean, School oF Architecture, 2013 to present ProFessor, School oF Architecture, 2013 to present University of Kentucky Dean, College oF Design, 2008-2013 ProFessor, School oF Architecture, College oF Design, 2008 to 2013 Acting Chair, Department oF Historic Preservation, College of Design, 2010 to 2013 Southern California Institute of Architecture Graduate Program Director, 1998-2001 Founding Director, Metropolitan Research and Design Postgraduate Masters in Architecture (MR+D), 1999-2005 ProFessor, 1998-2007 VISITING AND ADJUNCT TEACHING POSITIONS Adjunct Studio ProFessor, Art Center College oF Design, Department oF Environmental Design, Summer 2007 Adjunct Lecturer, UCLA, Department oF Architecture and Urban Planning, 2005-2007 Visiting ProFessor, School oF Design, DelFt Technological University, DelFt, The Netherlands, Fall 2006 Visiting ProFessor, A. AlFred Taubman College oF Architecture and Urban Planning, University oF Michigan, 2003-2005 Visiting ProFessor, Metropolis Postgraduate Program in Architecture and Urban Culture, Barcelona, Spain, Summer 2002 Visiting ProFessor, International Design Summer, Department oF Design, University oF Quebec at Montreal, Montreal, Canada, Summer 2002 Visiting ProFessor, International Design Seminar, DelFt Technological University, DelFt, The Netherlands,