Halifax Cultural Council Panel Book for FY2021

Total Page:16

File Type:pdf, Size:1020Kb

Halifax Cultural Council Panel Book for FY2021 Halifax Cultural Council Panel Book Panel Applications to the Halifax Cultural Council Table of Contents Project Title Application ID Amount Requested Outdoor Concert Series 47017 $200 REMOTE SERIES / Careers in the Arts! 46803 $450 Corn Festival 46295 $500 FullerCRAFT@Home 45427 $350 Duo Pianists, Composers & Educators Whipple & Morales in 44977 $750 Concert A Baroque Christmas: Cantatas & Concertos from 18th c. 44946 $700 Europe A Celtic Celebration: Performance for Seniors 43804 $475 Craft Inspires 43965 $300 CHAINSAWS, CHEESEBURGERS AND ROCK N' ROLL- LIVE! 43619 $500 Henry the Juggler Performance 43091 $425 Music Matters: A Brockton Symphony Virtual Music Series 41505 $250 Pass to Plimoth Plantation 39560 $500 Art Class 39931 $400 Hip Hop Dance Chair Exercise for Seniors! 39705 $280 FY 2021 | Halifax Cultural Council Applications Criteria and Eligibility Requirements This panel book only includes applications that were submitted online by the October deadline. Late applications cannot be accepted by Local Cultural Councils. Upon submission of all standard applications all applicants attested to the following: The applicant is located or resides in Massachusetts. The applicant, or person leading the project/program, has been engaged in the kind of activity for which funds are requested for at least one year. The proposed project/program meets the MCC’s definition of Arts, Humanities, OR Sciences. The proposed program does not discriminate or discourage participation on the basis of race, gender, religious creed, color, national origin, ancestry, disability, sexual orientation or age. The proposed project/program is accessible to persons with disabilities. LCC grant funds will NOT be used to purchase food or refreshments I have read and understood any local guidelines and criteria that this Local Cultural Council has posted on www.mass-culture.org. I certify by checking this box that I am authorized to testify as to the accuracy of this application and the person who agrees that the required acknowledgment will be given to the Massachusetts Cultural Council and the granting local cultural council, if this application is approved. This person also agrees that reasonable accommodations will be made to insure that people with disabilities have equal physical and communications access, as defined by federal law and as outlined in the MCC's LCC Program Regulations and Guidelines. LCC Application Summary Application Preview Congratulations Your application has been submitted. Assuming a state budget is passed by the end of November, the Local Cultural Council will notify you of your application status between mid-February and mid-March. NOTE: Questions? Contact the MCC help desk or call 617-858-2707. Be sure to click the "Save" button often, before moving between tabs, and before viewing the PDF summary. Applicant Information Soule Homestead Applicant Name: Mailing Address: 46 Soule Street Education Center Address 2: City: Middleboro State: MA Zip: 02346 director@soulehome Phone: 508.947.6744 Email: stead.org Non-profit Website: www.soulehomestead.org Applicant Type: organization Contact Person (If different than the applicant) Name: Meghan Riley Address: Address 2: City: State: Zip: Phone: Email: [email protected] FY 2021 | Halifax Cultural Council Applications Outdoor Concert Series page 1 of 7 LCC Application Summary Project Information Grant Type: Standard Application Application ID: 47017 Status: Submitted Project Name: Outdoor Concert Series Council: Halifax Cultural Project Discipline: Music Council Soule Homestead, When will the project take 5/2021-10/2021 Where will the project place?: take place?: Middleboro Estimated number of 600 people served: Does this project serve primarily schoolchildren (grades pre-K to 12)? No Project Overview We recommend that you develop your narrative in word processing software and then copy and paste it into the boxes below. Summarize the proposed project. Last summer in response to the covid pandemic we modified a previous summer concert series to make it responsive to local and state guidelines. We started using our Facebook page as an online platform and then we were able to transition to live shows as the summer progressed. Guests were welcomed to our farm with a covered pavilion for the artists, public bathrooms, a commercial kitchen for prepared foods and seating that was easily accessible and socially distanced on our 120 acre farm. We worked with our local board of health to meet the changing guidelines. With so much uncertainty ahead, we would like to build off the success we had this year and hold a monthly show in 2021starting in May. We would continue to book local artists that have had their ability to perform up in the air due to a lack of venues that are currently open. Who is the target audience for this project? FY 2021 | Halifax Cultural Council Applications Outdoor Concert Series page 2 of 7 LCC Application Summary Soule Homestead has a long history of offering music on the farm. Our audience includes a wide variety of ages that want to watch music outside. Last summer, many families brought their children to the concert to enjoy an evening out together. What is the cost of participation for attendees (if any)? Concerts will cost $15 for adults and $5 per child over age three. How does the proposed project provide public benefit and contribute to the cultural vitality of the community as a whole? Covid has upended the ability of local artists to have steady income. We would like to guarantee the amount of $100 for openers and $250 for the featured band for six, monthly concerts. If we have to move online due to increased infections, stricter regulations or bad weather, the artist will still receive a baseline compensation. Our model this summer relied on the money brought in at the gate to pay artists and it was greatly affected by the changing regulations of how many could attend each show. If we are able to hold the show in person, the opener would still receive the $100 and the feature would receive half the gate as long as it exceeds $250. The outdoor concerts last summer were appreciated by both the visitors and artists. Please describe the qualification of key artists, humanists, interpretive scientists or organizations involved with leading the cultural component of this project. As an organization, The Soule Homestead has an almost 30 year history of offering community programs. This was the first year that we did not hold our Harvest Fair/Joe Davies Music Festival. Although this event was missed, we felt that we were able to build upon our experience with music in our area to still offer live shows during a very trying time. Because we operate on town owned land, we worked in step with our Board of Health and Board of Selectman at every turn. This led artists and the general public to put their trust in our ability to offer as safe of an experience as possible. At no point last summer did we have any cases of Covid traced back to our outdoor concerts. If there are any other individuals or organizations that will be involved in the project as planners, partners, or collaborators, please list them below. If applicable, please distinguish between those who have made a firm commitment to the project and those with tentative or potential involvement. FY 2021 | Halifax Cultural Council Applications Outdoor Concert Series page 3 of 7 LCC Application Summary Last year we had tremendous support from Mike Gioscia, Executive Director of Plymouth Rocks in helping to book the bands through this connection with the local music scene. He also helped to operate the sound equipment at most of the shows. We also had help from John Shea, radio DJ at 95.9 who runs a show called “Almost Famous.” He also has tremendous ties to the south shore music scene. Both Mike and John have agreed to help for 2021. We hope it is safe to engage more volunteers in 2021. How are you planning to promote the project to the community and your target audience? Last summer we didn't broadly advertise most of the shows. At one point, we were allowed only 50 people total including the band members and support staff and volunteers. One of the shows with a bigger band, we only could sell 38 tickets. We anticipate needing to advertise for 2021 since it will be a consistent series. We would pay to sponsor posts on Facebook and print postcards for some of our long running music lovers that are not on social media. We also hope to have radio ads on WATD. FY 2021 | Halifax Cultural Council Applications Outdoor Concert Series page 4 of 7 LCC Application Summary Budget Overview Project Budget Projected Expenses Amount Salaries/Stipends $2,100 Space Rental $0 Marketing/Promotion $200 Supplies $0 Capital Expenditures $0 Subtotal $2,300 Amount $0 $0 $0 $0 $0 Subtotal $0 Total $2,300 Projected Income Amount Total Projected Expenses $2,300 Amount Requested from this LCC $200 Additional Income Amount Additional Income $2,100 Other Income FY 2021 | Halifax Cultural Council Applications Outdoor Concert Series page 5 of 7 LCC Application Summary Description of Funding Source Amount Other LLC grants $1,000 Gate Admissions $1,100 $0 $0 $0 Total $2,100 In-Kind Donations See a Sample Budget. Please list any in-kind goods or services that you anticipate receiving for this project (loaned space, donated materials, etc.). While not required, if you would like to include the dollar value of in-kind donations, you may do so here, or in the Project Budget section above. Last year we had in-kind loans of some sound equipment and a generator. We also anticipate receiving some donations of radio advertising on WATD. Some of the shows offered food and alcohol.
Recommended publications
  • Fall 2009 Artist News: Jason Adasiewicz's Rolldown P. 2 Beat
    CUNEIFORM ARTIST NEWS: Fall 2009 Artist News: Jason Adasiewicz's Rolldown p. 2 Beat Circus p. 2 Birdsongs of the Mesozoic p. 2 CHEER-ACCIDENT p. 3 Cosmologic p. 3 Djam Karet p. 3 Doctor Nerve / Nick Didkovsky p. 4 Ergo p. 5 Far Corner p. 5 Fast 'n' Bulbous p. 5 Forgas Band Phenomena p. 6 Gutbucket p. 6 Henry Kaiser p. 6 Led Bib p. 7 The Mahavishnu Project p. 8 The Microscopic Septet p. 9 Merzbow p. 9 The Muffins p. 10 Ed Palermo Big Band p. 10 Positive Catastrophe p. 10 Radio Massacre International p. 10 Revolutionary Snake Ensemble p. 11 Univers Zero p. 12 Volapük p. 12 Yang p. 12 Zevious p. 12 Cuneiform Artist Tour Dates: 2009/2010 Tour Dates p. 12 Cuneiform Artist Websites p. 14 1 ************************************************* ARTIST NEWS: Jason Adasiewicz’s Rolldown December 13 @ Hungry Brain, Chicago (This will be our record release show for Varmint) They are working on an east coast tour for 2010. The record, Varmint, will be released on lp HQ180. It's coming out under Cuneiform and is available through www.waysidemusic.com. Here is footage from the 'varmint' session: http://www.youtube.com/watch?v=Dg7fCpy9Qdo We recently rocked the Chicago jazz festival. Jason is working and writing for a new project, a trio with Mike Reed on drums and Nate Mcbride on bass called Spacer. We are recording in November 5 new songs of mine and compositions from the other guys. Jason: “I guess the biggest news is my wife gave birth to our daughter, Isabella Rose Adasiewicz! We can't stop looking at the baby.” Beat Circus Fall tour dates with Blood Warrior announced 10.03.09 We'll be doing a few shows this fall with one of our favorite new bands, Blood Warrior, who is touring to release a new CD on Ernest Jenning.
    [Show full text]
  • BURLEIGH DISCOGRAPHY Solo Songs & Spiritual Arrangements *Courtesy of Randye Jones, the Spirituals Database
    BURLEIGH DISCOGRAPHY Solo Songs & Spiritual Arrangements *Courtesy of Randye Jones, The Spirituals Database Important sources: Tim Brooks. Lost Sounds: Blacks and the Birth of the Recording Industry 1890-1919. Urbana, IL: University of Illinois Press, 2004. Turner, Patricia. Dictionary of Afro-American Performers: 78 RPM and Cylinder Recordings of Opera, Choral Music, and Song, c. 1900-1949. New York: Garland, 1990. Please note that in some cases the documentation is incomplete. Any help in supplying missing information will be much appreciated. Unidentified performer/s – Dedication in Music, First Baptist Church, Bloomington, Indiana, March 16, 1958 – LP – [Indiana University & Northwestern University “Were You There?” Adolf Fredrik Boys Choir – Naxos Music Library Choral Concert “Swing Low, Sweet Chariot” Albrecht, Sally, pianist The Spirituals of Harry T. Burleigh – Low Voice – Piano Accompaniment – Alfred Publishing Co., Inc. 2007 Disk 1 - 1. “Ev’ry Time I Feel de Spirit” 2. “Swing Low, Sweet Chariot” 3. “Steal Away” 4. “Don’t Be Weary Traveler” 5. “I Got a Home in-A Dat Rock” 6. “Oh, Didn’t It Rain” 7. “My Lord, What a Mornin’” 8. “Stan’ Still Jordan” 9. “Give Me Jesus” 10. “Go Down, Moses” 11. “Were You There” 12. “Wade in de Water” 13. “O Rocks, Don’t Fall on Me” 14. “Little David, Play on Your Harp” 15. “Sometimes I Feel Like a Motherless Child” 16. “Ain’t Goin’ To Study War No Mo’” 17. “Deep River” 18. “Weepin’ Mary” 19. “Heav’n, Heav’n” 20. “Couldn’t Hear Nobody Pray” 21. “Go Down in De Lonesome Valley” 22. “I Know De Lord’s Laid His Hands On Me” 23.
    [Show full text]
  • Bio Information: BIRDSONGS of the MESOZOIC Title: DAWN of the CYCADS: the COMPLETE ACE of HEARTS RECORDINGS (1983-1987) (Cuneiform Rune 274/275)
    Bio information: BIRDSONGS OF THE MESOZOIC Title: DAWN OF THE CYCADS: THE COMPLETE ACE OF HEARTS RECORDINGS (1983-1987) (Cuneiform Rune 274/275) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: ROCK / NEW MUSIC "Cacophony meets classicism in a mesmerizing instrumental venture into the space age jungle. Boston-based quartet breaks new ground without breaking eardrums." – Billboard “Even at its most dissonant and aggressive, this roiling, polyrthymic music is informed by a wry, whimsical character rare in art rock and entirely absent from the minimalism of Glass and Reich….Birdsongs of the Mesozoic’s percussive, stroboscopic strain of minimalism, with all its rocky edges intact.” – Michael Draine, i/e “…if you’re open-minded enough to stack Fripp, Pere Ubu, Philip Glass and John Cage in the same changes, then this disc may appeal to you.” – Don Labriola, Buzzz Birdsongs of the Mesozoic, “the world’s hardest rocking chamber quartet” [New York Times], began nearly 30 years ago as a more classical/New Music, keyboard-oriented side project of Boston’s famed post-punk rock band, Mission of Burma. Desiring an outlet for his piano music, in 1980, Burma’s guitarist Roger Miller embarked on a collaboration with keyboardist and studio producer Erik Lindgren, the former composer and keyboardist of Moving Parts, the Boston art-punk band that had spawned Burma. As Miller recalls in liner notes, "What was I doing writing piano music again? No way to know: it just kind of fell out of me in early 1980 after having been dropped in early 1978 in favor of guitar (Moving Parts, then Mission of Burma in 1979).
    [Show full text]
  • Birdsongs of the Mesozoic Œ
    Birdsongs of the Mesozoic – Dawn of the Cycads: The Complete Ace of ... http://www.audaud.com/article.php?ArticleID=5167 Get our latest articles via RSS: View our RSS feed using Rocketinfo: 1 of 4 12/17/2008 9:05 AM Birdsongs of the Mesozoic – Dawn of the Cycads: The Complete Ace of ... http://www.audaud.com/article.php?ArticleID=5167 BirdSong Identifyier The Bird Shed for the Identiflyer Free shipping on orders over $74.99 www.thebirdshed.com Birdsongs of the Mesozoic – Dawn of the Cycads: The Complete Ace of Hearts Recordings Recordings (1983-1987) – Cuneiform (2 CDs) Huge selection, great deals on Few bands have successfully straddled modern classical music Recordings items. and rock as well as the Birdsongs of the Mesozoic have done. Yahoo.com Published on December 02, 2008 Birdsongs of the Mesozoic – Dawn of the Cycads: The Complete Ace of Hearts Recordings Ancient Air Music (1983-1987) – Cuneiform, Rune 274/275, CD 1: presents a new album. Classical 68:39; CD 2: 54:06 ****1/2: and New Age entitled "A Desert (Roger Miller - grand piano, Yamaha CP-70 piano, World". percussion, organ; Erik Lindgren - minimoog, www.ancientairmusic.com memorymoog, rhythm machines, percussion; Rick Scott - Farfisa organ, DX-7 synthesizer, percussion, piano; Martin Swope - guitar, percussion) Classical Music The liner notes to the Birdsongs of the Mesozoic compilation Dawn of the North America's Cycads: The Complete Ace of Hearts Recordings (1983-1987) open with a Leading Music quote from Friederich Nietzsche: “Life without music would be a mistake.” shop L'Atelier Well, life without the music of the self-called “world’s hardest rocking chamber Grigorian www.Grigorian.com quartet,” Birdsongs of the Mesozoic, would be boring.
    [Show full text]
  • Wednesday, April 16, 2003
    2007 Joint Conference of the National Popular Culture and American Culture Associations April 4 - 7, 2007 Boston Marriott Copley Place ii Editor: Leslie L. Fife, Oklahoma State University; PCA/ACA Conference Coordinator Blackwell Editor: Michelle Sathan Additional information about the PCA/ACA is available at http://www.h-net.org/~pcaaca Table of Contents iii TABLE OF CONTENTS PCA AREA CHAIRS FOR THE 2007 CONFERENCE................. V ACA AREA CHAIRS FOR THE 2007 CONFERENCE ............XIV PCA/ACA CONFERENCE SITES & DATES........................... XVII 2006 PCA OFFICERS .................................................................XVIII 2006 ACA OFFICERS.................................................................XVIII BUSINESS AND BOARD MEETINGS........................................XIX SPECIAL CONFERENCE SESSIONS AND EVENTS...........XXIII CONFERENCE PAPERS FOR SALE ......................................XXXI REGISTRATION & EXHIBIT INFORMATION ................... XXXI SCHEDULE OVERVIEW........................................................ XXXII SCHEDULE ......................................................................................... 1 WEDNESDAY, APRIL 4, 2007 .......................................................... 1 WEDNESDAY, APRIL 4, 12:30–2:00 P.M............................................. 1 WEDNESDAY, APRIL 4, 2:30–4:00 P.M............................................... 5 WEDNESDAY, APRIL 4, 4:30–6:00 P.M............................................. 14 WEDNESDAY, APRIL 4, 6:30–8:00 PM.............................................
    [Show full text]
  • FALL 2014 Looktufts Magazine Fall 2014
    MAGAZINE | FALL 2014 LookTUFTS MAGAZINE FALL 2014 30 5 Discover 17 Act HEALTH, SCIENCE, AND TECHNOLOGY OUR HUMANITARIANS, LEADERS, AND INNOVATORS 8 DANGEROUS WATERS The fight against a parasite that’s making 200 million people sick 18 COLD WAR STORY A bold impulse in the midst of BY JACQUELINE MITCHELL Moscow’s coup d’état BY DAVID A. KALIS, A91 10 COMRADE DAD The author’s physicist father, 22 DAMMED Witnessing the struggles of Mayan farmers Professor Alexander Vilenkin, has a surreal whose ancestral lands now lie at the bottom of a encounter with his Soviet past reservoir BY NOAH COHEN-CLINE, F13 BY Alina SimOne, J97, BFA97 26 ALL THE SMOG IN CHINA Linda Greer, J76, insists that 16 COLUMN HUMAN ANIMAL Busy as a grandma U.S. companies need to be part of the solution BY PHILIP STARKS by Dave WiecZOrek QUICK READS 6 SPOTTING BOGUS DIETARY ADVICE QUICK READS 19 CHARACTER SKETCH Cornelia Six signs of junk science | 7 VETERINARY FILE Meet Schneider, F06, champion of justice | 20 BRILLIANT! Shiloh | MY LITTLE ROBOT Kids program it with blocks Jumbo entrepreneurs and their big ideas 14 BOOGIE BIRD How cockatoos keep the beat 21 TIME OUT TO TEACH Tufts grads descend on Teach HEALTH NEWS FROM TUFTS Diet and the brain, stress for America | 27 GIVE THEM SHELTER Confronting a and the gums, magnesium and diabetes, pets and surge in homelessness | 28 LAURELS their eyes ILLUSTRATION: ALEX NABAUM; BIRDMAN PHOTO: KATHY CHAPMAN Look 29 Create THE CULTURE PAGES 30 COVER ENLIGHTENED PALATE Chef Dan Barber, A92, wants you to eat as if the future of farming
    [Show full text]
  • Echolyn and American Progressive Rock
    Contemporary Music Review © 2000 OPA (Overseas Publishers Association) N.V. 2000, Vol. 18, Part 4, pp. 13-61 Published by license under Reprints available directly from the publisher the Harwood Academic Publishers imprint, Photocopying permitted by license only part of The Gordon and Breach Publishing Group. Printed in Malaysia. Echolyn and American Progressive Rock John Covach Beginning in the late 1960s and continuing through most of the 1970s, British progressive- rock groups developed a style of music that privileged long, complicated pieces, employing a wide variety of musical techniques and features drawn from classical music. While the leading progressive rock groups were British, progressive-rock groups also formed in the United States. This study provides an overview of American progressive-rock bands since 1966, examining how these musicians attempted to blend elements of European art music with rock music. Musical excerpts from Starcastle, Kansas, Happy the Man, However, and U-Totem and others are considered. Recent music from the Philadelphia-band progressive- rock quintet echolyn is placed in the context of 1970s and 80s American progressive rock; analysis of portions of A Suite for the Everyman (1992) and Letters (1995), informed in part by scores and sketches provided the author by the group, detail how echolyn employs art- music compositional techniques in a rock setting in a way that blends "symphonic-prog" and "avant-prog" approaches. KEYWORDS: Birdsongs of the Mesozoic, Christopher Buzby, Cartoon, Echolyn, Emerson, Lake & Palmer (ELP), Genesis, Gentle Giant, Happy the Man, Henry Cow, However, Jethro Tull, Kansas, Brett Kull, Soft Machine, Starcastle, Progressive Rock, U-Totem, Yes Introduction In the early and mid 1970s across the United States, it was almost imposs- ible to tune in an FM rock radio station without hearing the progressive- rock music of groups like Yes, Emerson, Lake & Palmer (ELP), and Jethro Tull.
    [Show full text]
  • Kennesaw State University Oral History Project
    KENNESAW STATE UNIVERSITY ORAL HISTORY PROJECT INTERVIEW WITH ORAL L. MOSES CONDUCTED BY THOMAS A. SCOTT AND DEDE YOW EDITED BY THOMAS A. SCOTT AND SUSAN F. BATUNGBACAL INDEXED BY THOMAS A. SCOTT for the KSU ORAL HISTORY SERIES, NO. 72 WEDNESDAY, 1 MARCH 2006 and WEDNESDAY, 2 AUGUST 2006 Kennesaw State University holds legal title and all literary property rights, including copyright, to this oral history. It is not to be reproduced without permission from the director of the Kennesaw State University Oral History Project. Kennesaw State University Oral History Project KSU Oral History Series, No. 72 Interview with Oral L. Moses Conducted by Thomas A. Scott and Dede Yow Edited by Thomas A. Scott and Susan F. Batungbacal Indexed by Thomas A. Scott Wednesday, 1 March 2006 Location: CIE/CETL House at Kennesaw State University Interview # 1 TS: Oral, why don’t you just start by telling us when you were born and where you were born? OM: I was born in 1946 in a little place called Olive Grove, South Carolina, which was located, at that time, fourteen miles to the southeast of Florence. TS: Were you on a farm or was it a farm community? OM: A farm community, exactly. My father was a sharecropper. Actually the house is no longer standing there, but when I go back to South Carolina to visit and we drive down that road I look over and the empty place is still there. TS: Which I bet was a dirt road when you were growing up. OM: It was a dirt road when I was growing up.
    [Show full text]