The Trials of Muhammad Ali
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A 2016 Documentary Film by Dinesh Das Sabu And
Unbroken Glass unbrokenglassfilm.com | facebook.com/unbrokenglass | @unbrokenglass A 2016 documentary film by Dinesh Das Sabu and Kartemquin Films Unbroken Glass is a documentary about filmmaker Dinesh Das Sabu's journey to understand his parents, who died 20 years ago when he was just six years old. Traveling to India and across the United States, Dinesh pieces together the story of his mother's schizophrenia and suicide, and how his family dealt with it in an age and culture where mental illness was often misunderstood, scorned and taboo. Unbroken Glass weaves together Dinesh’s journey of discovery with cinema-verite scenes of his family dealing with still raw emotions and consequences of his immigrant parents’ lives and deaths. Dinesh hopes that telling this story will raise awareness and reduce the stigma of mental illness, while at the same time empower suicide survivors and families of the mentally ill to share their stories. Unbroken Glass is Dinesh’s first feature film for Kartemquin Films. A graduate of University of Chicago, Dinesh is an independent documentary filmmaker. His work includes shooting part of Kartemquin’s American Arab and The Homestretch, as well as cinematography for Waking in Oak Creek, How to Build a School in Haiti and the forthcoming End of Love. In fall 2016, the team behind UNBROKEN GLASS is launching a robust community outreach campaign to screen the film and host discussions nation-wide. If you would like to schedule a screening, please contact [email protected]. The film is funded in part by the Sage Foundation, Firelight Media and the Asian Giving Circle.. -
The New Americans
TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien TELEVISUALISING TRANSNATIONAL MIGRATION: THE NEW AMERICANS Alan Grossman and Áine O’Brien Originally published in 2007: Grossman and O'Brien (eds) Projecting Migration: Transcultural Documentary Practice, Columbia University Press, NY (Book/DVD). [Combined DVD/Book engaged with questions of migration, mobility and displacement through the prism of creative practice. Columbia University Press, NY] I The title of this book [The New Americans] and the documentary series upon which it reflects proclaims that something is fundamentally different about our most recent wave of immigration The racial and ethnic identity of the United States is ‐ once again ‐ being remade. The 2000 Census counts some 28 million first‐generation immigrants among us. This is the highest number in history – often pointed out by anti‐immigrant lobbyists ‐ but it is not the highest percentage of the foreign‐born in relation to the overall population. In 1907, that ratio was 14 percent; today, it is 10 percent. Yet there is the pervasive notion that something is occurring that has never occurred before, or that more is at stake than ever before. And there is a crucial distinction to be made between the current wave and the ones that preceded it. As late as the 1950s, two‐thirds of immigration to the US originated in Europe. By the 1980s, more than 80 percent came from Latin America and Asia. As at every other historical juncture, when we receive a new batch of strangers, there is a reaction, a kind of political gasp that says: We no longer recognize ourselves. -
Theinterruptersv10.Pdf
Presented by Kartemquin Films THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE TABLE OF CONTENTS About the Film | 1 How To Use The Film and Resource Guide | 2 Character Profiles | 3 Laying the Groundwork for Dialogue | 4 Discussion Questions | 5 5 Things You Can Do Today | 7 Online Resource List | 8 About Kartemquin Films | 10 Credits and Funders | 10 THE INTERRUPTERS • COMMUNITY RESOURCE GUIDE ABOUT THE FILM During one weekend in 2008, 37 people were shot in Chicago, seven of them fatally. It was the year Chicago became the emblem of America’s inner-city violence and gang problem. The Interrupters is the moving story of three dedicated “violence interrupters”—Ameena Matthews, Cobe Williams and Eddie Bocanegra—who, with bravado, humility and even humor, work to protect their Chicago communities from the violence they themselves once employed. Their work and their insights are informed by their own journeys, which, as each of them points out, defy easy characterization. From acclaimed producer-director Steve James (Hoop Dreams) and best-selling author-turned-producer Alex Kotlowitz (There Are No Children Here), The Interrupters is an unusually intimate journey into the stubborn persistence of violence in our cities. The New York Times says the film “has put a face to a raging epidemic and an unforgivable American tragedy.” Tio Hardiman created the “Violence Interrupters Program” for an innovative organization. CeaseFire, which is the brainchild of epidemiologist Gary Slutkin, who for 10 years battled the spread of cholera and AIDS in Africa. Slutkin believes that the spread of violence mimics that of infectious diseases, and so the treatment should be similar: Go after the most infected, and stop the infection at its source. -
Download Theatrical Press
LOGLINE Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future. Against all odds, these kids defy stereotypes as they create new, surprising definitions of home. Can they recover from the traumas of abandonment and homelessness and build the future they dream of? SYNOPSIS The Homestretch follows three homeless teens as they fight to stay in school, graduate, and build a future. Each of these smart, ambitious teenagers - Roque, Kasey and Anthony - will surprise, inspire, and challenge audiences to rethink stereotypes of homelessness as they work to complete their education while facing the trauma of being alone and abandoned at an early age. Through haunting images, intimate scenes, and first-person narratives, these teens take us on their journeys of struggle and triumph. As their stories unfold, the film connects us deeply with larger issues of poverty, race, juvenile justice, immigration, foster care, and LGBTQ rights. With unprecedented access into the Chicago Public Schools, The Night Ministry’s Crib emergency youth shelter and Teen Living Programs’ Belfort House, The Homestretch follows these kids as they move through the milestones of high school while navigating a landscape of couch hopping, emergency shelters, transitional homes, street families and a school system on the front lines of this crisis. The film, a co production__between__Spargel_Productions__and__Kartemquin_Films, examines the struggles these youth face in obtaining a high school level education, and then follows them beyond graduation to focus on the crucial transition when the structure of school vanishes and homeless youth struggle to find the support and community they need to survive and be independent. -
Grasshopper Film Acquires Kartemquin's in the GAME
Media Contact: Tim Horsburgh Kartemquin Films [email protected] 8474362329 Grasshopper Film Acquires Kartemquin’s In the Game Documentary by Peabody awardwinning director Maria Finitzo follows Chicago Latina girls’ high school soccer team over multiple years as they struggle to overcome family poverty and reach higher education In the Game set to screen at SXSWedu in March, Chicago Latino Film Festival in April Chicago, IL and New York, NY (February 29, 2015) Grasshopper Film has acquired the VOD and nontheatrical rights to In the Game, a documentary following four years in the life of a girls’ soccer team at a Chicago inner city high school, from Hoop Dreams producers Kartemquin Films and Peabodyawardwinning director Maria Finitzo (Mapping Stem Cell Research: Terra Incognita). The deal comes ahead of In the Game screening at SXSWedu 2016 on March 7, and in a special presentation at the 2016 Chicago Latino Film Festival on April 19. Grasshopper Film is founded by Ryan Krivoshey, former director of distribution of New Yorkbased distributor the Cinema Guild. His new company, just launched at Berlin’s EFM mart, plans to release eight to 12 titles theatrically per year and more than 50 pics on VOD, digital and nontraditional outlets. In 2016, Kartemquin Films celebrates its 50th year of producing documentaries that examine and critique society through the stories of ordinary people, such as The Interrupters, Life Itself, and the 2015 duPont Awardwinning series Hard Earned, on which Finitzo was a director. “What Maria achieves in In The Game is remarkable; a window through which to see, understand and appreciate some of the most pressing social issues of our time,” commented Ryan Krivoshey, “I couldn’t be happier to be working again with Maria and the amazing, dedicated people at Kartemquin, truly a national treasure.” In the Game received glowing reviews in a US theatrical premiere engagement at Chicago’s Gene Siskel Film Center in September 2015, and also screened festivals including St. -
Hoop Dreams Discussion Guide
www.influencefilmclub.com Hoop Dreams Discussion Guide Director: Steve James Year: 1994 Time: 170 min You might know this director from: Life Itself (2014) Head Games (2012) The Interrupters (2011) At the Death House Door (2008) Reel Paradise (2005) Stevie (2002) Prefontaine (1997) FILM SUMMARY Dreams serve varying purposes in our existence. Some are fanciful, some fill us with hope, some push us onwards in our darker days, and some offer a vision of escape in an otherwise desperate, dead-end situation. HOOP DREAMS is a chronicle of the power of sports to fuel dreams and generate possibility in the great struggle of life. Over the course of five years, director Steve James trails William Gates and Arthur Agee, two inner-city African American young men from the time they are “found” as grammar school kids on their neighborhood basketball courts until they bound towards uncertain college doors. Well-acquainted with the hardships of growing up poor and black in America, William and Arthur - like many young men before and since - envision their basketball skills as their ticket out of the life they were born into. Their dream is singular: to play for the NBA. They are not alone in dreaming this dream. A whole host of characters in their lives hops on board for the ride, as they dribble, pass, shoot, score, and are defeated in their journey to a privileged suburban high school, shiny eyed with promises of scholarships and endless prospects. Mothers, fathers, brothers, girlfriends, teachers, and friends turn to Arthur and William to provide them with part of the pot of gold at the end of the rainbow. -
Home for Life Kartemquin Films, 1966
HOME FOR LIFE KARTEMQUIN FILMS, 1966 “Home For Life is the most moving and gently penetrating film I have seen, dealing with the theme of old age in our society. It is, in a sense, a hymn to life; yet, it presents a challenge to us to face up to one of the most pressing problems of our day -- our attitude toward the aged. In its own way, it is a work of art rather than an artful work.” -Studs Terkel "Extraordinarily moving...recording moments of deep human emotion." - Roger Ebert For 40 years, KARTEMQUIN FILMS has been making documentaries that examine and critique society through the stories of real people. Kartemquin's debut film, Home For Life established the direction the organization would take over the next four decades. We aim to make this film available to these audiences to consider again—both as an in-depth look at the world of advanced aging, but also now as a historical example of vérité filmmaking and a document of geriatric care in 1960’s Chicago. The film depicts the experiences of two elderly people in their first month at a home for the aged- a man, isolated from the world he knew, and a woman, uprooted from a family setting. The documentary focuses on the feelings and reactions of the two new residents as they interact with other residents, medical staff, social workers, psychiatrists and family. A touching, sometimes painfully honest dramatic experience, Home for Life is an invaluable professional development tool for in-service staff training, and a thought-provoking missive for all other audiences interested in the problems of the aged. -
DIRECTOR Steve James WRITING Steve James and Frederick Marx PRODUCERS Peter Gilbert, Steve James, and Frederick Marx MUSIC Ben S
November 19: 2019 (XXXIX: 13) Steve James: HOOP DREAMS (1994, 170m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Steve James WRITING Steve James and Frederick Marx PRODUCERS Peter Gilbert, Steve James, and Frederick Marx MUSIC Ben Sidran CINEMATOGRAPHY Peter Gilbert EDITING William Haugse, Steve James, and Frederick Marx Willam Gates Arthur Agee George Pingatore In 1995, the film was nominated for an Oscar for Best (2008), 30 for 30 (TV Series documentary) (2010), Film Editing. It won a Peabody Award in 1996. In The Interrupters (Documentary) (2011), Focus 2005, the National Film Preservation Board, USA, Forward: Short Films, Big Ideas (Documentary short) selected it for the National Film Registry. (2012), Head Games (Documentary) (2012), The Music Man (Documentary short) (2012), Life Itself STEVE JAMES (b. March 8, 1954 in Hampton, (Documentary) (2014), A Place Called Pluto Virginia) is an American film producer (23 credits), (Documentary short) (2014), We the Economy: 20 director (26 credits), and editor (12 credits) who has Short Films You Can't Afford to Miss (Documentary) been nominated for Oscars for Hoop Dreams (1994) (2014), The New Yorker Presents (TV Series and for Abacus: Small Enough to Jail (2016). These documentary) (2016), Abacus: Small Enough to Jail are some other films he directed: Stop Substance (Documentary) (2016), Frontline (TV Series Abuse (Documentary) (1986), Grassroots Chicago documentary) (2012-2017), and America to Me (TV (Documentary short) (1991), Higher Goals Series documentary) (2018). -
The Great Documentaries Instructor: Michael Fox Tuesdays, 2:30-4:00Pm, January 19-March 9, 2021 [email protected]
The Great Documentaries Instructor: Michael Fox Tuesdays, 2:30-4:00pm, January 19-March 9, 2021 [email protected] With nonfiction films entrenched as a genre of mainstream movie entertainment, we revisit the pivotal films that established the technique, tone and tenor of the modern documentary. From Frederick Wiseman’s Titicut Follies (1967) to Werner Herzog’s Grizzly Man (2005), this screening, lecture and discussion class appraises key works of lasting power and influence. The discussion will encompass perennial issues such as the responsibility of the filmmaker to the subject, truth and storytelling, the thin line between observation and activism and our evolving relationship to images. The Great Documentaries is a historical survey that follows and builds on Documentary Touchstones I and II, which I taught at OLLI a few years ago. I’ve appended a list of those films—if you have never seen them and wish to journey further back in the history of documentaries—and more information at the end of the syllabus. Most of the titles are available to watch for free on YouTube, although the quality of the prints varies. Jan. 19 Titicut Follies (1967, Frederick Wiseman, 84 min) Kanopy Wiseman’s debut film is a stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Mass, documenting the various ways the inmates are treated by the guards, social workers and psychiatrists. “A great work, a near-masterpiece not just of the documentary form but of moviemaking in any category. It's a film that transcends the time and place of its manufacture, and it should be seen not just by documentarians and film students but by anyone interested in the movies as a medium capable of powerfully presenting the human condition.” - Ray Greene, Village View A Boston native and graduate of Williams College and Yale Law School, Frederick Wiseman is in the pantheon of U.S. -
THE INTERRUPTERS a Film by Steve James and Alex Kotlowitz
A Cinema Guild Release KARTEMQUIN FILMS in association with RISE FILMS present THE INTERRUPTERS A film by Steve James and Alex Kotlowitz Photographed and Directed by Steve James Produced by Alex Kotlowitz and Steve James (Note to press: When referencing The Interrupters, please credit both Steve and Alex; they were creative partners in the making of the film. Thanks.) Official Selection, Sundance Film Festival, 2011 Special Jury Award, Full Frame Film Festival, 2011 Audience Award for Best Documentary, Philadelphia Cinefest, 2011 Best Documentary Award, Miami International Film Festival, 2011 Best Documentary Award, Minneapolis Film Festival, 2011 True Life Fund Winner, True/False Film Festival, 2011 Official Selection, South by Southwest Film Festival, 2011 125 minutes / 1.78:1 / Dolby Digital 2.0 / In English / Not Rated / Stills available at: www.cinemaguild.com/downloads Publicity Contact Susan Norget Susan Norget Film Promotion 198 Sixth Ave., Ste. 1 New York, NY 10013 Tel: 212.431.0090 Fax: 212.680.3181 [email protected] SYNOPSIS THE INTERRUPTERS tells the moving and surprising story of three dedicated individuals who try to protect their Chicago communities from the violence they, themselves once employed. These “violence interrupters” (their job title) – who have credibility on the street because of their own personal histories – intervene in conflicts before the incidents explode into violence. Their work and their insights are informed by their own journeys, which, as each of them point out, defy easy characterization. Shot over the course of a year out of Kartemquin Films, THE INTERRUPTERS captures a period in Chicago when it became a national symbol for the violence in our cities. -
Pocket Product Guide 2006
THENew Digital Platform EFM 2011 tm BERLIN POCKET ISSUE & PRODUCT OF FILM GUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSConnect to Seller - Buy Product EFM 2011 Bumper Online - EFM Daily Editions - Unabridged EFM Product Guide + Stills The Visual is The Medium synopsisandtrailers.com makes it easy for you to Your Simplest Sales Tool read-watch-connect-buy like never before. S HOWCASING T RAILERS D AILY F EB 10-16 An end to site hopping. VISIT:thebusinessoffilmdaily.com For Buyers: Time is Money - View & Connect For Sellers: Attract Buyer Interest - Spend Your Time Promoting New Films November 2 - 9, 2011 Arrow Entertainment Sahamongkolfilm MGB Stand #120 MGB Stand #129 Vision Films Imageworks Ent. MGB Booth #127 Maritim Hotel Suite 9002 STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE BERLIN PRODUCT GUIDE 2011 Writer: Laura Beccaria 6 SALES Producer: Abano Producion, Anera Films, 6 Sales, Alto de las cabañas 5 28231 Las Continental Producciones Rozas de Madrid. Tel: +34.91.636.10.54. Delivery Status: completed Fax: +34.91.710.35.93. www.6sales.es, E- Year of Production: 2010, Country of mail: [email protected] Origin: Spain Sales Agent Little MUMU’s journey towards her ulti- At EFM: Marina Fuentes (Partner), mate dream: to become a great star. Avraham Pirchi (Partner), Mar Abadin THE RUNWAY (Head of Sales) http://www.6sales.es/theRunaway.html Office: Washington Suite, office 100, Family comedy (100 min) Marriott Hotel, Tel: +49(0)30.22000.1127 -
"When We Were Kings"
University of Central Florida STARS On Sport and Society Public History 5-9-1997 "When We Were Kings" Richard C. Crepeau University of Central Florida, [email protected] Part of the Cultural History Commons, Journalism Studies Commons, Other History Commons, Sports Management Commons, and the Sports Studies Commons Find similar works at: https://stars.library.ucf.edu/onsportandsociety University of Central Florida Libraries http://library.ucf.edu This Commentary is brought to you for free and open access by the Public History at STARS. It has been accepted for inclusion in On Sport and Society by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Crepeau, Richard C., ""When We Were Kings"" (1997). On Sport and Society. 278. https://stars.library.ucf.edu/onsportandsociety/278 SPORT AND SOCIETY FOR ARETE May 9, 1997 The year was 1974 and the place was Zaire. The event was the Rumble in the Jungle. The principal characters were Muhammad Ali, Don King, and George Foreman. After nearly twenty-three years the documentary of that happening has made it to the big screen, and indeed it won the Oscar for Best Documentary of the year. Leon Gast who undertook this project in 1974 has waited all this time to find the financing that would allow him to complete the final editing and develop the narrative. It was worth the wait. "When We Were Kings," is a film of extraordinary energy, tremendous entertainment value, great insight into both Muhammad Ali and Don King, and appearing as it does now carries an eerie quality in its references to Zaire's Dictator Mobutu Sese Seko and his country.