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Download Sex, Rock & Optical Illusions, Victor Moscoso, Fantagraphics Sex, rock & optical illusions, Victor Moscoso, Fantagraphics Books, 2005, , 143 pages. The first career retrospective of one of the defining stylists of the 1960s. The 1960s are known as a decade of social and political unrest: The Cuban Missile Crisis, the struggle for civil rights, the escalating protests against the Vietnam war, the assassinations of JFK, RFK, and Martin Luther King, the formation of radical home-grown organizations such as the Weather Underground. It was also a time of cultural revolution, in music (The Beatles, the Stones, the ascendancy of rock 'n' roll), literature (Ken Kesey, Richard Brautigan, Kurt Vonnegut, et al.), journalism (Tom Wolfe's New Journalism and Hunter Thompson's Gonzo journalism), films (Mike Nichols, Bob Rafelson, Sam Peckinpah), and the heady conflation of Fine Art with the Pop Art movement (Andy Warhol, Roy Lichtenstein, David Hockney). Comics were undergoing their own revolution and no one epitomized underground comix and psychedelia more than Victor Moscoso, whose posters for such bands as The Grateful Dead, Big Brother & The Holding Company and the Steve Miller Blues Band, stand as enduring works of art and instantly recognizable icons of their time. Moscoso (along with fellow artists Rick Griffin, Stanley Mouse, Wes Wilson, Alton Kelley and Peter Max) revolutionized the poster aesthetic and defined the visual culture of a generation. R. Crumb invited Moscoso to join the Zap Comix collective in 1968, and Moscoso's work has appeared in every issue from Zap #2 to present. His comix work contrasted with his fellow artists (R. Crumb, S. Clay Wilson, Gilbert Shelton, et al.) by his unique stylization, less confrontational point of view, hallucinatory visual rhythms, and wordless, dreamlike stories. Sex, Rock 'N' Roll & Optical Illusions is Victor Moscoso's first major, career-spanning retrospective, from his earliest poster work in 1966 to his most recent graphic experimentation. Optical Illusions contains his best posters that advertised bands playing in San Francisco's famous dance ballrooms of the timethe Avalon, the Matrix, and the Fillmoreas well as many of his Zap Comix contributions, and his solo comix work, many in Moscoso's signature color. This wide-ranging career retrospectiveMoscoso's famous technique employing "vibrating colors" that he pioneered in his posters is impeccably reproduced with as much fidelity to the original as modern printing can achieve, his black-and-white and full color comix work is collected here for the first time is an intense, vibrant, and revelatory experience.. DOWNLOAD HERE The grandest of lives eye to eye with whales, Douglas H. Chadwick, Jun 2, 2006, Nature, 256 pages. 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Seeing things , Jim Woodring, Apr 7, 2005, Comics & Graphic Novels, 104 pages. A first collection of charcoal drawings by the acclaimed author of The Frank Book captures the artist's obsession with alternate realities, hidden worlds, and the irrational in .... R. Crumb Sketchbook , R. Crumb, 1993, Humor, 160 pages. These selections from 1966 include complete strips, a rough of "Keep on Truckin'," parody covers and ads, portraits, still lifes, urban landscapes, and other scenes transformed .... Wigwam bam , Jaime Hernandez, 1994, Comics & Graphic Novels, 122 pages. High Art A History of the Psychedelic Poster, Ted Owen, Denise Dickson, Walter Patrick Medeiros, John A. Platt, 1999, , 175 pages. A history of psychedelic poster art from both San Francisco and London features samples from and interviews with many leading 1960s poster artists, including Stanley Mouse .... X'ed Out, Volume 1 , Charles Burns, Oct 19, 2010, , 56 pages. 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