DOCSLIB.ORG

Fleurco Shower Doors IN-Line SLIDING and BYPASS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fleurco Shower Doors IN-Line SLIDING and BYPASS CATALOG PRICE INDEX AS OF AUGUST 9th 2021 US FLEURCO SHOWER DOORS IN-LINE SLIDING AND BYPASS COLLECTION PRODUCT CODE USD PRICE as OF AUGUST 9TH 2021 APOLLO SHOWER CH NA48-11-40 $990 APOLLO SHOWER BN NA48-25-40 $1,033 APOLLO SHOWER BK NA48-33-40 $1,041 APOLLO SHOWER CH NA60-11-40 $1,102 APOLLO SHOWER BN NA60-25-40 $1,144 APOLLO SHOWER BK NA60-33-40 $1,152 APOLLO SHOWER CH NAS48-11-40L/R $1,015 APOLLO SHOWER BN NAS48-25-40L/R $1,058 APOLLO SHOWER BK NAS48-33-40L/R $1,066 APOLLO SHOWER CH NAS54-11-40L/R $1,071 APOLLO SHOWER BN NAS54-25-40L/R $1,115 APOLLO SHOWER BK NAS54-33-40L/R $1,123 APOLLO SHOWER CH NAS60-11-40L/R $1,130 APOLLO SHOWER BN NAS60-25-40L/R $1,173 APOLLO SHOWER BK NAS60-33-40L/R $1,180 APOLLO SHOWER CH NAS72-11-40L/R $1,185 APOLLO SHOWER BN NAS72-25-40L/R $1,228 APOLLO SHOWER BK NAS72-33-40L/R $1,233 APOLLO TUB CH NAST60-11-40L/R $1,035 APOLLO TUB BN NAST60-25-40L/R $1,078 APOLLO TUB BK NAST60-33-40L/R $1,086 APOLLO TUB CH NAT60-11-40 $1,010 APOLLO TUB BN NAT60-25-40 $1,052 APOLLO TUB BK NAT60-33-40 $1,059 CORDOBA PLUS SHOWER CH CK148-11-40 $1,027 CORDOBA PLUS SHOWER BN CK148-25-40 $1,069 CORDOBA PLUS SHOWER CH CK160-11-40 $1,080 CORDOBA PLUS SHOWER BN CK160-25-40 $1,120 CORDOBA PLUS TUB CH CKT60-11-40 $1,023 CORDOBA PLUS TUB BN CKT60-25-40 $1,075 CORDOBA PLUS SHOWER CH CL148-11-40 $1,298 CORDOBA PLUS SHOWER BN CL148-25-40 $1,341 CORDOBA PLUS SHOWER ORB CL148-29-40 $1,407 CORDOBA PLUS SHOWER CH CL160-11-40 $1,436 CORDOBA PLUS SHOWER BN CL160-25-40 $1,477 CORDOBA PLUS SHOWER ORB CL160-29-40 $1,550 CORDOBA PLUS SHOWER CH CL161-11-40 $1,538 CORDOBA PLUS SHOWER BN CL161-25-40 $1,580 CORDOBA PLUS SHOWER CH CL172-11-40 $1,758 CORDOBA PLUS SHOWER BN CL172-25-40 $1,808 CORDOBA PLUS TUB CH CLT60-11-40 $1,397 CORDOBA PLUS TUB BN CLT60-25-40 $1,448 CORDOBA PLUS TUB ORB CLT60-29-40 $1,521 CORDOBA SHOWER CH CS146-11-40 $989 CORDOBA SHOWER BN CS146-25-40 $1,026 CORDOBA SHOWER CH CS148-11-40 $997 CORDOBA SHOWER BN CS148-25-40 $1,038 CORDOBA SHOWER ORB CS148-29-40 $1,097 CORDOBA SHOWER CH CS156-11-40 $1,031 CORDOBA SHOWER BN CS156-25-40 $1,068 CORDOBA SHOWER CH CS160-11-40 $1,048 CORDOBA SHOWER BN CS160-25-40 $1,087 US | 2021 1 CATALOG PRICE INDEX AS OF AUGUST 9th 2021 US FLEURCO SHOWER DOORS IN-LINE SLIDING AND BYPASS COLLECTION PRODUCT CODE USD PRICE as OF AUGUST 9TH 2021 CORDOBA SHOWER ORB CS160-29-40 $1,150 CORDOBA TUB CH CT856-11-40 $997 CORDOBA TUB BN CT856-25-40 $1,008 CORDOBA TUB CH CT860-11-40 $1,070 CORDOBA TUB BN CT860-25-40 $1,077 CORDOBA TUB ORB CT860-29-40 $1,146 GEMINI SHOWER CH NGS148-11-40 $1,542 GEMINI SHOWER BN NGS148-25-40 $1,587 GEMINI SHOWER BK NGS148-33-40 $1,598 GEMINI SHOWER CH NGS154-11-40 $1,581 GEMINI SHOWER BN NGS154-25-40 $1,626 GEMINI SHOWER BK NGS154-33-40 $1,632 GEMINI SHOWER CH NGS160-11-40 $1,618 GEMINI SHOWER BN NGS160-25-40 $1,663 GEMINI SHOWER BK NGS160-33-40 $1,672 GEMINI TUB CH NGST60-11-40 $1,570 GEMINI TUB BN NGST60-25-40 $1,615 GEMINI TUB BK NGST60-33-40 $1,624 GEMINI PLUS SHOWER CH NPS148-11-40 $1,886 GEMINI PLUS SHOWER BN NPS148-25-40 $1,931 GEMINI PLUS SHOWER BK NPS148-33-40 $1,938 GEMINI PLUS SHOWER CH NPS154-11-40 $1,947 GEMINI PLUS SHOWER BN NPS154-25-40 $1,985 GEMINI PLUS SHOWER BK NPS154-33-40 $1,991 GEMINI PLUS SHOWER CH NPS160-11-40 $2,008 GEMINI PLUS SHOWER BN NPS160-25-40 $2,035 GEMINI PLUS SHOWER BK NPS160-33-40 $2,045 GEMINI PLUS TUB CH NPST60-11-40 $1,923 GEMINI PLUS TUB BN NPST60-25-40 $1,967 GEMINI PLUS TUB BK NPST60-33-40 $1,972 GEMINI PLUS TUB CH NPST65-11-40 $1,961 GEMINI PLUS TUB BN NPST65-25-40 $2,005 GEMINI PLUS TUB BK NPST65-33-40 $2,010 HORIZON SHOWER CH NHS148-11-40L/R-75 $1,185 HORIZON SHOWER CH NHS148-11-40L/R-79 $1,212 HORIZON SHOWER CH NHS148-11-40L/R-86 $1,364 HORIZON SHOWER BN NHS148-25-40L/R-75 $1,216 HORIZON SHOWER BN NHS148-25-40L/R-79 $1,243 HORIZON SHOWER BK NHS148-33-40L/R-79 $1,280 HORIZON SHOWER BK NHS148-33-40L/R-86 $1,438 HORIZON SHOWER CH NHS154-11-40L/R-75 $1,246 HORIZON SHOWER CH NHS154-11-40L/R-79 $1,273 HORIZON SHOWER BN NHS154-25-40L/R-75 $1,276 HORIZON SHOWER BN NHS154-25-40L/R-79 $1,304 HORIZON SHOWER BK NHS154-33-40L/R-79 $1,343 HORIZON SHOWER CH NHS160-11-40L/R-75 $1,308 HORIZON SHOWER CH NHS160-11-40L/R-79 $1,332 HORIZON SHOWER CH NHS160-11-40L/R-86 $1,485 HORIZON SHOWER BN NHS160-25-40L/R-75 $1,338 HORIZON SHOWER BN NHS160-25-40L/R-79 $1,364 HORIZON SHOWER BK NHS160-33-40L/R-79 $1,405 HORIZON SHOWER BK NHS160-33-40L/R-86 $1,562 US | 2021 2 CATALOG PRICE INDEX AS OF AUGUST 9th 2021 US FLEURCO SHOWER DOORS IN-LINE SLIDING AND BYPASS COLLECTION PRODUCT CODE USD PRICE as OF AUGUST 9TH 2021 HORIZON TUB CH NHST60-11-40L/R $1,212 HORIZON TUB BN NHST60-25-40L/R $1,243 HORIZON TUB BK NHST60-33-40L/R $1,280 HORIZON TUB CH NHST65-11-40L/R $1,574 HORIZON TUB BN NHST65-25-40L/R $1,599 HORIZON TUB BK NHST65-33-40L/R $1,649 K2 SELECT SHOWER CH K2A45-11-40 $1,981 K2 SELECT SHOWER BN K2A45-35-40 $1,932 K2 SELECT SHOWER CH K2A57-11-40 $2,423 K2 SELECT SHOWER BN K2A57-35-40 $2,322 K2 SELECT SHOWER CH K2A69-11-40 $2,375 K2 SELECT SHOWER BN K2A69-35-40 $2,327 KINETIK SELECT SHOWER CH KTA45-11-40 $2,987 KINETIK SELECT SHOWER BN KTA45-35-40 $2,866 KINETIK SELECT SHOWER CH KTA57-11-40 $3,364 KINETIK SELECT SHOWER BN KTA57-35-40 $3,225 LATITUDE SHOWER BK LA48-33-43-79 $1,324 LATITUDE SHOWER BK LA54-33-43-79 $1,415 LATITUDE SHOWER BK LA60-33-43-79 $1,498 LATITUDE TUB BK LAT60-33-43 $1,370 MERCURY SHOWER CH NMS148-11-40L/R-79 $1,573 MERCURY SHOWER CH NMS148-11-40L/R-86 $1,634 MERCURY SHOWER BN NMS148-25-40L/R-79 $1,616 MERCURY SHOWER BN NMS148-25-40L/R-86 $1,678 MERCURY SHOWER BK NMS148-33-40L/R-79 $1,656 MERCURY SHOWER BK NMS148-33-40L/R-86 $1,717 MERCURY SHOWER CH NMS160-11-40L/R-79 $1,778 MERCURY SHOWER CH NMS160-11-40L/R-86 $1,838 MERCURY SHOWER BN NMS160-25-40L/R-79 $1,824 MERCURY SHOWER BN NMS160-25-40L/R-86 $1,883 MERCURY SHOWER BK NMS160-33-40L/R-79 $1,862 MERCURY SHOWER BK NMS160-33-40L/R-86 $1,919 MERCURY SHOWER CH NMS172-11-40L/R-79 $1,912 MERCURY SHOWER BN NMS172-25-40L/R-79 $1,956 MERCURY SHOWER BK NMS172-33-40L/R-79 $1,995 MERCURY TUB CH NMST60-11-40L/R $1,603 MERCURY TUB BN NMST60-25-40L/R $1,647 MERCURY TUB BK NMST60-33-40L/R $1,684 NOVARA PLUS SHOWER CH NXVS148-11-40L/R $1,657 NOVARA PLUS SHOWER BN NXVS148-25-40L/R $1,700 NOVARA PLUS SHOWER BK NXVS148-33-40L/R $1,734 NOVARA PLUS SHOWER CH NXVS160-11-40L/R $1,839 NOVARA PLUS SHOWER BN NXVS160-25-40L/R $1,882 NOVARA PLUS SHOWER BK NXVS160-33-40L/R $1,922 NOVARA PLUS TUB CH NXVST60-11-40L/R $1,693 NOVARA PLUS TUB BN NXVST60-25-40L/R $1,736 NOVARA PLUS TUB BK NXVST60-33-40L/R $1,769 SKYLINE SHOWER CH NSS148-11-40L/R-75 $1,185 SKYLINE SHOWER CH NSS148-11-40L/R-79 $1,212 SKYLINE SHOWER CH NSS148-11-40L/R-86 $1,364 SKYLINE SHOWER BN NSS148-25-40L/R-75 $1,216 SKYLINE SHOWER BN NSS148-25-40L/R-79 $1,243 US | 2021 3 CATALOG PRICE INDEX AS OF AUGUST 9th 2021 US FLEURCO SHOWER DOORS IN-LINE SLIDING AND BYPASS COLLECTION PRODUCT CODE USD PRICE as OF AUGUST 9TH 2021 SKYLINE SHOWER BK NSS148-33-40L/R-79 $1,280 SKYLINE SHOWER BK NSS148-33-40L/R-86 $1,438 SKYLINE SHOWER CH NSS154-11-40L/R-75 $1,246 SKYLINE SHOWER CH NSS154-11-40L/R-79 $1,273 SKYLINE SHOWER BN NSS154-25-40L/R-75 $1,276 SKYLINE SHOWER BN NSS154-25-40L/R-79 $1,304 SKYLINE SHOWER BK NSS154-33-40L/R-79 $1,343 SKYLINE SHOWER CH NSS160-11-40L/R-75 $1,308 SKYLINE SHOWER CH NSS160-11-40L/R-79 $1,332 SKYLINE SHOWER CH NSS160-11-40L/R-86 $1,485 SKYLINE SHOWER BN NSS160-25-40L/R-75 $1,338 SKYLINE SHOWER BN NSS160-25-40L/R-79 $1,364 SKYLINE SHOWER BK NSS160-33-40L/R-79 $1,405 SKYLINE SHOWER BK NSS160-33-40L/R-86 $1,562 SKYLINE TUB CH NSST60-11-40L/R $1,212 SKYLINE TUB BN NSST60-25-40L/R $1,243 SKYLINE TUB BK NSST60-33-40L/R $1,280 SKYLINE TUB CH NSST65-11-40L/R $1,574 SKYLINE TUB BN NSST65-25-40L/R $1,599 SKYLINE TUB BK NSST65-33-40L/R $1,649 US | 2021 4 CATALOG PRICE INDEX AS OF AUGUST 9th 2021 US FLEURCO SHOWER DOORS SINGLE AND IN-LINE PIVOT COLLECTION PRODUCT CODE USD PRICE as OF AUGUST 9TH 2021 ELERA SHOWER CH ELE133-11-40-79 $1,228 ELERA SHOWER BN ELE133-25-40-79 $1,260 ELERA SHOWER BK ELE133-33-40-79 $1,304 ELERA SHOWER CH ELE139-11-40-79 $1,276 ELERA SHOWER BN ELE139-25-40-79 $1,313 ELERA SHOWER BK ELE139-33-40-79 $1,355 ELERA SHOWER CH ELE145-11-40-79 $1,313 ELERA SHOWER BN ELE145-25-40-79 $1,351 ELERA SHOWER BK ELE145-33-40-79 $1,393 ELERA SHOWER CH ELE151-11-40-79 $1,357 ELERA SHOWER BN ELE151-25-40-79 $1,387 ELERA SHOWER BK ELE151-33-40-79 $1,434 ELERA SHOWER CH ELE157-11-40-79 $1,409 ELERA SHOWER BN ELE157-25-40-79 $1,441 ELERA SHOWER BK ELE157-33-40-79 $1,483 ELERA SHOWER CH ELE169-11-40-79 $1,481 ELERA SHOWER BN ELE169-25-40-79 $1,510 ELERA SHOWER BK ELE169-33-40-79 $1,558 ELERA SHOWER CH ELEP23-11-40-79 $663 ELERA SHOWER BN ELEP23-25-40-79 $675 ELERA SHOWER BK ELEP23-33-40-79 $700 ELERA SHOWER CH ELEP25-11-40-79 $675 ELERA SHOWER BN ELEP25-25-40-79 $688 ELERA SHOWER BK ELEP25-33-40-79 $712 ELERA SHOWER CH ELEP27-11-40-79 $688 ELERA SHOWER BN ELEP27-25-40-79 $700 ELERA SHOWER BK ELEP27-33-40-79 $725 ELERA SHOWER CH ELEP29-11-40-79 $700 ELERA SHOWER BN ELEP29-25-40-79 $712 ELERA SHOWER BK ELEP29-33-40-79 $737 ELERA SHOWER CH ELEP31-11-40-79 $712 ELERA SHOWER BN ELEP31-25-40-79 $725 ELERA SHOWER BK ELEP31-33-40-79 $749 ELERA SHOWER CH ELEP33-11-40-79 $725 ELERA SHOWER BN ELEP33-25-40-79 $737 ELERA SHOWER BK ELEP33-33-40-79 $761 ELERA SHOWER CH ELEP35-11-40-79 $737 ELERA SHOWER BN ELEP35-25-40-79 $749 ELERA SHOWER BK ELEP35-33-40-79 $773 ELERA SPACER CH ELE-SPACER-3/8-11 $81 ELERA SPACER BN ELE-SPACER-3/8-25 $86 ELERA SPACER BK ELE-SPACER-3/8-33 $91 KARA SELECT PIVOT CH PKS23-11-40-70 $754 KARA SELECT PIVOT BN PKS23-25-40-70 $763 KARA SELECT
Load more

Recommended publications
  • La Cultura Italiana
    LA CULTURA ITALIANA BALDASSARE GALUPPI (1706–1785) Thousands of English-speaking students are only familiar with this composer through a poem by Robert Browning entitled “A Toccata of Galuppi’s.” Few of these students had an inkling of who he was or had ever heard a note of his music. This is in keeping with the poem in which the toccata stands as a symbol of a vanished world. Although he was famous throughout his life and died a very rich man, soon after his death he was almost entirely forgotten until Browning resurrected his name (and memory) in his 1855 poem. He belonged to a generation of composers that included Christoph Willibald Gluck, Domenico Scarlatti, and CPE Bach, whose works were emblematic of the prevailing galant style that developed in Europe throughout the 18th century. In his early career he made a modest success in opera seria (serious opera), but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his opera buffa (comic opera) in the new dramma giocoso (playful drama) style. To the suc- ceeding generation of composers he became known as “the father of comic opera,” although some of his mature opera seria were also widely popular. BALDASSARE GALUPPI was born on the island of Burano in the Venetian Lagoon on October 18, 1706, and from as early as age 22 was known as “Il Buranello,” a nickname which even appears in the signature on his music manuscripts, “Baldassare Galuppi, detto ‘Buranello’ (Baldassare Galuppi, called ‘Buranello’).” His father was a bar- ber, who also played the violin in theater orchestras, and is believed to have been his son’s first music teacher.
    [Show full text]
  • Le Opere Europee, 1750-1814
    Le opere europee, 1750-1814 Michele Girardi (in fieri, 18 ottobre 2010) 1751 (1) data luogo titolo librettista compositore Artaserse, Pietro Metastasio Baldassarre opera in tre atti Galuppi 1754 (1) data luogo titolo librettista compositore 26.X Venezia, Teatro Il filosofo di campagna, Carlo Goldoni Baldassarre Grimani di S. dramma giocoso per Galuppi Samuele musica in tre atti 1757 (1) data luogo titolo librettista compositore autunno Venezia, Teatro L’isola disabitata, Carlo Goldoni Giuseppe Grimani di S. dramma giocoso per Scarlatti Samuele musica in tre atti 1760 (2) data luogo titolo librettista compositore 6.II Roma Teatro delle La Cecchina, ossia La Carlo Goldoni Nicola Piccinni Dame buona figliola, opera in tre atti OUIS NSEAUME IV Wien, Burgtheater L’ivrogne corrigée, da L A e Cristoph JEAN-BAPTISTE opéra-comique in due atti LOURDET DE SANTERRE, Willibald Gluck L’ivrogne corrigée, ou le mariage du diable 1761 (2) data luogo titolo librettista compositore 10.VI Bologna La buona figliola Carlo Goldoni Nicola Piccinni maritata, opera in tre atti Armida, opera da TASSO, Tommaso Gerusalemme Liberata Traetta 1765 (2) data luogo titolo librettista compositore 26.I London, King’s Adriano in Siria, dramma Pietro Metastasio Johann Christian Theater per musica in tre atti Bach 2.II London, Covent Artaxerxes, Arne ? Thomas Augustin Garden opera seria in tre atti (da METASTASIO) Arne Artaserse, Pietro Metastasio Giovanni dramma per musica in tre Paisiello atti 1766 (2) data luogo titolo librettista compositore Artaserse, Pietro Metastasio Nicola Piccinni opera in tre atti Venezia La buona figliola Bianchi Latilla supposta, opera 1767 (2) data luogo titolo librettista compositore 13.V Salzburg Apollo et Hyacinthus, Rufinus Widl Wolfgang seu Hyacinthi Amadeus Mozart metamorphosis, commedia in latino 26.XII Wien Alceste, opera in tre atti Ranieri Christoph de’Calzabigi Willibald Gluck (da EURIPIDE, Alceste) 1768 (2) data luogo titolo librettista compositore XI Wien, teatro-giardino Bastien und Bastienne, Friedrich W.
    [Show full text]
  • The Italian Girl in Algiers
    Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music
    [Show full text]
  • Eröffnungsvortrag: Haydns Opern in Ihrer Zeit Und Heute
    ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Wissenschaftliche Arbeiten aus dem Burgenland Jahr/Year: 1992 Band/Volume: 090 Autor(en)/Author(s): Feder Georg Artikel/Article: Haydns Opern in ihrer Zeit und heute. 9-20 Eröffnungsvortrag:© Landesmuseum für Burgenland, Austria, download unter www.biologiezentrum.at Haydns Opern in ihrer Zeit und heute Georg FEDER, Köln “Joseph Haydn und die Oper seiner Zeit” so lautet das Thema unseres Symposions. Haydns Opern in ihrer Zeit und heute sind das Thema dieses ersten Vortrages. Mit ihm möchte ich versuchen, einen kurzen Überblick über Haydns Opernschaffen zu geben, einerseits in historischer Hinsicht, andererseits in Betrachtung der neueren Entwicklungen. Haydns Opernschaffen ist nach den Forschungen und Veröffentlichungen der letzten Jahrzehnte gut überschaubar; Umfang, Gliederung und zeitlicher Verlauf dieses Schaffens lassen sich mit klaren Linien skizzieren. (Vgl. die Tabelle.) Es erstreckte sich über einen Zeitraum von vier Jahrzehnten: von 1751/52 bis 1791. Schauplätze der Uraufführungen waren zuerst Wien, dann Eisenstadt und Esz­ terhäza. Die letzte Oper entstand in London. Den Werkgattungen nach gliedert sich Haydns Opernschaffen in die Gruppe der deutschen Singspiele, mit gespro­ chenen Dialogen, meist in der Sonderform der Marionettenoper, wobei unter lauter heiteren Singspielen ein ernstes vorkommt, und in die Gruppe der italie­ nischen Opern. Zu letzteren gehört zunächst die bei Haydn bald als Opera seria, bald als Dramma eroico oder Dramma per musica bezeichnete ernste Oper, die in kleinerer Form Festa teatrale oder Azione teatrale heißt. Daneben steht die heitere Oper, als Commedia, als Intermezzo, Opera buffa oder Burletta, einmal auch als Dramma giocoso per musica bezeichnet.
    [Show full text]
  • EJC Cover Page
    Early Journal Content on JSTOR, Free to Anyone in the World This article is one of nearly 500,000 scholarly works digitized and made freely available to everyone in the world by JSTOR. Known as the Early Journal Content, this set of works include research articles, news, letters, and other writings published in more than 200 of the oldest leading academic journals. The works date from the mid-seventeenth to the early twentieth centuries. We encourage people to read and share the Early Journal Content openly and to tell others that this resource exists. People may post this content online or redistribute in any way for non-commercial purposes. Read more about Early Journal Content at http://about.jstor.org/participate-jstor/individuals/early- journal-content. JSTOR is a digital library of academic journals, books, and primary source objects. JSTOR helps people discover, use, and build upon a wide range of content through a powerful research and teaching platform, and preserves this content for future generations. JSTOR is part of ITHAKA, a not-for-profit organization that also includes Ithaka S+R and Portico. For more information about JSTOR, please contact [email protected]. GLUCK'S LONDON OPERAS By WILLIAM BARCLAY SQUIRE WV ITH the conspicuous exception of Horace Walpole's letters, we are singularly deficient in social chronicles of the later years of the reign of George II. For con- temporary accounts of the invasion of England by Prince Charles Edward in 1745, of his surprising march to Derby and the consternation it created in London-when the news arrived on a day long remembered as 'Black Friday'-Walpole's letters, which are our chief authority, have to be supplemented by reference to the newspapers of the day.
    [Show full text]
  • Information to Users
    INFORMATION TO U SER S This manuscript has been reproduced from the microfilm master UMl films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer The quality of this reproduction is dependent upon the quality of the copy submitted.Broken or indistinct phnt, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction In the unlikely event that the author did not send UMl a complete manuscript and there are missing pages, these will be noted. Also, if unauthonzed copyright material had to be removed, a note will indicate the deletion Oversize materials (e g . maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMl® UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MICHAEL HEAD’S LIGHT OPERA, KEY MONEY A MUSICAL DRAMATURGY A Document SUBMITTED TO THE GRADUATE FACULTY In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS By MARILYN S. GOVICH Norman. Oklahoma 2002 UMl Number: 3070639 Copyright 2002 by Govlch, Marilyn S. All rights reserved. UMl UMl Microform 3070639 Copyright 2003 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17. United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
    [Show full text]
  • Contracts for Two Drury Lane Actresses in 1822
    Contracts for two Drury Lane actresses in 1822 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wanko, Cheryl. 1995. Contracts for two Drury Lane actresses in 1822. Harvard Library Bulletin 5 (3), Fall 1994: 53-67. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42664028 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 53 Contracts for Two Drury Lane Actresses in 1822 Cheryl Wanko tar actresses have always received better treatment than minor actresses, but in Searlier periods we seldom know the details: just how much better were they treated and in what ways? Tracy C. Davis has provided us with extensive informa- tion on mid- and late-nineteenth-century actresses, but data for the earlier part of the century remains scanty.' A comparison of two previously unknown contracts drawn up in the summer of r 822 by Robert William Elliston, manager of Drury Lane, will furnish useful detail on the terms of agreement for stars and minor play- ers. The first, at Penn State, is a standard printed "Articles of Agreement" between Elliston and a minor actress named Elisabeth Edwards (later Hamilton) dated 19 June. To this agreement is annexed a printed "Table of Regulations" for Drury Lane performers listed but not located by Arnott and Robinson. 2 The second, at the Harvard Theatre Collection, is a special manuscript agreement between Elliston CHERYL w ANKO teaches Restoration and 18th-century and Frederick George Fisher dated 22July concerning Fisher's "Infant Daughter," literature at West Chester Uni- 3 Clara Fisher.
    [Show full text]
  • A Study of Music As an Integral Part
    A Study of Music as an Integral Part of the Spoken Drama in the American Professional Theatre: 1930-1955 By MAY ELIZABETH BURTON A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA August, 1956 PREFACE This is a study of why and how music is integrated with spoken drama in the contemporary American professional theatre. Very little has been written on the subject, so that knowledge of actual practices is limited to those people who are closely associated with commercial theatre-- composers, producers, playwrights, and musicians. There- fore, a summation and analysis of these practices will contribute to the existing body of knowledge about the contemporary American theatre. It is important that a study of the 1930-1955 period be made while it is still contemporary, since analysis at a later date would be hampered by a scarcity of detailed production records and the tendency not to copyright and publish theatre scores. Consequently, any accurate data about the status of music in our theatre must be gathered and re- corded while the people responsible for music integration are available for reference and correspondence. Historically, the period from 1930 to 1^55 is important because it has been marked by numerous fluc- tuations both in society and in the theatre. There are evidences of the theatre's ability to serve as a barometer of social and economic conditions. A comprehension of the ii degree and manner in which music has been a part of the theatre not only will provide a better understanding of the relationship between our specific theatre idiom and society, but suggests the degree to which it differs from that fostered by previous theatre cultures.
    [Show full text]
  • Furbish'd Remnants
    UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 69, 1949-1950, Subscription
    aammeaam SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 6-1492 SIXTY-NINTH SEASON, 1949-1950 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, I95O, BY BOSTON SYMPHONY ORCHESTRA, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown. Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. Shirk, Assistant Managers 897] " p^^^iQ © © © © © Only © » you can decide © © © Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- © © mate disposition is a matter of vital concern to those © you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: "Should I Make a Will?" © © It outlines facts that everyone with property should © know, and explains the many services provided by © this Bank as Executor and Trustee. © © Call at any of our 28 convenient offices, write or telephone © for our booklet: "Should I Make a Will?" © © © © © The Optional © © © Shawmut Bank © 40 Water Street, Boston © Member Federal Deposit Insurance Corporation © © Capital and Surplus $30,000,000 © "Outstanding Strength" for 114 Years © © ©@©©©©©©©©©©@©©©©@©©©©©©©©©©©©© [898] SYMPHONIANA Broadcast from the New Organ Pictures within Pictures C^handlanaier s Tremont and West Streets BROADCAST FROM THE NEW ORGAN Next Sunday morning, at 9:15 (Local Station WEEI), the weekly broadcast by E.
    [Show full text]
  • Francia Vs Irlanda: Oscar Wilde Y La Negociación De La Identidad Dramática
    Quaderns de Filologia. Estudis literaris. Vol. XII (2007) 103-116 FRANCIA VS IRLANDA: OSCAR WILDE Y LA NEGOCIACIÓN DE LA IDENTIDAD DRAMÁTICA Ignacio Ramos Gay Universidad de Castilla-La Mancha Una de las herramientas de exploración interpretativa surgida a partir de la década de los 90 en torno a la figura de Oscar Wilde ha sido la importan- cia concedida a la presencia de la identidad nacional en su obra. A diferencia de todos aquellos autores que, tradicionalmente, identificaron al dramaturgo como uno de los principales artífices, junto a Henry Arthur Jones, Arthur Wing Pinero, W. S. Gilbert, J. T. Grein, Sydney Grundy, George Bernard Shaw o John Galsworthy, de la denominada “English Renaissance” o renacimiento del teatro británico de finales del XIX y principios del siglo XX1, la crítica antropológica y postcolonial de los dos últimos decenios fundamenta su lec- tura de la obra wildeana a partir de sus orígenes irlandeses, desprendiendo significaciones ulteriores que permiten abordar sus escritos desde un prisma 1 El English drama revival se antepone como denominación a toda una serie de autores cuyas dra- maturgias se definen por un intento de superar las tendencias melodramáticas y cómicas en las que se hallaba inmerso el género durante la totalidad del siglo XIX. Enmarcado particularmente en la década de 1890, y representado por los dramaturgos citados más arriba, el denominador común de todos ellos es un retorno al teatro “ennoblecido” con la tarea de guiar al espectador y transmitirle un componente ético que rebase el mero entretenimiento. Además de sobre los escenarios, la mayoría de dichos autores expresó públicamente a través de artículos periodísticos y ensayos los cuatro pilares que habían de reconfigurar el teatro británico del siglo XX.
    [Show full text]
  • Le Opere Europee 1800-1899 Michele Girardi (In Fieri, 20 Gennaio 2019)
    Le opere europee 1800-1899 Michele Girardi (in fieri, 20 gennaio 2019) 1800 (2) Paris Les deux journées 16.I Nicholas Bouilly Luigi Cherubini Théâtre Feydeau melodramma, 3 Paris Le calife de Bagdad Charles Guillaume 16.IX Adrien Boïeldieu OC opera, 1 Etienne 1801 (1) Wien Die Geschöpfe des Prometheus Ludvig van 28.III Salvatore Viganò Hofburgtheater ballo eroico 2p Beethoven 1802 (2) Venezia Le metamorfosi di Pasquale, o 16.I T. San Moisé sia Tutto è illusione nel mondo Giuseppe Foppa Gaspare Spontini farsa giocosa per musica, 1 Venezia Werter e Carlotta Giulio Domenico primavera Vincenzo Pucitta T. San Moisé opera, 1 Camagna 1803 (1) 4.X Paris Anacréon, ou L’amour fugitif R. Mendouze Luigi Cherubini O opéra-ballet 1804 (3) Joseph Marie Paris La petite maison Armand Michel 12.V Gaspare Spontini OC (Feydeau) opéra-comique, 3 Dieulafoy e N. Gersin Dneprovskaja rušalka (L’ondina St Petersburg 17 Ferdinand Kauer Catterino Cavos Bol’šoj Kamenny T. del Dnepr) opera magico-buffa, 3 Victor-Joseph Étienne de Jouy e Paris Milton 12.XI Joseph Marie Gaspare Spontini OC (Favart) fait historique, 1 Armand Michel Dieulafo 1805 (2) Paris Julie, ou Le pot de fleurs 12.III Antoine Gabriel Jars Gaspare Spontini OC (Favart) comédie en prose, mêlée de chants, 1 Wien Fidelio Joseph von Ludvig van 20. I X Theater an der Wien opera, 3 (I vers.) Sonnleithner Beethoven 1806 (2) Paris Les deux aveugles de Tolède 28.I Benoît Marsollier Joseph Méhul OC opera, 1 Joseph von 29 Wien Fidelio Theater an der Wien opera, 3 (IIa vers.) Sonnleithner 2 1807 (3) Mosca Илья-Богатырь (Il’ja il prode) 12.I Ivan Krïlov Catterino Cavos Bol’šoj grande opera magico-buffa, 4 Paris Joseph 17.II Alexandre Duval Joseph Méhul OC drame en prose mêlé de chants, 3 Paris La Vestale 15.XII V.
    [Show full text]