CHUS Newsletter 61
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Warlord Era” in Early Republican Chinese History
Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History By Jonathan Tang A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Wen-hsin Yeh, Chair Professor Peter Zinoman Professor You-tien Hsing Summer 2019 Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History Copyright 2019 By Jonathan Tang Abstract Mutiny in Hunan: Writing and Rewriting the “Warlord Era” in Early Republican Chinese History By Jonathan Tang Doctor of Philosophy in History University of California, Berkeley Professor Wen-hsin Yeh, Chair This dissertation examines a 1920 mutiny in Pingjiang County, Hunan Province, as a way of challenging the dominant narrative of the early republican period of Chinese history, often called the “Warlord Era.” The mutiny precipitated a change of power from Tan Yankai, a classically trained elite of the pre-imperial era, to Zhao Hengti, who had undergone military training in Japan. Conventional histories interpret this transition as Zhao having betrayed his erstwhile superior Tan, epitomizing the rise of warlordism and the disintegration of traditional civilian administration; this dissertation challenges these claims by showing that Tan and Zhao were not enemies in 1920, and that no such betrayal occurred. These same histories also claim that local governance during this period was fundamentally broken, necessitating the revolutionary party-state of the KMT and CCP to centralize power and restore order. Though this was undeniably a period of political turmoil, with endemic low-level armed conflict, this dissertation juxtaposes unpublished material with two of the more influential histories of the era to show how this narrative has been exaggerated to serve political aims. -
Frances Eleanor Anderson Memoirs
Memoirs: Frances Eleanor Anderson Table of Contents Acknowledgements ....................................................................... 2 China ............................................................................................. 2 California – Nursing School ....................................................... 13 Cedar Rapids, Iowa ..................................................................... 17 Sikeston, Missouri ....................................................................... 18 Mississippi ................................................................................... 21 By Train to Spokane .................................................................... 22 Crossing the Atlantic in Wartime ................................................ 25 Train, Boat, and Truck through Africa, 1945 ............................. 28 Ethiopia ....................................................................................... 29 The Palace ................................................................................... 32 Gimbie ......................................................................................... 34 Ethiopia, the Final Years ............................................................. 37 Yakima ........................................................................................ 39 La Sierra ...................................................................................... 41 Yakima Again ............................................................................. 42 Highland, -
From the Zhou to Qing Dynasties)
Journal of Chinese Humanities � (�0�5) �-3 brill.com/joch Editor’s Note After more than a year in preparation, the first edition of Journal of Chinese Humanities has finally arrived. Our intention behind creating this new journal is to allow the entire aca- demic world to better understand and observe China, to allow all scholars to follow the academic trends happening within China, to provide scholars with a way to stay abreast of the current thought and research coming out of China. If we are successful in providing such service to the reader, we have become what we sought out to be: an intellectual bridge between China and her out- side observers, in other words, a bridge between those who study China and the China that they study. It is important to understand China. China is not only ascending to the world stage, but also solidifying her central position on that stage. And as has been the case every time a new power emerges, the world order changes with it. There is no reason to believe that China’s ascension will be any different. China has had an increasing presence and influence on world affairs over the last few decades, but this has not changed the fact that, in the eyes of too many, China and all that her long culture entails remain a mystery. It is ironic that a nation so large can remain behind a cloud mystery for so long, yet China never ceases to confound and astound the outside world in what it has achieved and how it has endured. -
Photographing Chinese History in the Making
Journal of Chinese Humanities � (�0�5) �70-�93 brill.com/joch The Refracted Moment: Photographing Chinese History in the Making Bruno Lessard Abstract This article examines the way in which both Western and Chinese photographers have documented Chinese history in the making by focusing on the photographic docu- mentation of two key events in the formation of Chinese society: the 1911 Revolution that laid the foundation for the birth of the republic and the “energy revolution” that was the Three Gorges Dam project (1994-2012). The major difference between the two revolutions is that the latter was documented by the Chinese themselves. No longer relying upon images made by Westerners exclusively, as was the case in 1911, the Chinese appropriated this monumental event in their history to archive it photo- graphically. The article offers a conceptual framework for understanding revolution- ary events in the context of historiography and photography history. The analysis of various photographs of the 1911 Revolution by Francis Stafford and of the Three Gorges Dam project and area by Edward Burtynsky, Bill Zorn, Zeng Nian, and Yan Changjiang shows that the event remains an evanescent and quasi-impossible entity to capture photographically, and that photographers can only archive its refracted presence in the faces, landscapes, and objects in front of the lens. What the pictures unveil is that the refracted moments of these two events are far more significant than the actual events themselves for the photographers under study. Keywords 1911 Revolution – Three Gorges Dam – documentary photography – landscape photography – event * Bruno Lessard is Assistant Professor in the School of Image Arts, Ryerson University, Toronto, ON, Canada.