Undergraduate Year
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Accommodation Map
The University of Manchester Accommodation Map OXFORD S Key - Alphabetical Order CITY CENTRE Accommodation Office & Lambert Hall 33 FAIRFIELD STREET Manchester Student Homes 1 T WHITWORTH ST Linton House 20 33 LO PICCADILLY WHITWORTH STCAMBRIDGE W ROW GRANBY N Allen Hall 2 S DO STATION Manchester Aquatics Centre 42 AC T TREE K 6 N ROAD ES S V RL PR CHA ILLE Armitage Sports Centre 11 IN 7 Moberly Hall 23 CE 32 STREET S T SS S T Ashburne Hall & Sheavyn House 3 Oak House 25 A Y A Bowden Court 14 ANCUNIAN W R Opal Hall 27 M D 21 W OX T CAM REE I 40 ST C OR K Brian Redhead Court 40 OSVEN Opal Gardens 41 B GR U G RIDGE S R E 13 E PP N Broomcroft House 24 S Owens Park 26 JA 27 F T H CK 14 T REET H S Canterbury Court 4 ON C E Richmond Park & the Firs Villa 37 ORD42 ROAD15 R R E IG E Chandos Hall 6 S ST Ronson Hall 15 E HER TH H NT O ST Y BO D B ICK E ROAD Dalton-Ellis Hall & Sutherland 10 W NSW St. Anselm Hall 28 CAM S ST TH ROOBRU EET OO T TR B B L S B L O & Pankhurst Court ONSA RID O B U 1 St. Gabriel’s Hall 29 ND ST K G C C A E Grafton House 39 S R NSWI K Y L Sugden Sports Centre 21 T BRU R K P EET A N OR Grosvenor Place 13 E S Vaughan House 35 35 PL LLO 23 T & Grosvenor Street Building T YMOU Y EE T Weston Hall 7 D 39 R ROAD ST N S O Hardy Farm Residence 16 36 FT R T RA . -
Rusholme Calendar Phil Barton.Pdf
CALENDAR 2017 CALENDAR RUSHOLME RUSHOLME Rusholme greening projects in projects greening TREASURES OF RUSHOLME OF TREASURES will go to community to go will E V I T A E R C C 100% of purchase price purchase of 100% TREASURES OF RUSHOLME & VICTORIA PARK 2017 How many of the buildings and scenes in the Treasures of Rusholme Calendar did you recognise? We are proud of our heritage and of our vibrant present and hope that the calender has encouraged you to look anew at our wonderful neighbourhood. There is so much to see and do in Rusholme! This calendar has been produced by Creative Rusholme as part of our mission to raise the profile of our community and to develop the huge cultural potential of our neighbourhood on Manchester’s Southern Corridor. With two galleries, three parks, a major conservation area, residents from all over the world, including many thousands of young people and on a major transport route to the hospitals, universities and through to the city centre, Rusholme has it all! And we’d like everyone to know it. All aspects of the calendar have been provided free of charge. Based on an original idea by local resident Elaine Bishop, local artist and photographer Phil Barton took all the photographs and put the calendar together. Copyright for all images and text rest is retained by Phil Barton ©2016 and you should contact him if you wish to purchase or use any image [email protected]. The design and printing of the calendar has been undertaken free of charge by Scott Dawson Advertising (www.scottdawson.co.uk) as part of their commitment to supporting community endeavour. -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
Thurs 25 March Additional Programme Information 090310
From the Margins to the Core? Conference Additional Programme Information Day 2 - Thursday 25 March 2010 Connecting or Competing Equalities? 09.30-09.50 Title: Diversity and cultural policy This presentation will suggest how contemporary concerns with diversity and difference present particular challenges for mainstream art historical and curatorial practice. It will locate Dr Leon Wainwright’s own practice, which overlaps historical research, collaborations with museums and galleries, and curatorial work. Briefly, he will set out the broader intellectual background on which the concept of ‘margins and core’ has emerged in the academy, and suggest why opportunities for exploring transnationalism may also become the site of ‘competing equalities’. The examples for this range from the institutional life in Britain of World Art Studies, and two exhibitions in Liverpool in 2010. Chair: Dr Jo Littler, Senior Lecturer in Media and Cultural Studies at Middlesex University As well as being the Senior Lecturer in Media and Cultural Studies at Middlesex University, Jo Littler is co-editor, with Roshi Naidoo, of The Politics of Heritage: The Legacies of Race (Routledge 2005), author of Radical Consumption? Shopping for change in contemporary culture (Open University Press, 2009) and an associate editor of Soundings. Speaker: Dr Leon Wainwright, Senior Lecturer in History, Art & Design, Manchester Metropolitan University Leon Wainwright is Senior Lecturer in the History of Art and Design at Manchester Metropolitan University, Visiting Fellow at the Yale Center for British Art, a member of the editorial board of the journal Third Text, and Guest Curator, with Reyahn King, of Aubrey Williams Atlantic Fire (Walker Art Gallery, Liverpool, 2010). -
General Information for the Fallowfield Campus 2014/2015
General Information for the Fallowfield Campus 2014/2015 WELCOME TO THE FALLOWFIELD CAMPUS This information booklet is designed to help answer some essential questions you might need to ask when you first arrive. Please read it in conjunction with your Terms and Conditions and the other Hall information in your welcome pack. The Wardens, tutors and student committees are here to assist you and will do their best to introduce themselves during Welcome week. Tutors can be either contacted via the Duty Tutor mobile number which is published in your pastoral arrangements, or by contacting Campus reception .The duty tutor is on duty in the evenings and at weekends to deal with emergencies outside of regular office hours. Reception Services Fallowfield Campus Central Reception, located at Owens Park is open 24 hours a day, seven days a week. Staff on duty can be contacted on 0161 306 9900 Central Administration Central Administration for Fallowfield Campus is located at Campus Reception. It is open Monday to Friday 9am – 5pm. This is where you can pay your residential fees if you have not arranged a direct debit .Please note payments can only be made between 0900hrs – 1600hrs. Security Service Campus security can be contacted on the free phone number 0800 838907. We recommend that students put this number in their mobile telephones in case of emergencies. All security personnel are trained First Aiders. Doctors A number of local doctor’s surgeries have information desks on the Campus between11th – 14th Sept please remember to bring your medical card with you. The Mauldeth Medical Centre based in Fallowfield holds weekday surgeries on campus. -
MACFEST MUSLIM Arts and CULTURE FESTIVAL
MACFEST MUSLIM ARTs AND CULTURE FESTIVAL CELEBRATING ARTS AND CONNECTING COMMUNITIES OVER 50 EVENTS JANUARY - MAY 2020 WWW.MACFEST.ORG.UK [email protected] @MACFESTUK FESTIVAL HIGHLIGHTS METALWARE FROM KEYNOTE ADDRESS FAMOUS WRITERS: THE KHALEEQ BY PROF SALIM FIRDAUSI COLLECTION AL-HASSANI CULTURAL HUBS: CREATIVE PAPER CELEBRATING OUR WOMEN OF SCIENCE CUTTING WORLD AND DIVERSE CULTURES MUSICAL FINALE SPANISH AL FIRDAUS WITH SOAS ENSEMBLE AT THE COLLECTIVE LOWRY WELCOME MUSLIM ARTS AND CULTURE FESTIVAL Welcome to our second MACFEST, a ground- Art Gallery). We are delighted to partner with breaking and award-winning Muslim Arts and Rochdale and Huddersfield Literary Festivals, Culture Festival in the North West of the UK. Rossendale Art Trail/Apna Festival, Stretford Its mission: celebrating arts, diversity and Festival and Greater Manchester Walking connecting communities. Festival. We are proud to offer you a rich feast of over 50 In addition, various schools, Colleges and the events in 16 days across Greater Manchester University of Manchester are hosting MACFEST celebrating the rich heritage of the Muslim Days, with arts and cultural activities. We are diaspora communities. There is something delighted to bring you a great line up of local, for the whole family: literature, art, history, national and international speakers, performers music, films, performance, culture, comedy, art and artists including singers and musicians from exhibitions, demonstrations, book launches, Spain and Morocco. debates, workshops, and cultural hubs. MACFEST’s opening ceremony on the 11th Join us! Over 50 events across Greater January 2020 is open to the public. Manchester and the North West are free. The venue for the packed Weekend Festival Enjoy! on 11th and 12th January, is the iconic British Muslim Heritage Centre in Whalley Range. -
How to Write a Press Release
How to Write a Press Release Published by All About Audiences 2010 This useful guide explains what you should include on a press release to ensure it grabs the attention of the recipient. It includes a generic template you can use, along with two annotated examples of a press release and photo opportunity. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences and Audiences London Plus in 2012. © The Audience Agency 2012 Example Press Releases Generic template YOUR ORGANISATION’S LOGO PRESS RELEASE Date of issue YOUR TITLE SHOULD ATTRACT ATTENTION AND MAKE IT CLEAR WHAT THE PRESS RELEASE IS ABOUT The first paragraph should summarise what, where, who and when. Subsequent paragraphs should give more detail about your story. The second last paragraph could be a quote from someone relevant to support the press release. The last paragraph can be used to reinforce any key points or provide any additional information not important enough to go at the beginning. ENDS For further information and images contact : Provide the name, email and telephone number of the person the media should contact for more information. Notes to Editors : This section is not essential, but you may find it useful to provide more general information, such as a description of what your organisation does. 17 March 2011 Comment [c1]: This is the date the press release was PRESS RELEASE FOR IMMEDIATE RELEASE issued to the media. Comment [c2]: This states The Evolutionist: A Darwin Extravaganza at The Manchester Museum that it is a press release – making its purpose clear. -
Bridget Riley Born 1931 in London
This document was updated March 3, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Bridget Riley Born 1931 in London. Live and works in London. EDUCATION 1949-1952 Goldsmiths College, University of London 1952-1956 Royal College of Art, London SOLO EXHIBITIONS 1962 Bridget Riley, Gallery One, London, April–May 1963 Bridget Riley, Gallery One, London, September 9–28 Bridget Riley, University Art Gallery, Nottingham 1965 Bridget Riley, Richard Feigen Gallery, New York Bridget Riley, Feigen/Palmer Gallery, Los Angeles 1966 Bridget Riley, Preparatory Drawings and Studies, Robert Fraser Gallery, London, June 8–July 9 Bridget Riley: Drawings, Richard Feigen Gallery, New York 1967 Bridget Riley: Drawings, The Museum of Modern Art (Department of Circulating Exhibitions, USA): Wilmington College, Wilmington, February 12–March 5; and Talladega College, Talladega, March 24–April 16 Bridget Riley, Robert Fraser Gallery, London Bridget Riley, Richard Feigen Gallery, New York 1968 Bridget Riley, Richard Feigen Gallery, New York British Pavilion (with Phillip King), XXXIV Venice Biennale, 1968; Städtische Kunstgalerie, Bochum, November 23–December 30, 1968; and Museum Boijmans Van Beuningen, Rotterdam, 1969 1969 Bridget Riley, Rowan Gallery, London Bridget Riley: Drawings, Bear Lane Gallery, Oxford [itinerary: Arnolfini Gallery, Bristol; Midland Group Gallery, Nottingham] 1970 Bridget Riley: Prints, Kunststudio, Westfalen-Blatt, Bielefeld Bridget Riley: Paintings and Drawings 1951–71, Arts -
A History of the University of Manchester Since 1951
Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press. -
Your New Home
WELCOME TO YOUR NEW HOME 2017-2018 #HelloManchester WELCOME TO YOUR NEW HOME A very warm welcome to the University of Manchester Halls of Residences. I hope that you will find our halls an excellent place in which to live. Our vision is to provide the best residential experience where everyone is continually striving to improve the standards and services we provide. As the Director of Residences it is my responsibility to lead the provision of services and facilities within the Residences operation and support the management teams who are responsible for delivering those services. Just over 450 people work within the Residences. During your time in halls you will meet a number of people whose role it is to make sure life runs smoothly so that you can concentrate on making a positive commitment to your studies as well as enjoying your experience as a student here at The University of Manchester. Within your Hall of Residence this will include the ResLife team, the Domestic Services team, the Accommodation Administration team and if in catered halls, the Food in Residence team. Please feel free to ask their advice because they are here for your benefit. All that we ask is that you are polite to them and respectful to each other. Everyone working in Residences places great importance on customer service and this includes a commitment to ensuring our services are the best. We accept that sometimes things go wrong and we welcome feedback on our services, facilities and staff and I would like to encourage you to contact us if there is anything you would like us to know about, whether it is complimentary or otherwise. -
Cornerhouse Manchester
Audience Research: Cornerhouse Manchester Published by All About Audiences A summary of the findings of seven pieces of audience research: Cornerhouse Audience Profiling Report Cornerhouse Economic Impact Summary In-Depth Interviews with Audience Members Market Assessment Online Survey of Cornerhouse Website Users On-Site Survey with Visitors to Cornerhouse Manchester Single Spies Mystery Shopping Research The research and recommendations were used to inform Cornerhouse’s marketing and communications strategy. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences, formerly Arts About Manchester, and Audiences London Plus in 2012. © The Audience Agency 2013 Cornerhouse Audience Research Executive Summary August 2010 Introduction This Executive Summary is based on the findings of seven individual research reports produced by All About Audiences for Cornerhouse in March 2010: Cornerhouse Audience Profiling Report Cornerhouse Economic Impact Summary In-Depth Interviews with Audience Members Market Assessment Online Survey of Cornerhouse Website Users On-Site Survey with Visitors to Cornerhouse Manchester Single Spies Mystery Shopping Research The research will be used to inform Cornerhouse’s marketing and communications strategy going forward. A similar research exercise was carried out in 2005 which has been used as a baseline for understanding how the venue’s audience has changed over time. Each report has its own executive summary. This report does not repeat these but seeks to draw out the main findings overall and to make recommendations for action, based on the research. Key Findings The overall messages from the research are very positive. Cornerhouse has a strong, distinctive brand and image that is easily recognisable. -
MAGPIE Report
The MAGPIE programme A summary of the practice and impacts of a partnership between museums and schools in Manchester 2004-2010 Edited by Jael Edwards March 2011 Forward This report details the lasting impacts of an innovative partnership between Manchester Children’s Services, local schools and cultural organisations. The programme focused on increasing children’s enjoyment and attainment through creative literacy work. “The success of the Museum and Galleries Partnership in Education (MAGPIE) programme has shown that museums and galleries can have a measurable impact on the aspirations and attainment of pupils and increase the confidence of their teachers to work with cultural organisations. By working closely and sharing objectives with Children’s Services we can help pupils achieve their potential and use the MAGPIE model to create a sustainable and powerful legacy for partnership working.” Virginia Tandy, Director of Culture: Manchester City Council “One of the main successes of the MAGPIE programme has been the way schools have embedded museums and galleries partnership work into their curriculum. Some schools now have a creative approach to such work written into their whole -school policy; there is a strong network of Lead Practitioners providing peer to peer and school to school support and the training element of MAGPIE has enabled teachers to take on self-guided projects thus enhancing the projects and resources of the museums and galleries.” Wendy Middlemas, Head of Education Services, Manchester Children’s Services 2 Contents