PRODUCTION GUIDE POLAND CONTENTS
FILM PRODUCTION FUNDING 3
Polish Film Institute 4 Polish-German Film Fund 5 30% Cash Rebate In Poland 6 Regional Film Funds 8 European Programmes 10
FILM INDUSTRY 11
Polish Cinema Today 12 Film Commissions 22 Film Studios 24 Sound Stages 30 Sound Postproduction Studios 36 Re-Recording Stages 38 Scoring & Mixing Studios 40 Producers 42 Casting Directors 48 TV Market & Broadcasters 50 Distributors 52 Film Events 54 Professional Organisations 56 FILM PRODUCTION FUNDING
Polish Film Institute (PISF) is the national film fund that offers comprehensive support for the Polish film industry, including film production, education and dissemination of film culture and international promotion. The Institute was established in 2005 and to date has co-financed more than 600 films. PISF is the first contact point for international professionals interested in making films in Poland.
Film Commission Poland (FCP) operates within the structure of the Polish Film Institute and its main goal is to promote the immense potential of the Polish film industry and variety of locations abroad. FCP closely cooperates with the network of regional film commissions, runs a comprehensive database of film locations and acts as the liaison between international producers and companies and professionals in the Polish film industry.
Polish Film Institute ul. Kruczkowskiego 2 00-412 Warsaw, Poland www.pisf.pl
MR. JONES (2019) DIR.FILM AGNIESZKA INDUSTRY HOLLAND3 POLISH FILM INSTITUTE budget, estimated production costs, • a letter of intent from a Polish actress or at least three artists POLISH-GERMAN Each co-producer receives part script rights agreement etc.); distributor is required; among listed: VFX supervisor, of the subsidy proportional to their • applicants must provide a proof • co-production projects are evalu- composer, sound designer, FILM FUND financial contribution in the total Financial support of the (letters of intent, a memorandum ated based on artistic potential and make-up artist, costume designer, cost of the project development/ Polish Film Institute or a co-production agreement) of must compete against domestic actor/actress in the supporting The Polish-German Film Fund (PGFF) co-production, which has to be de- the remaining sources of financing projects (same funding sources). role (two actors in supporting roles is created by the Polish Film Institute, termined in the co-production agree- With a budget of EUR* 25 million for (i.e. excluding the grant requested demands hiring additional two Medienboard Berlin-Brandenburg, ment. The financial contribution of production, the Polish Film Institute from the Institute); There are 3 application calls within people from the listed above); Mitteldeutsche Medienförderung each producer in the total cost of the (PISF) supports annually over 200 • decisions are taken within 90 days; a year, in 2020: 10–17 January; • ANIMATIONS: at least 30% of anima- (MDM), and the German Federal Film project has to constitute at least 20% feature, documentary and animated • the grant decision remains valid for 20–24 April; 2–9 September. tion must be done in Poland and at Board (FFA). Its annual budget amounts of the total cost including the subsidy. film projects. A subsidy granted by six months, this can be extended to least one Polish artist among listed: to 500,000 EUR. During the realization of the project, the PISF for all kinds of film genres a maximum of another six months; Minority International director of animation, storyboard Eligible for funding: a significant part of the total cost to may not exceed 50% (70% in case • during this period, the producer Co-Production writer, author of artistic project; • development of co-production the amount of the subsidy has to be of a difficult film) of the total film must finalise an agreement with • DOCUMENTARIES: at least one of the projects (full-length features, anima- spent in Poland and in the region of budget and the limits set out by the the PISF (having completed the • The maximum subsidy is set up following: use of Polish archives, tions and creative documentaries); the relevant German fund (regional PISF. When applying for production budget and signed the remaining at PLN 2 million (ca. EUR 470,000) Polish character or subject, Polish • full-length feature, animation and effects). funding, the producer is obliged to production agreements); for a fiction feature; PLN 500,000 artist (cinematographer, com- creative documentary projects as Decision-making sessions take contribute a minimum of 5% of the • producers may apply for up to (ca. EUR 117,000) for a documentary; poser, editor), the topic must be well as production of full-length, place twice a year. The next application PISF’s subsidy. This contribution may be three projects per application and PLN 1 million (ca. EUR 234,000) related to Poland (historically or low-budget films – here also debuts deadline: end of July / beginning financial or a combination of financial round, including projects from for an animation; geographically). and innovative films are eligible. of August. contribution and contribution in kind. previous application rounds with • the support cannot exceed 70% of • minority co-productions are as- To be eligible for application, it At the same time, a contribution in kind a pending decision; the Polish financing; sessed by a dedicated commission is necessary to sign a development/ More information: may constitute no more than 95% of • if the film makes a profit, the grant • for bilateral co-productions, in a one-stage procedure, the final co-production agreement by at least Ilona Krupa the producer’s entire contribution. is to be reimbursed (applicable in the Polish contribution must be at decision is at the discretion of the one Polish producer with at least tel. +48 22 10 26 489 the first six years after the film’s least 10% of the total budget and General Director. one producer based in a region in [email protected] premiere). for multilateral co-productions, which MDM or Medienboard operate. International Co-Productions the Polish contribution must be There are 2 application calls within There are no territorial restrictions Majority International at least 5% of the total budget; a year, in 2020: 10–17 January; 2–9 for German producers in case of Application Process Co-Production • at least 80% of the support has to September. development application. Participation be spent in Poland; of producers from third countries is • Producers from the whole • The maximum subsidy for a contem- • the application must be submitted More information: possible. The funding from the PGFF European Economic Area are porary full-length feature film is set at before the shooting period; Karol Makowski can be combined with regular grants eligible for application; however, PLN 4 million (ca. EUR 940,000) or no • a letter of intent from a Polish tel. +48 22 102 64 86 from the respective Funds. it is strongly advised to have more than 50% of the total budget distributor is required; [email protected] The funding is granted from the a Polish co-producer on board; and PLN 6 million (ca. EUR 1,408,000) • the artistic contribution must be Polish side in the form of a subsidy. • all applications (including attach- for historic films; at least 80% of the adequate to the requested subsidy Konrad Tambor The maximum funding is: ments) are to be submitted in Polish; support has to be spent in Poland; and meet the following minimum tel. +48 22 102 64 84 • 70,000 EUR for project • to be eligible for consideration, • the application must include details requirements: [email protected] development; applications must contain every on the total amount to be spent on • FICTION FEATURES: at least one • 150,000 EUR for film production. single piece of accompanying Polish territory, as well as a list of Polish artist among listed: director, The total production budget should information that is requested (script, creative and production elements screenwriter, cinematographer, not exceed 750,000 EUR. director’s explication, synopsis, contributed by the Polish side; set designer, editor, leading actor/ *Average exchange rate: 1 EUR = 4.26 PLN
4 FILM PRODUCTION FUNDING BACK TO CONTENTS BACK TO CONTENTS FILM PRODUCTION FUNDING 5 30% CASH REBATE the production for which cash rebate is the application was submitted Eligible costs Certificate requested. (e.g. shooting, postproduction or IN POLAND the whole production) is completed The Polish eligible costs include, An optional certificate confirming the and the final report accepted. among others: location scouting, pro- project’s eligibility, but not guarantee- Overview Limits duction design, costumes, equipment ing the money is possible to secure. rental, travel and accommodation, There is no application fee and an ap- The audiovisual production support • The annual budget is up to PLN 200 Qualifying test postproduction, animation, and labour plication is assessed by PISF within 28 system (financial incentives) is regu- million (ca. EUR 50 million); costs. A detailed list of costs that may days. The application must receive at lated by the Act on Financial Support • a cap per project is PLN 15 million A cultural qualifying test applies. constitute Polish eligible costs and least 51% of all possible points in the for Audiovisual Production and offers (ca. EUR 3.5 million); It contains a set of criteria and a corre- a detailed list of costs excluded from cultural test to qualify for the support. reimbursement of production costs • a cap per applicant is PLN 20 million sponding score. The application must eligibility is available on the Polish The certificate is valid for 4 years. incurred in Poland in the amount of (ca. EUR 4.7 million per year); receive at least 51% of all possible Film Institute website. 30% of Polish eligible expenditures. • minimum spending levels apply points in the cultural test to qualify Funds allocated to support audiovisual (see table on the next page). for the support. The project receives production come directly from the points for: state budget and are distributed • using subjects and threads deriving Eligible productions throughout the year until they are Conditions from Polish or European cultural depleted. At least 10% of the an- heritage; TYPE OF PRODUCTION MINIMUM RUNTIME MINIMUM SPEND (PLN) nual budget is intended to support • The application for support may • using Polish locations; FICTION FEATURE FILM co-production 3,000,000 (in 2020) animated productions. The system is be submitted if at least 75% of • setting the production in Poland 70 min. 4,000,000 (from 2021) managed by the Polish Film Institute, production financing is confirmed; (number of shooting days, image service 1,000,000 the main funding body supporting • a producer applying for the cash and sound postproduction); FICTION SERIES co-production 1,000,000 / episode production in the country. rebate needs to have credits – a film • participation of Polish or European 40 min. / episode screened in cinemas, presented artists and crew members; service 1,000,000 / season DOCUMENTARY FEATURE co-production 300,000 Reimbursement is available for feature at FIAPF accredited festivals or • using Polish film infrastructure. 40 min. films, animations, documentaries and broadcast on TV / VOD; service 300,000 DOCUMENTARY SERIES co-production 1,000,000 / season series – fiction, animated and docu- • an agreement between a foreign 150 min. / season mentary. The return is available for the producer and a Polish producer service 300,000 / season ANIMATED FEATURE co-production 1,000,000 production of Polish and international needs to be signed before applying; 60 min. co-productions and services provided • an application for support may be service 500,000 ANIMATED SERIES co-production 1,000,000 / season for foreign productions. The cultural submitted no earlier than 12 months 50 min. / 10 episodes / season qualification test and minimum before the start of the work to be cov service 500,000 / season spending thresholds apply. Limits per ered by financial support and no later project and applicant apply. To apply than before the start of this work; for support a Polish partner or com- • the Polish Film Institute takes up More information: pany registered in Poland is required. to 28 calendar days to assess the [email protected] There are no deadlines; applications application; en.pisf.pl/incentives are processed in order of submission • an application fee is 0.05% of the until the funds for a given year are estimated amount of support, but no depleted. The reimbursement is paid more than PLN 1,000 (ca. EUR 240); upon positive verification of the final • the reimbursement is paid when the report on production or the part of part of the production for which
6 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 7 FILM FUND’S REGIONAL FILM FUNDS BUDGET IN EUR SUM TO BE EXPENDED ALL SUPPORTED PROJECTS FUND CONTACT FORM OF SUPPORT IN 2019 IN THE CITY/REGION (LAUNCH – 2019) 1 EUR = 4,26 PLN There are currently eleven operating funds, but the authori- Gdynia Film Fund [email protected] 105,633 co-producer: 30% of the 44 projects: GDYNIA www.ckgdynia.pl +48 501 518 500 Centrum Kultury allocated sum 15 features, ties in the regions not yet covered have declared that more w Gdyni 26 documentaries, 3 animations will be launched. In the case of Dolnośląskie, Małopolskie, warmińsko-mazurskie Mazowieckie, Podkarpackie, Śląskie, Łódź and Poznań, the SZCZECIN Lower Silesia Film Fund [email protected] 258,215 co-producer: 100-150% of the 76 projects: OLSZTYN www.wroclawfilmcommission.pl/dkf +48 71 792 70 93 Dolnośląskie sum allocated 38 features, regional film commissions work alongside the film funds. zachodnio-pomorskie +48 531 693 290 Centrum Filmowe 33 documentaries, In general, the Polish regional film funds seek film +48 603 693 033 5 animations projects by announcing competitions. One basic condition Lublin Film Fund [email protected] 105,633 grant refund 50% of the sum 30 projects: POZNAŃ www.film.lublin.eu [email protected] allocated 8 features, for entering a project for a competition is that it is related mazowieckie [email protected] 20 documentaries, to a city or town in the region, or to the region itself, either +48 723 440 032 1 animation, in its theme and / or its setting, or through the participa- WARSAW +48 697 620 630 1 TV series tion of local people and companies in its production. +48 535 602 40 Support is also contingent on the expending of at least Łódź Film Fund [email protected] 328,638 co-producer: 150% of the sum 89 projects: ŁÓDŹ www.lodzfilmcommission.com [email protected] EC1 Łódź– Miasto allocated 34 features, 100% of the funding within the region; in some cases, the dolnośląskie łódzkie LUBLIN +48 42 600 61 63 Kultury 28 documentaries, +48 605 054 235 27 animations sum to be expended is 150%. The competition organisers WROCŁAW are interested in consolidating and enhancing the positive Krakow Regional Film Fund [email protected] 348,239 co-producer: 150% of the sum 58 projects: śląskie www.film-commission.pl +48 12 354 25 53 Krakowskie Biuro allocated 28 features, image of the city, town or region, which is why projects +48 508 120 413 Festiwalowe 23 documentaries, RZESZÓW intending to use distinctive locations, sites and buildings KATOWICE 7 animations receive the most favourable assessments. Mazovia Warsaw Film Fund [email protected] 422,535 co-producer: 150% of the sum 62 projects: KRAKÓW The Polish regional film funds differ in terms of the podkarpackie www.mff.mazovia.pl [email protected] Mazowiecki allocated 24 features, małopolskie Instytut Kultury 37 documentaries, budgets they manage, the form of support they provide 1 animation and the sums which must be expended in their cit- Podkarpackie Film Fund [email protected] 117,370 co-producer: 100% of the sum 35 projects: ies, towns and region during the production of a film. www.podkarpackiefilm.pl +48 721 288 004 Wojewódzki Dom allocated 9 features, Support most often takes the form of the institution Kultury w Rzeszowie 25 documentaries, 1 animation managing the fund participating in the production as film fund operating in the city Poznan Film Fund [email protected] 21,126 co-producer: 100% of the 42 projects: a co-producer with its own financial or in-kind contribu- www.poznanfilmcommission.pl +48 61 852 88 33 ext. 48 Estrada Poznańska allocated sum 6 features, tion. Other forms of support are non-repayable grants film fund operating in the region +48 691 637 752 26 documentaries, 2 animations, or refunds, in other words, a partial reimbursement of 7 shorts, the costs incurred, which is paid after the production has 1 music video been completed. All the Polish film funds provide sup- Silesian Film Fund [email protected] 158,900 co-producer: 100–150% of the 70 projects: port of up to 50% of the film’s budget, although in the www.silesiafilmcommission.com +48 32 351 12 20 ext.203 Instytucja Filmowa sum allocated 33 features, +48 698 353 147 „Silesia – Film” 30 documentaries, case of documentaries and animated films, the funding w Katowicach 7 animations may be higher. Warmia-Masuria Film Fund [email protected] 164,319 co-producer: 100-150% of the 18 projects: The regional film funds usually announce the competi- www.funduszfilmowy.warmia. +48 89 513 17 50 Centrum Edukacji sum allocated 6 feature, tions once a year, with the assessment of the projects and mazury.pl +48 501 506 400 i Inicjatyw Kulturalnych 10 documentaries, w Olsztynie 2 animation allocation of funding taking anything from sixty to one Western Pomeranian Film Fund [email protected] 152,582 co-producer: Zamek 100% of the sum 97 projects: hundred and twenty days. Foreign producers are also Pomerania Film +48 91 434 83 52 Książąt Pomorskich allocated 15 features, welcome to submit projects, though preferably as partners www.pomeraniafilm.pl w Szczecinie 57 documentaries, to Polish producers. All the requisite documentation must 9 animations, 14 shorts, be completed in Polish. 1 TV series 1 other
8 FILM PRODUCTION FUNDING BACK TO CONTENTS BACK TO CONTENTS FILM PRODUCTION FUNDING 9 EUROPEAN PROGRAMMES FILM Poland is a member of Creative Europe, the European Union’s programme which offers support to the cultural, audiovisual and creative sectors, and a member of INDUSTRY Eurimages – European Cinema Support Fund, which supports European coproductions – features, documentaries and animations. Detailed funding rules can be found on the programmes’ websites.
Representatives in Poland:
CREATIVE EUROPE DESK POLAND Małgorzata Kiełkiewicz tel. +48 22 447 61 80 [email protected] www.kreatywna-europa.eu
EURIMAGES – EUROPEAN CINEMA SUPPORT FUND www.coe.int/Eurimages
Ministry of Culture and National Heritage Department of Media and Intellectual Property Irena Strzałkowska tel. +48 605 097 688 [email protected]
10 FILM PRODUCTION FUNDING BACK TO CONTENTS ULTRAVIOLET 2 (2019) DIR. BARTOSZ PROKOPOWICZ, ŁUKASZ KOŚMICKI,FILM INDUSTRY ANNA JADOWSKA POLISH CINEMA TODAY AUDIENCE & CINEMAS
Co-productions Cinemas Admissions in 2019 AdmissionS over past Average ticket price about 20–25 years in mlillions international (including about 15 majority) 60.9 co-productions produced annually 59.7 18.78 PLN = 4.41 EUR 490 60.9 56.6 million 52.1 up to 1.4 million EUR cinemas operate total admissions subsidies from the Polish Film Institute for in Poland: 44.7 40.4 feature co-productions 38.5 129 multiplexes 36.3 137,000 EUR (980 screens) 1.59 average an average subsidy from the Polish Film admissions th position Institute for minority co-production 361 art-house per capita 17 and local cinemas in 2018 Polish market has made it to the 5 bilateral co-production agreements: (380 screens) Top 20 International Box Office Markets France, India, Israel, Canada and New Zealand according to Motion Picture Association of America Atlantic cinema in Warsaw 1360 On the set screens available 2012 2013 2014 2015 2016 2017 2018 2019
The good condition of the Polish Polish budgets 30–35 days cinematography is reflected in the shooting time for an average Market share – Admissions in 2019 Number of premiers in 2019 Total box office in 2019 ever increasing number of Polish 350,000 – 6.5 million EUR full-feature film productions, expanding share of full-length feature films Polish films in the market, and the 12 hours Others: 51 Polish films US films: growing number of filmgoers as well 1.2 million EUR a standard shooting day, 2.46% 1.5 million 163.78 million EUR European films: 128 European films as numerous international artistic an average budget including 1-hour lunch break 6.1% 6.1 million successes. of a full-length feature film
11 hours Polish films: Polish films: 61% 28.22% million EUR lay-over time required between 27.92% 75.77 million EUR 40,000 – 5.4 59.57% 17 million 118 US films PRODUCTION animation film the end of shooting and the start of the next shooting day 8.81% European: EUR 23.66 million EUR Annual production volume 20,000 – 775,000 US films: Others 1.97% documentary film 6 hours 36.3 million 44 Others films: about the maximum length of a working 5.25 million EUR 50 day for children under 16 full-length feature films million million EUR Sundays and Bank Holidays payable 60.9 341 268.5 about 50–100% extra 150 documentaries, animations and shorts No fixed rates within the Polish film industry.
12 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 13 RECENT INTERNATIONAL ACHIEVEMENTS BERLIN FILM FESTIVAL: • Another Day of Life by Damian To find out more about Polish films visit: • Mug by Małgorzata Szumowska – Nenow & Raúl de la Fuente – Best www.en.pisf.pl Polish films are greatly appreciated Silver Bear Grand Jury Award European Animated Feature Film www.polishdocs.pl around the world by the public and (2018); (2018); www.polishshorts.pl juries of professionals. Here is a selec- • Spoor by Agnieszka Holland – Silver • Communion by Anna Zamecka – tion of the most significant awards Bear Alfred Bauer Prize (2017); Best European Documentary (2017); and nominations granted recently for • United States of Love by Tomasz • Loving Vincent by Dorota Kobiela, The history of Polish animation dates feature and documentary films. Wasilewski – Silver Bear for the Best Hugh Welchman – Best European back to the 1940s and flourishes in Script (2016); Animated Feature Film (2017); unique styles and artistic personalities. ACADEMY AWARDS: • Body by Małgorzata Szumowska • Katarzyna Lewińska for Spoor – Best Among the recent productions that • Corpus Christi by Jan Komasa – – Silver Bear for the Best Director European Costume Designer (2017); drew most attention and brought
International Feature Film nomination (2015). • Ida by Paweł Pawlikowski – Best Cold War (2018) dir. Paweł Pawlikowski a rain of awards, there are: Acid Rain • Cold War by Paweł Pawlikowski – Film, Best Director, Best Script, by Tomek Popakul (2019), The Little Foreign Language Film nomination, CANNES FILM FESTIVAL: People’s Choice Award (2014); Soul by Barbara Rupik (2019), You Are nomination in Directing, nomination • Cold War by Paweł Pawlikowski – • Body by Małgorzata Szumowska – IDFA – INTERNATIONAL DOCUMENTARY MONTREAL FILM FESTIVAL: Overreacting by Karina Paciorkowska in Cinematography (2018); Best Director (2018); People’s Choice Award (2016); FILM FESTIVAL AMSTERDAM: • Reconciliation by Maciej (2018), Another Day of Life by Damian • Loving Vincent by Dorota Kobiela, • The Best Fireworks Ever by • 21 x New York by Piotr Stasik – Best • In Touch by Paweł Ziemilski – Sobieszczański – Best Director Nenow & Raúl de la Fuente (2018), Hugh Welchman – Animated Aleksandra Terpińska – Rail d’Or Documentary nomination (2016); Special Jury Award for Mid-Length Award (2018). Bless You by Paulina Ziółkowska Feature Film nomination (2017); Award and Canal+ Award for the • Tomasz Wasilewski for United Documentary (2018); SHANGHAI FILM FESTIVAL: (2018), Other by Marta Magnuska, • Ida by Paweł Pawlikowski – Best short film, La Semaine de la Critique States of Love – Best European • Summa by Andrei Kutsila – Award • I’m a Killer by Maciej Pieprzyca – III by Marta Pajek, Loving Vincent Foreign Language Film (2015); (2017). Screenwriter nomination (2016). for Best Mid-Length Documentary Best Director Award (2017); by Dorota Kobiela, Hugh Welchman • Łukasz Żal, Ryszard Lenczewski for (2018); • Loving Vincent by Dorota Kobiela, (2017), Pussy by Renata Gąsiorowska Ida – nomination in Cinematography EUROPEAN FILM AWARDS: GOLDEN GLOBE AWARDS: • Call Me Tony by Klaudiusz Hugh Welchman – Best Animation (2016), Impossible Figures And Other (2015); • Cold War by Paweł Pawlikowski – • Loving Vincent by Dorota Kobiela, Chrostowski – ARRI IDFA Award for Award (2017); Stories II by Marta Pajek (2016), • In Darkness by Agnieszka Holland – Best European Film, Best European Hugh Welchman – Best Animated Best Student Documentary (2017); • Carte Blanche by Jacek Lusiński – A Documentary Film by Marcin Foreign Language Film nomination Director, Best European Actress, Motion Picture nomination (2017). • Zhalanash – Empty Shore by Marcin Jury Grand Prix (2015). Podolec (2015), Creatures by Tessa (2012); Best European Screenwriter, Best Sauter – Best Short Documentary Moult-Milewska (2015), Summer 2014 • Our Curse by Tomasz Śliwiński – European Editor (2018); Award (2017). SUNDANCE FILM FESTIVAL: by Wojciech Sobczyk (2014), Fugue Short Documentary nomination • The Lure by Agnieszka Smoczyńska for Cello, Trumpet and Landscape by (2015); KARLOVY VARY FILM FESTIVAL: – Special Jury Prize (2016); Jerzy Kucia (2014), Hippos by Piotr • Joanna by Aneta Kopacz – Short • Jowita Budnik and Eliane Umuhire • All the Sleepless Nights by Michał Dumała (2014). Documentary nomination (2015). for Birds Are Singing in Kigali – Best Marczak – Directing Award (2016). Actress Awards (2017). To find out more about Polish ANNECY INTERNATIONAL ANIMATION FILM VENICE FILM FESTIVAL: animations visit: FESTIVAL: LOCARNO FESTIVAL SEMAINE • The Prince and the Dybbuk by www.polishanimations.pl • Loving Vincent by Dorota Kobiela, DE LA CRITIQUE: Elwira Niewiera, Piotr Rosołowski Hugh Welchman – Audience Award • Communion by Anna Zamecka – – Venice Classics Award Best (2017). Prix SRG SSR (2016); Documentary on Cinema (2017); • Brothers by Wojciech Staroń • Jerzy Skolimowski – Golden Lion for – Prix SRG SSR (2015); Career Achievement (2016). • 15 Corners of the World by Zuzanna
Corpus Christi (2019) dir. Jan Komasa Solakiewicz – Prix SRG SSR (2014).
14 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 15 International co-productions FEATURE FILMS
International co-productions with decisions regarding co-financing from MAJORITY CO-PRODUCTIONS PFI TOTAL the Polish Film Institute granted in 2019. SUBSIDY IN CO-PRODUCTION INTERNATIONAL / POLISH TITLE DIRECTOR PRODUCER EUR (1 EUR = COUNTRIES 4.26 PLN)
Budapest Diaries / Dziennik z wycieczki Rafael Kapelinski Domino Film 586,854 Hungary Other People / Inni ludzie Anna Terpińska Madants 586,854 France Fear / Lęk Sławomir Fabicki Apple Film Production 586,854 Netherlands Warning Agata "Alexander" Wojdyna Film Produkcja 704,225 USA The Saint / Święty Sebastian Buttny IKH Pictures Promotions 492,975 North Macedonia DOCUMENTARY CO-PRODUCTIONS Silent Twins Agnieszka Smoczyńska Madants 704,225 UK, USA The Volunteer / Ochotnik Vacat Madants 1,408,450 USA PFI TOTAL SUBSIDY IN CO-PRODUCTION INTERNATIONAL / POLISH TITLE DIRECTOR PRODUCER Salt Lake / Jezioro słone Katarzyna Rosłaniec Mañana 492,975 Sweden, Netherlands EUR (1 EUR = COUNTRIES 4.20 PLN) Goat Mountain / Kozia góra Andrzej Jakimowski Studio Filmowe Jakimowski 469,483 Ireland Chamsin Zvika Gregory Portnoy Plesnar & Krauss Films 68,309 Israel Zły Mariusz Palej Uppercut Film 234,741 Ukraine Mr Jan and His 40 Girls / Pan Jan i 40 dziewczyn Jacob Dammas Graniza Jacob Dammas 19,014 Denmark, Ireland Mira Anna Jadowska Donten & Lacroix Films 328,638 Germany, Sweden Insurgent / Powstaniec Anna Piasek – Bosacka, Fundacja Sztuki i Edukacji 63,145 Sweden 4.44 Ewa Bukowska Imaginer89 117,370 Czech Republic, Israel Katarzyna Piórek Filmowej Sztuka Poznania The Journey / Podróż Anna Sasnal, Balapolis 164,319 USA Deep Beyond / Z głębi Monika Pawluczuk Telemark 93,896 Czech Republic, France Wilhelm Sasnal Kubrick in His Own Words Gregory Monro Telemark 40,432 France Republika dzieci Jan Jakub Kolski Wytwórnia Doświadczalna 704,225 Czech Republic, Slovakia The Hamlet Syndrome / Syndrom Hamleta Elwira Niewiera, Balapolis 120,713 Germany Piotr Rosołowski The Big Chief / Wielki Szef MINORITY CO-PRODUCTIONS Tomasz Wolski Kijora Film 117,370 France PFI TOTAL SUBSIDY IN CO-PRODUCTION Cent'anni / Sto lat Maja Prelog Agresywna Banda 35,211 Slovenia, Austria INTERNATIONAL / POLISH TITLE DIRECTOR PRODUCER EUR (1 EUR = COUNTRIES Wika! Agnieszka Zwiefka My Way Studio 84,507 Germany 4.26 PLN) Charlatan / Szarlatan Agnieszka Holland Madants 234,734 Czech Republic, Ireland Lamb / Jagnię Valdimar Johannsson Madants 58,685 Iceland, Sweden The Hole in the Fence / Słabsze ogniwo Joaquin Del Paso Amondo Film 70,422 Mexico animation CO-PRODUCTIONS Disco Boy Giacomo Abbruzzese Donten & Lacroix Films 140,845 France, Italy Whale Hunter / Łowca wielorybów Philipp Yuryev Studio Produkcyjne ORKA 70,422 Russia, Belgium PFI TOTAL Martin and the Forrest Secret / Martin i Tajemniczy Las Petr Oukropec Wajda Studio 129,107 Czech Republic, Germany SUBSIDY IN CO-PRODUCTION INTERNATIONAL / POLISH TITLE DIRECTOR PRODUCER EUR (1 EUR = COUNTRIES Parquet Aleksander Mindzadze Impakt Film 105,633 Russia, UK 4.20 PLN) Sandra Simao Cayatte Stowarzyszenie Kraków 70,422 Portugal, France Odo (series) Mikołaj Pilchowski Letko 563,380 Ireland, UK Film Klaster Bella in the Belly / Bella w brzuszku (series) Jacek Rokosz Animoon 469,483 China The Garden Ragnar Bragason Madants 199,530 Iceland Wolf / Wilk Nathalie Biancheri Lava Films 199,530 Ireland January / Styczeń Viesturs Kairiss Staron-Film 93,896 Latvia, Lithuania The Delegation Asaf Saban Koi Studio 305,164 Germany, Israel Pamfir Dmytro Sukholytkyy- Madants 93,896 Ukraine Sobchuk Mission Ulja Funk / Misja Ulji Funk Barbara Kronenberg Shipsboy 164,319 Germany
16 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 17 BOX OFFICE 2018
ALL RELEASES* POLISH FILMS
B.O. SINCE ADMISSIONS B.O. SINCE RELEASE ADMISSIONS SINCE TITLE DISTRIBUTOR B.O. (EUR) ADMISSIONS SCREENS RELEASE DATE TITLE DISTRIBUTOR COUNTRY B.O. (EUR) ADMISSIONS RELEASE DATE SINCE SCREENS RELEASE DATE DATE (EUR) RELEASE DATE (EUR) RELEASE DATE 1 MISZMASZ CZYLI KOGEL MOGEL 3 NEXT FILM/ 11,020,560 2,389,330 11,020,560 2,389,330 451 25.01.2019 1 THE LION KING (LIVE ACTION) DISNEY USA 11,283,428 2,521,835 11,283,428 2,521,835 507 19.07.2019 INTERFILM 2 MISZMASZ CZYLI KOGEL MOGEL 3 NEXT FILM/ Poland 11,020,560 2,389,330 11,020,560 2,389,330 451 25.01.2019 2 POLITYKA KINO ŚWIAT 8,832,718 1,890,508 8,832,718 1,890,508 601 04.09.2019 INTERFILM 3 PLANETA SINGLI 3 KINO ŚWIAT 6,570,730 1,438,773 6,570,730 1,438,773 492 08.02.2019 3 FROZEN 2 DISNEY USA 10,592,659 2,511,085 10,592,659 2,511,085 477 22.11.2019 4 BOŻE CIAŁO KINO ŚWIAT 6,257,880 1,402,986 6,257,880 1,402,986 306 11.10.2019 4 AVENGERS: ENDGAME DISNEY USA/UK/Canada 9,512,993 1,880,080 9,512,993 1,880,080 602 25.04.2019 5 KOBIETY MAFII 2 KINO ŚWIAT 5,494,791 1,144,606 5,494,791 1,144,606 498 22.02.2019 5 JOKER WARNER USA/Canada 9,318,344 1,971,696 9,318,344 1,971,696 316 04.10.2019 6 UNDERDOG NEXT FILM 4,393,923 904,785 4,393,923 904,785 330 11.01.2019 6 POLITICS / POLITYKA KINO ŚWIAT Poland 8,832,718 1,890,508 8,832,718 1,890,508 601 04.09.2019 7 JAK POŚLUBIĆ MILIONERA MÓWI SERWIS 4,090,163 922,017 4,090,163 922,017 268 29.11.2019 7 STAR WARS: THE RISE OF SKYWALKER DISNEY USA 6,668,156 1,293,616 6,668,156 1,293,616 546 19.12.2019 8 PROCEDER MÓWI SERWIS 3,087,763 640,536 3,087,763 640,536 260 15.11.2019 8 PLANET SINGLE 3 / PLANETA SINGLI 3 KINO ŚWIAT Poland 6,570,730 1,438,773 6,570,730 1,438,773 492 08.02.2019 9 (NIE)ZNAJOMI MÓWI SERWIS 3,045,034 666,781 3,045,034 666,781 250 27.09.2019 9 CORPUS CHRISTI / BOŻE CIAŁO KINO ŚWIAT Poland 6,257,880 1,402,986 6,257,880 1,402,986 306 11.10.2019 10 1800 GRAMÓW KINO ŚWIAT 2,252,761 524,217 2,252,761 524,217 324 15.11.2019 10 THE SECRET LIFE OF PETS 2 UIP France/Japan/USA 6,173,950 1,447,813 6,173,950 1,447,813 296 28.06.2019 55,046,323 11,924,539 86,231,418 18,747,722 11 CAŁE SZCZĘŚCIE NEXT FILM 2,132,677 484,926 2,132,677 484,926 385 08.03.2019 11 HOW TO TRAIN YOUR DRAGON: UIP USA/Japan 5,758,860 1,268,839 5,758,860 1,268,839 249 15.02.2019 12 THE HIDDEN WORLD ZABAWA ZABAWA KINO ŚWIAT 2,009,340 449,530 2,009,340 449,530 252 04.01.2019 13 12 WOMEN OF MAFIA / KOBIETY MAFII 2 KINO ŚWIAT Poland 5,494,791 1,144,606 5,494,791 1,144,606 498 22.02.2019 KURIER KINO ŚWIAT 1,995,301 503,119 1,995,301 503,119 302 15.03.2019 14 13 ONCE UPON A TIME... IN HOLLYWOOD UIP UK/USA/China 4,829,738 1,026,008 4,829,738 1,026,008 236 16.08.2019 LEGIONY KINO ŚWIAT 1,652,495 482,029 1,652,495 482,029 314 20.09.2019 15 14 MALEFICENT: MISTRESS OF EVIL DISNEY USA/UK 4,668,848 1,030,826 4,668,848 1,030,826 287 18.10.2019 NA BANK SIĘ UDA NEXT FILM 1,306,951 285,650 1,306,951 285,650 280 15.08.2019 16 15 UNDERDOG NEXT FILM Poland 4,393,923 904,785 4,393,923 904,785 330 11.01.2019 PIŁSUDSKI NEXT FILM 1,235,467 359,427 1,235,467 359,427 269 13.09.2019 17 16 TOY STORY 4 DISNEY USA 4,384,770 1,014,910 4,384,770 1,014,910 392 09.08.2019 FUTRO Z MISIA MONOLITH 1,221,822 246,667 1,221,822 246,667 221 25.12.2019 18 17 GREEN BOOK M2 FILMS USA 4,135,412 912,513 4,135,412 912,513 129 08.02.2019 #JESTEM M. MISFIT MÓWI SERWIS 1,072,799 240,410 1,072,799 240,410 154 08.11.2019 19 18 RALPH BREAKS THE INTERNET: DISNEY USA 4,128,684 948,765 4,128,684 948,765 273 11.01.2019 MIŁOŚĆ I MIŁOSIERDZIE KONDRAT MEDIA/ 978,365 245,372 978,365 245,372 192 29.03.2019 WRECK-IT RALPH 2 KINO ŚWIAT 20 19 HOW TO MARRY A MILLIONAIRE / MÓWI SERWIS Poland 4,090,163 922,017 4,090,163 922,017 268 29.11.2019 UKRYTA GRA NEXT FILM 865,823 191,272 865,823 191,272 267 08.11.2019 JAK POŚLUBIĆ MILIONERA 14,471,040 3,488,402 20 CAPTAIN MARVEL DISNEY USA/Australia 4,039,166 818,365 4,039,166 818,365 239 08.03.2019 69,517,363 15,412,941 45,924,355 9,991,634 132,155,773 28,739,356
* The table does not include films distributed by UIP in November and December.
18 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 19 EUROPEAN FILMS TOP 20 1990–2018 B.O. SINCE ADMISSIONS TITLE DISTRIBUTOR COUNTRY B.O. (EUR) ADMISSIONS RELEASE DATE SINCE SCREENS RELEASE DATE (EUR) RELEASE DATE TITLE DISTRIBUTOR ADMISSIONS B.O. (EUR) RELEASE DATE
1 THE QUEEN'S CORGI MONOLITH Belgium 2,140,271 536,235 2,140,271 536,235 187 01.03.2019 1 WITH FIRE AND SWORD / OGNIEM I MIECZEM (PL) SYRENA 7,151,354 24,668,865 12.02.1999 2 MIA ET LE LION BLANC KINO ŚWIAT France/RPA/ 1,962,549 472,849 1,962,549 472,849 168 01.02.2019 2 PAN TADEUSZ (PL) VISION 6,168,344 19,445,973 22.10.1999 Germany 3 THE CLERGY / KLER (PL) KINO ŚWIAT 5,202,471 24,789,729 28.09.2018 3 ASTERIX: LE SECRET DE LA POTION KINO ŚWIAT France/Belgium 1,618,679 382,732 1,618,679 382,732 208 18.01.2019 4 QUO VADIS (PL) SYRENA 4,300,351 16,207,885 14.09.2001 MAGIQUE 5 AVATAR IMPERIAL CINEPIX 3,682,948 20,763,064 25.12.2009 4 SHAUN THE SHEEP MOVIE: MONOLITH UK/France/USA 1,361,764 309,225 1,361,764 309,225 229 08.11.2019 FARMAGEDDON 6 TITANIC SYRENA 3,513,480 11,529,478 13.02.1998 5 YESTERDAY UIP UK/Russia/China/ 1,005,638 224,759 1,005,638 224,759 194 12.07.2019 7 PASSION OF THE CHRIST MONOLITH 3,462,159 10,486,764 05.03.2004 Japan 8 SHREK 2 UIP 3,395,226 11,310,852 02.07.2004 6 QU'EST-CE QU'ON A ENCORE FAIT AU GUTEK FILM France 961,101 217,929 961,101 217,929 151 19.07.2019 9 SHREK THE THIRD UIP 3,352,805 11,672,248 29.06.2007 BON DIEU? 10 STAR WARS: THE FORCE AWAKENS DISNEY 3,038,262 15,441,390 18.12.2015 7 THE FAVOURITE IMPERIAL CINEPIX Ireland/UK/USA 952,634 217,926 952,634 217,926 83 08.02.2019 43,267,400 166,316,247 8 DOLOR Y GLORIA GUTEK FILM Spain 869,011 204,605 869,011 204,605 157 30.08.2019 11 LETTERS TO SANTA 3 / LISTY DO M. 3 (PL) KINO ŚWIAT 3,013,968 13,400,175 10.11.2017 9 MINUSCULE – LES MANDIBULES DU KINO ŚWIAT France/China/ 848,478 201,549 848,478 201,549 159 08.03.2019 12 BOUT DU MONDE Guadeloupe LETTERS TO SANTA 2 / LISTY DO M. 2 (PL) KINO ŚWIAT 2,969,302 12,695,844 13.11.2015 13 10 ROCKETMAN UIP UK/USA/Canada 741,960 169,045 741,960 169,045 192 07.06.2019 PITBULL. DANGEROUS WOMEN / PITBULL. NIEBEZPIECZNE KINO ŚWIAT 2,884,415 13,450,108 11.11.2016 KOBIETY (PL) 12,462,085 2,936,854 14 KATYŃ (PL) ITI CINEMA 2,770,313 8,273,296 21.09.2007 11 MANOU THE SWIFT KINO ŚWIAT Germany 731,515 175,103 731,515 175,103 188 05.04.2019 15 JURASSIC PARK UIP-ITI 2,735,908 2,052,927 03.09.1993 12 MARNIES WELT KINO ŚWIAT Germany/Belgium 611,155 158,368 611,155 158,368 187 14.06.2019 16 LION KING SYRENA 2,722,830 2,307,388 18.11.1994 13 ANNA MONOLITH France/USA 567,910 127,004 567,910 127,004 162 28.06.2019 17 LETTERS TO SANTA / LISTY DO M. (PL) ITI CINEMA 2,560,734 10,502,358 10.11.2011 14 TODOS LO SABEN GUTEK FILM Spain/France/Italy 511,274 121,903 511,274 121,903 107 15.03.2019 18 LEJDIS (PL) ITI CINEMA 2,530,660 9,790,194 01.02.2008 15 MR. JONES KINO ŚWIAT Poland/UK/Ukraine 505,096 127,581 505,096 127,581 190 25.10.2019 19 LORD OF THE RINGS: THE FELLOWSHIP OF THE RING WARNER 2,529,799 8,544,043 15.02.2002 16 ELCANO Y MAGALLANES. LA PRIMERA KINO ŚWIAT Spain 411,441 121,919 411,441 121,919 161 13.09.2019 20 VUELTA AL MUNDO THE LION KING (LIVE ACTION) DISNEY 2,521,835 11,283,428 19.07.2019 17 PAVAROTTI BEST FILM USA/UK/France/Italy 408,637 103,670 408,637 103,670 114 02.08.2019 27,239,764 92,299,762 18 VOLKI I OVTSY. KHOD SVINEY KINO ŚWIAT Russia 407,129 106,759 407,129 106,759 206 02.08.2019 70,507,164 258,616,009 19 AILO: UNE ODYSSEE EN LAPONIE KINO ŚWIAT France/Finland 350,647 98,245 350,647 98,245 169 06.12.2019 20 DOWNTON ABBEY UIP UK/USA 296,857 66,790 296,857 66,790 85 13.09.2019 4,801,660 1,207,342 17,263,745 4,144,196
20 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 21 FILM COMMISSIONS Regional Film Commissions Other bodies supporting film production in the city or region: At present, there are seven regional film commissions operating in Poland. They are based in the regions of KRAKOW FILM COMMISSION POZNAN FILM COMMISSION National Film Commission Dolnośląskie (Lower Silesia), Małopolskie, Mazowieckie tel. +48 12 354 25 51 tel. + 48 61 852 88 33 ext. 48 (Mazovia), Podkarpackie, Śląskie (Silesia) and in the cities of [email protected] tel. +48 691 637 752 Film Commission Poland is the first contact point for interna- Łódź and Poznań. Despite the fact that there are no com- [email protected] [email protected] tional professionals interested in making films in Poland. Its missions established in Gdańsk, Lublin, and in the regions of www.film-commission.pl [email protected] LUBLIN FILM FUND main goal is to promote the immense potential of the Polish Warmia and Masuria, and Kujawy and Pomorze, the produ www.poznanfilmcommission.pl tel. +48 81 466 25 22 film industry and variety of locations abroad. Film Commission cers can count on support for their physical production from +48 723 440 032 Poland closely cooperates with the network of regional film film funds or designated departments of the city council. [email protected] commissions, runs a comprehensive database of film locations Further commissions are currently at the organisational [email protected] and acts as the liaison between international producers stage. All the film commissions are managed independently film.lublin.eu and companies and professionals in the Polish film industry. but collaborate closely with Film Commission Poland. ŁÓDŹ FILM COMMISSION The commission was established in 2012 and currently oper- As a rule, the commissions work in conjunction with tel. +48 42 233 50 51 SILESIA FILM COMMISSION ates within the structure of the Polish Film Institute. the regional film funds, thanks to which their activities are tel. +48 42 600 61 33 tel. +48 32 351 1220 naturally integrated. They frequently operate alongside [email protected] tel. +48 698 353 147 institutions with a wealth of experience in cultural activities, [email protected] [email protected] Kujawy Pomorze Film Office an outstanding knowledge of their region’s unique char- [email protected] www.silesiafilmcommission.pl tel. +48 881 232 234 acteristics, and extensive local contacts at their fingertips. www.lodzfilmcommission.pl [email protected] FILM COMMISSION POLAND Some have their own production support systems in the www.film.kujawsko-pomorskie.pl tel. +48 22 102 64 42 form of fee reductions for the use of locations or discounts [email protected] on hotels and local public transport services. Every commis- www.filmcommissionpoland.pl sion provides the following services: • location scouting; MAZOVIA WARSAW FILM COMMISSION WROCLAW FILM COMMISSION • administering and updating a database of locations; tel. +48 22 586 42 58 tel. +48 71 792 70 93 WARMIA-MASURIA FILM FUND • assistance in obtaining permits to film, make use of roads, a.spisz@mwfc tel. +48 531 693 290 tel. +48 89 513 17 50 GDAŃSK WARMIA-MASURIA FILM FUND change the flow of traffic and so forth; [email protected] tel. +48 603 693 033 tel. +48 501 506 400 • reducing the length of time required to obtain permits by www.mwfc.pl [email protected] [email protected] applying effectively developed procedures; www.wroclawfilmcommission.pl www.funduszfilmowy.warmia.mazury.pl MAZOVIA WARSAW FILM POZNAN FILM COMMISSION • assistance in talks with the owners of buildings, COMMISSION KUJAWY FILM COMMISSION POLAND facilities and land; POMORZE FILM OFFICE • assistance in establishing contact with municipal services and offices; • assistance in arranging accommodation, often with PODKARPACKIE FILM COMMISSION ŁÓDŹ FILM WROCLAW FILM COMMISSION discounts; tel. +48 721 288 004 GDAŃSK COMMISSION • providing information and contacts relating to local [email protected] tel. +48 58 323 60 15 LUBLIN FILM FUND professionals, specialists and audiovisual production www.podkarpackiefilmcommission.pl [email protected] companies in their region; www.gdansk.pl SILESIA FILM COMMISSION • providing information on the infrastructure and film resources available in their region. KRAKOW FILM PODKARPACKIE COMMISSION FILM COMMISSION
22 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 23 FILM STUDIOS
Alvernia Studios Resources: • two sound stages: first with spherical bluescreen and area aprox. Alvernia Studios Stanisław Tyczyński 1700m2 and second with area aprox. 2000m2; 32-566 Regulice, ul. Dworska 1 • film-processing chemical laboratory equipped in a ultramodern [email protected], www.alvernia.com Australian drive processor FilmLab ECN-2 12MD58 14/67.
Alvernia Studios is a private, state-of-the-art film studio located in Southern Poland. Their works include feature films, national and international co-productions, commercials.
* All the parameters and equipment lists are based on the data provided by the film studios.
24 FILM INDUSTRY BACK TO CONTENTS FILM INDUSTRY 25 Resources: • sound stages, with the largest measuring 1,500 m2/16,156 ft2, television studios; • make-up and wardrobe facilities, including a VIP dressing room; • laundry and costume storage facilities, props store; • scenery store with access to a service lift, production office, conference rooms, extras’ room, restaurant; • HD1, 2 and 3 OB units; • shooting equipment, including ARRI Alexa, Alexa Mini, Alexa Studio camera sets, Panasonic VARICAM camera sets, RED Dragon camera sets, Sony F55 and FS7 camera sets with full accessories, MasterPrime lenses, Ultra Prime, SuperSpeed, Kowa Anam, Fujinon Cabrio, Optimo lenses; • TV production equipment: Sony, Panasonic and Canon cameras and Fujinon lenses; • intelligent light: Varie lite series, Robe series, Martin series, Clay Paky series, Light controllers – Ma series, Hog series, LED lights – ATM GROUP SGM, CLF, Prolights, complete rigging equipment; • film lighting kits: ARRI, Kinoflo, Dedolight, Stand, Ianiro, Kobolt, Offices: Litepanels, Manfrotto, and LTM as well as light effect units; Bielany Wrocławskie (near Wrocław) • grip: steadicam Tiffen Ultra 2, Stanton Jimmy Jib camera arm tel. +48 71 776 47 00 (10.5 m/4.45 ft), Panther camera dollies, Stanton hot heads and [email protected] gyroscope platform AE 567 with image stabilisation; Warsaw • sound equipment: Shure, Senheiser, Soundevice; tel. +48 22 507 97 00 • AVID editing suits with the possibility of using AVID Unity/ISIS [email protected] environment; www.atmgrupa.pl • compositing and layer-based colour correction (DaVinci Resolve software and Ultrascope system); ATM STUDIO in Warsaw • sound postproduction systems. tel. +48 22 295 61 10 [email protected], www.atmstudio.eu
ATM SYSTEM tel. +48 71 785 53 00 (Bielany Wrocławskie) tel. +48 22 507 97 82 (Warsaw) [email protected], www.atmsystem.pl
The ATM Group is Poland’s largest television producer. The Group comprises companies specialising in television, film, online video and computer game production, and service provision for the television and film market.
26 FILM INDUSTRY BACK TO CONTENTS Resources and activities: • film stages and studios, casting studios; • make-up rooms, dressing rooms, offices, storage area; • costume warehouses (40,000 contemporary, period and military costumes, accessories, and footwear), props warehouses (20,000 items), and a wig warehouse; • design and set construction department; • post-production studio including editing rooms with Avid and Premiere, MIST mastering system and VFX department; • a fleet of trucks and cargo vehicles equipped with power generators; • filmmaking equipment – the highest quality cameras: Arri Alexa LF, Amira, Alexa Mini, Alexa Plus XR with film lenses (Cooke, Zeiss, Canon, Signature Prime), zoom lenses (Angénieux and Cooke) and all necessary accessories and filmmaking equipment; • a film laboratory offering: color and B&W negative processing (35mm, 16mm, 8mm); color and B&W film prints (35mm, 16mm) DOCUMENTARY AND FEATURE FILM STUDIOS sound negative (35mm), 4K film recording for archiving (35mm WYTWÓRNIA FILMÓW DOKUMENTALNYCH I FABULARNYCH on Arrilaser; color, B&W, B&W separates); color grading on (WFDiF) Autodesk FlamePremium-Lustre with DP4K-P DLP projection, and 4K Sony X300 OLED monitor; Warsaw • sound post-production studios including Studio S1 with Dolby tel. +48 22 841 12 13-19 Digital and THX certificates, mixing rooms with Pro Tools HD tel. +48 22 840 00 30-39 Ultimate and a sound library (over 1,000 hours of music and [email protected] unique sound effects e.g. original recordings from World War II), www.wfdif.pl offering recording, mix and sound editing and preparing sound for DCP; Film Production and Educational Projects Department • reconstruction and digitalization studios focusing on film and tel.+48 22 559 33 14 sound archival material; [email protected] • Projection room (40 seats) with 4K RGB laser projector and 5.1 audio system; The Documentary and Feature Film Studios is Poland’s • film production department: searching for interesting largest state-owned film producer. It provides full documentary and feature film scripts, developing and producing production services and produces feature and documentary film projects, raising funds for film production, managing films. The studio also engages in film education projects. contacts with co-producers in Poland and abroad; • archives: an immense collection of film chronicles and documentaries including the greatest works of the Polish School of Documentary Filmmaking; • education projects: film script writing course “Wytwórnia Scenariuszy – Script Factory“, education space “Plan Filmowy“, educational series “History in Moving Pictures“ and a cycle of screen adaptations of contemporary Polish drama “Teatroteka“.
28 FILM INDUSTRY BACK TO CONTENTS FILM INDUSTRY SOUND STAGES DRESSING ROOM DRESSING ROOM WORKING ELECTRICAL (D), MAKE-UP WORKING ELECTRICAL (D), MAKE-UP DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES
Agencja Aktorska Prozano Bratanka 19 x 15, 340, 5.7, 120kW d, m cyclo, greenbox ATM studio A 31 x 38, 1178, 12, electricity sockets d, m polished concrete floor, lighting & Warsaw,ul. Kłobucka 11 62.3 x 49.2 3 659.7 18.7 (15.2 x 8m, 49.9 x 26.3ft), bluebox, Wrocław, Bielany Wrocławskie, 101.7 x 124.7 12 680 39.4 all around the stu- set design truss with a loading capacity of www.bratanka.pl lightening equipment, editing room ul. Dwa Światy 1 dio room and on the several tons and a height of 12m / 39.4ft, tel. +48 602 676 000 www.atmgrupa.pl illumination truss HGVs can access the studio room directly, [email protected] tel. +48 71 776 47 00 WiFi connectivity in the entire studio, [email protected] silent AC/ventilation/heating systems Alvernia Studios K03 47 * 47, 1 735, 13.8, 1MW d, m, spherical, shadowless, 3D bluescreen: meeting sound recording requirements Alwernia, near Kraków, Nieporaz 154.2 * 154.2 18 675.4 45.3 2000A w (350m2, 180° (46 × 21.5m, 150.91 × 70.5ft), studio B 31 x 38, 1178, 12, electricity sockets d, m polished concrete floor, lighting & www.alvernia.com (circular) 3 767ft2) drive-in studio, air-conditioned set, 101.7 x 124.7 12 680 39.4 all around the stu- set design truss with a loading capacity of [email protected] lighting grid, overhead power points, dio room and on the several tons and a height of 12m / 39.4ft, heating and ventilation, high-speed data illumination truss HGVs can access the studio room directly, connection and Wi-Fi, parking for 150 WiFi connectivity in the entire studio, cars + heavy vehicles’ area silent AC/ventilation/heating systems K04 47 * 47, 1 900, 13.8, 1MW d,m,w only artificial skydome, drive-in studio, meeting sound recording requirements 154.2 * 154.2 20 451.4 45.3 2000A in K3 air-conditioned set, lighting grid, studio C 28 x 20, 560, 7, electricity sockets d, m polished concrete floor, lighting & (circular) overhead power points, equipment, 91.9 x 65.6 6027.8 23 all around the stu- set design truss with a loading capacity of heating and ventilation, high-speed data dio room and on the several tons and a height of 7m / 23ft, silent connection and Wi-Fi, parking for 150 illumination truss AC/ventilation/heating systems meeting cars + heavy vehicles’ area sound recording requirements, stage sized 12 x 10 x 0.5m / 39.4 x 32.8 x 1.64ft; amphitheatrical auditorium with 396 seats Apricor Apricor 25 x 30, 750, 12.5, 150 kW d, m, w drive-in studio, technical platform, Sękocin Nowy near Warsaw, 82 x 98.4 8 072.9 41 lighting grid, greenscreen (16 x 16m, studio D 12 x 8, 96, 5,5, electricity d, m polished concrete floor al. Krakowska 22B 52.5 x 52.5ft), whitescreen (16 x 16m, 52.5 39.4 x 26.2 1033.3 18 sockets all around www.apricorfilm.pl x 52.5ft), air-conditioning (backstage), thestudio room tel. +48 602 603 779 heating and ventilation, high-speed data [email protected] connection and Wi-Fi Centrum Technologii Studio Filmowe 50 x 25 1 250, 11 700kW d, m, bluescreen, rotating stage, motion control Audiowizualnych CeTA im. Wojciecha 164 x 82 13 454.9 36.1 VIP room, system, shadowless stage, equipped ATM hala A 34 x 45, 1 500, 12, 2500A d, m, w VIP technical platform, lighting grid, (Audiovisual Technology Jerzego Hasa (usable floor prod. rooms with lighting platforms and a technical Warsaw, Wał Miedzeszyński 384 111.5 x 147.6 16 145.9 39.4 rooms overhead power points, equipment Center) (The Wojciech space: mezzanine, real time compositing, props www.atmstudio.eu prod. rooms and costume storage, air-conditioning, Wrocław, ul. Wystawowa 1 Jerzy Has Sound 28.5 x 9 and costume storage, 1500 costumes tel. +48 22 295 63 03 heating and ventilation www.filmstudioceta.pl Stage) 93.5 x 29.5) rental, high speed data connection and [email protected] tel. +48 71 348 10 61 Wi-Fi, postproduction unit on site, parking hala B 25 x 32, 800, 7, 800A d, m, w VIP lighting grid, overhead power points, produkcja@ filmstudioceta.pl 82 x 105 8 611.1 23 rooms equipment and costume storage, Studio 20 x 25, 500, 7.5 200kW d, m, greenbox and black horizon (55m x 7.5m, prod. rooms air-conditioning, heating Filmowe 65.6 x 82 5 382 24.6 VIP rooms, 330m2 of working area), drive-in shooting and ventilation im. Zbyszka prod. rooms studio (500m2) equipped with lighting Cybulskiego platforms and a technical mezzanine, hala C 25 x 32, 800, 7, 800A d, m, w VIP lighting grid, overhead power points, (The Zbyszek spacelight (30 items, 2400/4800 W), full 82 x 105 8 611.1 23 rooms equipment and costume storage, heating Cybulski acoustic insulation, production facilities: prod. rooms and ventilation Sound Stage) make-up and dressing rooms, props and hala D 25 x 32, 800, 6, 630A d, m, w VIP lighting grid, overhead power points, costume storage, 1500 costumes rental, 82 x 105 8 611.1 19.7 rooms equipment and costume storage, pool for underwater shooting, high speed prod. rooms air-conditioning, heating data connection and Wi-Fi, translucent and ventilation screens, HD beamers, parking, hala E 25 x 32, 800, 6, 630A d, m, w VIP lighting grid, overhead power points, postproduction unit on site 82 x 105 8 611.1 19.7 rooms equipment and costume storage, Studio Animacji 8.5 x 6.5, 55.25, 4, 30kW VIP room, full equipped stop motion workplace prod. rooms air-conditioning, heating CeTA (CeTA Stop 27.9 x 21.3 594.7 13.1 prod. rooms, (table for animation, camera with lenses, and ventilation Motion Studio) scenography motion control system, lights for stop hala F 25 x 20, 500, 6, 400A d, m, w VIP lighting grid, overhead power points, and props motion), workshop for scenography and 82 x 65.6 5 382 19.7 rooms equipment and costume storage, workshop props next to stop motion set prod. rooms air-conditioning, heating and ventilation 5 biggest sound stages regarding area
30 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 31 DRESSING ROOM DRESSING ROOM WORKING ELECTRICAL (D), MAKE-UP WORKING ELECTRICAL (D), MAKE-UP DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES
Cukry Cukry 20.7 x 13.7, 230, 4, 32A, d, m loft style daylight studio, Prodigy Studio Prodigy Studio 20 x 11, 220, 5, 50kW d, m drive-in studio, polished concrete floor Warsaw, ul. Ogrodowa 31/35 67.9 x 44.9 2 476 13.1 16A photographic equipment, Warsaw, ul. Mirtowa 2c 65.6 x 36.1 2368 16.4 2 ton / m2, air-conditioning, greenscreen www.cukry.com.pl film equipment www.prodigystudio.com.pl with cyclorama (12 x 12 x 7m, 39.4 x 39.4 x tel. +48 505 800 777 (light, cameras, etc.) Max Tyszko 23ft), white cyclorama (7 x 7m, 23 x 23 ft), +48 501 025 111 + 48 501 540 720 electronically steered butterfly (12 x 5m, [email protected] [email protected] 39.4 x 16.4 ft), studio balcony, additional daylight studio 80m2, Wi-Fi, parking (15 cars), technical platform 6m, camera CYFROWY POLSAT 1 36 x 45, 1600 9.5 electrical connec- d, m, w fully acoustic, floor 2 ton / m2 track (10m), film light system kino flo, Warsaw, ul. Łubinowa 4a 118.1 x 147.6 17 222.3 31.12 tion points located lifting capacity, Wi-Fi connection, photography equipment: Photocamera www.studialubinowa.pl on the studio exter- adjustable air-conditioning and / or Hasselblad H4D-40, 4xBroncolor Iwona Drynko nal current circuit ventilation system, back offices, generator + 8xHeads [email protected] (10 pcs) and next to costume storeroom tel. +48 887 830 290 the truss (2 pcs) 2 32 x 38, 1200 9.5 electrical connec- d, m, w fully acoustic, floor 2 ton / m2 Professional Concert Hala 1 45 x 35, 1 575, 16 12, 32A, 125A d, m, w drive-in studio, technical platform, 105 x 124.7 12 916.7 31.12 tion points located lifting capacity, Wi-Fi connection, Lighting TRANSCOLOR 147.6 x 114.8 16 954.9 39.4 110kW lighting grid, equipment and costume on the studio exter- adjustable air-conditioning and / or Szeligi near Warsaw storage, lighting equipment, nal current circuit ventilation system, back offices, ul. Szeligowska 48 air-conditioning, heating and ventilation (8 pcs) and next to costume storeroom www.transcolor.pl Hala 2 45 x 25, 1 125, 12, 32A, 125A d, m, w drive-in studio, technical platform, the truss (2 pcs) Sylwia Goj 147.6 x 82 12 109.4 39.4 110kW lighting grid, equipment and costume tel. +48 604 132 627 3 20 x 35, 700 7 electrical connec- d, m, w as in 1 and 2 and additionally: editing storage, lighting equipment, [email protected] 65.6 x 114.8 7 534.7 23 tion points located room with 6 camera tracks, multimedia air-conditioning, heating and ventilation on the studio exter- video wall (24m x 3m, 78.7 ft x 9.84 ft), Hala 3 35 x 40 1 400 12 32A, 63A, 125A d, m, w VIP drive-in studio, technical platform, nal current circuit greenbox, MovieBird 24 (7.3m, 24ft) 114 x 131 14 934 39 100 kW rooms lighting grid, equipment and costume of the television prod. rooms storage, lighting equipment, studio hall air-conditioning, heating and ventilation 4 20 x 25, 500 7 electrical connec- d, m, w as in 1 and 2 and additionally: Hala 4 35 x 25 900 12 32A, 63A, 125A d, m, w VIP drive-in studio, technical platform, 65.6 x 82 5 382 23 tion points located editing room with 4 camera tracks, 114 x 82 9 348 39 100 kW rooms lighting grid, equipment and costume on the perimeter of 24 automatic cameras system, Xpression prod. rooms storage, lighting equipment, the hall (6 pcs) graphic system, Mira system, lightning air-conditioning, heating and ventilation installation system GrandMA, MovieBird, Hala 5 35 x 20 700 12 32A, 63A, 125A d, m, w VIP drive-in studio, technical platform, towercam 5m, automatic slider 4m 114 x 65 7 410 39 100 kW rooms lighting grid, equipment and costume 5 20 x 25, 500 7 electrical connec- d, m, w as in 1 and 2 and additionally: prod. rooms storage, lighting equipment, 65.6 x 82 5 382 23 tion points located control room with 6 camera tracks air-conditioning, heating and ventilation on the studio exter- (shared with 700m2 studio) nal current circuit Studio Besta Studio 13.6 x 10.1, 138.2, 6.5, 125A d, m, w lighting grid, photographic equipment of the television Piaseczno, ul. Elektroniczna 2A Piaseczno 44.6 x 33.1 1 487.6 21.3 (3x18kW) and postproduction unit on-site, studio hall www.studiobesta.pl greenscreen, whitescreen, blackscreen, Jacek Stanclik Wi-Fi, ample parking, security 24/7 Dom Produkcji. TV Stream Online 7 x 11, 260, 4.5, 16A, 32A, 64A d, m 3D studio, greenscreen, whitescreen, +48 501 302 458 Piotr Chałupko Studio 23 x 36.1 2 798.6 14.8 cyclo (5 x 5 x 3m, 16.4 x 16.4 x 9.8ft), [email protected] Warsaw, ul. Racławicka 99 air conditioned, costume storage, Karolina Wójcik www.studio.streamonline.pl heating and ventilation, high-speed data +48 572 728 578 tel. +48 889 30 80 80 connection and Wi-Fi, parking, drive-in [email protected] [email protected] studio, HD cameras Studio Las Studio 2 30 x 16.5, 500, 7, 125A d, m, w VIP loft style daylight studio, Opus Film stage I 41 x 20, 826, 8, 250kW on each d, m, w bluescreen, greenscreen, Warsaw, ul. Racjonalizacji 6/8 98.4 x 54.1 5 382 23 room drive-in studio, photographic equipment, Łódź, ul. Łąkowa 29 134.5 x 65.6 8 891 26.2 side whitescreen www.studiolas.pl lighting grid www.opusfilm.com tel. +48 501 022 850 Studio 4 21 x 16.5, 432, 7, 125A d, m, w VIP loft style daylight studio, tel. +48 42 634 55 00 [email protected] 69 x 54.1 4 650 23 room drive-in studio, lighting grid, [email protected] photographic equipment, cyclo (12 x 8m, 39.4 x 26.3ft)
32 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 33 DRESSING ROOM DRESSING ROOM WORKING ELECTRICAL (D), MAKE-UP WORKING ELECTRICAL (D), MAKE-UP DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), DIMENSIONS AREA HEIGHT CONNECTIONS, ROOM (M), OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES OWNER SOUND STAGE SYMBOL (M, FT) (M2, FT2) (M, FT) OUTLETS WORKSHOP (W) FACILITIES
Studio Mąka Studio Mąka 24 x 10, 450, 4,5–9,5 63A, d, m loft style daylight studio, Telewizja Polska S3 30 x 25, 1 000, 10, 400kW d, m, w lighting grid, overhead power points, Warsaw, ul. Suwak 4 78.7 x 32.8 4 843.8 14.8–31.2 32A drive-in studio, big corner horizon / Oddział Kraków 98.4 x 82 10 763.9 32.8 equipment and costume storage, www.studiomaka.com.pl cyclorama photographic equipment, film Kraków, ul. Nowohucka 44 ample parking tel. +48 505 800 777 equipment (light, cameras, etc.) www.krakow.tvp.pl [email protected] tel. +48 605 605 587 +48 12 261 51 40 +48 12 261 52 70 Studio Marywilska hala 1 30 x 17.6, 526, 7.3, d, m drive-in studio Warsaw, ul. Marywilska 38 98.4 x 57.7 5 661.8 24 [email protected] www.studiomarywilska.pl hala 2 30 x 17.6, 526, 7.3, 90kW d, m drive-in studio, tel. +48 602 386 025 98.4 x 57.7 5 661.8 24 limbo (15 x 7.3m, 49.2 x 24ft) Toya Studios hala IV 39.6 x 22.6, 911.7, 10.8, 250kW d, m, w VIP technical platform, lighting grid, [email protected] Łódź, ul. Łąkowa 29 129.9 x 74.1 9 813.5 35.4 room air-conditioning, heating and ventilation, www.toyastudios.pl overhead power points, parking for 200 Studio Mory studio 1 36 x 27, 980, 8.9, 125A, d, m, w VIP heating, ventilation, optical fibre tel. +48 42 639 55 55 cars + heavy vehicles’ area Warsaw, ul. Mory 10 118.1 x 88.6 10 548.6 29.2 110kW rooms data connection, parking for 50 cars + [email protected] www.studiomory.pl prod. rooms heavy vehicles’ area hala III 37.5 x 20.8, 783.2, 10.6, 250kW d, m, w VIP technical platform, lighting grid, Jacek Grodzki 123 x 68.2 8 430.3 34.8 room overhead power points, tel. +48 22 100 67 87 heating and ventilation, parking for +48 607 077 060 200 cars + heavy vehicles’ area [email protected] hala V 30.9 x 15.9, 491.3, 7.9, 250kW d, m, w VIP technical platform, lighting grid, over- 101.4 x 52.2 5 288.3 25.9 room head power points, air-conditioning, Studio Panika Studio Panika 20 x 15, 300, 10, 60kW d, m, w drive-in studio, lightning grid, heating and ventilation, parking for 200 Oskar Kaszyński 65.6 x 49.2 3 229.2 32.8 power point overhead, recording cars + heavy vehicles’ area Gdynia, ul. Chwaszczyńska 198B acoustic conditions, greenbox, whitebox, hala II 12.5 x 22, 275.9, 10.6, 250kW d, m, w VIP technical platform, lighting grid, www.studiopanika.pl blackbox, props and costume storage, 41 x 72.2 2 969.8 34.8 room overhead power points, tel. +48 501 501 391 postproduction set, screening room, air-conditioning, heating and [email protected] air-conditioned set, heating and ventilation, parking for 200 cars + heavy ventilation, Wi-Fi, parking + heavy vehicles’ area vehicles’ area WFDiF hala W 27.8 x 21.6, 600, 8.5, – d, m, w costumes and props, Studio Sól Studio Sól 25 x 8 200, 4, 32A, d, m, w loft style daylight studio, horizon / Warsaw, ul. Chełmska 21 91.2 x 70.9 6 458.3 27.9 air conditioned set Warsaw, ul. Kłobucka 23a 82 x 26.2 2 152.8 13.1 16A cyclorama photographic equipment, film www.wfdif.com.pl hala Z 27.8 x 21.6, 600, 8.5, – d, m, w costumes and props, www.studiosol.com.pl equipment (light, cameras, etc.) Krzysztof Ruta 91.2 x 70.9 6 458.3 27.9 air-conditioned set tel. +48 22 841 98 31 tel. +48 505 800 777 Studio 3 22.5 x 20.1, 451.24 4.3, 200kW d, m, editing room, heating and ventilation, +48 501 777 210 [email protected] 73.7 x 65.9 4857.1 14.1 prod.room Wi-Fi, parking for 10 cars, security 24/7 [email protected] Studio 4 18 x 12, 197, 6.5, 150kW d, m, cyclo, greenbox, bluebox (6 x 7m, Studio Tęcza Studio 2 16 x 40, 600, 8, 16A, 23A, 63A, 125A, d, m, w ground floor, drive-in studio, lift, 59.1 x 39.4 212 21.3 prod.room 19.7 x 23ft), lightening equipment, Warsaw, ul. Rydygiera 8 52.5 x 131.2 6 458.3 26.2 220V,230V photographic equipment, lighting grid, editing room, air-conditioned set, www.studiotecza.com/studios/ greenscreen, bluescreen parking for 10 cars, security 24/7 studio-4/ Studio 1 10 x 15, 150, 8, 16A, 32A, 63A, 125A, d, m, w ground floor, drive-in studio, lift, +48 666 222 990 32.8 x 49.2 1 614.6 26.2 230V photographic equipment, greenscreen, [email protected] bluescreen, cyclo Studio 4 10 x 15, 150, 8, 16A, 32A, 63A, d, m, w ground floor, drive-in studio, lighting 32.8 x 49.2 1 614.6 26.2 220V grid, photographic equipment, greenscreen, bluescreen, cyclo Studio 3 8 x 9, 70, 8, 16A, 23A, 220V, d, m, w ground floor, drive-in studio, lift, 26.2 x 29.5 753.5 26.2 230V photographic equipment, lighting grid, greenscreen, bluescreen
34 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 35 SOUND POSTPRODUCTION STUDIOS REMOTE REMOTE RECORDING RECORDING SOUND EDITING DAW (DIGITAL AUDIO SYSTEM (SOURCE SOUND EDITING DAW (DIGITAL AUDIO SYSTEM (SOURCE COMPANY SUITES (AREA) WORKSTATION) PREMIX 5.1 SPECIAL FEATURES ADR STAGES CONNECT / ISDN) FOLEY STAGES COMPANY SUITES (AREA) WORKSTATION) PREMIX 5.1 SPECIAL FEATURES ADR STAGES CONNECT / ISDN) FOLEY STAGES
AEROPLAN STUDIOS 9 suites: Pro Tools yes yes yes / Nuendo 2 foley stages: SOUND MIND 3 suites: Pro Tools yes 3,5 meters wide screen in yes available on yes, 10m2 (107ft2) contact: Dominika Orszulak 220m2 (2368ft2) 2018.12.0 – 256 100m2 (1076ft2) contact: Michał Fojcik 50m2 (538ft2), (2 studios biggest room. Over 6TB request [email protected] voices; Nuendo MPSE [email protected] 30m2 (322ft2), with 5.1 sound effects library. Large +48 600 822 019 8.3.20 unlimited +48 502 43 44 01 10m2 (107ft2) system) collection of specialized www.aeroplanstudios.com voices www.soundmind.pl microphones for field recording and tools for CAFE OLE 4 suites: 4 x Pro Tools yes yes yes yes n/a sound postproduction and Jagna Pilczuk 3 x 25 m (269ft2), sound design. [email protected] 1 x 12 m (129ft2) +48 606 608 101 SOUNDMAKING 4 suites: 79m2 yes yes cinema re-recording yes yes 22m2 (236ft2) www.cafeole.pl contact: [email protected] total (850ft2) (mixing) Mateusz Adamczyk +48 502 310 073 DREAMSOUND 6 suites: Pro Tools yes extensive sound yes Source 120 m2 (1291ft2), Sebastian Witkowski +48 501 030 053 contact: Kacper Habisiak 120 m2 (1291ft2) fx library Connect 100m2 (1076ft2) www.soundmaking.com [email protected] +48 601 949 357 TOYA STUDIOS 2 suites: PT 2018 HDX2 yes D-Comand console yes yes no, close www.dreamsound.pl contact: Piotr Knop 21m2 (226ft2), cooperation with [email protected] 16 m2 (172ft2) an external studio DŹWIEKOWNIA STUDIO 3 suites: Pro Tools yes yes yes 10m2 (107ft2) +48 502 134 017 (experienced and contact: Michał Myśliński 25m2 (269ft2), www.toyastudios.pl good equipped) kontakt@studiodzwiekowni 22m2 (236ft2), +48 502 986 148 15m2 (161ft2) www.studiodzwiekownia.pl
STUDIO FONOGRAF 3 suites: 24m2 Pro Tools yes yes not yet, but yes, 25m2 (269ft2) contact: Radoslaw Ochnio (258ft2), 20m2 Ultimate, is planned [email protected] (215ft2), 10m2 Pro Tools HD +48 607 388 456 (107ft2) www.fonograf.pl
OPUS FILM 2: 25m2 (269ft2), ProTools yes 2: 5.1 yes no 33.5m2 (360ft2) contact: Anna Sztajnborn, 22m2 (236ft2) Ewa Badyna [email protected] +48 42 534 55 01 www.opusfilm.com
PRO-TON Krzysztof Jastrząb 14m2 (150ft2) ProTools 10 yes no no 78m2 (839ft2) contact: Jacek Pająk HD, 12 + 21m2 (226ft2) [email protected] (recording room) +48 694329673 www.pro-ton-studio.pl
SONORIA 2 suites: ProTools 10, yes yes no no Małgorzata Przedpełska-Bieniek 16 m2 (172ft2), Pro Tools 12 contact: Katarzyna Figat 18 m2 (193ft2) [email protected] +48 602 303 930, +48 22 853 60 51 www.sonoria.pl
36 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 37 RE-RECORDING STAGES
CONTROL CONTROL SCREEN DAW: VERSION / SURFACE / SCREEN DAW: VERSION / SURFACE / COMPANY SOUND SYSTEM AREA DIMENSIONS DIMENSIONS NUMBER OF VOICES MIXING CONSOLE OUTBOARDS SEATS COMPANY SOUND SYSTEM AREA DIMENSIONS DIMENSIONS NUMBER OF VOICES MIXING CONSOLE OUTBOARDS SEATS
AEROPLAN STUDIOS Digital Cinema 200m2 228m2 54.72m2 Pro Tools AVD-S6 M40 Lexicon 60 SONORIA n/a n/a n/a n/a n/a n/a n/a n/a contact: Dominika Orszulak 5.1, 7.1 & Laser (2152 ft2) (17.7m x 12.9m) / (11.4m x 4.8m) / 2018.12.0; MTM; 960, TC Małgorzata Przedpełska-Bieniek [email protected] Projector 2454ft2 592ft2 (36ft x 16ft) 256 voices Icon qcon ELECTRONIC contact: Katarzyna Figat +48 600 822 019 BARCO4K (59ft x 42ft) pro + 3xEX M6000 [email protected] www.aeroplanstudios.com +48 602 303 930, +48 22 853 60 51 www.sonoria.pl CAFE OLE n/a n/a n/a n/a n/a n/a n/a n/a Jagna Pilczuk SOUND MIND 5.1 50m2 5 x 10m (32.8ft) 3.5m (9.8ft) Pro Tools Artist Mix, x 6 [email protected] contact: Michał Fojcik (538ft2) Ultimate, Artist +48 606 608 101 MPSE [email protected] 256 voices Control www.cafeole.pl +48 502 43 44 01 www.soundmind.pl DREAMSOUND DreamTheatre: 5.1 DT: 88 m2 DT: 11m x 8m x 4.5m DT: 6m x 2.55m DT: 3 x Protools DT: Avid S6 Lexicon 960 DT: contact: Kacper Habisiak 7.1 Dolby Atmos (947ft2) (36ft x 26ft x 13ft) (19ft x 6.5ft) Ultimate M40 32- 20 SOUNDMAKING QSC Cinema 33m2 L 6.5m (19.6ft) 4.3m (13ft) Avid Pro Tools Avid S3 + 8 [email protected] HomeTheatre: 5.1 HT: 35 m2 HT: HT: 4m x 1.7m (2 x playback x 256 Fader HT: contact: [email protected] Screen (355ft2) W 5.2m (16.4ft) x 2.3m (6.5ft) Ultimate, Avid Pro +48 601 949 357 7.1 Dolby Atmos (376ft2) 7.5m x 4.6m x 3.5m (13ft x 3.2ft) voices + 1 x dubber HT: Avid S6 10 Mateusz Adamczyk +48 502 310 073 Channel 5.1 H 3m (10ft) 384 voices Tools Dock www.dreamsound.pl (23ft x 13ft x 10ft) x 256 voices) M10 24- Sebastian Witkowski +48 501 030 053 HT: 1 Pro Tools Fader www.soundmaking.com Ultimate 256 voice TOYA STUDIOS Dolby (SR, 260m2 vol/height: 47.25 m2 ProTools 2018 ICON (D- compressors >20 DŹWIEKOWNIA STUDIO n/a n/a n/a n/a n/a n/a n/a n/a contact: Piotr Knop Digital, Digital (2798ft2), 2000m3 / 7,85m, (10.5m x 4.5m), HDX2 – 516 voices Contrlol – 64 Neve, SSL, contact: Michał Myśliński [email protected] Surround EX), 123m2 600m3 / 7,3m 16.83 m2 (6.28m x in each studio faders), S6 – reverb kontakt@studiodzwiekowni +48 502 134 017 THX and (1323ft2) (70629ft3 / 23ft, 2.68m) / 505ft2 24 faders) TC6000 in +48 502 986 148 www.toyastudios.pl Dolby Premier 21188ft3 / 23ft) (32.8ft x 13ft), each studio www.studiodzwiekownia.pl certificates 182ft2 (19.6ft x 6.5ft) STUDIO FONOGRAF n/a n/a n/a n/a n/a n/a n/a n/a contact: Radoslaw Ochnio [email protected] +48 607 388 456 www.fonograf.pl
OPUS FILM 5.1 25m2 yes 2.5m x 1.8m 256 Avid – C24 FOCUSRITE 7, 5 contact: Anna Sztajnborn, (269ft2) 5m x 5m x 3.2m (8ft x 5ft) FOCUSRITE Ewa Badyna (16ft x 16ft x 10ft) Platinum [email protected] Twin Track +48 42 534 55 01 PRO www.opusfilm.com
PRO-TON Krzysztof Jastrząb n/a n/a n/a n/a n/a n/a n/a n/a contact: Jacek Pająk [email protected] +48 694329673 www.pro-ton-studio.pl
38 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 39 SCORING & MIXING STUDIOS OUTBOARDS OUTBOARDS (PREAMPS, EQS, (PREAMPS, EQS, LIVE ROOMS SIZE OF CONTROL DAW: VERSION / SOUND SYSTEM / MIXING DYNAMICS, SPECIAL LIVE ROOMS SIZE OF CONTROL DAW: VERSION / SOUND SYSTEM / MIXING DYNAMICS, SPECIAL COMPANY (AREA) RECORDING ROOM (AREA) NUMBER OF VOICES SPEAKERS CONSOLE REVERBS) FEATURES COMPANY (AREA) RECORDING ROOM (AREA) NUMBER OF VOICES SPEAKERS CONSOLE REVERBS) FEATURES
AEROPLAN STUDIOS 7 mixing studios: From 30m2, 15m2, Pro Tools Dynaudio AVID Artist Mix Preamp TL SONORIA 14 m2 (150ft2) for exam- 18 m2 (193ft2) Pro Tools 12.4 2.0 Millennia, NEVE, contact: Dominika Orszulak 2 x 30m2, the solo 2 x 10m2 2018.12.0 – 256 M3 stereo, controler, AVD- Audio VP-1, Małgorzata Przedpełska-Bieniek ple: Voc + SSL, AVALON, [email protected] 4 x 20m2, recording (322ft2, 161ft2, voices; Nuendo Dynaudio M2, S6 M40 MTM, Preamp TL contact: Katarzyna Figat guitar TF PRO, EMPIRI- +48 600 822 019 15m2 (2x 322ft2, to the small 2 x 107ft2) 8.3.20 unlimited Dynaudio AIR15 Icon qcon pro Audio VP – 5051 [email protected] CALLABS IGS, SO- www.aeroplanstudios.com 4 x 215ft2, 161ft2), cameral voices, 5.1, PMC IB1, + 3xEX +48 602 303 930, +48 22 853 60 51 SAudioupgrates, 4 scoring studios groups JBL 5.1 www.sonoria.pl TL Audio
CAFE OLE n/a n/a n/a n/a n/a n/a n/a n/a SOUND MIND n/a n/a n/a n/a n/a n/a n/a n/a Jagna Pilczuk contact: Michał Fojcik [email protected] MPSE [email protected] +48 606 608 101 +48 502 43 44 01 www.cafeole.pl www.soundmind.pl
DREAMSOUND n/a n/a n/a n/a n/a n/a n/a n/a SOUNDMAKING 3 studios: 6 to 8 per- 33m2 (355ft2) Avid Pro Tools QSC Cinema Avid S3 + Avid Chandler cinema contact: Kacper Habisiak contact: [email protected] 22m2 (236ft2), forming Ultimate Screen Chan- Pro Tools Limited, Neve, re-re- [email protected] Mateusz Adamczyk +48 502 310 073 18m2 (193ft2), musicians nel 5.1 Dock Manley cording +48 601 949 357 Sebastian Witkowski +48 501 030 053 6m2 (64ft2) (mixing) www.dreamsound.pl www.soundmaking.com
DŹWIEKOWNIA STUDIO n/a n/a n/a n/a n/a n/a n/a n/a TOYA STUDIOS n/a n/a n/a n/a n/a n/a n/a n/a contact: Michał Myśliński contact: Piotr Knop kontakt@studiodzwiekowni [email protected] +48 502 986 148 +48 502 134 017 www.studiodzwiekownia.pl www.toyastudios.pl
STUDIO FONOGRAF n/a n/a n/a n/a n/a n/a n/a n/a contact: Radoslaw Ochnio [email protected] +48 607 388 456 www.fonograf.pl
OPUS FILM 33.5m2 (360ft2) 5 25m2 (269ft2) ProTools 5.1, THX MACKIE Avid – C24 FOCUSRITE 7, acoustic contact: Anna Sztajnborn, HR 824, Sub – JBL FOCUSRITE screens Ewa Badyna Platinum Twin [email protected] Track PRO +48 42 534 55 01 www.opusfilm.com
PRO-TON Krzysztof Jastrząb n/a n/a n/a n/a n/a n/a n/a n/a contact: Jacek Pająk [email protected] +48 694329673 www.pro-ton-studio.pl
40 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 41 PRODUCERS
The black dot in the table FEATURE: feature-length, live-action films, usually as a leading producer;
COMPANY WEBSITE CONTACT EMAIL CONTACT TELEPHONE FEATURE DOCUMENTARY ANIMATION CO-PRODUCTION SERVICE TV SERIES TV SHOW SHORTS OTHERS indicate that, in the course postproduction in case of postproduction studios; ● ● ● of the past few years, DOCUMENTARY: short / medium-length / feature-length documentary films; Bahama Films bahamafilms.pl [email protected] mob. +48 783 158 555 ● ● ● ● the producer has made ANIMATION: short / medium-length / feature-length animated films or TV series; BALAPOLIS balapolis.com [email protected] mob. +48 514 593 757 ● ● ● at least one production CO-PRODUCTION: international co-productions, including live-action films, BANANA SPLIT banana.pl [email protected] mob. +48 512 085 075 corresponding to the documentaries and animations; BARTON FILM bartonfilm.pl [email protected] mob. +48 516 976 722 ● ● ● ● ● ● ● ● ● following criteria: SERVICE: servicing international projects in Poland including physical production, BEGOOD FILMS begoodfilms.com [email protected] — postproduction, animation and VFX; BOW AND AXE ENTERTAINMENT bowandaxe.com [email protected] tel. +48 22 854 07 77 ● ● ● ● ● ● TV SERIES: live-action TV series of different genres; BREAKTHRU FILMS breakthrufilms.pl [email protected], mob. +48 601 297 600 ● ● [email protected] tel. +48 58 333 47 33 TV SHOW: TV shows, including game shows, talk shows, travel series, etc.; CENTRALA FILM centralafilm.pl [email protected] mob. +48 664 084 949 ● ● ● ● ● ● SHORTS: short-length features; CHILLI PRODUCTIONS chilliproductions.com [email protected] mob. +48 606 136 399 ● ● OTHERS: commercials, music videos and other audiovisual materials. COLOUR PICTURES colourpictures.eu [email protected] mob. +48 601 700 688 ● ● DARKLIGHT FILM STUDIO darklight.pl [email protected] mob. +48 501 622 810 ● ● DASH DOT CREATIONS dashdot.pl — — ● ● Devision instagram.com/devisionwarsaw [email protected] mob. +48 509 108 939 ● DOBRO FILMS dobrofilms.com [email protected] tel. +48 22 111 24 24 ● DOMINO FILM dominofilm.pl [email protected] mob. +48 602 772 778 ● ● ●
COMPANY WEBSITE CONTACT EMAIL CONTACT TELEPHONE FEATURE DOCUMENTARY ANIMATION CO-PRODUCTION SERVICE TV SERIES TV SHOW SHORTS OTHERS DONTEN & LACROIX FILMS dontenlacroix.eu [email protected] mob. +48 516 516 606 ● ● ● ● AFILM — [email protected] tel. +48 607 983 844 ● ● ● ● EAST STUDIO eaststudio.pl [email protected] mob. +48 512 007 123 ● ● ● AGRESYWNA BANDA agresywnabanda.com [email protected] — ● ● ● EGOFILM egofilm.pl [email protected], mob. +48 607 563 638 ● ● [email protected] aksonstudio.pl [email protected] tel. +48 22 840 68 30 ● ● ● ● ● ● ● AKSON STUDIO ● ● ● ● ● ● Endemolshine Polska endemolshine.pl [email protected] tel. +48 22 847 45 05 alchemiqstudio.com [email protected] mob. +48 665 48 22 57 ALCHEMIQ STUDIO ● ● ● ● ● ● ● ENDORFINA STUDIO endorfinastudio.com [email protected] mob. +48 501 065 821 alexstern.pl [email protected] tel. +48 22 50 23 121 ALEX STERN ● ● ● ● ● ● ENTERTAIN PICTURES entertainpictures.com [email protected] mob. +48 514 709 909 kmmfilms.com [email protected] mob. +48 574 172 687 Alpha Productions ● ● ● ● ● ● EUREKA MEDIA eurekamedia.info [email protected] mob. +48 602 790 802 amondofilms.com [email protected] mob. +48 501 209 172 AMONDO FILMS ● ● ● ● ● EUREKA STUDIO eurekastudio.eu [email protected] tel. +48 22 885 42 25 porembny.com [email protected] mob. +48 602 758 197 AMP POLSKA ● ● ● ● ● ● ● ● ● Evolutionary Picture evolutionarypicture.com [email protected] mob. +48 516 573 745 animapol.pl [email protected] mob. +48 510 035 913 ANIMA-POL ● ● ● ● F25 Production House f25.pl [email protected] tel. +48 22 404 99 95 ANIMOON animoon.pl [email protected] — FEDERICO FILM federicofilm.com [email protected] mob. +48 602 133 993 ● ● ● ● APPLE FILM PRODUCTION applefilm.pl [email protected] tel. +48 22 851 84 40 ● ● ● ● FILM ART PRODUCTION filmartproduction.pl [email protected] mob. +48 601 663 236 ● ● ● ● ARGOMEDIA — [email protected] tel. +48 71 337 37 38 ● FILM IT filmit.com.pl [email protected] tel. +48 22 852 23 24 ● ● ● ● ● ● ARKANA STUDIO arkanastudio.pl [email protected] tel. +48 22 840 27 45 ● ● FILM MEDIA filmmedia.com.pl [email protected] tel. +48 22 625 00 05 ● ● ARTCORE artcore.pl [email protected] tel. +48 22 251 32 76 ● ● ● FILM POLAND PRODUCTIONS filmpoland.pl [email protected] mob. +48 604 428 940 ● ● ● ● ● ● ATM GRUPA atmgrupa.pl [email protected] tel. +48 71 776 47 00 ● ● ● ● ● ● FILM PRODUKCJA filmprodukcja.com [email protected] tel. +48 22 227 77 77 ● ● ● ● ● ● ● Aura Films aurafilms.pl [email protected] mob. +48 660 746 996 ● ● ● ● FILM SERVICES SZCZECIN film.szczecin.pl [email protected] tel. +48 881 625 499 ● AURUM FILM aurumfilm.pl [email protected] mob. +48 505 773 479 ● ● ● ● FILMICON filmicon.pl [email protected] tel. +48 58 320 73 31 ● ● ● AUTOGRAF autograffilm.pl [email protected] mob. +48 793 786 774 ● ● ● FILMOGRAF filmograf.com.pl [email protected] mob. +48 603 773 537 ● ● B3 FILMS b3films.pl [email protected] tel. +48 22 313 22 22 ● ● FLOTA FILMOWA flotafilmowa.com [email protected] tel. +48 22 339 05 84 ● ● BADI BADI badibadi.com [email protected] tel. +48 22 313 22 22 ● ●
42 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 43 FEATURE DOCUMENTARY ANIMATION CO-PRODUCTION SERVICE TV SERIES TV SHOW SHORTS OTHERS COMPANY WEBSITE CONTACT EMAIL CONTACT TELEPHONE FEATURE DOCUMENTARY ANIMATION CO-PRODUCTION SERVICE TV SERIES TV SHOW SHORTS OTHERS COMPANY WEBSITE CONTACT EMAIL CONTACT TELEPHONE FUMI STUDIO fumistudio.com [email protected] mob. +48 605 283 030 ● ● MIZAR FILMS mizarfilms.pl [email protected] mob. +48 504 448 661 ● ● ● ● ● FURIA FILM furiafilm.pl [email protected] mob. +48 794 389 337 ● ● ● ● ● MONOLITH FILMS monolith.pl [email protected] tel. +48 22 851 10 77 ● GRANIZA graniza.pl [email protected] mob. +48 506 642 021 ● MOVIE FLOWER movieflower.pl [email protected] mob. +48 501 548 415 ● ● ● GS ANIMATION / g-s.pl [email protected] tel. +48 58 718 13 23 ● ● MU ANIMATION muanimation.com [email protected] mob. +48 694 106 852 ● ● GRUPA SMACZNEGO MUCHAS GRACIAS muchasgracias.pl [email protected] mob. +48 502 979 226 ● ● ● ● ● ● ● HAKA FILMS hakafilms.com [email protected] mob. +48 668 024 800 MUNK STUDIO munkstudio.eu [email protected] tel. +48 22 556 54 70 ● ● ● ● ● ● ● ● ● HARINE FILMS facebook.com/harinefilms [email protected] mob. +48 501 338 454 NEXT FILM next-film.pl [email protected] tel. +48 22 55 55 334 ● ● HI Movies himovies.pl [email protected] mob. +48 600 009 111 ● ● ● mob. +48 531 115 100 ● ● ● ● ● HOUSE MEDIA COMPANY housemedia.pl [email protected] tel. +48 22 840 50 56 ● ● ● ● ● ● NO SUGAR FILMS nosugarfilms.com [email protected] mob. +48 603 486 287 ● ● ● ● HUMAN ARK human-ark.com [email protected] tel. +48 22 22 77 788 ● ● NOLABEL nolabel.com.pl [email protected] tel. +48 12 399 46 28 mob. +48 797 908 074 facebook.com/ODEON-Film- [email protected] tel. +48 22 646 69 00 ● ● ● ● IMAGES AND WORLDS imagesandworlds.pl [email protected] mob. +48 662 174 512 ● ● ODEON RYBARCZYK PRODUCTIONS Studio-350680999524/ IMPAKT FILM impaktfilm.com [email protected] mob. +48 604 105 975 ● ● ● OPUS FILM opusfilm.com [email protected] tel. +48 42 634 55 00 ● ● ● ● ● ● ● ISTV MEDIA istv.pl [email protected] — ● ● ● ● OSTRO Bartłomiej Osses ostro-video.pl [email protected] mob. +48 535 553 222 ● ● ISYRIUS isyrius.com [email protected] mob. +48 503 857 517 ● ● ● ● OTO FILM otofilm.pl [email protected] tel. +48 22 542 86 86 ● ● ● ● KALEJDOSKOP FILM kalejdoskopfilm.pl [email protected] tel. +48 22 851 17 79 ● ● ● ● OTTER FILMS otterfilms.pl [email protected] mob. +48 609 841 445 ● ● ● ● — [email protected] tel. +48 604 172 133 ● KAMEROVID PAPAYA FILMS papaya-films.com [email protected] tel. +48 22 875 30 80 ● ● ● ● kidfilm.pl [email protected] mob. +48 509 577 943 ● ● KID FILM PIGEON STUDIO studiopigeon.com [email protected] mob. +48 530 502 530 ● ● kijorafilm.com [email protected] mob. +48 609 421 497 ● ● ● ● ● KIJORA FILM PLATIGE FILMS platige.com [email protected] tel. +48 22 844 64 74 ● ● ● kinhouse.pl [email protected] mob. +48 501 563 624 ● ● ● ● ● Kinhouse PLESNAR & KRAUSS FILMS plesnarandkrauss.com [email protected] mob. +48 605 935 018 ● ● ● ● kln.studio [email protected] tel. +48 58 350 18 54 ● KLN FILM STUDIO POKROMSKI STUDIO pokromskistudio.pl [email protected] tel. +48 22 115 33 73 ● ● ● ● koi-studio.pl [email protected] mob. +48 605 164 104 ● ● ● ● ● KOI STUDIO PRASA I FILM prasaifilm.pl [email protected] tel. +48 22 851 10 64 ● ● ● ● koskino.pl [email protected] mob. +48 605 764 774 ● ● ● ● Koskino PROPELLER FILM propellerfilm.pl [email protected] mob. +48 602 211 444 ● ● ● kosmonaut.watch [email protected] mob. +48 788 720 437 ● ● ● ● Kosmonaut RAGUSA FILM ragusafilm.pl [email protected] mob. +48 507 290 438 ● ● — [email protected] mob. +48 502 133 311 ● ● ● KOSMOS PRODUCTION ROCK AND ROLL PRODUCTION — [email protected] mob. +48 604 250 662 ● ● lavafilms.pl [email protected] mob. +48 506 061 974 ● ● ● ● ● LAVA FILMS SCORPIO STUDIO scorpio-studio.com [email protected] mob. +48 693 404 973 ● ● LETKO letko.co [email protected] mob. +48 504 699 963 ● ● tel. +48 22 392 63 32 MAD TREE facebook.com/madtreefilms [email protected] mob. +48 530 342 614 ● ● ● ● SHIPSBOY shipsboy.com [email protected] mob. +48 512 733 112 ● ● ● ● ● ● MADANTS madants.pl [email protected] mob. +48 791 996 984 ● ● ● ● SILVER FRAME silver-frame.com [email protected] mob. +48 696 449 317 ● ● ● ● ● MAGNET MAN FILM magnetmanfilm.com [email protected] mob. +48 661 663 768 ● ● SKOPIA FILM skopiafilm.com [email protected] — ● ● MAJ FILM PRODUKCJA FILMOWA majfilm.pl [email protected] mob. +48 501 834 731 ● ● ● SKORPION ARTE skorpionarte.pl [email protected] mob. +48 506 079 686 ● MAÑANA manana.pl [email protected] — ● ● SPINKA FILM STUDIO spinkafilm.pl [email protected] mob. +48 603 193 820 ● ● ● MANIFIESTA manifiesta.pl [email protected] mob. +48 508 507 755 ● ● ● SQUARE FILM STUDIO squarefilmstudio.com [email protected] tel. +48 608 15 44 86 ● ● MATCH&SPARK matchandspark.com [email protected] — ● ● ● ● STAROŃ – FILM staronfilm.pl [email protected] — ● ● ● MD4 (Mental Disorder 4) md4.eu [email protected] tel. +48 22 126 89 47 ● ● STI STUDIO FILMOWE sti.com.pl [email protected] tel. +48 22 629 21 69 ● ● MEDIABRIGADE mediabrigade.pl [email protected] tel. +48 71 799 14 50 ● ● ● ● ● STUDIO A studio-a.tv [email protected] tel. +48 22 622 24 44 ● ● METRO FILMS facebook.com/MetroFilms [email protected] tel. +48 22 843 21 72 ● ● ● ● STUDIO FILMOWE EVEREST studioeverest.pl [email protected] mob. +48 609 333 407 ●
44 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 45 COMPANY WEBSITE CONTACT EMAIL CONTACT TELEPHONE FEATURE DOCUMENTARY ANIMATION CO-PRODUCTION SERVICE TV SERIES TV SHOW SHORTS OTHERS STUDIO FILMOWE KALEJDOSKOP kalejdoskop.art.pl [email protected] tel. +48 22 851 17 79 ● ● ● STUDIO FILMÓW RYSUNKOWYCH sfr.com.pl [email protected] tel. +48 33 812 50 56 ● ● STUDIO PANIKA studiopanika.pl [email protected] tel. +48 58 629 78 48 ● STUDIO TREFL studio.trefl.com [email protected] mob. +48 666 890 764 ● TELEMARK telemark.com.pl [email protected] — ● ● TEMPUS FILM tempusfilm.com [email protected] mob. +48 500 172 369 ● ● ● ● TOUCHFILMS touchfilms.pl [email protected] mob. +48 601 792 376 ● ● ● ● UNLIMITED FILM OPERATIONS unlimitedfilm.pl [email protected] mob. +48 606 403 982 ● ● VISION HOUSE PRODUCTION visionhouse.eu [email protected] tel. +48 22 659 38 63 ● ● ● ● WAJDA STUDIO wajdastudio.pl [email protected] tel. +48 22 851 10 57 ● ● ● ● WATCHOUT STUDIO watchoutstudio.pl [email protected] mob. +48 785 801 006 ● ● ● ● ● With Passion Productions — mduzbabel@ mob. +48 512 501 704 ● withpassionproduction.com WJTEAM / LIKAON wjt.com.pl [email protected] mob. +48 501 044 375 ● ● WYTWÓRNIA FILMÓW wfdif.pl [email protected] tel. +48 22 840 00 30-39 ● ● ● ● ● DOKUMENTALNYCH I FABULARNYCH (WFDIF) Yeti Films yetifilms.com [email protected] tel. +48 502 142 844 ● ● ● ZJEDNOCZENIE ARTYSTÓW zair.eu [email protected] mob. +48 501 647 248 ● ● ● I RZEMIEŚLNIKÓW ZK STUDIO zkstudio.pl [email protected] mob. +48 519 830 571 ● ● ● ZOYDA ART PRODUCTION zoyda.pl [email protected] tel. +48 22 799 92 22 ● ● ŻUBROWA 10 JAN WALENCIK zubrowa10.pl [email protected] tel. +48 660 419 222 ● ●
POST–PRODUCTION COMPANIES
COMPANY WEBSITE CONTACT MAIL CONTACT TEL FEATURE DOCUMENTARY ANIMATION CO–PRODUCTION / INTERNATIONAL EXPERIENCE TV SERIES TV PROGRAMMERS SHORTS OTHERS CHIMNEY POLAND chimney.pl [email protected] tel. +48 22 347 95 00 ● ● ● ● ● COLOROFFON coloroffonfilm.pl [email protected] mob. +48 533 339 120 ● ● ● ● DI FACTORY di-factory.com [email protected] mob. +48 887 807 800 ● ● ● ● ● ● F25 f25.pl [email protected] tel. +48 22 404 99 95 ● ● ● Fixafilm fixafilm.pl [email protected] mob. +48 662 250 030 ● ● ● ● ● ● LIGHTCRAFT lightcraft.pl [email protected] mob. +48 604 420 500 ● ● ● ● ORKA orkafilm.pl [email protected] mob. +48 501 379 886 ● ● ● ● PLATIGE IMAGE platige.com [email protected] tel. +48 22 844 64 74 ● ● ● ● ● ●
46 FILM INDUSTRY BACK TO CONTENTS SLØBORN (2020) DIR. CHRISTIAN ALVART,FILM ADOLFO INDUSTRY J. KOLMERER47 CASTING DIRECTORS
MAŁGORZATA ADAMSKA KONRAD BUGAJ (BUGAJ-CZAJOR CASTING) MONIKA FIGURA-KRYCKA MARTA KOWNACKA (ICDN) JULIA POPKIEWICZ Selected films: Another Day of Life (2018) Selected films: The War Has Ended (2019) Selected films:Mowa Ptaków (2019) Selected films: Strawberry Days (2017) dir. Damian Nenow, Raúl de la Fuente; dir. Hagar Ben-Asher; Blinded by the Lights Selected films:Och Karol 2 (2011) dir. Xawery Żuławski; War Girls (2019) dir. Wiktor Ericsson; I, Olga Hepnarova The Fastest (2017) dir. Łukasz Palkowski; (2018) dir. Krzysztof Skonieczny; Music, dir. Piotr Wereśniak; Dlaczego nie! (2007) dir. Michał Rogalski; Art of Loving (2017) (2016) dir. Tomas Weinreb, Petr Kazda; 33 Scenes From Life (2008) dir. Małgorzata War and Love (2018) dir. Martha Coolidge dir. Ryszard Zatorski; Na dobre i na złe – TV dir. Maria Sadowska; In the Name of... (2013) dir. Małgorzata Szumowska tel. +48 609 745 561 series (1999–2018) tel. +48 609 100 410 Szumowska tel. +48 602 523 071 [email protected] tel. +48 696 012 224 [email protected] tel. +48 728 385 855 [email protected] www.bugaj-czajor.pl [email protected] www.facebook.com/castingmartakownacka [email protected]
EWA BAKALARSKA VIOLETTA BUHL PAULINA GRABOWSKA PAULINA KRAJNIK MAJA SKRYŚKIEWICZ – ŁACH Selected films:The Last Family (2016) Selected films:Run Boy Run (2013) Selected films:People and Gods (2019) Selected films:1983 (2018) dir. Agnieszka Selected films:Body (2015) dir. Małgorzata dir. Jan P. Matuszyński, Carte Blanche dir. Pepe Danquart; Spring 1941 (2007) dir. Bodo Kox; Second Chance – TV series Holland, Kasia Adamik, Olga Chajdas, Szumowska; Life Feels Good (2013) (2015) dir. Jacek Lusiński, Piggies (2009) dir. Uri Barbash; Three Colors: White (1994) (2016-2018) dir. M. Gazda, Ł. Kośmicki, Agnieszka Smoczyńska; Nina (2018) dir. Maciej Pieprzyca dir. Robert Gliński dir. Krzysztof Kieślowski X. Żuławski, J. P. Matuszyński, T. Szafrański; dir. Olga Chajdas; The Man with the Magic tel. +48 601 248 424 tel. +48 533 601 559 tel. + 48 601 283 079 Satan Said Dance (2016) dir. K. Rosłaniec Box (2017) dir. Bodo Kox [email protected] [email protected] [email protected] tel. +48 604 829 031 tel. + 48 606 180 772 [email protected] [email protected] MAGDALENA SZWARCBART (ICDN) PIOTR BARTUSZEK (ICDN) PAWEŁ CZAJOR (BUGAJ-CZAJOR CASTING) Selected films:Cold War (2018) dir. Paweł Selected films:Who Will Write Our Selected films:Blinded by the Lights (2018) ALEKSANDRA GRUBER NADIA AGNIESZKA LEBIK Pawlikowski; Mr. Jones (2019) dir. Agnieszka History (2018) dir. Roberta Grossman; dir. Krzysztof Skonieczny; Music, War and Selected films:Vanishing Waves (2012) dir. Selected films:The Coldest Game (2019) Holland; Schindler’s List (1993) dir. Steven United States of Love (2016) dir. Tomasz Love (2018) dir. Martha Coolidge; Essential Kristina Buozyte; Lejdis (2008) dir. Tomasz dir. Łukasz Kośmicki; The Mute (2018) Spielberg Wasilewski, Maria Curie (2016) Killing (2010) dir. Jerzy Skolimowski Konecki; Wednesday, Thursday Morning dir. Bartosz Konopka; The Model (2016) tel. +48 601 288 874 dir. Marie Noelle tel. +48 600 457 758 (2007) dir. Grzegorz Pacek dir. Mads Matthiesen [email protected] tel. +48 662 968 602 [email protected] tel. +48 668 828 258 tel. +48 515 244 122 [email protected] www.bugaj-czajor.pl [email protected] [email protected] ALINA TRYBIŁO – FALANA www.facebook.com/piotrbartuszekcasting www.facebook.com/casting.ola.gruber Selected films:Ida (2013) dir. Paweł AGATA DOMAGAŁA MAREK PALKA Pawlikowski; Playground (2016) dir. EWA BRODZKA ŻYWA KOSIŃKA Selected films:Playing Hard (2018) Bartosz M. Kowalski; Beyond Words (2018) (ICDN) Selected films:Znaki – TV series (2018), Selected films:The Fugue (2018) dir. Kinga Dębska; These Daughters of dir. Urszula Antoniak Selected films:Silent Night (2017) dir. Piotr Prokurator – TV series (2015), Schindler’s dir. Agnieszka Smoczyńska; Werewolf Mine (2015) dir. Kinga Dębska; Baby Blues tel. +48 502 344 926 Domalewski, Afterimage (2016) dir. Andrzej List (1993) dir. Steven Spielberg (2018) dir. Adrian Panek; The Lure (2015) (2012) dir. Katarzyna Rosłaniec [email protected] Wajda; Persona Non Grata (2015) tel. +48 500 834 977 dir. Agnieszka Smoczyńska [email protected] dir. Cellin Gluck [email protected] tel. +48 501 706 514 *(ICDN) – member of the International Casting tel. +48 601 805 895 [email protected] Directors Network [email protected]
48 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 49 TV MARKET & TV market share in the 3rd QUARTER OF 2019 MAJOR BROADCASTERS TELEWIZJA POLSAT TELEWIZJA PULS BROADCASTERS It belongs to Cyfrowy Polsat, the largest Telewizja Puls is a commercial broadcaster digital satellite platform in Poland. Polsat focused on entertainment. It occasionally produces mainly TV shows, TV series and produces documentary films and TV series. TV4 HBO POLSKA para-documentary series. tel. +48 22 559 73 00-1 3.5% A premium television broadcaster. It pro- tel. +48 22 514 40 00 [email protected] TV PULS 3.3% duces documentaries and television series, www.polsat.com.pl www.tvpuls.pl 3 hours 53 minutes and occasionally gets involved in co-produc- TVN7 tion of feature films. Production: Production: 3.1% TVP INFO the average time spent daily 3.9% tel. +48 22 852 88 00 Agnieszka Odorowicz Karolina Fiedotow-Niemczykiewicz in front of the TV screen TTV www.hbo.pl tel. +48 22 514 54 24 [email protected] 2.2% TVN24 4.6% Puls 2 Head of Original Production: Beata Barcz Sales & Marketing: Izabela Łopuch tel. +48 22 514 51 52 Justyna Ganczarek-Jach 5,794,000 1.8% TVP2 7.8% tel. +48 22 852 88 40 [email protected] the average minute audience TV6 [email protected] Polsat2 1.7% TELEWIZJA POLSKA (TVP) 1.7% Sales Director: The only public broadcaster in Poland. TVP TVN Michał Walewski produces mainly TV series, TV shows, feature TVN is one of the leading broadcasters in 35,56% TVP Seriale TVN 1.5% 8.3% tel. +48 22 852 88 28 films and documentary films. Poland and a part of Discovery, Inc. TVN is the market share of the four major TVP SPORT [email protected] tel. +48 22 547 80 00 an active producer of TV series, TV shows, broadcasters (TVP1, TVP2, TVN 1.5% www.tvp.pl features and documentaries. and Polsat) TVP ABC tel. +48 22 856 55 04 1.3% NC+ (ITI NEOVISION) Sales and Acquisitions Department www.tvn.pl, www.distribution.tvn.pl Polsat News A premium television broadcaster, who tel. +48 22 547 85 01 transmits channels from the CANAL+ family. www.sales.tvp.pl Head of Feature Film Team: 31 % 1.2% Polsat 9.8% It produces TV series and feature films. Anna Waśniewska channels with less than 1% Stopklatka tel. +48 22 328 28 65, +48 795 501 063 Director: tel. +48 694 411 146 of the market share (others) 1.1% www.ncplus.pl Monika Karasek [email protected]
TVP3 Movie Channels Director: International Co-productions, Sales Manager: 1.1% Jakub Szurmiej Head of International Sales: Aneta Zaręba TVP1 tel. +48 519 520 513 Aleksandra Kaźmieruk tel. +48 22 856 67 70 9.8% [email protected] tel. +48 22 547 66 21 [email protected] [email protected] Production: Others Małgorzata Jurczak 31% tel. +48 519 520 528 [email protected]
* Source: Informacja o widowni telewizyjnej w Polsce w III kwartale 2019 roku, KRRiTV, Warszawa 2019
50 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 51 DISTRIBUTORS
AGAINST GRAVITY DYSTRYBUCJA MÓWI SERWIS IMPERIAL CINEPIX MADNESS DISTRIBUTION SOLOPAN UNITED INTERNATIONAL PICTURES (UIP) tel. +48 22 566 37 99 tel. +48 887 874 916 tel. +48 22 379 05 01 tel. +48 791 996 984 tel. +48 22 828 01 44 tel. +48 22 630 83 10 [email protected] [email protected] [email protected] [email protected] [email protected] www.tylkohity.pl www.againstgravity.pl www.dystrybucjamowiserwis.pl www.imperial-cinepix.com.pl Independent feature films from all over www.solopan.com.pl Foreign cinema hits. Full-length documentaries and art-house Polish and foreign cinema. Foreign cinema hits. the world. Auteur cinema from all over the world. features from all over the world. Polish independent art-house distributor. VELVET SPOON FORUM FILM POLAND KINO ŚWIAT MAÑANA tel. +48 604 425 623, +48 509 421 718 AURORA FILMS tel. +48 22 456 65 55 tel. +48 22 840 68 01-5 tel. +48 695 987 763 SPECTATOR [email protected] tel. +48 22 35 39 602, +48 603 542 471 [email protected] [email protected] [email protected] tel. +48 503 876 453 [email protected] [email protected] www.forumfilm.pl www.kinoswiat.pl www.manana.pl [email protected] www.velvetspoon.pl www.aurorafilms.pl Polish and foreign cinema hits. Polish, European and American films. Primarily Ibero-American and Spanish www.spectator.com.pl Genre cinema with unique, auteur approach. Cinema of high artistic quality. films, but also high-quality productions Independent and art-house films. from all over the world. GALAPAGOS FILMS KONDRAT-MEDIA VIVARTO BEST FILM +48 510 643 706 tel. +48 607 090 182 STOWARZYSZENIE NOWE HORYZONTY tel. +48 22 100 45 89 tel. +48 22 887 14 80 [email protected] [email protected] MAYFLY tel. +48 22 530 66 65 [email protected] [email protected] Polish and international films. www.kondrat-media.pl tel. +48 22 822 90 96 [email protected] www.vivarto.pl www.bestfilm.pl Religious films. [email protected] www.nowehoryzonty.pl Films for children and youth. Primarily Polish and European films. [email protected] Films going beyond the boundaries of GUTEK FILM www.mayfly.pl conventional cinema and originating from tel. +48 22 536 92 00 KRAKOWSKA FUNDACJA FILMOWA Arthouse cinema & documentaries. all over the world. WALT DISNEY COMPANY POLSKA BOLLYWOOD EUROPA [email protected] tel. +48 12 294 69 45 tel. +48 22 579 33 55 [email protected] www.gutekfilm.pl [email protected] www.disney.pl www.bollywoodeuropa.com Art-house cinema from all over the world. www.kff.com.pl MONOLITH FILMS STUDIO INTERFILM Walt Disney Studios productions. Films from India. Documentaries and shorts. The organizer tel. +48 22 851 10 77-8 tel. +48 22 565 23 25 of the Krakow Film Festival. [email protected] [email protected] HAGI www.monolith.pl www.interfilm.pl WARNER BROS. ENTERTAINMENT BOMBA FILM tel. +48 71 367 78 50 Polish and foreign cinema hits. Polish and foreign cinema hits. POLSKA tel. +48 81 820 07 89 [email protected] M2 FILMS tel. +48 22 358 26 00 [email protected] www.hagi.pl tel. +48 502 134 945 [email protected] www.bombafilm.pl European features and documentaries. [email protected] NEXT FILM TONGARIRO RELEASING www.wbep.pl Predominantly European cinema. www.m2films.pl tel. +48 722 382 354 tel. +48 61 307 22 44 Foreign cinema hits. Independent films from beyond the [email protected] [email protected] IMAGES & WORLDS mainstream. www.next-film.pl www.tongariro.pl tel. +48 662 174 512 Mainly Polish cinema. LGBT cinema. [email protected] www.imagesandworlds.pl Indian films.
52 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 53 FILM EVENTS
MARCH MAY MAY / JUNE JUNE JULY / AUGUST SEPTEMBER NOVEMBER DECEMBER
THE EAGLES POLISH FILM MILLENNIUM DOCS KRAKOW FILM MUSIC THE KOSZALIN YOUTH AND NEW HORIZONS POLISH FILM FESTIVAL AMERICAN FILM FESTIVAL TRANSATLANTYK ETIUDA & ANIMA ALE KINO! INTERNATIONAL AWARDS AGAINST GRAVITY FILM FESTIVAL FILM FESTIVAL INTERNATIONAL FILM Gdynia Wrocław FESTIVAL INTERNATIONAL FILM YOUNG AUDIENCE FILM The Polish Film FESTIVAL Kraków Koszalin FESTIVAL A festival devoted to the Contemporary feature Katowice FESTIVAL FESTIVAL Academy’s annual awards Warsaw A festival devoted to film A festival for Polish young Wrocław latest Polish films. and documentary An event that combines KRAKÓW Poznań ceremony. A selection of the best music. filmmakers with a sidebar A round-up of films www.festiwalgdynia.pl American films. cinema and music. The festival brings The festival presents www.pnf.pl feature-length documen- www.fmf.fm section dedicated to blazing the trail for new www.americanfilmfestival.pl www.transatlantyk.org together the achieve- films for children and taries, award winners at international debuts. trends in cinema. ments of film school youth audience. international festivals. www.mlodziifilm.pl www.nowehoryzonty.pl students from all over www.alekino.com APRIL / MAY www.mdag.pl KRAKOW FILM FESTIVAL OCTOBER the world and the works Kraków US in Progress The Icebreaker of animation filmmakers. Mastercard Off Camera An international festival WARSAW FILM FESTIVAL Event aimed at match- An annual workshop www.etiudaandanima.com International Festival featuring documentaries, JULY Polish Days Warsaw ing American indie addressed to young film of Independent Cinema animations and short Presentation of the The latest and most filmmakers who have professionals. The organ- Energa CAMERIMAGE – Kraków features. ANIMATOR INTERNATIONAL latest completed Polish interesting features, nearly completed their izers aim at addressing THE INTERNATIONAL FILM feature films and works-in- The festival presents www.krakowfilmfestival.pl ANIMATED FILM FESTIVAL documentaries and films with European post the current issues in FESTIVAL OF THE ART OF works by young filmmak- Poznań progress shown at closed shorts from around the production outlets, fes- order to give the par- CINEMATOGRAPHY ers from all over the world. Animated films from all screenings. Projects in world. The only A-class tival programmers, sales ticipants tools to improve Toruń www.offcamera.pl over the world. development are also festival in Poland. agents, and distributors. their understanding of A festival devoted to the www.animator-festival.com pitched here to the www.wff.pl the film business. art of cinematography. KFF Industry international audience A series of events www.camerimage.pl and followed by one-on- THE INTERNATIONAL FILM Pro Industry dedicated to documen- one sessions. FESTIVAL TOFIFEST Professional film industry tary and animated films, CentEast Market Toruń platform focused on including KFF Market, The event includes The festival presents networking and match- workshops, discussion FILM AND ART FESTIVAL Warsaw Co-Production films with a rebellious making between Polish panels, and co-production TWO RIVERSIDES Forum (for co-produc touch – the first and and international meetings. DOC LAB KAZIMIERZ DOLNY & tions with Poland), second features and filmmakers. The core of POLAND is a program JANOWIEC NAD WISŁĄ presentations of the new shorts. the program is round for Polish documentary An event bringing Polish films and works-in- www.tofifest.pl tables, case studies and filmmakers, focusing together film and other progress, and a number workshops. on consultation and fields of arts. of other activities aimed pitching; it consists of www.dwabrzegi.pl at young filmmakers and DOCS TO START (projects young film critics. KINO NA GRANICY / in development), DOCS KINO NA HRANICI TO GO! (work in-progress) Cieszyn, Český Těšín and DOCS TO BUY. Cinema on the Border – a showcase of Polish, Czech, Slovakian and Hungarian films. industry section for www.kinonagranicy.pl filmmakers and producers
54 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 55 PROFESSIONAL ORGANISATIONS POLISH SOCIETY OF EDITORS AND POSTPRODUCTION KRAKOW FILM CLUSTER POLISH FILMMAKERS ASSOCIATION POLISH ANIMATION PRODUCERS DIRECTORS GUILD OF POLAND CINEMATOGRAPHERS WORKERS GUILD KRAKOWSKI KLASTER FILMOWY (KKF) STOWARZYSZENIE FILMOWCÓW ASSOCIATION GILDIA REŻYSERÓW POLSKICH STOWARZYSZENIE AUTORÓW ZDJĘĆ GILDIA MONTAŻU I POSTPRODUKCJI GMP tel. +48 502 277 538 POLSKICH (SFP) STOWARZYSZENIE PRODUCENTÓW [email protected], FILMOWYCH (PSC) [email protected], [email protected], tel. +48 22 556 54 40 POLSKIEJ ANIMACJI (SPPA) www.polishdirectors.com [email protected], www.gildiagmp.org.pl www.film.krakow.pl [email protected], [email protected], The Directors Guild of Poland is an organisa- www.psc.pl Editors and Postproduction Workers Guild The Krakow Film Cluster is an association of www.sfp.org.pl www.sppa.eu tion established to represent and protect The Polish Society of Cinematographers is an association of editors, film colorists, professional companies, organizations and The Polish Filmmakers Association is The Polish Animation Producers Association professional and social interests of Polish represents cinematographers’ interests, graphic designers, editors’ assistants and experienced individual creators operating in Poland’s largest organisation for film and integrates the community of Polish anima- directors. in particular by protecting copyright and all the professional groups involved in the the film industry in Małopolska region. television professionals. Its primary task is tion film companies and supports them by creating favourable conditions for its postproduction of audiovisual work. to integrate the film community and protect in acquiring foreign co-producers and members’ professional development. its interests. distributors.
POLISH DOCUMENTARY DIRECTORS GUILD POLISH ASSOCIATION OF EDITORS UNION OF POLISH ACTORS POLISH PRODUCERS ALLIANCE GILDIA POLSKICH REŻYSERÓW POLSKIE STOWARZYSZENIE ZWIĄZEK ZAWODOWY AKTORÓW KRAJOWA IZBA PRODUCENTÓW DOKUMENTALNYCH MONTAŻYSTÓW (PSM) POLSKICH (ZZAP) AUDIOWIZUALNYCH (KIPA) PRODUCERS GUILD OF POLAND tel. +48 605 100 041 tel. +48 510 255 060 tel. +48 605 763 812 tel. +48 22 840 59 01 POLSKA GILDIA PRODUCENTÓW [email protected] [email protected], [email protected], [email protected], tel. +48 668 034 480 The Polish Documentary Directors Guild www.psm.org.pl www.zzap.aktorzy.org www.international.kipa.pl [email protected] represents and protects the interests of PSM’s mission is to advance the art of film The Union of Polish Actors represents the KIPA associates production companies, film Producers Guild of Poland integrates the documentary filmmakers in Poland. editing. It associates over one hundred interests of professional actors and protects schools and regional film funds. Its main goal community of Polish producers. Its main goal professional Polish editors working for their social rights. It is a member of the is to represent the economic interests of is to focus on developing and protecting cinema and television. International Federation of Actors (FIA). its members towards state authorities and Polish film industry. other stakeholders of the AV market.
56 FILM INDUSTRY BACK TO CONTENTS BACK TO CONTENTS FILM INDUSTRY 57 PRODUCTION GUIDE POLAND Credits
Published by Polish Film Institute / Film Cover – The Turncoat (2020) dir. Florian Commission Poland Gallenberger © Beta Film
Editorial team: Anna E. Dziedzic, Dana Pohl, page 3 – Mr. Jones (2019) dir. Agnieszka Barbara Rusinek Holland © Robert Pałka, Film Produkcja
English translation and language editing: page 11 – Ultraviolet 2 (2019) dir. Bartosz Olga Brawańska, Agnieszka Kazubek Prokopowicz, Łukasz Kośmicki, Anna Jadowska © Robert Pałka Graphic design: Joanna Górska, Homework page 12 – Atlantic Cinema in Warsaw: Warsaw 2020 © Kino Atlantic archive
page 14 – Corpus Christi (2019) dir. Jan Komasa: © Andrzej Wencel, Aurum Film
page 15 – Cold War (2018) dir. Paweł Pawlikowski: © Łukasz Bąk, Opus Film, Apocalypso Pictures
pages 22–23 – photos: © Alvernia Studios
pages 24–25 – photos: © ATM Group
pages 26–27 – photos: © WFDiF
page 47 – Sløborn (2020) dir. Christian Alvart, Adolfo J. Kolmerer: © Syrreal Entertainment
BACK TO CONTENTS