Coventry & Warwickshire Cover

Total Page:16

File Type:pdf, Size:1020Kb

Coventry & Warwickshire Cover Worcestershire Cover October 2018.qxp_Worcestershire Cover 24/09/2018 15:36 Page 1 VIENNA FESTIVAL BALLET PERFORM Your FREE essential entertainment guide for the Midlands THE NUTCRACKER AT ARTRIX WORCESTERSHIRE WHAT’S ON OCTOBER 2018 OCTOBER ON WHAT’S WORCESTERSHIRE Worcestershire ISSUE 394 OCTOBER 2018 ’ WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On worcestershirewhatson.co.uk PART OF WHAT’S ON MEDIA GROUP GROUP MEDIA ON WHAT’S OF PART inside: Yourthe 16-pagelist week by week listings guide JULIETTE BURTON award-winning comedian gets butterflies in Bromsgrove TWITTER: @WHATSONWORCS @WHATSONWORCS TWITTER: SUGGS What A King Cnut at Worcester’s Huntingdon Hall FACEBOOK: @WHATSONWORCESTERSHIRE DISNEY ON ICE Dream Big tour set to delight WORCESTERSHIREWHATSON.CO.UK Midlands audiences (IFC) Worcestershire.qxp_Layout 1 24/09/2018 15:31 Page 1 Contents October Warwicks/Worcs.qxp_Layout 1 24/09/2018 10:16 Page 2 October 2018 Contents Nativity! The Musical - Coventry’s Belgrade Theatre gets into the Christmas spirit good and early! - page 28 Sara Pascoe Troilus And Cressida Grand Designs the list no off-limit subjects at new version of Shakespeare’s Kevin McCloud takes to the Your 16-page Coventry’s Warwick Arts Centre rarely performed play at the RSC stage at the NEC week-by-week listings guide page 23 page 26 page 47 page 51 inside: 4. First Word 11. Food 15. Music 22. Comedy 24. Theatre 37. Film 40. Visual Arts 45. Events fb.com/whatsonwarwickshire fb.com/whatsonworcestershire @whatsonwarwicks @whatsonworcs Warwickshire What’s On Magazine Worcestershire What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Managing Director: Davina Evans [email protected] 01743 281708 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 What’sOn Editorial: Lauren Foster [email protected] 01743 281707 Brian O’Faolain [email protected] 01743 281701 Sue Jones [email protected] 01743 281705 Abi Whitehouse [email protected] 01743 281716 MEDIA GROUP Lauren Cole [email protected] 01743 281706 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Katherine Ewing, Jenny Ell, Steve Adams, Jack Rolfe, Elly Yates-Roberts, Daisy Sparkle, Steve Taylor, Chris Eldon Lee Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine. We endorse the recycling of our magazine and would encourage you to pass it on to others to read when you have finished with it. All works appearing in this publication are copyright. It is to be assumed that the copyright for material rests with the magazine unless otherwise stated. No part of this publication may be reproduced, or stored in an electronic system, transmitted in any form or by any means, electronic, mechanical, photocopied, recording or otherwise, without the prior knowledge and consent of the publishers. First Word Warwickshire October.qxp_Layout 1 24/09/2018 12:54 Page 1 Entertainment news from around the region RSC announces new line-up of shows for summer season 2019 New productions of As You Like It, The Taming Of The Shrew and Measure For Measure all feature in the Royal Shakespeare Company’s (RSC) recently announced pro- gramme for its 2019 summer season. Commenting on the line-up, RSC Artistic Director Gre- gory Doran said: “The season reflects the power of sto- rytelling in its most essential form, with the actor at the centre of the work. We’re creating a company which re- flects the nation in terms of gender, ethnicity, regional- ity and disability - 27 actors who will all appear in two out of the three plays. “We’re also making some exciting changes to the Royal Shakespeare Theatre auditorium specifically for this season, creating new perspectives on the action, truly exploiting the unique qualities of our thrust stage and showing our work in a completely new way.” For full details of the RSC’s summer programme and to book tickets for any of the shows, visit rsc.org.uk New summer music event The final date for entries is 31 January, and Lots to laugh about at the winner will be announced in late Febru- planned for Coventry ary. For more details and to enter, go to stratl- Leamington Spa festival Organisers of a new outdoor music festival itfest.co.uk/bookcompetition Leamington Spa Comedy Festival makes a taking place in Coventry next summer are welcome return this month. aiming to make the event one of the biggest Taking place at the town’s Royal Spa Centre the city has ever seen. Burlesque that will make from Sunday 7 to Saturday 13 October, the Entitled Soundscape, the festival is being 2018 edition of the event features Reginald D held in Ricoh Arena’s stadium bowl on Satur- you scream in Stratford! Hunter, Henning Wein, Juliette Burton and day 15 and Sunday 16 June. It will feature per- local lad Gary Delaney. Check out the full fes- formances by chart-topping artists and tival line-up at leamingtoncomedy.com leading acts from the indie, rock and alterna- tive scene. Commenting on the new festival, Dan Waltzing in a New Year’s Nelmes, director of the event’s producers, Showtime Live, said: “We’re aiming to make Day winter wonderland this the most memorable music event that’s Birmingham’s Symphony Hall is hosting a ever taken place in Coventry. There will be celebration of the music of Johann Strauss on something for all musical generations over New Year’s Day. the weekend, to make it the perfect summer Recreating ‘the glittering romance of a 19th gathering for the whole family” century Viennese ballroom’, Waltzing In A Winter Wonderland is a brand new show fea- turing Strauss favourites including Blue Children’s book prize now Danube Waltz, Radetzky March, Thunder A celebration of the dark and decadent side And Lightning Polka and Voices Of Spring. taking submissions... of burlesque and cabaret is coming to Strat- The Stratford-upon-Avon Literary Festival ford-upon-Avon this month. and the Salariya Book Company are now tak- A Midsummer Night's Scream: The Revenge ing submissions for their 2019 Children’s Pic- features burlesque, dance, magic, pole, ture Book Prize. sideshow, singing ‘and even a quick-change The competition is open to unpublished writ- act on a unicycle!’ Hosted by Steve Griffin ers and illustrators and has a prize value of and Nathan Jones, who describe themselves £1,000. The winner will receive career advice as ‘a pair of grifters, tricksters, conmen and from a leading literary agent and publicity award-winning magicians’, the show takes through the Stratford Literary Festival. They place at Stratford Playhouse on Thursday 18 may also be published by Salariya imprint October. For more information, visit midsum- Scribblers. mernightsscream.co.uk 4 whatsonlive.co.uk First Word Warwickshire October.qxp_Layout 1 24/09/2018 12:54 Page 2 First Word Celebrity chef Whoops it up with kids’ book debut Michelin-starred Birmingham chef Glynn Purnell has pub- lished a children’s book about his late Jack Russell. The Magical Adventures Of Whoops The Wonder Dog is aimed at primary school-aged children and tells the story of a little dog who uses her super- hero powers to stop evil neigh- bour Doctor Dactyl from pulling off the crime of the century. Commenting on his new book, Glynn said: “I still remember the vivid images from the magi- cal worlds of my favourite au- thors when I was younger - and I’m excited that I might be able to do the same here. “I got very involved in all Whoops’ adventures, even though I was writing them!” UK’s first Afrobeats musical heads to Coventry theatre A midnight cycle The UK’s first ever Afrobeats musical visits Coventry’s Belgrade Theatre this month (Thursday 4 to ride to save lives Saturday 6 October). First staged in London in 2013 and featuring a line-up of new black British talent, Oliva Tweest tells A midnight cycle ride in support the story of a young man with big ambitions who attempts to shake off his shady reputation in order of charities involved in suicide prevention takes place in the to carve out a serious career for himself in the entertainment business... To book tickets, call 024 7655 Midlands next month. 3055 or visit belgrade.co.uk Awesome Rides, Out Of The Dark starts at midnight on 10 November. Its route will cover Cathedral to Anselm Kiefer on display at the Herbert 60 miles of well-lit roads. For more information, visit awe- host massed An exhibition of work by one of Germany’s most significant post-war somerides.net choir event artists opens at the Herbert Art Gallery & Museum in Coventry this month. Coventry Cathedral is Spanning 40 years of Anselm Kiefer’s career, the new show explores this month hosting a A new direction for themes of national identity and collective memory, often addressing the historical broadcast legacy of Germany after the Second World War. Stratford orchestra performance commem- The exhibition, which shows from 19 October to 27 January, marks the Orchestra of the Swan’s new orating the centenary Herbert’s first collaboration with Artist Rooms, a touring collection of Artistic Director, David Le Page, of World War One. over 1,600 works of modern and contemporary art. The collection is dis- is looking forward to his first Blending music, narra- played in museums and galleries across the UK through a programme of season in his new post.
Recommended publications
  • In-Focus Report on the Main Five Broadcasters
    Diversity and equal opportunities in television In-focus report on the main five broadcasters Publication Date: 27 September 2018 Contents Section 1. Introduction 1 2. How diverse is the BBC Public Television Service? 3 3. How diverse is Channel 4? 15 4. How diverse is ITV? 27 5. How diverse is Sky? 39 6. How diverse is Viacom? 51 7. Social Mobility – Recommendations from the Bridge Group 60 Annex A1. Guidance from the Bridge Group 62 Diversity and equal opportunities in television: In-focus report on the main five broadcasters 1. Introduction 1.1 This In-focus report provides more in-depth analysis across each of the main five broadcasters1 and should be read in conjunction with the main report. 1.2 Each section gives an overview of the six protected characteristics for which we collected data, showing profiles for all UK employees across each broadcaster. The top row (purple) shows profiles for gender, racial group and disability, for which data provision was mandatory. The bottom row (blue) shows profiles for age, sexual orientation and religion or belief, for which provision was voluntary. 1.3 Though broadcasters were not required to provide the information requested on a voluntary basis, we consider these to be equally important characteristics that should be monitored to effectively assess how well equal opportunities are being promoted across the industry. We made it clear in our information request that, to provide context and transparency, we would be publishing information on who did and didn’t provide the data requested. 1.4
    [Show full text]
  • Blade Runner: the Final Cut Review – a Timeless Sci-Fi Classic | Film | the Guardian 22/01/2018 15:48
    Blade Runner: The Final Cut review – a timeless sci-fi classic | Film | The Guardian 22/01/2018 15:48 Blade Runner: The Final Cut review 6 a Mark Kermode, Observertimeless film sci:fi classic critic RidleySun 5 Apr 2015 Scott’s 07.59 1982BST masterpiece, back on the big screen in this definitive version, is an overwhelming experience ’ve seen things you people wouldn’t believe…” When making the 2000 documentary On the Edge of Blade Runner, I asked Rutger Hauer why he thought Harrison Ford was so reluctant to talk about what is now considered a timeless sci-fi classic. “He’s such a dumb character,” Hauer replied “I mischievously of Ford’s android-hunter Deckard. “He gets a gun put to his head and then he fucks a dish-washer!” Ford, with his Star Wars cachet, was Blade Runner’s top-line draw, but it’s Hauer’s movie all the way, his shimmering “replicant” providing the tonal touchstone for Ridley Scott’s severally reworked masterpiece. The Dutch actor even contributed his own infinitely quotable couplet to the film’s epochal “tears in rain” scene, a moment as iconic as Casablanca’s “Here’s looking at you, kid”. As for Deckard, the stooge who falls for Sean https://www.theguardian.com/film/2015/apr/05/blade-runner-final-cut-timeless-sci-fi-classic-review Page 1 of 2 Blade Runner: The Final Cut review – a timeless sci-fi classic | Film | The Guardian 22/01/2018 15:48 Young’s artificial charms in rain-drenched 2019 LA, Scott had his own way of explaining Ford’s robotic performance, a unicorn-themed conceit drawn not from Philip K Dick’s source but born out of a simple miscommunication between screenwriters Hampton Fancher and David Peoples.
    [Show full text]
  • Editorial Standards Committee Bulletin
    Editorial Standards Findings Appeals to the Trust and other editorial issues considered by the Editorial Standards Committee February 2016, issued March 2016 Getting the best out of the BBC for licence fee payers Contents Contents 1 Remit of the Editorial Standards Committee 2 Summary of findings 4 Appeal Findings 7 Panorama: GM Food - Cultivating Fe a r, BBC One, 8 June 2015 7 The Stephen Nolan Show, BBC Radio 5 Live, 3 April 2015, and more generally 25 Requests to review the Trust Unit’s decisions on appeals 31 Scotland 2015, BBC Two Scotland, 7 September 2015 31 Breakfast Show with Nick Grimshaw, BBC Radio 1, 6 August 2015 36 Appeals against the decisions of BBC Audience Services and BBC News not to correspond further with the complainant 39 Decision of BBC Audience Services not to respond further to a complaint about Israeli PM Benjamin Netanyahu's 44-second UN silence, BBC News online 40 Decision of BBC Audience Services not to respond further to a complaint about Kermode and Mayo’s Film Review, BBC Radio 5 live, 16 October 2015 44 Decision of BBC Audience Services not to respond further to a complaint about Inside Out (Yorkshire, East Yorkshire & Lincolnshire) 12 October 2015 47 Decision of BBC Audience Services not to respond further to a complaint about Today, Radio 4, 12 August 2015 52 Decision of BBC Audience Services not to respond further to a complaint about Today, BBC Radio 4, 6 October 2015 55 Admissibility decisions 58 Newsnight, BBC Two, 17 March 2015 59 Match of the Day 2, BBC One, 13 September 2015 61 In order to provide clarity for the BBC and licence fee payers it is the Trust’s policy to describe fully the content that is subject to complaints and appeals.
    [Show full text]
  • Newsletter Autumn 2020
    Campaign for Real Education www.cre.org.uk “Freedom to teach, freedom to learn, freedom to choose” Chairman: Chris McGovern Vice Chairman: Katie Ivens Secretary: Alison McRobb Treasurer: Dr. Anthony Freeman Newsletter No 104, Autumn 2020 Contents 01. Editorial ….. Page 2 02. Academic Freedom and the teaching of Black History ….. Page 3 03. Exam grade inflation has now spread to France ….. Page 5 04. England’s two-metre social distancing rule for Covid 19 epidemic was based on estimation of population’s stupidity ….. Page 5 05. Schooling according to the new Chipping Norton Set ….. Page 6 06. Are school leaders not sufficiently anti-racist? ….. Page 8 07. No Comment ….. Page 9 Page 1 of 9 Editorial The return to school has been an anxious time for many parents. How safe are they for pupils, let alone for teachers and other school staff? Are mums and dads putting themselves at risk by congregating around the school gate? Will asymptomatic youngsters spread the virus? And so on. In truth, however, most of us now realise that the only thing that would have been worse than re-opening schools, would have been to have kept them, mostly, closed. Many schools have worked heroically to provide online teaching. Millions of young people, though, have been missing out. Children from under-privileged backgrounds have suffered most of all. Parents with limited literacy or numeracy skills, themselves, are least able to support their offspring. The gulf between society’s ‘haves’ and ‘have-nots’ has been widening. Is it going to be possible for pupils, of whatever background, to catch up what they have missed this year in terms of schooling? Pupils preparing for next year’s GCSE and A-Levels are most affected and their parents are justifiably concerned.
    [Show full text]
  • The Performance and Materiality of the Processes, Spaces and Labor of VFX Production
    Sarah Atkinson Interactive ‘making-of’ machines: The performance and materiality of the processes, spaces and labor of VFX production Abstract This article analyzes and interrogates two interactive museum installations designed to reveal behind-the-scenes visual effects (VFX) materials from Inception (2010) and Gravity (2013). The multi-screen, interactive, and immersive installations were both created in direct collaboration with the VFX supervisors who were responsible for pioneering the new and innovative creative solutions in each of the films. The installations translate these processes for a wider audience and as such they not only provide rich sites for textual analysis as new ancillary forms of paratextual access, but they also provide insights into the way that VFX sector presents itself, situated within the wider context of the current global VFX industry. The article draws together critical production studies, textual analysis, and reflections from the industry which, combined, provide new understandings of these interactive forms of ancillary film “making-of ” content, their performative dimensions, and the labor processes that they reveal. Context their conception and presentation within the wider context of the current global VFX industry. This article analyzes and interrogates two interactive The decadent displays of VFX excess and access museum installations that were designed to reveal presented in both installations are representative of behind-the-scenes materials from Inception (2010) the currently flourishing VFX industry within the and Gravity (2013) in order to showcase the UK which has been boosted in recent years, by a acclaimed, breakthrough visual effects (VFX) of system of tax incentives which have been in place 3 each of the films.
    [Show full text]
  • Mark Kermode's Best Films of 2019
    Mark Kermode’s best films of 2019 @KermodeMovie - The Guardian Sun 29 Dec 2019 06.00 GMTLast modified on Tue 31 Dec 2019 15.51 GMT 2019 was the year that Netflix movies came of age, and ageing actors were made young again. At the 91st Oscars in February, the bland Green Book beat the superior BlackKklansman to the best picture award, although Spike Leewon his first competitive Oscar in the adapted screenplay category. Rami Malik scooped best actor for his portrayal of Freddie Mercury in Bohemian Rhapsody, but best actress Olivia Colman (The Favourite) stole the evening with one of the funniest and most self- deprecating acceptance speeches ever (complete with raspberry-blowing). More significantly, Alfonso Cuarón’s Roma won for cinematography, direction and best foreign language film, despite naysayers’ complaints that Netflix-backed movies were essentially made-for-TV films. That attitude is now history: in the forthcoming awards season, the platform has several contenders, including Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman. The Irishman marked a watershed moment for “digital de-ageing”, with innovative technology allowing Robert De Niro, Al Pacino and Joe Pesci to play characters much younger than themselves. We’ve seen de-aging elsewhere (from Captain Marvel to Gemini Man), but never this unobtrusively. Alongside the release of its first original animated feature, Sergio Pablos’s Klaus, Netflix also picked up distribution rights for I Lost My Body, which made history when it took the top prize in the Critics’ Week section at Cannes in May. More family-friendly releases – Frozen II, Toy Story 4 and a weirdly photorealist rehash of The Lion King – may have dominated the box office in 2019, but I Lost My Body was my favourite animated film of the year.
    [Show full text]
  • SFX’S Horror Columnist Peers Into If You’Re New to the Netflix Catherine Zeta-Jones Movie
    DOCTOR WHO JODIE WHITTAKER EXCLUSIVE SCI-FI 306 DAREDEVIL SEASON 3 On set with Over 30 pages the Man of pure terror! Without Fear featuring EXCLUSIVE! HALLOWEEN Jamie Lee Curtis and SUSPIRIA CHILLING John Carpenter on the ADVENTURES OF SABRINA return of Michael Myers THE HAUNTING OF HILL HOUSE OVERLORD BRUCE CAMPBELL SLAUGHTERHOUSE RULEZ AND LOADS MORE SCARES! ISSUE 306 NOVEMBER Contents2018 34 56 61 68 HALLOWEEN CHILLING DRACUL DOCTOR WHO Jamie Lee Curtis and John ADVENTURES Bram Stoker’s great-grandson We speak to the new Time Lord Carpenter tell us about new OF SABRINA unearths the iconic vamp for Jodie Whittaker about series 11 Michael Myers sightings in Remember Melissa Joan Hart another toothsome tale. and her Heroes & Inspirations. Haddonfield. That place really playing the teenage witch on CITV needs a Neighbourhood Watch. in the ’90s? Well this version is And a can of pepper spray. nothing like that. 62 74 OVERLORD TADE THOMPSON A WW2 zombie horror from the The award-winning Rosewater 48 56 JJ Abrams stable and it’s not a author tells us all about his THE HAUNTING OF Cloverfield movie? brilliant Nigeria-set novel. HILL HOUSE Shirley Jackson’s horror classic gets a new Netflix treatment. 66 76 Who knows, it might just be better PENNY DREADFUL DAREDEVIL than the 1999 Liam Neeson/ SFX’s horror columnist peers into If you’re new to the Netflix Catherine Zeta-Jones movie. her crystal ball to pick out the superhero shows, this third season Fingers crossed! hottest upcoming scares. is probably a bad place to start.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Dancehall, Rap, Reggaeton: Beats, Rhymes, and Routes Indicate If Seminar And/Or Writing II Course
    Music History 79 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number MUS HST 79 Course Title Dancehall, Rap, Reggaeton: Beats, Rhymes, and Routes Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. The course will analyze the history, aesthetics, and social relevance of the following musical genres: dancehall, rap, and reggaeton. In addition, it will introduce students to a variety of related musical genres and increase their ability to hear differences among styles of popular music and to interpret the meanings of such differences. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jerome Camal, Visiting Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Fall Winter Spring Enrollment Enrollment Enrollment 2011-2012 Fall Winter Spring x Enrollment Enrollment Enrollment 120 2012-2013 Fall Winter Spring Enrollment Enrollment Enrollment 5.
    [Show full text]
  • CKUL Levy Administration Still Uncertain by Krista Sneddon Tive Independence and FM Administrative Control in Nature of the University
    CKUL levy administration still uncertain By Krista Sneddon tive independence and FM administrative control in nature of the university. body is required to cast News Editor license application ofthe the hands of CKUL, the "In the past, CKUL votes votes to validate the out­ CKUL Radio Society. An society's Board of have been traditionally come. Fifty-percent plus he University unsuccessful vote would Governors will allocate political in nature," says one will constitute a suc­ of result in a continued funds appropriately. Dawson. "This vote really cessful vote. Lethbridge's vagueness with regard to Dawson notes, however, is a non-issue, merely fol­ "We are hoping to have campus radio which student body would that this move is not aimed lowing up on steps already the details of control station, control CKUL funds and at excluding students from taken by the Students' cleared up by the end of TCKUL, was faced with its hold the FM license. the administrative process. Union and CKUL." the semester so we can original levy vote three CKUL has received great The Board of Governors is The CKUL vote will be apply for our FM license," years ago. The student vote encouragement from the comprised of representa­ held in conjunction with says Dawson. resulted in a three dollar Students' Union in their tives from the Students' the Students' Union elec­ levy per student per semes­ fight for independence. Union, CKUL and the stu­ tions March Pth and 18th. ter. Unfortunately, policy The radio society is dent body at large, fully Ten percent of the student outlining which organiza­ involved in a rental agree­ encompassing the ideas tion would control the ment and was secured a and concerns of U of L administration of funds loan from the Students' students.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]