Lan Yuan: A Garden of Distant Longing: Book Review ian henderson Lan Yuan: A Garden of Distant Longing, James Beattie and Duncan Campbell, Ian Henderson is Lecturer, Department Dunedin: Dunedin Chinese Gardens Trust and Shanghai: Shanghai Museum, of Landscape Architecture, Unitec 2013; ISBN 978–0–473–25799–6 Institute of Technology Private Bag 92025, Auckland 1142, Aotearoa f some currency in landscape architecture is a concern with issues of place- New Zealand. Omaking and responsiveness to the particulars of locality (Burns & Kahn, Telephone: +64–9–815–4321 ext 7271 2005; Griffiths, 2013; Jackson, 1994; Relph, 1976). Recently, interest has been Fax: +64–9–815–2905 growing in the exchange of stylistically designed cultural artefacts in the form Email:
[email protected] of gardens. The new Chinese garden in Dunedin is one of these, and James Beattie and Duncan Campbell have chronicled its inception, commission and construction in Lan Yuan: A Garden of Distant Longing. While these two ideas – of localness and the exotic – may appear at polarity with each other, they may have more in common than is at first apparent. The title refers to the lot of the Cantonese gold miners who came to Otago in the latter part of the nineteenth century, for whom this garden is a memorial, and to the continuing place of following generations of these immigrants, for whom this garden is a celebration. The book begins with the story of these early arrivals, why they came and descriptions of the place from which they originated. It covers the construction of the built elements in China, their assemblage in Dunedin and aspects of design, typical of southern Chinese gardens of the Ming (1368–1644) and Ching (1644–1912) dynasties built by the literati.