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NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
Bonsai Times
ISSN 1177-7761 Volume 7 Issue 4 October / November / December 2013 Official Publication of NZBA BONSAI TIMES Hawkes Bay Bonsai Society CLUBS President Neil McCorkell – 06 878 7230 Contact: [email protected] Auckland Bonsai Society 18a White St, Taradale, Napier 4112 President Les Honeyfield— 09 576 7616 Meetings: 2nd Wed 7:30 Clive Community Hall, Napier Contact: [email protected] Matamata Bonsai Club Secretary: David Radue—09 535 7907 President Graeme Hancock Contact: [email protected] Kaimai View Garden Centre SH7, Matamata Meetings: 2nd Thurs 7:30pm Auckland Horticultural Meetings: By arrangement contact Graeme Council, 990 Great North Road, Western Springs, Auck- land http://sites.google.com/site/aucklandbonsaisociety/ Manawatu Bonsai President: Greg Tuthill Avon Bonsai Society Secretary: Rachel Beaver President Beverley Van Contact: [email protected] Sec: Lyn Kennedy, 45 Claridges Road, Bishopdale, Chch 8 Rewa Street, Takaro, Palmerston North 4412 Contact:[email protected] Meetings: 3rd Wednesday 7pm PN Community Leisure- Meetings: 1st Wed 7:30 Isleworth School, Centre, 569 Ferguson Street $2 hall hire Farrington Ave, Bishopdale, Christchurch Nelson Bonsai Bay of Plenty Bonsai Society President Nigel Sutton President John Vercoe Contact: [email protected] Sec: Sue Vercoe - 07 576 4874 11 Torlesse Street, Wakatu, Stoke, Nelson 7011 Contact: [email protected] Meetings: 1st Mon 7:30 (Except Public Holidays) Meetings: Last Sunday of the month phone 07 572 4345 Nikau Gardens, 411 Nayland Rd (Summer) Stoke Hall, for details Stoke (Apr/Aug) Website: http://bonsaibop.googlepages.com/ New Plymouth Bonsai Club Inc Blenheim Bonsai Kai President Glenys Jackson – 06 753 9644 President Dave Hunt - 03 577 8679 Contact: [email protected] Contact: [email protected] 4 Waiwera Place New Plymouth 4312 7 Hale Street, Blenheim Meetings: Last Sun 2pm Royal NZ Foundation for the Bonsai Study Group Blind, 131 Vivian, St, New Plymouth Bob Langholm - 09 629 3662 Otago Bonsai Society Contact: [email protected]. -
Lan Yuan: a Garden of Distant Longing: Book Review Ian Henderson
Lan Yuan: A Garden of Distant Longing: Book Review ian henderson Lan Yuan: A Garden of Distant Longing, James Beattie and Duncan Campbell, Ian Henderson is Lecturer, Department Dunedin: Dunedin Chinese Gardens Trust and Shanghai: Shanghai Museum, of Landscape Architecture, Unitec 2013; ISBN 978–0–473–25799–6 Institute of Technology Private Bag 92025, Auckland 1142, Aotearoa f some currency in landscape architecture is a concern with issues of place- New Zealand. Omaking and responsiveness to the particulars of locality (Burns & Kahn, Telephone: +64–9–815–4321 ext 7271 2005; Griffiths, 2013; Jackson, 1994; Relph, 1976). Recently, interest has been Fax: +64–9–815–2905 growing in the exchange of stylistically designed cultural artefacts in the form Email: [email protected] of gardens. The new Chinese garden in Dunedin is one of these, and James Beattie and Duncan Campbell have chronicled its inception, commission and construction in Lan Yuan: A Garden of Distant Longing. While these two ideas – of localness and the exotic – may appear at polarity with each other, they may have more in common than is at first apparent. The title refers to the lot of the Cantonese gold miners who came to Otago in the latter part of the nineteenth century, for whom this garden is a memorial, and to the continuing place of following generations of these immigrants, for whom this garden is a celebration. The book begins with the story of these early arrivals, why they came and descriptions of the place from which they originated. It covers the construction of the built elements in China, their assemblage in Dunedin and aspects of design, typical of southern Chinese gardens of the Ming (1368–1644) and Ching (1644–1912) dynasties built by the literati. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Hone Tuwhare Charitable Trust Newsletter 2014 from the Chair
Hone Tuwhare Charitable Trust Newsletter 2014 from the chair The Hone Tuwhare Trust was established in 2010 with Downes laid down a challenge by performing a new a simple kaupapa–’To inspire people through the song, and reminding us that our common purpose is preservation, promotion and celebration of Hone’s new forms of creativity and inspiration. In Dunedin, legacy.’ Hone Tuwhare was a poet, but he was many we saw that through musical and poetic performance, other things beside: husband, father, boilermaker, design and the art of the Dark Light Art Collective. soldier, scholar, and lover of people and this land. Today, we have the photographs of the remarkable Ans Westra, Catherine Griffiths’ and Kris Sowersby’s He was born in Northland, near Kaikohe, but spent typographic interpretations of Hone’s ‘Rain’ and his life almost equally in the North and South Islands. ‘Haiku,’ and a wonderful local seafood chowder In his later life, he chose to settle in Kaka Point, courtesy of the Kaka Point Cafe. centrally located in an arc between Invercargill, Gore and Dunedin. He also valued Kaka Point because it I’ll conclude with an extract from Hone’s poem provided a warm and welcoming community, who ‘Humming’, which fits well with our kaupapa, and has allowed him the time, inspiration, and solitary space a special place for me as I read it at my wedding to necessary to write. Amanda: Through his writings, and especially his readings at It is a house to be constructed with care halls such as this one, schools and prisons across for it has no confining walls New Zealand, he brought an emotive and humbling thus permitting expansion: vertical poetry into many people’s lives. -
Office for Contemporary Art Norway / Valiz
and Criticism and Indigenous Art, Curation Sovereign Words. Sovereign Words García-Antón Katya by Edited Tripura. Bikash Sontosh Tripura, Prashanta Tamati-Quennell, Megan Garneau, Biung Ismahasan, Kimberley Moulton, Máret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, ÁndeDaniel Somby, Browning, Kabita Chakma, Megan Cope, Santosh Kumar Das, Hannah Donnelly, Léuli Māzyār Luna’i Eshrāghi, David Indigenous Art, Curation and Criticism Office for Contemporary Art Norway / Valiz With this publication we pay respect to our peers in Sápmi, as well as to the myriad Indigenous histories, presents and futures harboured in lands and oceans across the world. We acknowledge their Ancestors and the stories of survivance (survival, resistance and presence) in the face of colonial mechanisms that are still ongoing. We also honour the agency possible in the constitution of alliances between Indigenous and non-Indigenous communities within the fields of culture and beyond. Sovereign Words. Indigenous Art, Curation and Criticism Edited by Katya García-Antón Office for Contemporary Art Norway Valiz, Amsterdam – 2018 7 Preface Katya García-Antón Sounding the Global Sovereign Histories Indigenous. Language, of the Visual Contemporaneity and Indigenous Art Writing 15 Can I Get a Witness? 63 Jođi lea buoret go oru. Indigenous Art Criticism Better in Motion than at David Garneau Rest. Iver Jåks 33 What Does or Should (1932–2007) ‘Indigenous Art’ Mean? Irene Snarby Prashanta Tripura 77 Toi te kupu, toi te mana, 47 History and Context of toi te whenua. The Madhubani (Mithila) Art Permanence of Language, Santosh Kumar Das Prestige and Land Megan Tamati-Quennell 97 Sovereignty over Representation. Indigenous Cinema in the Chittagong Hill Tracts of Bangladesh Kabita Chakma Statues, Maps, Stories Sovereign World-Building. -
The One Story and the Four Ways of Telling
The One Story and the Four Ways of Telling: The relationship between New Zealand literary autobiography and spiritual autobiography. A thesis submitted in partial fulfilment of the requirements for the Degree of Masters of Arts in English in the University of Canterbury DEPARTMENT OF ENGLISH UN!VEf,SITY OF c,wrrnmnw By CHRISTCHURCH, N.Z. Emily Jane Faith University of Canterbury 2001 ACKNOWLEDGEMENTS I would like to thank everyone who has given various forms of support during this two year production. Thanks especially to my Mum and Dad and my brother Nick, Dylan, my friends, and my office-mates in Room 320. Somewhere between lunch, afternoon tea, and the gym, it finally got done! A special mention is due to my supervisor Patrick Evans for his faith in me throughout. The first part of my title is based on Lawrence Jones' a1iicle 'The One Story, the Two Ways of Telling, and the Three Perspectives', in Ariel 16:4 (October 1985): 127-50. CONTENTS Abst1·act ................................................................................................................... 1 Introduction ........................................................................................................... 2 I. A brief history of a brief history: New Zealand literary autobiography (and biography) ................................................................................ 2 II. The aims and procedures of this thesis ................................................... 9 III. Spiritual autobiography: the epiphany ................................................. -
Towards 'Until the Walls Fall Down' an Intended History of New Zealand Literature 1932-1963
Towards 'Until the walls fall down' An intended history of New Zealand Literature 1932-1963 LAWRENCE JONES Those inclusive dates point to two generations, and crucial to my intended history is the distinction Lawrence fones is Associate Professor of English at the Uni between them. The first is that of the self-appointed versity of Otago. He is the author of Barbed Wire and makers of a national literature, mostly born after 1900 Mirrors - Essays on New Zealand prose. The following and before World War I. They arrive in three waves. text was presented at a Stout Research Centre Wednesday First there is a small group beginning Seminar, on 5 October 1994. in Auckland in the mid- and late-1920s- Mason (born 1905), A.R.D. I would like first to look at the terms of my title. 'To Fairburn (1904), and, off to one side and associated wards' and 'intended' are the first operative terms. This by them with the maligned older generation, Robin seminar is given at the beginning of a process of inten Hyde (1906). Then come the Phoenix-Unicorn-Griffin sive research, and any writing beyond notes and an and the Tomorrow-Caxton groups in Auckland and outline is an intention at this point, and the outline is Christchurch, (and some of their outlying friends), something to work towards, modifying and filling in. arriving between 1932 and 1935, incorporating Fairburn Next there is 'New Zealand Literature, 1932-1963', and Mason, and including M.H . Holcroft (1902), Frank with those oddly specific dates. The first is probably Sargeson (1903), Roderick Finlayson (1904), Winston obvious enough, the publication of the Phoenix at the Rhodes (1905), E.H. -
PNZ 47 Digital Version
Poetry NZNEW ZEALAND 47 featuring the poetry of 1 Harry Ricketts comment by Jack Ross & Bill Sutton Poetry NZ Number 47, 2013 Two issues per year Editor: Alistair Paterson ONZM Submissions: Submit at any time with a stamped, self-addressed envelope (and an email address if available) to: Poetry NZ, 34B Methuen Road, Avondale, Auckland 0600, New Zealand or 1040 E. Paseo El Mirador, Palm Springs, CA 92262-4837, USA Please note that overseas submissions cannot be returned, and should include an email address for reply. Postal subscriptions: Poetry NZ, 37 Margot Street, Epsom, Auckland 1051, New Zealand or 1040 E. Paseo el Mirador, Palm Springs, CA 92262-4837, USA Postal subscription Rates: US Subscribers (by air) One year (2 issues) $30.00 $US24.00 Two years (4 issues) $55.00 $US45.00 Libraries: 1 year $32.00 $US25.00 Libraries: 2 years $60.00 $US46.00 Other countries One year (2 issues) $NZ36.00 Two years (4 issues) $NZ67.00 Online subscriptions: To take out a subscription go to www.poetrynz.net and click on ‘subscribe’. The online rates are listed on this site. When your subscription application is received it will be confi rmed by email, and your fi rst copy of the magazine will then be promptly posted out to you. 2 Poetry NZ 47 Alistair Paterson Editor Puriri Press & Brick Row Auckland, New Zealand Palm Springs, California, USA September 2013 3 ISSN 0114-5770 Copyright © 2013 Poetry NZ 37 Margot Street, Epsom, Auckland 1051, New Zealand All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the written permission of the publisher. -
THEY WALKED the STREETS THAT WE DO the Reallty of Consplracles a LOVE LETTER to Llterature
THEY WALKED THE STREETS THAT WE DO THE REALITY OF CONSPIRACIES A LOVE LETTER TO LITERATURE ISSUE 10 Nina Harrap examines how Lucy Hunter explores the Laura Starling takes us on a journey May 5, 2014 Dunedin has impacted its most conspiracies that happened and the from Dunedin’s Scottish roots to critic.co.nz famous writers. PAGE 20 theories that didn’t. PAGE 24 lost poetry. PAGE 28 ISSUE 10 May 5, 2014 NEWS & OPINION FEATURES CULTURE ABOVE: From "They walked the 20 | THEY WALKED THE STREETS THAT WE DO 32 | LOVE IS BLIND streets that Dunedin has been impacted by its writers, but how have the writers 33 | ART we do” been impacted by Dunedin? Critic examines the lives of Janet Frame, 34 | BOOKS Illustration: James K. Baxter and Charles Brasch, the city’s instrumental place in Daniel Blackball their writing, and the legacy they’ve left behind. 35 | FASHION By Nina Harrap 36 | FILM COVER: 04 | OUSA TO BEER COMPETITION 38 | FOOD From "The OUSA’s Dunedin Craft Beer and Food reality of Festival will this year be held on 4 Octo- 39 | GAMES conspiracies” ber at Forsyth Barr Stadium, but finds 24 | THE REALITY OF CONSPIRACIES 40 | MUSIC competition from Brighton Holdings Illustration: The problem with laughing at conspiracy theories is that they actually 42 | INTERVIEW Daniel Blackball Ltd, who assisted OUSA in contacting happen. Governments, corporations, and regular people sometimes breweries and gaining sponsorship for do horrible things to each other for personal gain. And they 44 | LETTERS last year’s festival. sometimes even manage to keep it secret. -
Otago Abroad
Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003.