DOCSLIB.ORG

Disaster Movie Or New Jerusalem? Alternative Urban Scenarios for the 21St Century

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Disaster Movie Or New Jerusalem? Alternative Urban Scenarios for the 21St Century 37: 2 (2008) ss. 5–15 YMPÄRISTÖ ALUE JA Malcolm Miles Disaster movie or New Jerusalem? Alternative urban scenarios for the 21st century Through the 1990s, a strand in urban commentary Introduction depicted contemporary cities as sites of dystopia. Mike Davis, for instance, likens the future scenario of In 1998, Mike Davis (1998) likened the future Los Angeles to the scripts of disaster movies. When scenario of Los Angeles to the standard plot of a the attack on the World Trade Centre in New York – disaster movie. Post-industrial cities, it seemed, known as 9-11 – brought the projected disaster into were dystopia, now framed in the categories of reality television with repeated scenes of the falling post-modern architectural discourse. From the towers, it seemed this script had served its purpose 1920s to the 1960s, the city of international (although since then it has been reincorporated modernism was intended to provide security, into projections of climate change). This dystopian decent housing and public services for all through imagery contradicts earlier modernist ideas of the the agency of rational planning. But by the city as a location of a new, utopian social order 1990s the dream had crumbled. Cities – Los from the 1920s to the 1960s. This idealism builds on Angeles in particular – were sites of insecurity and romanticised images of the city as a site of culture disintegration as the affluent class withdrew to in an uncultured landscape, or a place of safety, a gated compounds (in a phenomenon called white citadel, in face of wild nature. A difficulty uniting flight), and streets became zones of crime and the dystopian and utopian images of these kinds is that arbitrary power of privatised security agencies. both tend to universalise the experience of urban In 1992, the disaffected vented their frustration dwelling while privileging the plan and the design in Los Angeles and other North American cities. over the material reality. At the level of everyday life, Leonie Sandercock (1998: 11) recalls: as Lefebvre and de Certeau argued, urban space is produced in another way by its inhabitants. Similarly, “Twilight, Los Angeles, 29 April 1992. … The taking the argument to today’s alternative society and city is burning. As the smoke and the glow from its ecological and socially equitable settlements, new the fires begin to rise over the city, millions of social practices emerge as moments of liberation horrified citizens huddle in front of TV sets which within the restrictions of present structures of transmit images that confirm everyone’s worst power. The paper outlines this argument, and gives nightmares”. several examples of alternative urbanism. It makes no claim that these practices constitute an ideal The burning followed a not-guilty verdict on four society, but rather re-frames the utopian within white policemen tried for violent assault on a the everyday as a really possible future other than black citizen. But in all parts of the industrialised catastrophe. world – the global North – structural economic changes caused new insecurities for both blue- and Key words: alternative urbanism, dystopian city, white-collar workers. In many cities, by the 1990s, urban space, utopian image manufacturing had been replaced by immaterial 5 37: 2 (2008) ss. 5–15 production to leave vast areas of vacant industrial lots, while redundant industrial buildings were used for cultural purposes and the mall became a ubiquitous consumer space, often privatizing city streets watched by security cameras. In the first section of the paper I look at three overlapping aspects of cities in the post-industrial ALUE JA YMPÄRISTÖ ALUE JA economy – the city as a war-zone; the city of symbolic economies; and the city as ruin. In the second section, I turn to contemporary utopian possibilities, aware that a frequent criticism of utopias is that they cannot accommodate change. Yet Richard Sennett (1995: 155) and Edward Soja (2000: 248) remind us that city air makes people Figure 1. Paley Park, New York City. All figures are the author’s original photographs free (Stadt Luft macht frei) – or was said to do so in the port-cities of the Hanseatic League. I take this sentiment as a basis for really possible urban The difficulty is that such spaces tend to utopias today, within the dominant society in, as figure in a privatisation of public urban space yet, localised experimental models such as eco- and subsequent re-coding for consumption. The villages – the research and development work for planners in Barcelona welcomed the new mall a new society. (figure 2) near their offices because it gave young people a place to socialize in a subway café.1 Non- Section I affluent groups use malls for their own purposes, hanging-out instead of consuming (Miles 2003), City as War Zone but the commonplace use of private security firms to guard such sites suggests that non-standard uses In City of Quartz, Mike Davis observes the white suburbs of Los Angeles. He sees “carefully manicured Lawns” and “ominous little signs warning ‘Armed Response!’” while the most affluent areas were constituted as gated compounds “behind walls guarded by gun-toting private police and state- of-the-art electronic surveillance” (Davis 1990: 223). Davis notes that middle-class people have access to facilities in cafés and art galleries, but the homeless, whose sleep in the park is broken by randomly activated sprinklers, have only the street for convenience. Forced to relieve themselves in the street, homeless people’s behaviour reinforces their status as outside civil society. The term street people becomes pejorative, and streets are seen as dangerous. (Davis 1990: 226, 235.) But even the burnt-out sites of civil disorder are opportunities for redevelopment. The provision of new public open spaces is ubiquitous in urban redevelopment. This has some validity. Sites such as Paley Park in Manhattan attract high levels of use (figure 1). William H. Whyte (1980) shows, using time-lapse cameras in the 1970s, that such small urban social spaces are more likely to be successful when they offer a variety of spaces, planting, water features, a café, and moveable seating which users configure as they like. Figure 2. The New Urban – a mall in Barcelona 6 37: 2 (2008) ss. 5–15 YMPÄRISTÖ ALUE JA are at best tolerated (and not always). New centres create new margins, geographically and psychologically. When the new public spaces of a city constitute a celebration of global consumerism, those to whom it is denied become marginal people. For those who access consumerism, the presence of the marginal breeds fear. Zygmunt Bauman (2000: 38) notes, “Ours is a time of patented locks, burglar alarms, barbed- wire fences, neighbourhood watch and vigilantes …”. Insecurity leads to compulsive life-style consumerism as defence against being no-one; and, implies that those for whom such consumption is not accessible are non-people, to be generalized as Figure 3. Section of the Berlin Wall in Manhattan the underclass. The underclass has no power, unlike the the free world (figure 3). The style is like that of traditional working class which exercised its power the subway, and among those who added graffiti in France in the general strike of May 1968. to the Berlin Wall was New York street artist Keith Among the visual signs of its existence is graffiti. Haring. Then, graffiti was bought by art dealers. This was an issue in New York from the 1970s, Jean-Michel Basquiat, previously known by his tag, when graffiti on subway trains was perceived as a SAMO (Cresswell 1996: 36), became an art-star. sign of an underclass living, literally, underground Perhaps it is a question of place, or in subway tunnels. Tim Cresswell (1996: 37) dominant perceptions of an urban environment observes a sense of dissolution in the popular corresponding to underlying anxieties. Graffiti is press, for whom graffiti was a new plague: annoying, often tediously repetitive, but its status as sign of social collapse requires explanation. “Throughout the 1970s graffiti is referred to Cresswell (1996: 38) cites anthropologist Mary variously as garbage, pollution, obscenity, an Douglas (1996), for whom dirt is matter out of epidemic, a disease, a blight, a form of violence, place, differently constructed in different societies. dangerous, and a product of the mad, the ghetto, Cresswell (1996: 39) cites Julia Kristeva (1983) and the barbarian.” for whom dirt, or that which pollutes, exceeds its boundary. Marginalised (like the Freudian Cresswell (1996: 38) cites a letter in the New York repressed), it returns to disrupt the centre. For Times, “’No civilized metropolis … would endure Kristeva this applies to the place and status of such garbage and its continuing proliferation … women. It can equally be applied to the place shocks many visitors and repulses untold numbers of and status of the vagrant and insane, who were local travelers.’” Similarly, Richard Sennett (1990: excluded from the visible streets of Paris to be 206) quotes a subway passenger: removed to the Hôpital Général in 1656, in what Michel Foucault (1967: 38–64) calls the great “I do not find myself consciously making the confinement. Perhaps this is the beginning of the connection between the graffiti-makers and the city-as-war-zone, in the demarcation of boundaries criminals who occasionally rob, rape and assault between what can be seen in a city and what is to passengers … [but] the sense that all are part be removed from sight. of one world of uncontrollable predators seems To take this argument one further, Rosi inescapable. … their ever-present markings serve Braidotti (2006: 48) writes that, following to persuade the passenger that … the subway is Foucault’s analysis of the production of the a dangerous place.
Load more

Recommended publications
  • From the Culture Industry to the Society of the Spectacle: Critical Theory and the Situationist International
    FROM THE CULTURE INDUSTRY TO THE SOCIETY OF THE SPECTACLE: CRITICAL THEORY AND THE SITUATIONIST INTERNATIONAL Kevin Fox Gotham and Daniel A. Krier ABSTRACT Since Karl Marx fashioned his theory of capitalism in the nineteenth century, scholars have continually updated Marxian theory to capture the pervasiveness of commodity relations in modern society. Influenced by Georg Luka´cs and Henri Lefebvre, the members of the French avant- guard group, the Situationist International (1957–1972), developed an intransigent critique of consumer capitalism based on the concept of the spectacle. In the spectacle, media and consumer society replace lived experience, the passive gaze of images supplants active social participa- tion, and new forms of alienation induce social atomization at a more abstract level than in previous societies. We endeavor to make two theoretical contributions: First, we highlight the contributions of the Situationist International, pointing out how they revised the Marxian categories of alienation, commodification, and reification in order to analyze the dynamics of twentieth century capitalism and to give these No Social Science Without Critical Theory Current Perspectives in Social Theory, Volume 25, 155–192 Copyright r 2008 by Emerald Group Publishing Limited All rights of reproduction in any form reserved ISSN: 0278-1204/doi:10.1016/S0278-1204(08)00005-4 155 156 KEVIN FOX GOTHAM AND DANIEL A. KRIER concepts new explanatory power. Second, we build a critical theory of consumer capitalism that incorporates the theoretical assumptions and arguments of the Situationists and the Frankfurt School. Today, critical theory can make an important contribution to sociology by critically examining the plurality of spectacles and their reifying manifestations.
    [Show full text]
  • Henri Lefebvre and the Production of Music Streaming Spaces (Doi: 10.2383/82481)
    Il Mulino - Rivisteweb Robert Prey Henri Lefebvre and the Production of Music Streaming Spaces (doi: 10.2383/82481) Sociologica (ISSN 1971-8853) Fascicolo 3, settembre-dicembre 2015 Ente di afferenza: () Copyright c by Societ`aeditrice il Mulino, Bologna. Tutti i diritti sono riservati. Per altre informazioni si veda https://www.rivisteweb.it Licenza d’uso L’articolo `emesso a disposizione dell’utente in licenza per uso esclusivamente privato e personale, senza scopo di lucro e senza fini direttamente o indirettamente commerciali. Salvo quanto espressamente previsto dalla licenza d’uso Rivisteweb, `efatto divieto di riprodurre, trasmettere, distribuire o altrimenti utilizzare l’articolo, per qualsiasi scopo o fine. Tutti i diritti sono riservati. Symposium / Other Senses of Place: Socio-Spatial Practices in the Contemporary Media Environment, edited by Federica Timeto Henri Lefebvre and the Production of Music Streaming Spaces by Robert Prey doi: 10.2383/82481 Human reasoning is innately spatial. [W]e are embodied, situated beings, who comprehend even disembodied commu- nications through the filter of embodied, situated experience [Cohen 2007, 213]. This appears to be why we constantly invoke place- and space-based metaphors to describe our online experiences. We visit a website; we join a virtual community in cyberspace, etc. However, to take the spatiality of “cyberspace” for granted is to forfeit any critical questioning of precisely how and why this network of networks has been spatialized. As Christian Schmid puts it, space ‘in itself’ can never serve as an epistemological starting position. Space does not exist ‘in itself’; it is produced [2008, 28]. This is where turning to the late French philosopher Henri Lefebvre becomes particularly useful.
    [Show full text]
  • Understanding Henri Lefebvre
    Understanding Henri Lefebvre Theory and the Possible Stuart Elden continuum LONDON • NEW YORK Continuum The Tower Building, 15 East 26th Street 11 York Road New York London SE1 7NX NY 10010 www.continuumbooks.com © Stuart Elden 2004 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN: 0-8264-7002-5 (HB) 0-8264-7003-3 (PB) Typeset by Refinecatch Ltd, Bungay Suffolk Printed and bound in Great Britain by MPG Books Ltd, Bodmin, Cornwall Contents Acknowledgements v Introduction: Henri Lefebvre 1901-91 1 1 Rethinking Marxism 15 A new reading of Marx 15 The 'juvenile presumptions' of existentialism 19 Structuralism as the French ideology 22 Logic and dialectics 27 Applications of the dialectic 36 Alienation 39 Production 43 The Party and beyond 46 2 Engaging with philosophy 65 Beyond Marxism 65 The Philosophies group, Schelling and Hegel 67 Nietzsche against the fascists 73 Heidegger and the metaphysics of the Grand Guignol 76 Metaphilosophy 83 Descartes and literature 85 3 The critique of everyday life 110 A day in the life 111 A critique of the present 115 Festival and revolution 117 4 From the rural to the urban 127 The town and the country 129 A sack of potatoes 135 Reading rural spaces 13 7 The
    [Show full text]
  • Political Space in the Work of Henri Lefebvre: Ideology and Utopia
    5/2012-13 Political Space in the Work of Henri Lefebvre: Ideology and Utopia Grégory BUSQUET, UMR LAVUE (Mosaïques), Université Paris Ouest Nanterre The ideas of philosopher and sociologist Henri Lefebvre (1901-1991) are currently experiencing a revival in urban studies in France, while his theories on the city and urban society have been discussed and modified for many years in Anglophone social science literature. This new interest, which moreover extends to Europe, demonstrates however various uses of his philosophy: while some attempt to draw practical applications and to identify the influences of his theories on the practices of The Production of Space and on the usual uses of The Right to the City (Stanek, 2011), some philosophical or biographical exegeses ignore the concrete purpose of his reflections, namely, the socio-spatial processes of alienation, and occasionally at the same time turn up their noses at the setting in which they are expressed (social, political, urbanistic, etc.) and the conditions of their development. While some depoliticize his philosophy, giving it the currently popular slant (post-marxist) and emptying it of its subversive content and emancipating aim, as well as all references to conflict and the class struggle, others, conversely, especially abroad in the work of the supporters of Anglo-Saxon “radical geography”, take their inspiration from Lefebvre and do not allow their thoughts on space to be disassociated from an analysis of class or an analysis in terms of politics1. This article would be in alignment with the latter perspective, resituating Lefebvre’s thought on space and all its criticism, theoretical and practical alike, at the heart of that which in our opinion makes it unique, namely, it’s relationship with the political.
    [Show full text]
  • Culture Jamming
    Acknowledgements First and foremost, I would like to thank Vincent de Jong for introducing me to the intricacy of the easyCity action, and for taking the time to answer my questions along my exploration of the case. I also want to thank Robin van t’ Haar for his surprising, and unique, contribution to my investigations of the easyCity action. Rozalinda Borcila, the insights you have shared with me have been a crucial reminder of my own privilieged position – your reflections, I hope, also became a marker in what I have written. Also, I would like to thank others that somehow made my fieldwork possible, and influenced my ‘learning’ of activism and culture jamming. Of these I would especially like to thank Nina Haukeland for introducing me to the politics of activism, Kirsti Hyldmo for reminding me of the realities of exploitation, Åse Brandvold for a skilled introduction to the thoughts and tools of culture jamming, and Maria Astrup for showing me the pleasures and powers of aesthetics. Also, I would like to thank the Norwegian Adbusters Network, and the editorial groups of Vreng. To my main advisor Professor Kristian Stokke, I would like to thank you for the excellent support you have given me throughout my master studies. Your insights have been of grate value, and I cannot thank you enough for continually challenging me. Also, the feedback from Olve Krange, my second advisor, was crucial at the early stage of developing the thesis, to defining its object of inquiry, and finally when writing my conclusion. I would also like to express my appreciation to Professor Oddrun Sæther for an excellent introduction to the field of cultural studies, to Professor Matt Sparke at the University of Washington for demonstrating the intriguing complexities of political geography, and to PhD candidate Stephen Young, for proof reading and fruitful inputs at the final stage of writing.
    [Show full text]
  • Cities Within the City: Doityourself Urbanism and the Right to the City
    bs_bs_banner Volume 37.3 May 2013 941–56 International Journal of Urban and Regional Research DOI:10.1111/1468-2427.12053 Cities within the City: Do-It-Yourself Urbanism and the Right to the City KURT IVESON Abstract In many cities around the world we are presently witnessing the growth of, and interest in, a range of micro-spatial urban practices that are reshaping urban spaces. These practices include actions such as: guerrilla and community gardening; housing and retail cooperatives; flash mobbing and other shock tactics; social economies and bartering schemes; ‘empty spaces’ movements to occupy abandoned buildings for a range of purposes; subcultural practices like graffiti/street art, skateboarding and parkour; and more. This article asks: to what extent do such practices constitute a new form of urban politics that might give birth to a more just and democratic city? In answering this question, the article considers these so-called ‘do-it-yourself urbanisms’ from the perspective of the ‘right to the city’. After critically assessing that concept, the article argues that in order for do-it-yourself urbanist practices to generate a wider politics of the city through the appropriation of urban space, they also need to assert new forms of authority in the city based on the equality of urban inhabitants. This claim is illustrated through an analysis of the do-it-yourself practices of Sydney-based activist collective BUGA UP and the New York and Madrid Street Advertising Takeovers. Introduction In many cities around the world we are presently witnessing the growth of, and interest in, a range of micro-spatial urban practices that are reshaping urban spaces.
    [Show full text]
  • …”The City Is an Oeuvre, Closer to a Work of Art Than to a Simple Material Product.” Henri Lefebvre
    …”the city is an oeuvre, closer to a work of art than to a simple material product.” Henri Lefebvre Connotations of ephemeral spaces of consumption: a case study in Singapore’s Little India Adriana Gonzalez Brun Little India Little India 1880s and 1980s SoHo or Theme park? Ephemeral spaces of consumption Ephemeral spaces of consumption Ephemeral spaces of consumption Fragments within a fragment Ephemeral events that punctuate the official urban master plan. The product of complex contestations and creative tactics. Composed by in between fragments. Campbell Lane Along Serangoon Road Street astrologer Thank you Bibliography and image credits Baudrillard, J. (2003) The consumer society: Myths and structures (London: Sage Publications) Bermann, M (1982), All that is solid melts into air (New York: Penguin books) Borden, I., Kerr, J., Pivaro, A. and Rendell, J. (eds) (1996) The unknown city ( London:Routledge) Chang, L. (2000) ‘Singapore’s Little India: A Tourist Attraction as a Contested Landscape’, Urban Studies, Vol.37, n.2 Chua, B.‐H. (2003) Life is not complete without shopping (Singapore: NUS Press) Clarke, D. (2010)“The seduction of space” in M. Goodman, D. Goodman and M. Redclift (eds) Consuming Spaces: Placing Consumption in Perspective (Burlington: Ashgate Publishing Company) Debord, G. (1994) The society of Spectacle (New York: Zone Books) De‐Certeau M. (1988) The Practice of Everyday Life (Berkeley: University California Press) Foucault, M. (1986) ‘Of Other Spaces’, Diacritics, 24(22) Hardt, M and Negri A. (2009) Commonwealth (Cambridge: The Belknap Press of Harvard University Press) Kellner, D. ‘Jean Baudrillard and Art’, http://gseis.ucla.edu/faculty/kellner/essays/baudrillardandart.pdf .(accessed 12 July 2012) Kong, L.
    [Show full text]
  • The Critique of Real Abstraction: from the Critical Theory of Society to the Critique of Political Economy and Back Again
    The Critique of Real Abstraction: from the Critical Theory of Society to the Critique of Political Economy and Back Again Chris O’Kane John Jay, CUNY [email protected] There has been a renewed engagement with the idea of real abstraction in recent years. Scholars associated with the New Reading of Marx, such as Moishe Postone, Chris Arthur, Michael Heinrich, Patrick Murray, Riccardo Bellofiore and others,1 have employed the idea in their important reconstructions of Marx’s critique of political economy. Alberto Toscano, Endnotes, Jason W. Moore and others have utilized and extended these theorizations to concieve of race, gender, and nature as real abstractions. Both the New Reading and these new theories of real abstraction have provided invaluable work; the former in systematizing Marx’s inconsistent and unfinished theory of value as a theory of the abstract social domination of capital accumulation and reproduction; the latter in supplementing such a theory. Yet their exclusive focus on real abstraction in relation to the critique of political economy means that the critical marxian theories of real abstraction -- developed by Alfred Sohn- Rethel, Theodor W. Adorno and Henri Lefebvre -- have been mostly bypassed by the latter and have largely served as the object of trenchant criticism for their insufficient grasp of Marx’s theory of value by the former. Consequently these new readings and new theories of real abstraction elide important aspects of Sohn-Rethel, Adorno and Lefebvre’s critiques of real abstraction; which sought to develop Marx’s critique of political economy into objective-subjective critical theories of the reproduction of capitalist society.2 However, two recent works by 1 Moishe Postone’s interpretation of real abstraction will be discussed below.
    [Show full text]
  • Eco-Collaboration Between Higher Education and Ecovillages A
    Partnerships for Sustainability: Eco-Collaboration between Higher Education and Ecovillages A PROJECT SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Kiernan Jeanette Gladman IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF LIBERAL STUDIES February 2014 ©Kiernan Jeanette Gladman 2014 For John May the soles of our shoes wear down together. i Paradise (John Prine) When I was a child, my family would travel Down to western Kentucky where my parents were born And there's a backwards old town that's often remembered So many times that my memories are worn Chorus: And Daddy, won't you take me back to Muhlenberg County Down by the Green River where Paradise lay Well, I'm sorry, my son, but you're too late in asking Mister Peabody's coal train has hauled it away Well sometimes we'd travel right down the Green River To the abandoned old prison down by Adrie Hill Where the air smelled like snakes and we'd shoot with our pistols But empty pop bottles was all we would kill Chorus And the coal company came with the world's largest shovel And they tortured the timber and stripped all the land Well, they dug for their coal till the land was forsaken Then they wrote it all down as the progress of man Chorus When I die let my ashes float down the Green River Let my soul roll on up to the Rochester dam I'll be halfway to Heaven with Paradise waitin' Just five miles away from wherever I am Chorus ii CONTENTS ILLUSTRATIONS ...............................................................................................................
    [Show full text]
  • Henri Lefebvre Published by the University of Minnesota Press
    HENR LEFEBVRE TOWARD AN ARCH TECTURE OF ENJOYMENT Edited by l:.ukasz Stanek I Translated by Robert Bononno TOWARD AN ARCHITECTURE OF ENJOYMENT Also by Henri Lefebvre Published by the University of Minnesota Press The Urban Revolution Translated by Robert Bononno Foreword by Neil Smith Dialectical Materialism Translated by John Sturrock Foreword by Stefan Kipfer State, Space, World: Selected Essays Edited by Neil Brenner and Stuart Elden Translated by Gerald Moore, Neil Brenner, and Stuart Elden Also on Henri Lefebvre Published by the University of Minnesota Press Henri Lefebvre on Space: Architecture, Urban Research, and the Production of Theory Łukasz Stanek TOWARD AN ARCHITECTURE OF ENJOYMENT Henri Lefebvre EDITED BY ŁUKASZ STANEK TRANSLATED BY ROBERT BONONNO University of Minnesota Press Minneapolis • London This book was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts. English translation copyright 2014 by Robert Bononno Introduction copyright 2014 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South, Suite 290 Minneapolis, MN 55401– 2520 http://www.upress.umn.edu Library of Congress Cataloging-in-Publication Data Lefebvre, Henri, –, author. [Vers une architecture de la jouissance. English] Toward an architecture of enjoyment / Henri Lefebvre; edited by Lukasz Stanek; translated by Robert Bononno. Includes bibliographical references and index. ISBN ---- (hc) ISBN ---- (pb) .
    [Show full text]
  • Exploring the Zegg-Forum.Pdf
    Creation, Discovery and Community Formation in the ZEGG Forum by Thea Tupelo and Graham Meltzer In November 2005, we attended a five‐day course at ZEGG (Center for Experimental Cultural Design), located in Belzig, Germany. ZEGG is a large, well‐known, long standing intentional community that has featured in many Communities Magazine articles. The course, Forum I, was an introduction to the fundemental principles and practices of the Forum, a social technology developed and refined at ZEGG over 25 years; it is a critical component of their 'social glue'. We were both very moved and inspired by the experience and decided to jointly write this article as an expression of our appreciation. We came to the course from different directions and backgrounds. So we feel it's appropriate to write separately of our experiences and impressions. Graham's take is that of a social researcher and part‐time communal dweller. Thea has lived for many years at Twin Oaks, another long‐standing flagship community located in Virgina, USA. Thea's take ... For me, living in community has always been a personal and collective process of creating and discovering common values among diverse individuals. In my home community of Twin Oaks, it was a vision of a Walden. Two community (a la B.F. Skinner) that brought our founders together originally, but over the years we have emerged as one of the more philosophically diverse populations in the Intentional Communities Movement. We have developed many systems and practices over a period of nearly 35 years which have contributed to the creation of a stable and viable alternative to the mainstream society, and in my 6 1/2 years of membership here I've sought to understand the essential unity which underlies all the daily rituals that make up our communal life: our work, our self‐governance, our play, our art, and our support systems.
    [Show full text]
  • Den Okände (?) Grannen Tysklandsrelaterad Forskning I Sverige
    %FO PLÅOEF HSBOOFO 5ZTLMBOETSFMBUFSBE GPSTLOJOHJ4WFSJHF 4$)8&%*4$)&1&341&,5*7&/ 4$)3*'5&/%&4;&/536.4'¾3%&654$)-"/%456%*&/ Den okände (?) grannen Tysklandsrelaterad forskning i Sverige Centrum för Tysklandsstudier Södertörns högskola Zentrum für Deutschlandstudien Mai-Brith Schartau & Helmut Müssener (red.) Hochschule Södertörn S-141 89 Huddinge 2005 Schwedische Perspektiven. Schriften des Zentrums für Deutschlandstudien 4 ISSN 1651-8209 ISBN 91-974662-3-9 © Centrum för Tysklandsstudier/Zentrum für Deutschlandstudien Södertörns högskola 2005 Publicerad med stöd från Östersjöstiftelsen Fritz, Peter “Ort der Gefangennahme: Schweden” – Zur 145 Innehållsförteckning Auslieferung von Angehörigen der Deutschen Wehrmacht an die Sowjetunion 1945/1946 Förord 7 Frohnert, Pär Vergangenheitsbewältigung efter murens fall. 166 Der SPIEGEL och Historiedebatterna kring Abraham, Nils Die Rolle der Freundschaftsgesellschaft 9 Förintelsen och tredje riket. “Schweden-DDR” in der Auslandspropaganda der DDR gegenüber Schweden nach 1972 Gesche, Janina Ein Roman – zwei Lesarten. Die Blechtrommel 197 von Günter Grass in schwedischer und polnischer Almgren, Brigitta “Im Bannkreis der Ostsee.” Retorik och politik 30 Kritik. kring Östersjön i svensk-tyska förbindelser Hatemi, Abdulnasser/ The Development of the German Economy since 214 Bannert, Robert/ MuSIN: Om nybörjartyska som forskningsprojekt 45 Schuller, 1995 – A View from Outside Forsgren, Kjell-Åke Bernd-Joachim Brylla, Charlotta “Ty nyordning i en eller annan form kommer vi inte 57 Herrmann, Elisabeth Wo eigentlich liegt Deutschland von Schweden 242 Ifrån.” Nazistiskt ordbruk i svenska ordböcker och aus gesehen? Bortom de sju bergen. Tyska bilder dagstidningar 1993-1945 1958-1994 von Kaj Fölster als Beitrag der Kulturvermittlung Dodillet, Susanne Kulturkrock prostitution – prostitutionsdebatter 75 i Sverige och Tyskland mellan 1990 och 2002 Jendis, Mareike Perspektive und Fluchtpunkt.
    [Show full text]